Circle of Giuseppe Galli Bibiena ARCHITECTURAL FA

Giuseppe GALLI BIBIENA 1696-1757 Ecce Homo. XVIII secolo Acquaforte. 490x320 mm. Piccoli margini. Immagine riquadrata con linea nera. Filomargine. Nel margine superiore a dx. “P. III. Tracce di

Giuseppe GALLI BIBIENA 1696-1757; 1737-1825Different Royal Gardens.post 1750 - ante 1774Incisione su rame. 355x495 mm. Ampi margini. Iscrizioni: sotto l’immagine, a sinistra “J.B. Bibiena

Giuseppe GALLI BIBIENA 1696-1757Royal Courtyard with view.post 1750 - ante 1774Incisione su rame. 360x484 mm. Ampi margini. Iscrizioni: sotto l’immagine, a sinistra “J.B. Bibiena inveni et

Giuseppe GALLI BIBIENA 1696-1757; 1737-1825Royal Square.Bassano, Remondini, post 1760Incisione su rame. 315x480 mm. Margini. Iscrizioni: sotto l’immagine, a sinistra “Bibiena inv.”;

Orio, Ambrogio (Italian, 1737-1825), after drawings by Giuseppe Galli Bibiena (Italian, 1696-1757), Arco Antico, and Piazza Reale, engravings with later hand coloring, 12 x 18.25 inches (plate), frame

(Bologna, 1657 - 1743) Capriccio architettonico Matita su carta, cm 21X30 Il disegno reca un'attribuzione a Ferdinando Galli Bibiena e si potrebbe riferire al suo momento farnesiano, ma nel suo moment

Circle of Giuseppe Ruoppolo (Naples 1639-1710) Still lifes of fruit, flowers and urns on rocky banks a pair, oil on canvas 115.4 x 158.7cm (45 7/16 x 62 1/2in). (2) Footnotes: Provenance<

L:in(480cm) W:in(36cm)

Circle of Giuseppe Maria Crespi (Italian/Bologna, 1665-1747) "Amalthea and the Nymphs" oil on canvas unsigned. Framed. 26-3/8" x 22-1/2", framed 35" x 31" Provenance: Parenza Art Gallery, Rome, Italy;

DESCRIPTION: Giuseppe Armani "Circle of Joy" Porcelain Sculpture. Depicts young woman in peasant costume walking and holding rambunctious baby over her shoulder while being trailed by girl child with

Two 1/2 Circle (non-matching) Carved Wood Hanging Architectural Pieces, 26"h x 63"w

Circle of Hubert Robert (French, 1733-1808) "Architectural Capriccio by a Canal" oil on linen unsigned, remnant of old label on stretcher. Framed. 29" x 37", framed 38-1/2" x 46-1/2" Provenance: Bloun

DESCRIPTION: A limited edition Giuseppe Armani Capodimonte porcelain sculpture. Model "Circle Of Joy". The group sculpture represents a young family. From the MASTERWORKS COLLECTION. With wooden base.

A Swid Powell stainless flatware set with an architectural flourish, designed by Robert Venturi and Denise Scott Brown. Produced by Reed &amp; Barton in the&nbsp;1990s. Totaling 36 pieces, the set is

CIRCLE OF GODFREY SYKES (1824-1866) AND JAMES GAMBLE (1875-before 1910) RENAISSANCE REVIVAL CABINET- oak and elm, decorated with penwork, of architectural form, the doors to the front cupboard painted

Architectural panel, set of three, circa 1900-1910. Decorated with parrot, peacock and tiger center tiles with art deco circle pattern to exterior tiles. Horizontal panel- 6w x 2d x 30h Larger panel-

Attributed to Giuseppe Mazzolini (Italy, 1806-1876) oil on canvas painting titled "Nativity: after the Circle of Pompeo Girolamo Batoni (Italian, 1708-1787), depicting the Holy Family seated around a

Pair of Asian inspired pierced and carved architectural panels in natural wood, each being a square frame housing a fretwork design centering a circle of geometric shapes and having auspicious animals

Giuseppe Giardiello (Italian, 1877-1920). An original oil painting on board. A figural Naples city landscape with human figures, architectural elements, a vegetable market, and other forms. Artist sig

Brown Pen And Ink With Brown Wash In Ink Outline On Paper, Being Architectural Design Studies With Notations. Attributed To A Follower Of Marco Marchetti (Circa 1528 - 1588). The Image Itself Measures

Pr Architectural Spherical Form Metal Andirons. Four semi circle lobe elements with two stems. Intentional green patina. -- Dimensions: H: 16.25 inches: W: 8.25 inches: D: 14.5 inches ---

École italienne du XVIIIe siècle, suiveur de Ferdinando Galli BibienaProjets pour un palais(recto - verso)Crayon et encre brune18th century Italian school, foll. of F. G. Bibiena, Project for a pala

Three Italian colored and painted etchings, referencing Franco Morelli or Giuseppe Chiantarelli to lower left, depicting an assortment of colorful architectural and roman illustrations, all apparently

TASSO, Torquato (1544-1595). &#160; La Gerusalemme liberata. Genoa: Giuseppe Pavoni, 1617. &#160; 3 parts in one volume, small 4to (284 x 197 mm). 2 engraved architectural title-pages, 19 full-page en