Attribution: Gustav Adolf Thamm, 1859-1925 Dresden

Item/Description: Landscape Venice Canal scene painting. Unsigned, Attributed to Ad Heinrich Hansen. Info on back. Material: Oil on canvas. Dimensions: Image size: Height: 17"; Width: 13". Framed: Hei

“Ohico” Picquet Playing Cards. Friedrich Antwerp: Adolf Lattman, Goslar, ca. 1925. 32/32 + OB. Excellent. Art Deco designed courts by Gustav Olms. Gilt corners.

Large Art Deco bronze sculpture of partially clad woman atop a kneeling bull by Gustav Adolf Daumiller (German 1876-1962), incised A. Duamiller at lower and mounted to marble base; 16.5"H 20.75"W

oil on canvas; signed lower left 37 x 27 in. (94 x 68.6 cm.), Frame: 30 x 20 1/2 in. (76.2 x 52.1 cm.)

Curzon (George Nathaniel, Marquess Curzon of Kedleston, politician, traveller, and viceroy of India, 1859-1925) Collection of 38 Autograph Letters (including 2 dictated) some signed to Charles Wallace

(French 1859-1925) Circa 1900. Gilt and patinated bronze. Inscribed on base L. Kann. Size: 6 1/2"h x 8"d Provenance: Property from the Collection of Myrna and Bernard Posner.

Emma Müller (1859-1925), Preparing the hat, oil on canvas , signed lower right ,framed Dimensions: 46x36cm

BOUISSET, Firmin (1859-1925). Lu Lu Biscuits / Lefevre-Utile. Paris: Daude Freres, 1897/printed ca. 1930. 70 ½ x 48 ½”. Linen backed. A.

Walter Camp autographs. Grouping of 4 pen and ink autographed and typed letters by Walter Camp (American, 1859-1925), known as the "Father of American Football" - 1902, 1903, and 1923. Some border tea

Leon Kann (French, 1859-1925) Art Nouveau bronze "Thistle" vase with insert, relief flowers along bottom, signed: "L. Kann," numbered underside: "T811." 5.25" H x 5.5" diameter.

Nuremberg, 19th century. Chased in barrel form. The bottom is engraved in German: GUSTAV ADOLF SCMIT SCHESWEINGUT NIERSTEIN A/RH on both sides with a family crest. 5.5 '' tall.

Firmin Bouisset (French, 1859-1925) Lu Lu Biscuits. Lithograph poster. Signed and dated 1897 within print. Printed in lower margin 'DAUDE FRERES. PARIS. #2, rue de l'Asile Popincourt' Sight: 68" x 46.

British Conservative statesman (1859-1925) who was viceroy of India and foreign secretary. Choice crystal-clear 4.25 x 6.5 cabinet photo of Curzon in a handsome head-and-shoulders pose, signed on the

THOMAS WILLIAM MORLEY (1859 – 1925) Snowy street scene by moonlight Oil on Canvas, 50 x 76cm

Painted Carousel Horse by Gustav Bayol 1859 - 1931 / 48"H x 47"L x 9"W

Daumiller, Adolf Gustav (1876 Memmingen - 1962 München) - "Nu se mirant", Bronze, dunkelbraun patiniert, vollrunde Darstellung eines stehenden Frauenaktes, sich in einem Handspiegel betrachtend,

A 19th century oil on canvas portrait painting attributed to Gustav A. Spangenberg, German, 1828 to 1891. The painting depicts a portrait of a lady wearing a black dress with a white lace collar, poss

A 19th century oil on canvas portrait painting attributed to Gustav A. Spangenberg, German, 1828 to 1891. The painting depicts a portrait of a lady wearing a black dress with a white lace collar, poss

(1847 Dessau - 1914 Düsseldorf) Norwegische Küstenlandschaft mit Fischerhäusern Atmosphärisch gestimmtes Werk Schweitzers, der 1867 - 1875 an der DÃ&#1

Tropen-Heag XI Camera, c. 1925 Ernemann, Dresden, for 9 x 12 cm, tropical wood, brass fittings, triple extension, brown bellows, changeable Ernemann Anastigmat Ernoplast 4.5/16.5 cm lens no. 163227 in

Gustav Manz, attribution Amethyst and gold ring Set with a circular-cut amethyst, one shoulder depicts a jaguar's head, the additional shoulder depicts a buck's head; 1910s Yellow gold Ring size 11.50

Joseph Henry Sharp, American (1859-1955). Attribution Painting, Oil on Wood "Native American Chief". Signed Lower Right. Framed. Condition: Excellent. Dimension: Sight- 12.5" x 9.25", Frame- 18" x 14.

ADOLF JAHN (1858-1925): AN ALABASTER FIGURE OF AN OTTOMAN PHILOSOPHER ADOLF JAHN (1858-1925): AN ALABASTER FIGURE OF AN OTTOMAN PHILOSOPHER his robes carved in two tones of alabaster, his left hand wi

An Art Deco glass and wrought iron vase by Daum and Louis Majorille (French, 1859-1926), circa 1925, of tapered form with an everted rim, the mottled orange glass blown into a geometric iron frame, si