Paff- Etchings & Drypoints by F.W.Benson, Vol.IV

Frank Benson (American 1862-1951)- Paff, Adam E. M., ''Etchings and Drypoints by Frank W. Benson, Volume Two'', Houghton Mifflin Co., The Riverside Press, Cambridge, MA, 1919, with original etching by

Frank Benson (American 1862-1951)- Paff, Adam E. M., ''Etchings and Drypoints by Frank W. Benson, Volume Three'', Houghton Mifflin Co., The Riverside Press, Cambridge, MA, 1923, with original etching

Paff, Adam, E. M.- ''Etchings and Drypoints by Frank W. Benson''- Vol. 4, Houghton Mifflin Company, Boston and New York, 1929, with pencil signed original etching as frontispiece, numbered 346 of a li

Frank Benson (American 1862-1951)- Paff, Adam E. M., ''Etchings and Drypoints by Frank W. Benson, Volume Five'', Houghton Mifflin Co., The Riverside Press, Cambridge, MA, 1959, with original etching b

BENSON, Frank W. - Adam E. M. PAFF, compiled and arranged by. Etchings and Drypoints ... An illustrated and descriptive catalogue. Boston and New York: Houghton Mifflin Company [printed by the Riversi

"ETCHING AND DRYPOINTS BY FRANK W. BENSON", VOLUME ONECompiled and arranged by Adam E.M. Paff. Cambridge, Mass.: Riverside Press, Houghton Mifflin Co., 1917. Edition of 275, of which 255 were for sale

Two drypoint etchings overall: 9 x 11-1/2 in. (largest sheet) including 'Geese Rising' (Paff 238), 6-7/8 x 8-3/4 in. (plate), signed lower margin; and 'Alert' (Paff 242), 1925, showing three canvasbac

Frank W. Benson (1862-1951) Salem Harbor, 1882 signed and dated "F.W. Benson '82" in plate lower right etching, 4 3/4 by 7 3/4 in. Paff #1, edition of 1500 According to John T. Ordeman, "This was made

Hardie, Martin, ''Etchings and Drypoints from 1902-1924 by James McBey'', P & D. Colnaghi & Co., London, 1925, with an original etching by artist as the frontispiece, no. 425 of a limited edition of 5

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

Hardie, Martin, ''Etchings & Dry Points - from 1902 to 1924 by James McBey'', P. & D. Colnaghi, London, 1925, original etching by the artist ''Self Portrait with Model'' is present but has been detach

Title: ALBRECHT DÜRER. COMPLETE ETCHINGS & DRY POINTS Additional Information: First edition. The complete engravings, etchings, and dry points of Albert Dürer. Edited by Walter Strauss. Pictoria

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

This is a vintage signed etching and drypoint print from artist Bernard Buffet (French, 1928 - 1999). An exclusively figurative artist, his works can be seen in the collections of the world's leading

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

Louis Icart reproduction "Lady with Peacock" etching & drypoint copyright notice upper left 1925 29" x 24"

Louis Icart "Lady with Peacock" etching & drypoint copyright notice upper left 1925. Pencil rigned LR, windmill mark LL, plate size approx 15"w x 18.5"h , frame size 28" w x 32"h

Louis Icart(1888-1950)"Intimacy," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ic

Louis Icart(1888-1950)"Mockery," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ica

Robert Indiana(1928-2018)"American Dream II, Eat, Die, Hug, Err," 1996Etching, drypoint, and aquatint in color on wove paper, watermark ArchesEdition: XXXXVI/LSigned, titled, dated, and numb

Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /

SEYMOUR HADEN (BRITISH, 1818–1910), ETCHING, DRYPOINT AND PLATE TONE ON BUFF PAPER, 1865 H 4.25" W 7.5" OLD CHELSEA (Old Chelsea Church) Literature: Schneiderman 101