Wm Forsyth Etching, first, 1880

Max Kuehne (1880-1968), 'The First Universalist Church, Gloucester' etching, signed L/R, 12" x 9", framed 19" x 16".

Axel Herman Haig (1835-1921), Venice, etching,1898. Haig did not begin etching until 1870 and was essentially self-taught. His first exhibition of etchings, in 1880, was very well received. It was in

After James Abbott McNeill Whistler (1834-1903). Etching on paper titled "The Doorway," depicting a window of the Palazzo Gussoni in Venice. From Whistler's "First Venice Set," 1880. Dimensions: Sight

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

After Rembrandt Harmenszoon Van Rijn. (1606-1669). First Oriental Head. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905). c. 1880 (

Bear and Elf (Bär und Elfe) (plate I) from Intermezzos, Opus IV (Intermezzi, Opus IV) (first published 1881), print executed 1880. Viewable area measures 11 1/4" H x 8 3/4" W. Frame measures 17 1/2"

William Hogarth (British,1697-1764), "Southwark Fair"-circa 1733, etching and engraving on paper, first of only one state, "Invented Painted & Engrav'd by Wm Hogarth 1733" lower left margin, verso of

"Gloucester Harbor." Etching. After a painting by: W.M. Hunt. Circa 1880. 20 3/4 x 27 1/2 inches (overall); 13 x 19 3/8 plate. Signed in plate. A very rich inked impression. State unknown, however, gi

Max Kuehne Etching, American 1880-1968, pencil signed - 1920, titled "First Universalist Church, Gloucester"; sight 9" x 12", matted on wood frame, 16 1/4" x 19 3/4". [3] CONDITION: Very fine. Not exa

Johnstone Baird 1880-1935, Scottish etcher and engraver, began exhibiting landscapes and architectural subjects at the Royal Scottish Academy from 1910. During the First World War he served as an arch

Forain, Jean Louis: L'Ambulante, 1880. Paris. Provenance Sticker on verso: Folio Fine Art Ltd. 6 Stratford Place London W1 (N0BH). Stock No 11299. Etching by Forain for the frontispiece of J. K.

Etching print on paper, framed. Featuring old man working intently on a project. "Whistler" present in the bottom right corner with "1880" beneath it. Attributed to James McNeil Whistler (1834-1903, A

Antique Elgin Gilt Pocket Watch w/ Etching - 1880 Era #703557, Model 4 w/ Gilt Finsih

(American, 1941-2007), signed in pencil l.r., Artist's Proof. RDA# 14831 Bin# 135 Sight size: 29-1/2"h x 23"w

2pc Modern Filipino Etchings. First is a Manuel Rodriguez Sr. (b.1912 Philippines) etching titled ''Traveler'' pencil signed artist proof print 18''x11.75'' impression, 21''x13'' sheet. The other is a

Etching by James David Smillie, an American artist from New York who was associatedwith the Realist and Romantic movements of the 1880’s. He was known for landscapeengravings and collaborated on ill

1939 Signed and Numbered limited edition book - Rare

(5) L'Eau-Forte Etchings 1880 Published George Barrie with Description Page: A wonderful group of 5 etchings from "L'Eau-Forte. This was published by the Barrie company in the late 1880's. These were

Albrecht Durer etching. First period copper plate engraving, one of his two most important works, St. Jerome in his Study . (The other being Melancholia). Early 16th C. , the back paper label is the 1

Samuel Palmer (British) 1805-1881. Opening of the Fold (Early Morning). Etching, 1880. Lister 13, viii/X. Ed: As published in An English Version of the Eclogues of Virgil (1884). This was the only pri

Armin Landeck (American, 1905-1984), "The Siding"-1945, drypoint etching, first state, pencil signed lower right margin "Landeck imp", monogrammed "AL" within lower left corner of plate matrix, verso

Wonderful Louis Icart Etching (1880-1950) "Clown" Signed Lower Right, Some Discoloration to matting 22.5x19 Etching is framed but the backing of the frame is loose

Etching. First state (of 4). Fleur-de-lys in a double circle watermark (Hind 3). From the "Vedute di Roma." 1769 483x708 mm; 19x27 3/4 inches, full margins. Hind 92.

Etching. First state (of 3). From the "Vedute di Roma." Unlike many of Piranesi's (1720-1778) etchings from "Vedute di Roma," which represent edifices and architectural views from classical Rome and t