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Lot 0058
Lithograph on paper. Featuring a portrait of a woman. Signed GUSTAV KLIMT and inscribed 19/100 in pencil on the lower right and lower left corner, respectively. Attributed to Gustav Klimt (1862-1918, Austrian). 18.2 x 12 cm (7.2 x 4.7 inches). Paper size: 30 x 21 cm (11.8 x 8.3 inches)

Gustav Klimt (1862-1918) was an Austrian artist whose jeweled-toned and exquisitely patterned paintings came to define the Art Nouveau movement in Vienna. His sensual depiction of the female form in Danae (1907) as well as his mythical depiction of nature The Tree of Life (1905), have an indelible richness created through the use of gold leaf and alternating blocks of color. Born on July 14, 1862 in Baumgarten, Austria, Klimt studied at the Staatliche Kunstgewerbescule as an architectural painter and opened his own studio soon after. A founding member of the Vienna Secession, Klimt’s artistic practice included commissioned murals, interior décor, and easel painting. A consummate draughtsman, later in life he produced many explicitly erotic drawings—many of which were never seen or exhibited until after his death. A fixture in his city’s art scene, and a profound influence on the younger artist Egon Schiele, Klimt died of Spanish influenza at the age of 56 on February 6, 1918 in Vienna, Austria. In 2003, Klimt’s work broke previous auction records when his portrait of Adele Bloch-Bauer I (1907) was sold at auction for $135 million. Today his paintings and drawings are held in the collections of the Österreichische Galerie Belvedere in Vienna, The Museum of Modern Art in New York, the Musée d’Orsay, the Tate Gallery in London, and the Neue Pinakothek in Munich, among others.

Condition

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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