MANNER OF THOMAS COLE: A THIRD QUARTER 19TH CENTURY

Mercier Freres, Paris, in the manner of Rene Dubois, third quarter-19th century; en grisaille figural decoration, breche violette marble top, frieze drawer, fitted compartment enclosed by fall-front w

A pair of William IV gilt and patinated bronze stork form candlesticksin the manner of Thomas Abbottsecond quarter 19th centuryheight 15 1/2in (39cm); width 6 1/2in (17cm); depth 5 1/2in (14cm)

Extremely Rare Cobalt-Decorated Stoneware Figure of a Squirrel-on-Stump, probably Thomas Haig, Jr., Philadelphia, PA, third quarter 19th century, molded figure of a feeding squirrel, seated in the cro

Victorian Silverplate Candelabrum on Plateau third quarter 19th century, by Thomas Bradbury & Sons, Sheffield, the centerpiece in the form of a stag on a rocky crag beneath a palm tree, four scrolling

Victorian Silverplate Candelabrum third quarter 19th century, by Thomas Bradbury & Sons, Sheffield, design registry date November 22, 1862, with a Corinthian columnar standard above a large knop and d

American Rococo Revival Laminated Rosewood Sofa third quarter 19th century, in the manner of John Henry Belter, New York, the elaborate crest rail pierced and carved with conjoined scrolls, cornucopia

Match to previous and following two lots, in the manner of R. J. Horner, New York, third quarter 19th century, walnut marble top server in two parts, superstructure having a carved crest with dragons,

Manner of Ammi Phillips (American, 1788-1865) "Portrait of a Gentleman in a White Linen Cravat" oil on canvas second or third quarter 19th century, unsigned. Framed. 29-3/4" x 24-1/8", framed 33-1/2"

American Rococo Revival Rosewood and Marble-Top Console Table third quarter 19th century, New York, in the manner of J. and J. W. Meeks, the serpentine marble top over a conforming carved frieze and f

French Silvered Copper and Gilt-Bronze Centerpiecethird quarter 19th century, with a large silver-plated copper electrotype charger in the manner of Morel-Ladeuil, with vignettes depicting the consort

Rare English Regency Bronze Chandelier second quarter 19th century, in the manner of Thomas Messenger & Sons or a contemporary of equal rank, the fifteen-light chandelier with a standard decorated wit

Pair of Regency Polychrome and Parcel-Gilt Benches first quarter 19th century, in the manner of Thomas Hope, each stool with a low back with scroll ends, the concave seat on a creme-peinte curule base

Pair of Regency Polychrome and Parcel-Gilt Benches first quarter 19th century, in the manner of Thomas Hope, each stool with a low back with scroll ends, the concave seat on a creme-peinte curule base

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

Kazak prayer rug, Caucasus, third quarter 19th century. With minimal, bold ornament the weaver has created a strong statement. The full pile of mountain wool and just a few brilliant colors make a stu

Saryk torba, Turkmenistan, third quarter 19th century.One of the few Saryk pieces in the Marsh Collection, this elegant torba has a classic textbook border around a deep red field of 20 archetypal gul

Yomut mafrash/kap, Turkmenistan, third quarter 19th century. This trapping displays two ivory panels filled with stylized tree forms often seen in tent bands. It is one of several other earlier pieces

Yomut chuval, 12-gul, Turkmenistan, third quarter 19th century. Size: 3'3'' x 1'11'' (99 x 58 cm). Weight: 3 lbs. Material: wool pile, wool warp, wool weft.

Attributed to Raffaele Monti (Italian, 1818-1881): A pair of third quarter 19th century white marble busts of Milton & Shakespeare the former modelled full face with long curling hair, lace trimmed ta

Mohawk Carved and Painted Wood Cradle Board, c. third quarter 19th century, with relief-carved foliate designs, and a bird feeding her chicks on the back, (minor paint loss), lg. 16 3/4, wd. of bar 7

American School (Third Quarter 19th Century), "Portrait of a Lady in a White Silk Gown", oil on canvas, unsigned, 36" x 28-1/4". Framed.

France, a decorative 19th century mantel clock, the base with niche and central urn ornament with flanking gryphons, the case ends with molded, acanthus decorated bases below caryatids terminating in

Third Quarter 19th Century French Empire Style Bronze and Beaded Crystal Chandelier. Garland ribbons and bow décor with acanthus leaves top, oval cartouche accents. Missing a few hanging crystals, lo

French School (Third Quarter 19th Century), "Portrait of George Sand (1804-1876) in a Camicie Rosse (Garibaldi Jacket)", oil on canvas laid down on paperboard, unsigned, 29-3/8" x 23-3/4". Framed.