GOYA (SPANISH 1746-1828) Que Se La

Francisco Goya (Spanish, 1746-1828), burnished drypoint etching, plate 77 titled 'Que se Rompe la Cuerda' from the 1868 publication 'Los Desastres de la Guerra'. Dimensions are: Frame size: 15 3/8 inc

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco GoyaSpanish (1746-1828)Five Pieces: 1] "Nadie se conoce" 2] "Dios la perdone. Y era su madre" 3] "Bien tirada está" 4] "Linda maestro" 5] &quot

Francisco Goya (Spanish, 1746-1828) Etching On Paper, C. 1863, Se Aprovechan From Los Desastres De La Guerra, H 5'' W 8'' Signed in plate. Frame Measurements 12" x 15". Provenance: From the Estate of

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

Francisco Goya (Spanish 1746-1828)- ''La Tauromaquia''- etching and aquatint , 1816 with blindstamp, from the 5th edition out of 8, printed in 1921 in an edition of 200, very good condition. 13 7/8 x

Francisco Lucientes y Goya (Spanish, 1746 - 1828) "La Tauromaquia" - Plate 10 Drypoint Intaglio Etching on Paper. Charles V Spearing a Bull in the Ring at Valladolid. Plate Size: 9 7/8 x 13 9/16 in. O

Francisco de Goya (Spanish, 1746-1828), "La Filiacion" pl. 57 from Los Caprichos, etching, unsigned, overall (with frame): 16"h x 12.5"w

Francisco Goya (Spanish, 1746-1828). “La Tauromaquia” Bullfighting Engraving Plate A. Circa 20th century. Unsigned by artist. Approx: 21.5" W X 17.5" H (frame), 13.75" W X 10" H (plate sight).

After Francisco Goya (Spanish, 1746-1828), "La Tauromachia," reprint after the original etching, image: 7.75"h x 12.25"w, overall (with frame): 17"h x 20.75"w

Francisco Goya (Spanish, 1746-1828) Nadie se conoce (Nobody Knows Anybody) (from Los Capricios, plate 6), 1855 etching with aquatint 8 1/2 x 6 inches. Property from the Joshua B. Kind Trust, Downers G

2 Etchings and 2 lithographs- 1.) Francisco Goya (Spanish 1746-1828)- ''Qual la Descanonan!'' (Delteil 58)- Plate 21 from ''The Caprichos'', impression by Associate Artists, some creasing, foxing; 2.)

plate 77 from "Los Desastres de la Guerra"; etching and aquatint on wove paper matted, framed and glazed; with pencil inscription to verso of sheet "LD 196 IV (plate 77) / 1st Edition, 1863 / J.G.O. p

Francisco de Goya (Spanish, 1746-1828), "Ni Asi La Distingue," Plate 7, etching, plate mark: 7.75"h x 5.75"w, overall (with frame): 16.75"h x 15.75"w

Artist:Goya, Francisco (Spanish 1746-1828) Title:La Tauromaquia No. #21 (Death of the Mayor Torrejon) (Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejón

Francisco Jose de Goya Y Lucientes (Spanish 1746-1828)- ''Que Sacrificio'' (Delteil 51); (Harris 49)- aquatint and etching, Plate 14 from 'Los Caprichios', glued to top mat along top edge. 7 x 4 3/4''

Francisco Goya (Spanish, 1746-1828). No Hay Que Dar Voces (No Need to Give Voices). Etching. Measures 6 in. high x 8 in. wide (with frame 14.25 in. high x 18.25 in. wide). Catalogue Raisonne: Delteil,

After Goya, Francisco de (Spanish 1746 - 1828). Lo Que Puede un Sastre! - Plate 52 from Los Caprichos. Third state. Etching and aquatint on wove paper. Sheet: 7" x 9 1/2". Framed. 12" x 15". Condition

Francisco Jose De Goya Y Lucientes Spanish (1746 - 1828) Tan bárbara la seguridad como el Delito (The Little Prisoner) etching Published in "Gazette des Beaux-Arts" at the Imprimerie Delatre, Paris

After FRANCISCO GOYA (Spanish, 1746-1828), ''Ya Tienen Siento'', ''Soplones'', ''Que Viene el Coco'', ''Lo que Puede and Sastre'', four etchings from Los Caprichos Suite, later editions, each plate: 1

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

Francisco de Goya y Lucientes (Spanish, 1746-1828), "El sueno de la razon produce monstruos (The sleep of reason produces monsters)", as Plate 43 in "Los Caprichos", etching and aquatine on paper, fif

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

Goya, Francisco de (Spanish 1746 - 1828). Plate 27 from La Tauromaquia: The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike. c.1876, 4th state printed by Loizelet. Etchi