A continental metalwares semi-naturalistic cow creamer,

A Continental / German silver cow cream pitcher, late 19th century. Fly formed finial to the oval hinged cover on the cow's back. Hallmarked P T & Co S. Measures 6" long, 1-5/8" deep, 4-1/8" high. Wei

German sterling silver cow creamer, full naturalistic body with side-hinged embossed fly cover. Marked on belly of cow with maker's mark, unidentified. 5" H x 7 3/8" x 2 1/2". 14.96 oz troy. Early 20t

Two (2) German sterling cow creamers. 1st item: German sterling cow creamer with naturalistic body and hinged cover with fly decoration. Marked 925. 2-5/8" x 4-1/4" x 1". 4.48 oz troy. 2nd item: Germa

Group of Silver Table Articles Comprising a Dutch cow creamer, pair of Continental candlesticks and an English miniature table. Height of candlesticks 8 inches, total approximately 23 ounces. C Proper

Solid Silver Figural Cow Creamer 4" X 5" - Continental Style - 220 Grams

A Collection of English and Continental Ceramics 19th Century comprising a Staffordshire transfer and paint-decorated loving cup, a puzzle mug, a creamware shell-decorated mug, a cow creamer, a gravy

Sterling silver, realistically formed with hand chased hair and bee finial on lid. Attributed to John Schuppe. 1245 gr. Purchased in London 1980

Tiffany & Co. Silver Cow Creamer Marked London, 1987. 3 1/2 x 9 x 1 3/4 in., 5.9 oz. approx. gross weight.

5 3/4"h, 7"l

A pair of continental metalwares dinner plates, marks not identified, (crowned eagle over C.L.B over A, IB thistle between), tests as Sterling silver, each of circular form with scalloped rim and dish

DUTCH 0.833 SILVER COW CREAMER, cow featuring open mouth for spout, red glass cabochons for eyes and horns on top of head, a curved tail for handle, and a hinged lid on back with fly finial, standing

5 3/4"h, 7"l

AN EDWARDIAN SILVER COW CREAMERSPONSOR'S MARK FOR BERTHOLD MULLER, IMPORT MARK FOR CHESTER 1901The hinged cover chased with a fly15cm (6in) long158g (5.1 oz)

(lot of 2) Sterling silver cow creamer and sugar, Ludwig Neresheimer & Sohne, Hanau pseudo-hallmarks, imported into the United Kingdom by Berthold Muller & Son, Chester Assay Office, c.1906, denting,

Three English Staffordshire Pearlware Cow Creamers with Lids, 19th century, to include one brown spotted cow, L5.003 A, B (repaired tail and ears), height 5 inches; one black and white spotted cow wit

all cow form with lidded back with bee, including three matching with Dutch marks; one unmarked test .900 or better; one marked sterling; one with red eyes test plate, 27.42 oz. T. excluding silver pl

Two similar English pottery cow creamers with covers. Each with raised tail, standing on a green base, and with red and black spots on white ground. H. 13.5cm (5 1/4 in.)

8TH-5TH CENTURY B.C. A copper-alloy attachment or protome in the form of a Water Buffalo or Gazelle's head with outstretched neck, semi-naturalistic facial detailing to the face and horns, round-secti

Tang Dynasty, 618-907 A.D. A ceramic horse and mounted hunter figure modelled in the round, standing on an integral rectangular base; the animal with semi-naturalistic anatomical detailing, patches of

Tang Dynasty, 618-907 A.D. A pair of ceramic mounted hunters, each modelled with semi-naturalistic anatomical detailing standing on rectangular bases, and extensive remains of painted pigmentation: on

Large continental cow form warming teapot. Crafted out of sterling silver. Features a well sculpted hollow body with rare warming area. Round drawer slides out of the side for hot coal placement. Caps

Northern Wei Dynasty, 386-534 A.D. A ceramic horse modelled in the round standing on an integral base, neck stretched upwards and head turned, mouth open; semi-naturalistic detailing to the head, ches

France, circa 1520 A.D. A stone head, all that remains of the statue of a holy warrior once displayed in Martinvast Castle, modelled in the round wearing a pleated collar, semi-naturalistic detailing

4th-2nd century B.C. A life-size terracotta head of a youthful woman, modelled with semi-naturalistic facial features, hair pulled back from her face in textured layers, held by a fillet, button-shape