Locks of The King’s hair in Hindman’s Elvis memorabilia auction Oct. 18

An autographed 8- by-10-inch photo of Elvis Presley when he served in the U.S. Army has a $1,500-$2,500 estimate. Image courtesy of Leslie Hindman Auctioneers.

An autographed 8- by-10-inch photo of Elvis Presley when he served in the U.S. Army  has a $1,500-$2,500 estimate. Image courtesy of Leslie Hindman Auctioneers.
An autographed 8- by-10-inch photo of Elvis Presley when he served in the U.S. Army has a $1,500-$2,500 estimate. Image courtesy of Leslie Hindman Auctioneers.
CHICAGO – Where would Elvis Presley have been without his waxen raven hair?

A private in the U.S. Army.

A clump of the King’s hair is the most unusual – and perhaps most valuable – piece in the Gary Pepper Collection of Elvis Presley Memorabilia, which will be sold by Leslie Hindman Auctioneers on Oct. 18. The auction begins at noon Central. LiveAuctioneers.com will provide Internet live bidding.

The locks are believed to have been shorn from Elvis’ head when he was inducted into the Army in 1958. The hair was given to Pepper, who was president of a national Elvis Presley fan club.

Early in his career, Presley befriended Pepper, a young man with cerebral palsy, who ultimately became a close friend and the president of one of the King’s first fan clubs. Pepper’s position allowed him to amass a significant collection of personal effects gifted to him from Presley.

According to John Reznikoff, an expert in celebrity hair authentication, “the hair appears to match the hair in my collection [from same U.S. Army haircut] in coarseness and color … this is more than likely a genuine lock of Elvis’ hair.”

Although estimated at $8,000-$12,000, the hair may sell for as much as $100,000, experts say.

An autographed black and white photo of Elvis in uniform will be sold at the auction. It pictures a smiling Sgt. Presley with a photographer in the background. With handwritten inscriptions to Pepper, the photo has $1,500-$2,500 estimate.

An original pastel wedding portrait of Elvis and Priscilla Presley, identical to one that hung in the foyer of Graceland for many years, is another highlight of the 146-lot auction. The portrait is after a photograph of the couple that was included in a limited release LP of Clambake. The painting has an $8,000-$12,000 estimate.

Several articles of Elvis clothing will be sold at the auction. A yellow jersey ensemble is reminiscent of the King’s stage jumpsuits. With a stand-up black collar and bellbottom pants, the suit is expected to sell for $4,000-$6,000. A red ultrasuede shirt that Elvis wore in a publicity photograph for RCA in 1963 has a $2,000-$4,000 estimate.

A portion of the proceeds from the auction will be donated to United Cerebral Palsy of the Mid-South.

For details call 312-280-1212.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet during the sale at www.LiveAuctioneers.com.

Click here to view Leslie Hindman Auctioneers’ complete catalog.


ADDITIONAL LOTS OF NOTE


Bidding might reach $100,000 for this large clump of hair, believed to be from the head of Elvis Presley. The hair represents the crowning piece of Gary Pepper's Elvis collection. Image courtesy of Leslie Hindman Auctioneers.
Bidding might reach $100,000 for this large clump of hair, believed to be from the head of Elvis Presley. The hair represents the crowning piece of Gary Pepper’s Elvis collection. Image courtesy of Leslie Hindman Auctioneers.

Elvis had a penchant for leisurewear like this yellow jersey ensemble. The two-piece outfit is estimated at $4,000-$6,000. Image courtesy of Leslie Hindman Auctioneers.
Elvis had a penchant for leisurewear like this yellow jersey ensemble. The two-piece outfit is estimated at $4,000-$6,000. Image courtesy of Leslie Hindman Auctioneers.

Elvis wore this red ultrasuede shirt in a pinup picture inserted in a 1963 full-color picture folio by RCA. The lot includes five copies of the pictured folio and has a $2,000-$4,000 estimate. Image courtesy of Leslie Hindman Auctioneers.
Elvis wore this red ultrasuede shirt in a pinup picture inserted in a 1963 full-color picture folio by RCA. The lot includes five copies of the pictured folio and has a $2,000-$4,000 estimate. Image courtesy of Leslie Hindman Auctioneers.

An original pastel wedding portrait of Elvis and Priscilla Presley is after a photograph of the couple. It has an $8,000-$12,000 estimate. Image courtesy of Leslie Hindman Auctioneers.
An original pastel wedding portrait of Elvis and Priscilla Presley is after a photograph of the couple. It has an $8,000-$12,000 estimate. Image courtesy of Leslie Hindman Auctioneers.

