CUT OVERLAY FLASHED QUATREFOIL VARIANT FLUID PEG LAMP

CZECH REPRODUCTION CUT-OVERLAY SPIKED QUATREFOILS AND PUNTIES PAIR OF PEG LAMPS, red application to colorless, each cylindrical form with columns of alternating spiked quatrefoils and punty cut, separ

19th c., (2) double-overlay cut to clear, one deep cranberry, the other light cranberry; each 12"h; double overlay white cut to cobalt, quatrefoil pattern on a opalescent white glass column base, 13"h

Two (2). 1850-1860. Glass, brass. White cut to clear, brass collar, double-tubed fluid burner, push-up brass candlesticks. From the Valerie Lister Collection. 13 ½”H.

A pair of 19th century American Victorian Period fluid lamps. Cobalt Blue overlay cut to clear glass fonts with star and quatrefoil design, on brass column form stems with stepped Marble bases. Minor

CUT OVERLAY FLASHED QUATREFOIL COLOGNE BOTTLE, white to bright apple green (black lighted) with gilt decoration, conical form with pattern repeated in three panels, flanged mouth, and polished pontil

REPRODUCTION AMERICAN GLASS ARTICLES, LOT OF SEVEN, including a pair of jade green Dolphin candlesticks, a pair of cobalt blue Waisted Ovals stand lamps, and blue to colorless cut overlay peg lamp in

CUT OVERLAY QUATREFOIL KEROSENE STAND LAMP, white cut to jade green pyriform font, starch blue Baroque base, brass connector, No. 2 fine line collar. Fitted with a period set-up comprising a

CUT OVERLAY ELONGATED OVALS PEG LAMPS, PAIR, ruby to colorless pyriform font, period brass collars, Pegs with brass sleeves and metal spring tabs. Each fitted with a period Argand-style slip burner, o

CUT-OVERLAY STARS, QUATREFOILS, AND PRISMS PRESENTATION KEROSENE STAND LAMP, opaque white to colorless, large pyriform font with a complex pattern including quatrefoils, ovals, prisms, and stars, rais

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

Art Glass Peg Lamp 13" - Unmarked Val St. Lambert French Cameo Removable Font - Frosted Background with Cameo Cut Cranberry Overlay - Mounted on Brass Candlestick Base

Antique oversized peg lamps with cut white glass over clear glass shades and marble bases. 14”H x 5”W x 5”D.

A 19th century American fluid lamp. Cobalt Blue overlay glass font with cut decoration, Cast Brass prism collar and a molded Milk Glass base with a frosted cut glass shade. Some wear and replaced pris

ASSORTED CUT OVERLAY GLASS KEROSENE STAND LAMPS, LOT OF TWO, comprising an English Dietz pink to white to colorless Punty and Panel, and a white to cranberry quatrefoil tall stand lamp with a transluc

Ruby Overlay Cut to Clear Oil Lamp circa 1860. with quatrefoils, stars and punties. Fluted brass base and marble base. With period burner, engraved shade, prisms and chimney. Ht. 23 1/4 in. The lifelo

CUT OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, blue to colorless, inverted pyriform font with wafered peg, raised on a tall reeded brass standard and double-step marble base, No. 1 fine-line collar.

A green miniature lamp with beaded hearts, a tall stem kerosene lamp with frosted hearts on the clear font and inverted hearts on the green stem, a good 19th century peg lamp with cut glass font and f

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

BLOWN-MOLDED UNPATTERNED PAIR OF FLUID LAMP FONTS, translucent starch blue, each diminutive inverted pyriform with applied solid peg with cut notches, period brass collars. Each fitted with a period b

SANDWICH GLASS TRIPLE CUT OVERLAY LAMPMid-19th CenturySalmon cut to white cut to clear. Original brass collar. Fluted brass stem. Double stepped marble base.Height 11.5".

ENGLISH CUT OVERLAY MINIATURE LAMP, cranberry cut to amber, ball-form font with finely detailed cross-hatching pattern under multi-rayed sunburst and swag, scalloped foot, underside with rayed cutting

ENGLISH CUT OVERLAY MINIATURE LAMP, cranberry cut to amber, ball-form font with finely detailed cross-hatching pattern under multi-rayed sunburst and swag, scalloped foot, underside with rayed cutting

Massachusetts, mid 19th century. Cranberry cut to clear font in the "Washington" pattern. Brass tooled column and white marble base. Base has edge flakes. 7.75"h. From the collection of the late Chris

Fancy Victorian Oil Lamp. Cut overlay stand lamp. Opaque white cut to ruby large windows between punties font, alabaster/clambroth stem, single-step marble base. Holmes, Booth & Haydens Brilliant No.