Thomas C. Molesworth (American, 1890-1977) Hand peeled

Thomas Molesworth (American, 1890-1977) "Burro" sculptural ashtray / cigarette stand, wrought iron, depicting a donkey carrying vessel on back with long attenuated legs extending to round base, base b

Thomas Molesworth (American, 1890-1977)Dressing Table and Mirror Height 62 x width 48 x depth 17 inches.

Framed 1977 hand colored print by Rich Ahern (American, 1927-2004) is captioned lower left: "The Lawn of the University of Virginia---Thomas Jefferson, Architect". Visible image approx: 22 1/2" x 8 1/

Thomas Molesworth (1890-1977), Love Seat ca. 1940, Burled fir, Chimayo wool weaving, leathe, 34 x 59 x 38 Provenance: Rafter 3 Ranch, Coleman, Texas From a Private Collection

Thomas Molesworth (1890-1977), Coffee Table ca. 1940, fir, half-pole trim, leather, tacks, 18 x 40 ½ x 20 ½ Provenance: Rafter 3 Ranch, Coleman, Texas From a Private Collection

Thomas Molesworth (1890-1977), Bridge Lamp ca. 1945, wrought iron, goatskin shade, 57 x 24 x 20 approx Provenance: Glory "B" Ranch, Saint Ignatius, Montana From a Private Collection

Thomas Molesworth (1890-1977), Teepee Lamp ca. 1936, goatskin and metal, 15 x 10 x 10, Provenance: Hoodoo Ranch, Cody, WY From a Private Collection

Thomas Molesworth (1890-1977), Teepee Lamp ca. 1936, goatskin and metal, 15 x 10 x 10, Provenance: Hoodoo Ranch, Cody, WY From a Private Collection

Thomas Molesworth (1890-1977), Daybed with Routed Arrows and Buffalo, ca. 1935 Fir, metal frame, 26 1/2 x 82 x 44 Provenance: Lazy Bar F Ranch, Cody, WY From a Private Collection

Thomas Molesworth (1890-1977), Attribution, Rabbit ash receiver, Wyoming, wrought iron, 9"w x 12"d x 36"h

Thomas Molesworth (1890-1977) Nightstand fir, half-pole trim, original white leay 34 3/8 x 18 x 14 inches Provenance: Henry Sutton Pennypacker, Swan River, Montana. Pennypacker, along with a partner s

Attributed to Thomas Molesworth (1890-1977) Teepee Lamp goatskin and metal 14 1/2 x 10 x 10 inches Provenance: From a Private Collection

Apparently unsigned, attributed to (Thomas Molesworth USA 1890-1977). From an Upper East Side NYC Estate Dimensions: 8" w X 9" d x 30" h

Blake, Thomas C. (American, born 1890), Highland Landscape, oil on canvas, 24 x 36 inches, signed lower left, framed in a scrolled Victorian 31 x 42.5 inches,

THOMAS C. BLAKE (AMERICAN ,B.1890-?) OIL ON CANVAS MOUNTAIN LAKE LANDSCAPE , SIGNED THOS C BLAKE - OIL IS 36" x 24" ; 38" x 26" FRAMED

ARTIST: Thomas C Blake (American, English, 1890 - ???) NAME: Landscape - Highland Morn (titled on verso) MEDIUM: oil on canvas board CONDITION: Very good. No visible inpaint under UV light. SIGHT SIZE

Thomas C. Blake, British/American, b. 1890. A mid 20th century oil on canvas landscape, titled "Sunset on the Highlands". Depicts a mountainous landscape with Highlands loch at sunset. Signed "Thomas

Colonial America Museum Quality American English Oak "Fall Front" Box Identified from the Thomas Huckins House Barnstable, MA. c. 1700 Early American Colonial Era, Hand-Carved and Built English Oak, F

An Attractive Leyden Jar, American, c.1890, the lid impressed 'THE CHICAGO LABORATORY & SCALE SUPPY CO. CHICAGO I.L.' the clear glass hand blown jar with ground pontil mark, diamond-shaped internal an

Man Ray (American, 1890 - 1976). "Study of Hands [negative solarization]". Original vintage photogravure. 1930. Printed 1934. See: www.manraytrust.com, pg.25. Image copyright © ADAGP/BNF - Artists Ri

Man Ray (American, 1890 - 1976). "Study of Hands [negative solarization]". Original vintage photogravure. 1930. Printed 1934. See: www.manraytrust.com, pg.25. Image copyright © ADAGP/BNF - Artists Ri

Side table, 20th century, American, hand-painted by Thomas L. Rose (20th/ 21st C. Connecticut artist), top painted black with orange fern motif, reeded apron and cabriole legs, signed "T. Rose", wear

Native American, North America, Montana, Sioux, ca. 1890 to 1920 CE. A hand-built buffalo leather knife sheath and a forged-steel knife. The singled-edged knife blade features a shallow drop point nea

Jan Matulka (American/Czech, 1890-1972) View Of The Bronx, c. 1921 watercolor and graphite on paper signed Matulka (lower right) 15 x 22 inches. Provenance: Thomas McCormick Gallery, Chicago Acquired