Oil on canvas, newly framed. Featuring an abstract composition. Signed Mitchell on the lower right corner. Attributed to Joan Mitchell (1925-1992, American). 49.5 x 36.5 cm (19.5 x 14.4 inches). PROVENANCE: Southern Ontario estate
Joan Mitchell (1925-1992) was a leading American Abstract Expressionist painter and printmaker. Working in an inventive gestural style, Mitchell’s works are characterized by their luminous layers of color and inspiration from nature, as seen in her hallmark work Sunflower (1972). “My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me—and remembered feelings of them, which of course become transformed,” she once reflected. Born on February 12, 1925 in Chicago, IL, Mitchell earned both her BFA and MFA from the School of the Art Institute of Chicago. Moving to New York in the late 1940s, she was introduced to the ideas espoused by Willem de Kooning, Jackson Pollock, and Hans Hofmann. In 1951, Mitchell was included in the groundbreaking “Ninth Street Show,” curated by Leo Castelli at the Artists’ Club in Greenwich Village. Over the following decades, the artist divided her time between Paris and New York, developing the style of blocky shapes of lyrical color for which she is now known. Mitchell died on October 30, 1992 in Paris, France at the age of 67. In 2018, her painting Blueberry (1969), set an auction record for Mitchell when it sold at Christie’s for $16.6 million. Today, the artist’s legacy is remembered through the Joan Mitchell Foundation which provides grants for sculptors and painters in the United States. Her works are featured in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among many others.
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
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Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).