Whitney to build second museum in New York City

Whitney Museum of American Art. Photo by Sergio Calleja.
Whitney Museum of American Art. Photo by Sergio Calleja.
Whitney Museum of American Art. Photo by Sergio Calleja.

NEW YORK (AP) – The Whitney Museum of American Art plans to built a second museum in New York City.

It would be designed by architect Renzo Piano near the entrance to the High Line. The park was built on an abandoned elevated railway in Manhattan.

Last month, the Whitney signed a contract to buy the city-owned land for $18 million. That’s about half the appraised value – an indication the city wants to attract visitors to the downtown meatpacking district.

It would be twice the size of its building at Madison Avenue and 75th Street.

The museum says it wants to show more of its permanent collection.

Under the deal, it has five years to begin construction.

___

On the Net: www.whitney.org

___

Information from: The New York Times, http://www.nytimes.com

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-10-12-09 0944EDT

Prison time, felony charges rare for relic looters

SALT LAKE CITY (AP) – Stepping into the afternoon sun last month, Jeanne Redd and her daughter Jericca walked away from a federal courthouse with probation papers – not prison time – for their role in the theft and illegal trafficking of Indian artifacts.

Some, including one of the Salt Lake City’s daily newspapers, expressed frustration that the judge didn’t come down harder on the duo from southern Utah.

History however says the punishment for the Redds, who pleaded guilty to several felonies, was fairly typical. Despite high-profile arrests and indictments, most people convicted of illegally digging up, collecting and cashing in on artifacts in the United States don’t go to prison.

And for those that do, most are in for a year or less, according to a 10-year analysis of prosecutions under a 1979 law meant to punish those that foul the country’s cultural resources.

In Jeanne Redd’s case, prosecutors had sought at least 18 months in prison. She’s among 26 people charged after a federal sting operation that lasted more than two years and included hundreds of transactions between an undercover agent and buyers and sellers from Utah, New Mexico and Colorado.

At sentencing, U.S. District Judge Clark Waddoups gave her three years probation and a $2,000 fine for seven felony counts of plundering artifacts from tribal and federal lands. She and her daughter, who got two years of probation, had already surrendered a collection of more than 800 artifacts ranging from exquisite pottery and decorative pendants to human remains.

The sentences didn’t surprise Robert Palmer, an archaeologist and former academic who analyzed Archaeological Resources Protection Act prosecutions from 1996 to 2005.

His analysis, published in an obscure law journal in 2007, found that of the 83 people found guilty, 20 went to prison and 13 of those received sentences of a year or less. Palmer also found that while prosecutors were successful in the cases they took on, they turned away about a third of the cases they got, mostly because of weak evidence or a lack of clear criminal intent.

Those refusals – along with a lack of manpower and other priorities for investigators – are part of the reason why “we are witnessing the wholesale stripping and selling off for scrap our collective American heritage,” said Palmer, who now works as the senior law enforcement ranger at Effigy Mounds National Monument in Iowa.

“People might see these as insignificant but over time, you’re removing context, you’re removing significance, you’re removing the lens of the future to look back at the past,” he said.

On average, 840 looting cases are reported each year – more than two per day – across federal land managed by the National Park Service, the U.S. Forest Service, U.S. Bureau of Land Management and the U.S. Fish and Wildlife Service, according to Todd Swain, the Park Service’s lone investigator on cultural crimes.

There are certainly more cases that are either never discovered or never reported, he said.

“Lord knows what the scope of the problem actually is,” he said. “But clearly the numbers we do have are seriously under what’s going on.”

Of the cases reported, only about 14 percent ever get solved. Roughly 94 percent of violators walk away with misdemeanor tickets, said Swain, who examined records from 1996 to 2005.

Some of those are minor cases worthy only of a misdemeanor citation but “a bunch” could probably be pursued as felony cases – those that result in damage of $500 or more – if there were the time and resources to conduct a lengthier investigation, Swain said.

“ARPA investigations can be as complex as murder cases,” Swain said in his 2007 analysis which, like Palmer’s, appeared in the Yearbook of Cultural Property Law.

Often those cases require archaeological expertise, weeks or months of investigation and prosecutors with the time and inclination to take on the cases with a portion of federal law they’re not always familiar with.

A park service program to train federal prosecutors lasted for 12 years before it was discontinued in 2003. Swain said most of those who were trained have either left the office or taken on other assignments. The program resumed last month and Swain is hoping it’s going to continue.

Despite a push in recent decades to get tougher on artifact looters, there are no significant signs that prosecutions or punishments are having any major effect on looting, especially those that steal for commercial purposes.

“The numbers should be going down,” said Swain, who has investigated more than 30 archaeological looting cases. “That’s definitely not the case.”

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-10-11-09 1201EDT

Heavy metal braces Phillips de Pury’s design auction Oct. 15

Shigeru Ban's cone-shaped pavilion has towered over the London Design Festival. Its sale at Phillips de Pury's design auction will benefit the event. Image courtesy of Phillips de Pury & Co.

Shigeru Ban's cone-shaped pavilion has towered over the London Design Festival. Its sale at Phillips de Pury's design auction will benefit the event. Image courtesy of Phillips de Pury & Co.
Shigeru Ban’s cone-shaped pavilion has towered over the London Design Festival. Its sale at Phillips de Pury’s design auction will benefit the event. Image courtesy of Phillips de Pury & Co.
LONDON – Important examples of 20th- and 21st-century design will be offered at auction Oct. 15 by Phillips de Pury & Co. Works will range from a Harry Bertoia 15-foot-high sculpture titled Sonambient to a 75-foot-tall cone-shaped tower by Japanese architect Shigeru Ban. LiveAuctioneers.com will provide Internet live bidding.

Ban’s Paper Tower pavilion, fabricated of compressed cardboard tubes and steel fasteners, is consistent with his work in building projects using recycled and sustainable materials. Ban, a pioneer of cardboard structures, erected the pavilion for the benefit of the 2009 London Design Festival. It has a $79-$110,000 estimate.

Another contemporary piece is Pablo Reinoso’s Aluminum Bench, numbered three of eight. Self-produced in France, the steel and aluminum bench has an estimate of $32,000-$47,000.

Harry Bertoia’s monumental sculpture titled Sonambient, is one of the top works in the 135-lot auction. The Italian-born designer and artist created the 15-foot-tall sculpture of beryllium copper and bronze in 1976, two years before his death. It has a $317,000-$396,000 estimate.

Modern furniture classics in the auction include Jean Royere’s circa 1951 Ours Polaire sofa, which is estimated at $158,000-$238,000 and Charlotte Perriand’s circa 1950 wall-mounted bookcase, which has a $127,000-$190,000 estimate.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet during the sale at www.LiveAuctioneers.com.

Click here to view Phillips de Pury & Company’s complete catalog.


ADDITIONAL LOTS OF NOTE


Charlotte Perriand designed this wall-mounted bookcase circa 1950. Constructed of oak and aluminum, the shelf unit is 26 1/2 feet wide by 11 1/2 feet high. It has a $127,000-$190,000 estimate. Image courtesy of Phillips de Pury & Co.
Charlotte Perriand designed this wall-mounted bookcase circa 1950. Constructed of oak and aluminum, the shelf unit is 26 1/2 feet wide by 11 1/2 feet high. It has a $127,000-$190,000 estimate. Image courtesy of Phillips de Pury & Co.

Jean Royere's ‘Ours Polaire' sofa circa 1951 is considered rare. Made of oak and fabric, the sofa is 94 inches long and has a $158,000-$238,000 estimate. Image courtesy of Phillips de Pury & Co.
Jean Royere’s ‘Ours Polaire’ sofa circa 1951 is considered rare. Made of oak and fabric, the sofa is 94 inches long and has a $158,000-$238,000 estimate. Image courtesy of Phillips de Pury & Co.

Pablo Reinoso fabricated 12, including four artist's proofs, of this ‘Aluminum Bench' last year. Made in France, the 57-inch-long bench has a $32,000-$47,000 estimate. Image courtesy of Phillips de Pury & Co.
Pablo Reinoso fabricated 12, including four artist’s proofs, of this ‘Aluminum Bench’ last year. Made in France, the 57-inch-long bench has a $32,000-$47,000 estimate. Image courtesy of Phillips de Pury & Co.

Already famous as a furniture designer, Harry Bertoia turned his attention to sculpture in the late 1950s. His 15-foot-tall ‘Sonambient' sculpture of beryllium copper and bronze, done in 1976, has a $317-000-$396,000 estimate. Image courtesy of Phillips de Pury & Co.
Already famous as a furniture designer, Harry Bertoia turned his attention to sculpture in the late 1950s. His 15-foot-tall ‘Sonambient’ sculpture of beryllium copper and bronze, done in 1976, has a $317-000-$396,000 estimate. Image courtesy of Phillips de Pury & Co.