Rembrandt van Rijn - Rembrandt and his Wife Saskia

Artist: Rembrandt van Rijn Title: Rembrandt and his Wife Saskia Year: c. 1826 Dimensions: 3.5in. by 3.75in. Edition: From the rare limited Basan edition or earlier

Artist: Rembrandt van Rijn Title: Rembrandt and his Wife Saskia Year: c. 1826 Dimensions: 3.5in. by 3.75in. Edition: From the rare limited edition Suite: A Coll

Artist: Rembrandt van Rijn Title: Self-Portrait with his wife Saskia Year: ca. 18th C Dimensions: 4.3in. by 3.5in. Edition: From an 18th century Basan impression Me

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt Harmensz.van Rijn (Dutch, 1606-1669), "Self-Portrait with Saskia"-1636, etching, signed in plate, Biörklund's third state (of 3) (36-A). Figural print, considered by some to be a marriage p

Artist: Rembrandt van Rijn Title: Joseph and Potiphar's Wife Year: 1880 Dimensions: 3.5in. by 4.5in. Edition: From the rare limited edition Medium: Original etc

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

1636 Rembrandt Etching 'Studies Of The Heads Of Saskia & Others' First State. Investment Quality First State 1636 Rembrandt Van Rijn (1606-1669, Amsterdam) Etching titled Studies Of The Heads Of Saski

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

Beautiful Rembrandt Harmenszoon Van Rijn 1636 portrait etching, "Studies of the head of Saskia and others", etching 1636 , title: "Etudes de six tetes", frame: 12 x 11 inches, art: 6 x 5 inches. Prove

Four etchings after Rembrandt van Rijn (Dutch, 1606-1669) issued by Rembrandthuis / Rembrandt House, comprising three self portraits and a study of Saskia and others, Bartsch 320, 019, 021, 365, unfra

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Joseph and Potiphar's wife etching 3 3/4 x 4 1/2 inches. Property from the Collection of Dr. Kianoosh Jafari

REMBRANDT HARMENSZ. VAN RIJN (19TH-CT. FOLLOWER) Leiden 1606 - 1669 Amsterdam PORTRAIT OF SASKIA VAN UYLENBURGH Oil on canvas. 100.5 cm by 75.5 cm. Min. part. rest. Frame.

Rembrandt van Rijn, etching, Rembrandt van Rijn (Dutch, 1606-1669), "The Bathers", etching on laid paper, signed in the plate lower left, possibly c. 1651 (marked B195, 1651 on frame verso), hinged in

Rembrandt Van Rijn, said Rembrandt (After)La descente de croix aux flambeaux, c. 1870Heliogravure on Verge paper, after 1654 Rembrandt's etching (referenced in Bartsch #83 ; Claussin #87 ; Wilson #88

Rembrandt Van Rijn, said Rembrandt (After)La Medee, ou le Mariage de Jason et de Creuse, c. 1870Heliogravure on Verge paper, after 1648 Rembrandt's etching (referenced in Bartsch #116 ; Claussin #114

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi