Blunden (Edmund) Laurence Whistler, Roy Fuller, C. Day

EDMUND C. COATES, (AMER. 1816 - 71) OIL ON CANVAS 1857 H 29" W 36" WINTER ON THE RIVER:Oval format, signed and dated 1857. Scene of frozen lake with ice fishermen and skaters, Sled on snowy landscape,

Three 2015-W Gold Eagle Four-Coin Proof Sets (PCGS PF70 DCAM) (12 Coins Total) comprising $50, $25, $10 and $5 examples, each PCGS lable signed by Edmund C. Moy.

Coin-operated jukebox, Wurlitzer 850, a design masterpiece by Paul Fuller, c.1941, older restoration, missing bubble tube in grill at front right, a beautiful machine that plays well, 66"H x 38"W x 29

Escher, Maurits Cornelius (Dutch, 1898-1972) Day and Night, (Bool 303) woodcut print, on Japan woven paper, signed in the lower left in pencil, image measuring 15.5 by 26.5 inches, with the sheet size

MEANDER, 1995, kinetic wood sculpture, a signature not found, 31 x 22 x 6”, from an edition of 150, running time 10 hours according to the artist’s website, comes with artist mounting tem

Raoul Francois LarcheFrench, 1860-1912Loie Fuller Lamp, c. 1900Bronze, signedThe figure of Loie Fuller (1862-1928), celebrated Parisian dancer, inspired by her famous "Serpentine Dance", mounted to a

Mark Lancelot Symons (British 1887-1935) Moving Day, c.1929-30, oil on canvas, signed lower right, framed. Dimensions: 23.5 x 34.5 in. canvas size, 30 x 41 in. as framed. Condition: L shaped tear ap

Ottoman Iznik pottery 'grape' dish, 16th/17th c., modern day Turkey, blue and green underglaze decoration with central roundel of three large bunches of grapes with spiraling tendrils and leaves, zigz

Clementine Hunter (1886-1988, Louisiana), "Wash Day," c. 1966, oil on board, signed right center, presented in a distressed wood frame, H.- 17 1/8 in., W.- 23 in. Note: Purchased by the current owner'

Clementine Hunter. Early Wash Day. c. 1950s. Initialed. Oil on canvas panel. Excellent condition. Image is 9"w x 7"h. Frame is 12"w x 10"h. Provence: Francois Mignon (info on verso), the Gary Davenpor

Clementine Hunter (1886-1988, Louisiana), "Wash Day," c. 1985, oil on canvas, signed lower right center, presented in an ebonized frame, H.- 17 5/8 in., W.- 23 1/2 in. Note: This has been authenticate

Walker Art Center - Roy Lichtenstein, c. 1986 poster on wove paper Measures: 30 x 33 inches Signed in ink lower right by Roy Lichtenstein

Gaetano Pesce Wall panel from TBWA/Chiat/Day c. 1991resin, lighting elements, acrylic on wood 100.25 h × 38 w × 9 d in (255 × 97 × 23 cm) Provenance: T

J L Carstairs (fl. 1920-1936) Hunstanton original poster printed for the LNER by Vincent Brooks Day c.1925 - 102 x 63 cm

3-pc black & purple shot silk w/ woven miniature polka dot c/o day bodice w/ magenta silk ribbon edging at base of standing collar, along edge of CF self bows, to short SH cap & CB tabs w/ woven silk

Andy Warhol (1928-1987) Happy Butterfly Days, c.1955-1956 Offset lithograph in colors on a manila folder, signed and titled in the plate, with fold score as issued, from an unknown edition size, publi

Andy Warhol (1928-1987) Happy Flyaway Days, c.1955-1956 Offset lithograph in colors on a manila folder, signed and titled in the plate, with fold score as issued, from an unknown edition size, publish

Andy Warhol (1928-1987) Happy Butterfly Days, c.1955-1956 Offset lithograph in colors on a manila folder, signed and titled in the plate, from an unknown edition size, published by Vanity Fair, New Yo

Andy Warhol (1928-1987) Happy Flyaway Days, c.1955-1956 Offset lithograph in colors on a manila folder, signed and titled in the plate, from an unknown edition size, published by Vanity Fair, New York

Andy Warhol (1928-1987) Happy Flower Gathering Days, c.1955-1956 Offset lithograph in colors on a manila folder, signed and titled in the plate, from an unknown edition size, published by Vanity Fair,

Howard Finster. The Work Of The Last Days. c. 1978-1979. Not signed. Tractor enamel on salvaged metal barrel top. Some environmental condition otherwise excellent condition. 22" diameter. Provenance:

Very early Heilmann machine embroidered standing notched edging to broad neckline & short double puff sleeves, bodice & skirt gathered into piped fitted self-W, CB closures, B 41", W 22", L 50", (few

The well-proportioned bed has a narrow waist, which supports a sturdy rectangular frame enclosing the hard cane-work mat seat. With slightly outward legs, connected by shaped, beaded aprons. The zitan

1 terracotta colored rayon crepe dress embroidered w/ short bugle beads in Vermicelli motif & floral motif, short dolman sleeve, fitted W w/ self covered back belt & asymmetrical front overlay w/ floa