John Sloan. In Vain Did Dupont Shout 'Stop! Stop!'

John Taylor Silver-cased Open-face Stop Watch, Rochdale, Williams Patent No. 4762, enameled roman numeral dial marked as above and with sunk subsidiary seconds and outer arabic sixteen-quarter-seconds

DESCRIPTION: Framed lithograph print of "Night Stop on the Mississippi" by John Stobart depicting workers on a steamboat coming ashore at night. Signed at lower right and numbered 320 of 750. Titled a

John Baeder (American, b. 1938) Two Prints: Buddy's Truck Stop and Chateau Diner, photolithograph, each signed Baeder and dated (lower right) largest 14 x 23 inches  Property from the Collection

Bob Dylan (1941- ) American. "Truck Stop", from 'The Drawn Blank Series 2009', Giclee Print, Signed and Numbered 189/295 in Pencil, and Inscribed on a label on reverse, Overall 24.5" x 18". Provenance

1942, Lancaster, PA Fine .800 silver center-seconds watch with stop feature in original elastically suspended mahogany fitted box Dial: white enamel dial with black Arabic numerals and inner 24-hour A

"St. Mary's Train Stop" oil on canvas 34 x 48 inches. signed. framed 36 x 50 inches (overall)

Height 9 inches.

"Family Stops to Pay Homage on their Travels" unsigned, oil on canvas, 29 x 43 1/2 inches. unframed. The Postar Collection

Square stepped base, spurred cabriole legs, slipper feet and conforming stops. 21 1/4 x 16 1/2 inches.

John Keal (American, 20th Century), Magazine Display Coffee Tableproduced in the 1950s for Brown Saltman, maple asymmetrical table with inset glass top, angled lower shelf with lower stop for display,

DESCRIPTION: 18th century tall case clock by John Spendlove. Case with figured mahogany veneers, base with applied panel, throat with fluted quarter columns with bronze stop finger flutes and bronze a

New York, Circa 1850, four pieces including teapot, lidded sugar, large waste bowl and creamer. All marked with J.T. in rectangular touch mark, flanked by two more symbols. This set has stop fluted bo

This Spirit Clock was believed to be custom made by John McKinven. The magician can predict where on the dial the hand will stop when it is spun or it can be used to answer questions from the audience

S.M.S. (SHIT MUST STOP) COLLECTION OF MULTIPLES; Incomplete mixed media works and prints from the six volume experimental publication, 1968; Includes: Marcel Duchamp; Mel Ramos; John Giorno; Bergtold;

FALTER, John (1910-1982). Can I Tell ‘Em You’re Still with Us? / Next Stop Tokyo – Let’s Go! 1945. [Washington, D.C.], U.S. Government Printing Office. Rare large format poster

Good old door stop of a squirrel eating a nut. Stands approximately 6.5” tall by 6” wide and retains its original paint. See The Doorstop Book by John C. And Nancy M. Smith, p. 159 for a s

CAST IRON DOOR STOPS, C. 1900, 17 PCS, H 4.5"-9" A collection of seventeen antique cast iron door stoppers. From the collection of Dr. Donald Schipper and John Seros, Saugatuck, MI

"Night Stops on the Mississippi" lithograph is signed in pencil and numbered 644/750. Published by Maritime Heritage Prints Inc. Stobart is active in Massachusetts and Florida, he is known for nostalg

attributed to John Molineux, Boston, early 19th century, each with lemon top over tapered column support on square plinth, spurred arched feet, brass log stops, 20 x 11-1/2 x 21 in.Note: A nearly iden

Pear shaped with chased floral design and finial with heat stops, Sheffield city mark, date letter for 1821, makers mark S.I. & T, Thomas & John Settle, 9 1/2 x5 x 10 1/2" high, total sterling weight

Circa 1897, made by John M. Waddel Company with a unique shape and stand. When you insert a nickel, the weight of the nickel causes the spinner to turn. When the spinner stops you look to see if you w

Early 20th century. Figural horse jockey door stops having been very nicely crafted and with a good old surface throughout. H10 1/2" W12" Sold from the collection of Mary Wooten DuPont, Camden, South

John Sloan (American, 1871-1951) Fireguard, 1925 oil on canvas signed lower left inscribed and titled on stretcher 16 3/16" x 20 1/8" Provenance: Grand Central Art Galleries, New York, New York (label

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark