Attributed to Suzanne Fosberg (New Orleans), "Guardian

SYLVIA STANTON (Attributed), (New Orleans, 1935-2020), Oil/Board, HARLEQUIN GIRL, 9 inches x 11 7/8 inches, framed in gilt wood, 14 5/8 inches x 17 5/8 inches overall. Signed “Stanton” low

Antebellum New Orleans Market Rosewood Triple-Section Armoire third quarter 19th century, attributed to the New Orleans warerooms of William and James McCracken, in the transitional Late Classical int

Attributed to Prudent Mallard(New Orleans, Active 1838-1874)Rococo Revival Rosewood Armoirecirca 1860-1870rosewood, mirrored glassunmarked98 1/2 x 48 1/2 x 24 3/4 inchesThe single-door armoire ela

Attributed to Josephine Crawford (American/New Orleans, 1878-1952), "Still Life", oil on board, unsigned, 16" x 24". Framed. Provenance: Private collection, New Orleans, Louisiana.

Anthony Rasch coin silver beaker or small liquor cup, marked ".RASCH" in rectangle (mark partially rubbed, attributed to Anthony Rasch, working New Orleans, 1821-d. 1858). Double threaded rim, plain s

Attributed to William Woodward (American/New Orleans, 1859-1939) , "Studies of Women", 6 graphites and one conté crayon on paper, 4 with partial studies en verso, all unsigned, 14 in. x 10 in. to 19

Attributed to Ellsworth Woodward (American/New Orleans, 1861-1939) , "Narrow Street in York, England", pen and ink on paper, unsigned, 12 1/2 in. x 8 1/4 in., matted Provenance: Previously in the Coll

Alexander John Drysdale (attrib.), painting, Attributed to Alexander John Drysdale (American/New Orleans, 1870-1934), Bayou Tree, oil wash on board, no signature visible, 12"h x 18"w (sight), 16"h x 2

New Orleans Market Mahogany Armoire, Attributed to the Warerooms of Prudent Mallard third quarter 19th century, the beaded, molded cornice over a single mirrored door framed by cyma moldings, the corn

Dressing bureau. Burl walnut, walnut and oak. New Orleans, circa 1840-1860, attributed Prudent Mallard, two part dressing bureau with finely heavily carved pierced crown with embossed fruit, center me

American Rosewood Bedstead mid-19th century, in the transitional Late Classical into Rococo Revival style, attributed to the warerooms of Prudent Mallard, New Orleans, the paneled headboard with a rob

American Rococo Revival Mahogany Tester Bed mid-19th century, attributed to the warerooms of Prudent Mallard, New Orleans, with a complex serpentine and arched canopy, the paneled headboard with a bro

New Orleans Market Rosewood Tester Bed, Attributed to the Warerooms of the Firm of William and/or James McCracken third quarter 19th century, the beaded and arched tester supported by four tapering cl

Antebellum New Orleans Market Rococo Revival Rosewood Half-Tester Bed, third quarter 19th century, attributed to the warerooms of Prudent Mallard, the serpentine arched tester with a conforming foliat

Exceptional Brass and Pottery Aesthetic Chandelier circa 1876, attributed to Archer and Pancoast, New York, the standard decorated with turquoise-ground pottery mimicking cloisonne, terminating in a s

Pair of Rare Rococo Revival Brass Gasoliers mid-19th century, attributed to Archer and Warner, Philadelphia, the five-light gasoliers set with flower- and scroll-molded weights on pierced pulleys, the

American Renaissance Revival Rosewood and Bronze-Mounted Etagere ca. 1865, attributed to Pottier & Stymus, New York, the arched crest with ebonized and parcel-gilt details and a central, oval inlaid p

Assembled Six-Piece Suite of "Venetian" Pattern Aluminum Garden Furniture20th century, attributed to Brown Jordan, comprised of a triple-seat sofa with an "X" stretcher back, strapwork seat and scroll

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Rare American Rococo Revival Laminated Rosewood Lady's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Attributed to Gai Qi (Chinese, 1774-1829), Qing Dynasty (1644-1901), "A Beauty in Autumn", ink and watercolor on paper, mounted on silk scroll, cut and framed, inscribed on upper right side and left w

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Philadelphia Brass Rococo Revival Gasolier mid-19th century, attributed to Archer and Warner, the spiral-molded standard set with two graduated brass spherules, one with mounts of renaissance warriors