REMBRANDT HARMENSZ. VAN RIJN (FOLLOWER) 1606 Leiden -

REMBRANDT HARMENSZ. VAN RIJN (19TH-CT. FOLLOWER) Leiden 1606 - 1669 Amsterdam PORTRAIT OF SASKIA VAN UYLENBURGH Oil on canvas. 100.5 cm by 75.5 cm. Min. part. rest. Frame.

REMBRANDT HARMENSZ. VAN RIJN (CIRCLE) Leiden 1606 - 1669 Amsterdam MAN CUTTING A FEATHER Oil on panel. 26 cm by 23 cm. Frame. Expertise: enclosed is a statement of the Kaiser-Wilhelm-Museum in Krefeld

CIRCLE OF HARMENSZ VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam STUDY OF A BEARDED OLD MAN WITH A HAT Oil on oak panel. 15,5 x 11,5 cm (f. 22,5 x 18,5 cm). Part. min. old rest. Frame. Provenance: R

REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.) 1606 Leiden - 1669 Amsterdam PORTRÄT EINES BÄRTIGEN ORIENTALEN Öl auf Eichenholztafel. 37,5 cm x 28,5 cm. Verso: Altes Etikett des Kunstauktions

(1606 Leiden - Amsterdam 1669). Die Ruhe auf der Flucht. Nachtstück. Radierung um 1644. 8,9 x 5,8 cm. B-57. BB 44-2. - Beschnitten u. auf Kart. aufgezogen, mit Tuschumrahmung u. Fehlst. links obe

After Rembrandt Harmensz van Rijn (1606 -1669), "The Raising of Lazarus," etching, after the 1632 original, presented in a gilt frame, H.- 15 1/4 in., W.- 10 3/4 in.

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt Harmensz. Van Rijn (1606-1669): The Rat Catcher Etching in black on laid paper. 5 3/4 x 4 /8 in. (sheet), 8 1/2 x 8 1/4 in. (frame). Property Formerly in the Collection of Doris Gottlieb Bri

Rembrandt Harmensz van Rijn (1606-1669) etching, sheet of studies; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame.

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Rest on the Flight to Egypt," B. 57 III; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 190. Probably a 19th century impres

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

Rembrandt Harmensz van Rijn (1606-1669) etching, Dutch landscape. Illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame. A

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Nach Rembrandt Harmensz van Rijn (1606-1662), 'Landschaft mit Boot und Windmühle' / 'Landscape with boat and windmill', Entwurf 1642 Technik: Kupferstich auf Büttenpapier, hinter Passepartout, Signa

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr

Rembrandt Harmenszoon van Rijn1606 Leiden - 1669 Amsterdam - 'Die Enthauptung Johannes des Täufers' - Radierung. 12,9 x 10,3 cm. 13,7 x 11,1 cm. In der Platte bez. und dat.: Rembrandt f. 1640. Unter

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jews in the Synagogue (B. 126; H. 234; New Holl. 242), 1648 etching and drypoint on laid paper a H.L. Basan impression with no watermarks, New Hollsteins

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Rembrandt etching of Beggar Seated Warming His Hands At A Chafing Dish about 1630, Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Bartsch 173 ii; Hind 8 ii, DIMENSIONS - Sheet: 8.2 x 5.1 cm (3 1/4

Henry Winkles (1801 - 1860 ) after Rembrandt: Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam): The Sacrifice of Isaac Biblical representation, , Steel engraving Technique: Steel engravin

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE GROSSE KREUZABNAHME Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 54 x 41,5 cm, DM 52,5 x 41 cm (R.