Attributed to Marmaduke Craddock (British, 1660-1716)

Circle of Marmaduke Craddock (British, 1660-1716) "A Peacock and Birds of a Feather in an Aviary Park" pair of oils on shaped canvases each unsigned. Framed alike. each 45" x 35-1/4", framed 49" x 37-

Manner of Marmaduke Craddock (English, 1660-1716) Property from a Prominent Kentucky Home and Family

Marmaduke Craddock (Somerton circa 1660-circa 1716) A peacock, cockerel, hen and other birds in park land oil on canvas 65.1 x 143.8cm (25 5/8 x 56 5/8in). This lot is subject to the following lot sym

Marmaduke Cradock, painting, Marmaduke Cradock (British, 1660-1717), Ducks and white mallard, oil on canvas, no signature visible, stamps to canvas verso, 11"l x 13.5"w (sight), giltwood frame

Marmaduke Cradock, painting, Marmaduke Cradock (British, 1660-1717), Rooster and chickens, oil on canvas, no signature visible, stamps to canvas verso, 11"l x 13.5"w (sight), giltwood frame

Follower of MARMADUKE CRADOCK (English, 1660-1716), A Peacock, Ducks and Ducklings, and other Birds in Landscape, oil on canvas, relined. (approximate dimensions - canvas: 39 1/2 x 49 1/2 inches); art

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

18th Century, old master oil on canvas painting, Circle of Jakob Bogdani (Hungarian-British, 1660-1724) or Tobias Stranover (Romanian 1684-1756); the still-life depicting a realistical

Goavert Flinck (1615 –1660) – attributed, Portrait of a Boy on a Rocking HorseA blond boy sits on a rocking horse, holds the reins with his left hand and raises his right hand with the w

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

English School: Landscape with Wildfowl </> Oil on canvas, unsigned, lined. 24 x 39 1/2 in., 33 1/4 x 49 in. (frame). Note: This painting was previously attributed to Mamaduke Craddock (c. 1616-1717),

DESCRIPTION: Attributed Howard Hodgkin (British, 1932-2017) Oil on board painting featuring Hodgkin's traditional abstract imagery executed in vibrant tones, signed: (Lower Right) "HH" mounted in blue

Circle of Marmaduke Cradock (UK 1660-1717) Exotic birds in a Landscape. oil on canvas, 26 x 42-3/4 inches 66 x 108 cm

Attributed to George Romney (British, 1734-1802) Oil On Canvas, Melesina Chenevix Mrs. Trench, H 32" W 25" | Melesina Chenevix Trench (1768 - 1827) was an Irish writer whose diaries were published pos

Attributed to Francis Sartorius (British, 1775-1831) Full Cry oil on canvas 21 x 39 inches.

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

"Attributed to Henry Alken (British, 1785-1851) Snob is Beat Bears signature 'H. Alken' bottom right, oil on canvas23 1/8 x 35 1/8 in. (58.7 x 89.2cm) Provenance Frost &amp; Reed, Ltd., L

Attributed to Edwin Long (British, 1829-1891) A Spanish lady with her maid bears monogram twice and date (lower left) oil on canvas 64.5 x 76.8cm (25 3/8 x 30 1/4in).

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

attributed to JAMES NORTHCOTE (British 1746-1831) A PAINTING, "Full Length Portrait of a Child with Pearl Turban and Pet Bird," oil on canvas, stretcher marked "G. Morrill Liner," and in chalk "Blond.

Attributed to William Barraud (British, 1810–1850) Showing a Horse Signed 'Barraud' bottom left, oil on panel 18 7/8 x 26 7/8 in. (47.9 x 68.3cm) PROVENANCE: Private Collection, Maryland.

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

Attributed to John Wilson (British, 1774-1855) Rough Seas. Oil on canvas, unsigned 28" x 36" Frame: 34" x 42"