GIOVAN FRANCESCO GONZAGA Ussaro.

Giovan Francesco Gonzaga (Milano 1921 - 2007) Cavaliere arabo Olio su tela, firmato in basso a sinistra cm 50x40

Giovan Francesco Gonzaga (Milano 1921 - 2007) Cavalieri orientali Olio su tela, firmato in basso a sinistra cm 51x61

The buttero at the ford. 1971. Oil on canvas . Cm 50,00 x 60,00. Signed lower left. Title, date, and authentication by artist on the back. Frame present

I giardini pubblici sotto la neve. 1980. Oil on canvas . Cm 30,00 x 40,00. Signature lower left. At the back title, signature and Francesco Gonzaga Archive authenticity certificate on photo. Il Salott

Giovan Francesco Gonzaga (1921-2007, Italian) framed and matted pen and ink titled "Hill Stone". 8.25" x 12" ss / 15" x 18" oa

GIOVAN FRANCESCO GONZAGA (1921 - 2007) Mixed media Lot comprised of two etchings: Horse Etching, ed. 11/35, Carlo Bestetti - Edizioni d'Arte, Rome (blindstamp) 31,5 x 24,5 cm (plate) 50 x 35,5 cm (pap

1644 Francesco Negri Ciriaco House of Gonzaga Mantua Italy Allegationes Nevers Francesco Negri Ciriaco was an early 17th-century Italian politician and senator who, today, is remembered for very littl

Ragguaglio istorico dell’Assedio, Difesa, e Liberazione della Città di Torino Torino, Giovan Battista Zappata, 1707. In 4°. Monogramma ducale xilografico al frontespizio, una tavola ripiegata inci

Florence, 7 April 1584, to Enea, Duke of Urbino, 1 p. 4to, on the strategic marriage of Eleonora Medici (1566-1611) with the Duke of Mantova Vincenzo Gonzaga. Son of Cosimo I and Eleonora, Francesco I

Rare letter from reign of Francesco di Medici, Grand Duke of Tuscany, dated at Livorno, March 1583 , to Mario Capizzucchi in Rome, 1 p. 4to, regarding the murder of Giovan Battista Adami, a relative o

Florence, 7 April 1584, to Enea, Duke of Urbino, 1 p. 4to, on the strategic marriage of Eleonora Medici (1566-1611) with the Duke of Mantova Vincenzo Gonzaga. Son of Cosimo I and Eleonora, Francesco I

olio su tela, W. 52 - H. 65 Cm, Chiaramente ispirato alle celeberrime teste composte di Giuseppe Arcimboldo, realizzate attraverso l’accostamento di ortaggi, frutti e oggetti d’uso comun

FILIPPINI FRANCESCO (1853-1895) Francesco Filippini 1853/1895 olio su tela "riposo di contadine" firmato in basso a destra Acquistato dalla Società per le Belle Arti ed Esposizione Permanente in MI

Giovanni Francesco Barbieri, better known as Guercino oil on canvas 39 1/4" x 28 3/4" Frame: 50 1/2" x 39 7/8" portrait of May Magdalena Signed lower right 'Guercino'.

FRANCESCO CLEMENTE 1952 Da remi per rane, 1980 Olio su tela cm. 61x91 Firma, titolo e anno al retro PUBBLICAZIONI Artforum, dicembre 1981 R.Ricard, "The radiant child" pag. 39 PROVENIENZA Sperone West

XVII 17th century old master oil on canvas depicting the Stoning of Saint Stephen. This work, like one of Rembrandt's, is inspired by the martyrdom of Saint Stephen, as recounted in Acts 7. It demonst

Francesco Somaini (1926-2005): Ordalia Bronze, 1964, unmarked, on a black steel stand. 45 in. (height without stand), 82 in. (height with stand). Galleria Odyssia, NY.Property from a Prominent Collect

Francesco Guardi (1712 –1793), The Holy Family and Saints Domenico and FrancescoThe present painting, probably destined for private devotion, depicts in the upper left the Madonna Assunta, Jesu

Francesco Ballesio (Italian, 1860-1923) The carpet seller signed and inscribed 'FBallesio/Roma-Tivoli' (lower left) watercolour 74 x 52cm (29 1/8 x 20 1/2in). This lot is subject to the following lot

(Napoli, 1696 - 1782) Erminia tra i pastori Olio su tela, cm 43,9X54,7 Provenienza: Collezione privata Bibliografia: Fondazione Famiglia Terruzzi. Villa Regina Margherita, guida al Museo, a cura di A.

olio su tela, W. 97 - H. 176 Cm, Expertise Prof. Egidio Martini, "Ospiti al Museo. Maestri veneti dal XV al XVIII secolo tra conservazione pubblica e privata “, Musei Civici di Padova, 2012 (sch

olio su tela, W. 124 - H. 70 Cm, Catalogo della mostra “Francesco Maffei”, Neri Pozza Editore, Venezia, 1956, p. 28, fig. 14, P. Rossi, Francesco Maffei, Berenice Editore, Milano, 1991, p.

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

(Italian, 1822-1883) La Sala di Giove in the Palazzo Pitti, signed lower right "F. Maestosi", oil on linen, 35 x 47-1/8 in.; gilt wood and composition Regency style frame, 47-3/4 x 61 x 4 in. Provenan