JAMES ABBOTT MCNEILL WHISTLER DRYPOINT ETCHING

James Abbott McNeill Whistler etching with drypoint on paper "Vauxhall Bridge", located in central London on the River Thames as it would have appeared before construction in 1904-1906, label on verso

James Abbott McNeill Whistler (American, 1834-1903) "Whistler, Soupe a Trois Sous W27", etching and drypoint on cream-colored paper, executed circa 1859, signed and titled in pencil at lower left marg

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) "Bibi Valentin", 1859 drypoint etching on Japanese laid paper with margins (from the second and final state), sheet: 7.5 x 10.375 inches; overall wit

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

James Abbott McNeill Whistler (France, 1834-1903) La Vieille aux Loques 1871 Signed in the plate lower right, noted within the plate 'Imp. Delatre Rue St. Jacques 71.', from from Twelve Etchings from

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

Framed drypoint etching on paper, "Billingsgate," signed in plate Whistler (James Abbott McNeill Whistler, United States, 1834-1903), dated in plate 1859, from the Vincent Price collection for Sears R

James Abbott McNeill Whistler (American, 1834-1903) etching and dry point three-quarter portrait of C. L. Drouet, Sculptor, 1859, singed and identified in plate, image size: 8 3/4 x 5 7/8 inches, matt

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, p

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

Soupe a Trois Sous (1859) Etching and drypoint h. 6 w. 9 in. (subject) With burr, printed in black on Japan paper, 1859 overall: 13 x 15-1/2 in., frame Provenance: Descended through an Armonk, NY fami

James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart