2 South American oil on wood plates

Blondelle Octavia Edwards Malone (American/South Carolina, 1877-1951), "Parknasilla, Ireland", oil on wood panel, signed and titled lower right, sight 20-1/2" x 27-1/2". Matted, glazed and framed. One

'South American Market Scene.' Oil on canvas. Signed bottom left. 19 1/2 x 23 1/2"; 27 x 30 1/2". Housed in a painted burlap and wood period frame.

American School (20th Century) "Still Life of Lemons and Pot" "Still Life of Plate, Vases and Candlestick" oils on wood panel and masonite unsigned. Framed. each 8" x 10", framed 12-1/2" x 15-1/2" and

(American/South Carolina, 1932-2018) New Moon, 1971, signed lower right "Blair", oil on canvas, 12 x 12 in.; wood frame, 14-1/2 x 14-1/2 in. Provenance: Property from a Southern Institution

(American/South Carolina, 1883-1979) Two Etchings: St. Michaels Gate, signed "Elizabeth O'Neill Verner, etching, plate 5 x 7 in.; gilt wood frame, 14 x 11-1/2 in.; Catfish Row, signed "Elizabeth O'Nei

(American/South Carolina, 1838-1921) Pair of Cotton Picker paintings, both signed lower left "WAWalker", oil on board, 8 x 4 in.; gilt wood frames, 12-1/2 x 8-1/4 in. Provenance: Maxwell Galleries, 55

(American/South Carolina, born 1932) After Eden, signed lower left "Blair", inscribed verso "After Eden / Oil / 1970", oil on canvas, 45 x 44-1/2 in.; wood frame, 48 x 47-1/2 in. Provenance: Property

(American/South Carolina, 1920-2016) Angel Island, signed lower right "Walter Greer", oil on canvas, 30-1/2 x 25 in.; wood frame, 31 x 37 in. Provenance: Private North Carolina Collection

(American, 1921-2013) The Regatta, signed lower left "Ray Ellis 85", oil on canvas, 40 x 50 in.; cove molded wood frame, 49-1/2 x 59-1/2 in. - Provenance: A South Carolina Collector

(American, 19th century) Still Life with Watermelon on a Plate, unsigned, oil on canvas, 18-1/2 x 24-3/4 in.; period carved gilt wood frame, 24 x 30-1/4 in. Provenance: Sotheby's New York, Important A

Good early South American retablo. Oil on wood panel. Inscribed verso in paint. H 11-3/4" W 8-5/8". Condition: Inspected under UV light. No restoration noted. Copy and paste this link for high-res ima

4218 Lionel wood bridge w/approaches, std ga, orig box rough, 2 American Flyer 4219 bridges, wood w/brass plates, 56 in long, C5-6.

Group of 8 blue Staffordshire including 2 Enoch Wood American Independence plates, Landing of the Pilgrims etc., dark blue cup plate, 4 small bowls and a green transfer cup plate

South American wooden crucifix / Jesus finely carved & painted hand dating from the 18th and 19th centuries. Weight Approx., 0.75 lbs. Measures Approx., 9.75 inches x 2 inches x 13 inches Domestic Shi

Description; Signed South American Oil on Canvas Painting city scene.Depicting a narrow rainy street populated by a solitary carriage. Signed by artist in lower right corner. Material: canvas; wood. M

OIL ON BOARD, SIGNED LOWER LEFT. "M LIGHT OGLE". 6" x 9 1/2" IMAGE SIZE / 9 1/2" x 13" IN FRAME.

The first of this unique pair of paintings depicts a woman on a donkey, and the second a man on a donkey. Exposed area of each measures approx. 19.5" x 11.5". The painting of the woman is signed "J. H

Beatrice Wood, (2) ceramic plates, Beatrice Wood (American, 1893-1998), matte/glossy dinner plate, the other a matte side plate, one signed "BEA", the other "B", 1.5"h x 10.5" dia. (larger), 1"h x 6.7

Gustavo Vazquez (B 1943) South American, Oil on canvas dated 1976 titled "Red Sensation".Abstract painting with shade of red. Overall Size: 30 3/4 x 38 1/4 in. Sight Size: 28 1/2 x 36 in. Gustavo Vazq

Beautiful oil on wood Painting,Rendered in the style of Martin Grelle. Technique: Oil on Canvas. Measures: 16 1/2 x 19 1/2 Inches. Provenance: Private Collection. The painting is framed. Lived between

(2) COLONIAL SOUTH AMERICAN ICONS - Both 18th c., Quito School, Ecuador, oil on canvas, including: 'S. Antonio', unframed, SS: 16" x 12", two tiny holes at his cheek; PLUS 'Christo with Mercederian',

Birge (Lovell Birge) Harrison (1854 - 1929) American Oil on Wood Measure 6 1/2"in H x 8 1/2"in W and 10 3/4"in H x 13"in W with frame Known for: Tonalist landscape, snowscene and Indian pueblo paintin

Condition: two missing their arms. Each with wear to paint; chips, splits and losses to wood. the tallest: 36 1/2 inches high

MARYLOU WHITNEY (20th cent. American) oil on wood panel, 1978 Night Owl, 5-1/2 x 3-1/2 inches