Damon Lehrer (Boston MA) Oil on Canvas

William M Prior (1806-1873). Painting of Mr. J. Kent, Oil on canvas, Boston MA, Sept.6th 1837. Rare signed example. Signed and dated verso. Period gold leaf frame. Frame: H 37-5/8" W 33-7/16". Canvas:

Melbourne Havelock Hardwick (Digby, Nova Scotia Canada, Boston, MA 1857-1916) 19th century oil on canvas depicting two women and a young child in a kitchen. Presented in a gilt frame with foam board b

Laurel Hughes (American, Contemporary) A monumental oil on canvas abstract painting titled "Popplestone Ledge", 1998-1999. Signed and titled on back of canvas. Nielsen Gallery, Boston Ma label. 81 x 6

"Morning Dana Island" Oil on canvas Appears unsigned, titled on a gallery label affixed to the backing board 24" H x 28.25" W Provenance: The Estate of Charles Hopkinson N.A. Vose Galleries, Bos

Riverside grove Oil on canvas laid to waxed canvas Signed lower right: L.H. Meakin 14" H x 32" W

Verso label from the Museum of Fine Arts, Boston, MA work of May Aiken. 48"h x 22"w

Woman. Not visibly signed. L.A. Elliot, Boston, MA label affixed to stretcher verso. - Dimensions: 18.75" high x 15" wide.

Sally Michel Avery (American, 1902-2003), "Sea Lions", 1973, oil on canvas board, pencil-signed and dated lower right, signed, titled, dated and "Childs Gallery, Boston, MA" label with artist, title a

Courting couple in a spring landscape Oil on canvas Signed lower left: E. Toudouze 20" H x 29" W Provenance: Sold: Skinner Inc., Boston, MA, American and European Paintings and Prints, February 1

Roy Mason (American 1896-1972)- ''Old Hump Ledge''- oil on canvas, signed Roy M. Mason lower left, very good condition. 30 x 29'' Provenance: Vose Galleries, Boston, MA

A. Platte Little (American, 1862 - 1929) Still Life with Watermelon oil on canvas 20 1/4 x 24 1/4 inches. Provenance: Vose Galleries, Boston, MA

Parisian street corner at dusk, 1961 Oil on canvas Signed and dated lower right: H. Schaeffer 19.5" H x 25.5" W Provenance: Sold: Skinner Inc, Boston, MA, "American & European Paintings & Prints,

Mother and child on beach with other figures. Oil on canvas. Apparently unsigned. With Boston, MA stretchers. Includes a postcard of a similar painting by E. Phillips Fox. Dimensions: (Frame) H 27" x

Otto Sommer (German/American, 1811-1911), "Mountain Lake", 1841, oil on canvas, signed and dated lower left, "Charles Harris Design Original Frames, Boston, MA" and "Skinner" labels on reverse of fram

Bernhard Chaet (American 1924-2012)- ''War Ruins - Toledo''- oil on canvas, 1952, signed Chaet lower left. 25 x 12'' Exhibited: The Institute of Contemporary Art, Boston, MA; Bertha Schaefer Gallery,

Spanish Colonial School Oil Painting. 19th/20th century religious oil on canvas. Dimension: 9" x 6.5" unframed. Good estate condition, very fine detail. No repairs or tears. Provenance: Boston, MA Est

Oil on canvas, unsigned, 38 x 29 in., framed.; The Casson Galleries, Boston, MA label on verso

Painting came from Boston, MA area. It has been relined. Unsigned. Overall size 32 1/4" x 37" Oil on Canvas.

'Italian Girl.' Oil on canvas. Stretcher has a "Frost & Adams" label (Boston, MA) Circa mid-late 1800s. 18 x 13 3/4 in.; 21 3/4 x 17 3/4 in. (framed). Note: the painting bears similarities to known wo

DONALD STOLTENBERG (AMERICAN, 1927) OIL AND ENAMEL ON CANVAS, 1955 H 29.75" W 50" TIMES SQUARE Provenance: Margaret Brown Gallery, Boston, MA (with paper label affixed verso) Frame Measurements H 30.5

Oil on canvas painting of 2 fishermen in a boat near shore signed John Pauplis. 12 x 16 in, framed 18 x 21.5 in. (John Pauplis of MA is a retired Boston Globe graphic designer, painter and photographe

Oil painting on canvas of a fishing vessel and sailboat in the mist signed John Pauplis. 12 x 16 in, framed 19.5 x 24 in. (John Pauplis of MA is a retired Boston Globe graphic designer, painter and ph

"Alley and Hort", oil on canvas, signed, titled and dated 1936 verso, with an address of 27 Joy Street (Boston), in an oak ogee frame, OS: 24 1/2" x 28 1/2", SS: 19 1/2" x 23 1/2". Single puncture at

oil on canvas, signed at lower right, presented in the likely original gilt composition frame, the stretcher retaining a Boston artists' materials label and the frame retaining a Washington, D.C. deal