Francis Wheatley (1747-1801) British. A Mother and

Francis Wheatley(1747-1801), British, Print. Titled "Cries Of London" 1799A woman holding baskets as a focal point. Two men are located behind the woman on the viewers right and horses are located beh

Attributed to: Francis Wheatley (BRITISH, 1747-1801) oil on canvas, Beautiful Portrait of a young woman holding a dove, 50 in. x 39-1/2in.

AFTER FRANCIS WHEATLEY (BRITISH, 1747-1801) PRINTS, LOT OF 14, lithograph on paper, hand-colored, including examples from the series "Cries of London"; engravers include Vendramini, Schiavonetti, and

GROUP OF ENGLISH GENRE PRINTS, LOT OF TEN, from the "Cries of London" series, after Francis Wheatley (British, 1747-1801), later issue marked for publisher upper left corner, each laid on board and ho

Francis Wheatley (attrib.), watercolor, Francis Wheatley (attrib.) (British, 1747-1801), "The Road to the Village", watercolor on paper, no signature visible, 7"h x 8.5"w (sight), 22"h x 23"w (framed)

After Francis Wheatley, RA (British, 1747-1801) Shakespeare, All's Well that End's Well, Act V Scene III, Engraving by George Sigmund Facius (1750-1814) and Johann Gottlieb Facius (1750-1802) Publishe

Francis Wheatley (English 1747-1801), See-Saw. Peg-Top, a pair of sepia etchings. With 4 French etchings each of one of the seasons engraved by Mallet. Largest 11 1/2" x 15 1/2".

Francis Wheatley, R. A. (1747-1801), Tears for Romeo & Julietoil on canvas (lined), unsigned, painted in a feigned oval, presented in a gilt frame with gallery plaque. Stretcher size 28 x 23 in.; Fram

after: Francis Wheatley English-Irish (1747-1801) Mezzotint by Eugene Lily "Repairing to Market" Blindstamp Lower Left "Printsellers Association" Good Condition. Frame Measures 28" by 24". Shipping $9

FRANCIS WHEATLEY (BRITISH, 1747–1801) OIL ON CANVAS, H 13.5" W 17" ASCOT LODGE NEAR WINDSOR Relined canvas.

FRANCIS WHEATLEYUnited Kingdom/England/Ireland, 1747-1801“Jeune Fille Arrive”. Unsigned.Pencil and India ink with tinted watercolor on cream (wove?) paper. Framed. Exhibited:“Les Mai

Painting: Attributed to Francis Wheatley (United Kingdom, England, Ireland 1747-1801), street scene with tavern, oil on wood panel. 11 1/4" x 12 3/4", frame overall 17 1/2" x 19".

1838 Engraving of Queen Victoria in Coronation Robes - Painted by Alfred Edward Chalon (British, 1780-1860) / Engraved by Samuel Cousins (British, 1801-1887) / Published by Francis Graham Moon (Britis

Attributed to Francis Alleyne (British, 1750-1815) Mrs. Ludlam (Wife of Captain Ludlam)oil on canvaspencil-inscribed Alleyne Francis, inscribed to identify sitter and f

SIR PETER LELY (BRITISH, 1618-1680), OIL ON CANVAS, H 48.5", W 39", FRANCIS CONTELS OF DORSETT WIFE OF RICHARD EARL OF DORSETT MOTHER OF MARY COUNTELS OF ORRERY AN. 1646 Depicted in a forest landscape

JOHN WAKELIN (British w. 1747-1802) AND ROBERT GARRARD I (British d. 1818) A GEORGE III PERIOD STERLING SILVER CENTER BOWL FOR WAKELIN & GARRARD, LONDON, ENGLAND, CIRCA 1801-1802, of hemispherical sha

Oil on canvas. Portrait of Luke Gardiner, 1st Viscount Mountjoy. 1763. Signed and dated upper left. Roy Miles Fine Paintings label affixed verso. From an important Park Ave NYC collection. - Dimension

Francis Bacon (British, 1909-1992)Study for Self-Portrait 1982, 1984Offset

Attributed to Francis Sartorius (British, 1775-1831) Full Cry oil on canvas 21 x 39 inches.

THE MAGUS or CELESTIAL INTELLIGENCER 1801!! THE MAGUS or CELESTIAL INTELLIGENCER Being a Complete System of Occult Philosophy by Francis Barrett. London: Printed for Lackington, Allen, and Co., Temple

Sam Francis (American / California 1923-1994), "East Mother" SF-108, lithograph on paper depicting an abstract paint splatter in greens and pinks, pencil signed to lower right, numbered 16/30 to lower

CRICK FRANCIS (1916-2004) British Molecular Biolgist & WATSON JAMES D. (1928- ) American Molecular Biologist, joint recipients of the Nobel Prize for Physiology or Medicine, 1962. A 5.5 x 10 photograp

The woman in red satin dress with lace bodice and cuffs, a cluster of grapes in her left hand presented to a young boy in blue dress, a high garden wall in the background, displayed in an appropriate

Henry Moore O.M., C.H. (British, 1898-1986) Mother and Child, from 'Shelter Sketchbook' (Cramer 83) Lithograph printed in colours, 1967, on wove, signed and numbered 7/180 in pencil, printed by J.E. W