Real Maestranza de Caballerias de Sevilla

Grand Cross Set to a member of the Real Maestranza, instituted in 1670. Sash Badge, 71x48 mm., gilt Silver, red enameled shield, two ovals depicting the royal arms of Spain and Sevilla, divided by a v

Miniature of the Member`s Badge in GOLD with enameled details, 19x10 mm, suspension ring with unreadable, gold mark, original ribbon. A beautiful, early piece of the best, very rare, Spanish quality.

Spanish, circa 1825. Reglamento para el ejercicio y maniobras de la Caballería Vol II (Regulations for the exercise and maneuvers of the cavalry). Published by La imprenta real, Madrid. This second v

France, Spain,1880-1945 Interior depiction of the Patio de las Doncellas, Reales Alcazares de Sevilla, featuring ornate archways and interior panels with an oriental throw rug and pillow on situated b

VINTAGE BULL FIGHTING POSTER "PLAZA DE TOROS DE SEVILLA" 55 1/4" X 23 1/2" OVERALL (IMAGE IS 41" X 20 1/2")

April 8th, 196 Plaza De Toros De Sevilla Bull Fighting Poster, 41.5" x 21.25"

The lot includes two original bullfighting paper posters from Spain. One for a 1947 event at the Plaza de Toros de Sevilla with famous matadors Gitanillo de Triana, Pepe Luis Cazquez, Agustin Parra Pa

DESCRIPTION: Two Spanish lithographic posters advertising 1941 Plaza de Toros de Sevilla and 1942 Plaze de Toros de Cordoba. Lithographs marked "Imp.y Lit-Ortega-Velencia" to lower right. Illustration

[SAN PATRICIOS]. MARÍN, Juan de. El 20 de agosto de 1847. “Churubusco.” Glorioso recuerdo histórico por el Capitan 1o. de Caballería Juan de Marin. Mexico City: Impren

Colecion De Decretos, Ordenes, Y Circulares Espedidas Por Los Gobiernos Nacionales De La Federacion Mexicana..182 ..1826..Por El Teniente Coronel De Caballeria, printed at Mexico, 1827 and printed and

(MEXICAN IMPRINT--1785.) Bernardo de Gálvez. En real cédula de 10 de Marzo . . . aprobar una poderosa compañía para el comercio de Filipinas y demas partes de la Asia. Letterpress

Lote formado por nueve piezas de la KPM (Real Fábrica de porcelana de Berlín). Consta de siete platos, una salsera y una fuente con pie. Esmaltados, dorados y vidriados. Decorados con motivos floral

Title/Content of Map: Bahia de Fte. Real de Martinica Cartographer: Direccion de Hidrografia Place & Date: Madrid / 1809 Size: 11" x 9" Condition: b&w; overall age-toning, some light staining across t

2 drawings, "Cathedral de Santiago" & "La Cathedrale de Sevilla", 7.25" by 7.75 & 8" by 8.5". These drawings were found in a large folder of drawings & watercolors of various Spanish and French scenes

Mario Carreno y Morales was a Cuban painter. He studied painting at the Academia de San Alejandro, Havana, Cuba from 1925 until 1926. In 1934, he studied at the Real Academia de Bellas Artes de San Fe

Mario Carreno y Morales was born in Havana, Cuba in May 1913. He studied painting at the Academia de San Alejandro in Havana, the Real Academia de Bellas Artes de San Fernando in Madrid, Spain; later,

Remedios Varo (1908-1963) was a spanish-Mexican para-surrealist painter and anarchist ,born in Giona spain .she studied at the Real Academia de Bellas Artes de San Fernando Madrid , she Died in Mexico

Artist: Francisco Goya Title: Andarse Por Las Ramas Year: 1904 Dimensions: 9.5in. by 13.75in. Edition: From the rare limited edition Publisher: La Real Academia

Artist: Francisco Goya Title: Tras El Vicio Viene El Fornicio Year: 1904 Dimensions: 9in. by 13in. Edition: From the rare limited edition Publisher: La Real Aca

Artist: Francisco Goya Title: Alegrias Antruejo Que Manana Sera Ceniza Year: 1904 Dimensions: 9.5in. by 13.75in. Edition: From the rare limited edition Publisher:</

Artist: Francisco Goya Title: Sana Cuchilladas Mas No Malas Palabras Year: 1904 Dimensions: 9.5in. by 13.75in. Edition: From the rare limited edition Publisher:

Artist: Francisco Goya Title: Tras El Vicio Viene El Fornicio Year: 1904 Dimensions: 16in. by 12in. Edition: From the rare limited edition Publisher: La Real Ac

Mario Carreño y Morales was a Cuban painter. He studied painting at the Academia de San Alejandro, Havana, Cuba from 1925 until 1926. In 1934, he studied at the Real Academia de Bellas Artes de San F

Mario Carreño y Morales was a Cuban painter. He studied painting at the Academia de San Alejandro, Havana, Cuba from 1925 until 1926. In 1934, he studied at the Real Academia de Bellas Artes de San F