Carlo Lasinio (Italian, 1759-1838)

Carlo Lasinio (Italian 1759-1838)- ''Logge del Vaticano, Plate III'' and ''Logge del Vaticano, Plate IV''- 2 hand-colored etchings after Raphael, both have foxing and liquid stains in margins. 17 x 13

Pair of Classical Engravings, After Lorenzo Lippi (Italian, 1606-1665), "Orfeo," hand-colored etched plate, drawn by Carlo Bozzolini, etched by Carlo Lasinio (Italian, 1759-1838), engraved by Gaetano

circa 1796, Carlo Lasinio (Italian, 1759–1838). After Antonio Bicci (Italian) Printed by Giuseppe Bardi. from Contadini della Toscana Espressi al Naturale Secondo le Diverse Loro Vestiture. Frame si

Carlo Lasinio (Treviso, 1759- Pisa, 1838), rare series of 18th century acquaforte in coloritura. 8.5 x 10.5, Frame- 10 x 12

Lot consisting of two Carlo Gregori (Italian, 1719–1759) etchings, 1) "Virgo Vestalis", depicting a Grecian statue of a female figure with her hovering above an open flame, and 2) "Vir Consular

Vincenzo Migliaro (Italian 1838 - 1958) A Neapolitan Beauty, ca.1880 Oil on panel signed lower left 8 in. h. x 14.5 in. w., image 21 in. h. x 13.5 in. w., as framed

IGUANCI CARLO (ITALIAN) CARVED ALABASTER FIGURE, H 13.75", W 4.25", DAVID A carved alabaster figure by Iguanci Carlo after Michelangelo's circa 1501 marble sculpture titled "David." Depth 3.5".

Carlo Lasinio/ Guiseppe Piattoli - Proverb Etchings (set of 10) Color Etchings.

Carlo Lasinio- Cristofano Roncalli and G. Barbieri- 2 engravings. 11 1/4 x 7 1/8''; 11 1/8 x 7 1/4''

Adriano Cecioni (Italian, 1838-1886), "Enfant au Coq", bronze, fourth quarter 19th century, cast signature at back, h. 20", w. 10", d. 12".

Antonio Pandiani (attrib.), bronze sculpture, Attributed to Antonio Pandiani (Italian, 1838-1928), Panther, dark patinated cast bronze, stamp signed "A. Pandiani Milano" to base, 9"h x 12"l x 7"w

ADEMOLLO, Carlo, (Italian, 1825-1911): Bad Doggies; a Whippet and Terrier were up to mischief, Oil/Canvas, 28.5" x 21.25", signed lower left and dated '72, fine gilded gesso frame, 38.5" x 31.5".

Large bronze bust, Napoleon Bonaparte, impressed A. Pandiani (Antonio Pandiani, Italian, 1838-1928), Milano, 1880, rising on a deep purplish, veined marble pedestal fronted with a "B", tag reading "Al

Attributed to Antonio Pandiani (Italian, 1838-1928), "Putto Taming Lion", bronze and gilt bronze on silver metal and velvet covered wood base, apparently unmarked, wood base with label to underside "A

DESCRIPTION: After Adriano Cecioni (Italian 1838-1886) "Enfant Au Coq" Figural bronze garden sculpture depicting a young child holding a rooster. Cast at Marinelli Foundry (Italian) Signed "Cecione" a

Patinated bronze sculpture, Donna su Centauro, signed in cast A. Rivalta (Augusto Rivalta, Italian, 1838-1925), depicting a maiden on the back of a centaur, approx 19.5"h, 14"w, 8.25"d, 31.5lbs Start

Ferranti, Carlo (Italian 1840 - 1908), Shepherd Couple along Path Near The Castel Sant Angelo, circa 1900, watercolor, 14.5 x 21 inches, signed lower left, framed in a gilded watercolor frame and Fren

Antonio, Attributed to Carlo (Italian, 19th Century), Two Hand Colored Exotic Bird Engravings, image: 10.5 x 13.5 inches, gold finished red wood frame: 20.5 x 23.5 x 1 inches

Augusto Rivalta (Italian, 1838-1925)   Preparation for the Secret Wedding, 1895 alabaster signed A. Rivalta and dated (lower right) Plaque: 8 x 6 inches.   Property from the Collection of Ra

Adriano Cecioni (Italian, 1838-1886). Bronze statue of a little girl with hair bow and beads on a hexagonal base. Signed on the base. 28 3/4" H.

Schufinsky, Victor (Austrian, 1876 - 1947), Logging Scene, print on paper, circa early 20th century, for Hermes, Buch U Kunstdruckerei, Capanni, Carlo (Italian, born 1939), Piazza del Duomo, Firenze,

Handcolored engraving of Giovanni Stefano Marucelli (1586-1646) by Carlo Lasinio circa 1750. Mounted on paper. Image measures 7 x 11". Reserve: $30.00 Shipping: Domestic: Flat-rate of $5.00 to anywher

Carlo Bugatti (Italian, 1856-1940) plant stand, executed in vellum, ebonized wood, and hammered copper, having a square top, above the apron decorated with geometric pattern medallions, continuing to

Carlo Bugatti (Italian, 1856-1940) Chair c.1902; having a turned circular back inlaid with steel and copper, turned posts and legs having brass repousse bands, embossed vellum seat laced with cords to