Time is of the essence in Dec. 29 Clock & Watch sale at Converse

Carved case shelf clock by Eli Terry, Jr., featuring carved quarter columns flanking a full-length door. Image courtesy Gordon S. Converse.

Carved case shelf clock by Eli Terry, Jr., featuring carved quarter columns flanking a full-length door. Image courtesy Gordon S. Converse.
Carved case shelf clock by Eli Terry, Jr., featuring carved quarter columns flanking a full-length door. Image courtesy Gordon S. Converse.
WAYNE, Pa. – Gordon S. Converse & Co. will conduct a two-part auction featuring around 250 lots of vintage clocks and horology-related items on Dec. 29 beginning at 3:15 p.m. Eastern. Internet live bidding will be provided by LiveAuctioneers.com.

“This sale will feature all kinds of antique clocks,” said Gordon S. Converse. “Most are at least 125 years old and are mechanical, but examples of early electro-mechanical clocks will also be offered, along with electric clocks of the 20th century.”

The centerpiece of the sale promises to be the collection of the late James Grundy, who amassed one of the finest American shelf clock collections anywhere.

At least 75 examples of American shelf clocks, most of them from Grundy’s collection, will cross the block that day. Also offered will be several tall case clocks, including two from the American Federal era; some wall clocks, including two Biedermeier-era Austrian wall clocks; mantel clocks from America, England and the Continent; books on horology; and clockmakers’ tools and supplies.

“We’re already getting a positive response to the items in this auction, especially the shelf clocks,” Converse said. “We’ve had lots of views on LiveAuctioneers.com, which is facilitating online bidding. This is a unique chance for collectors to bid on a wide selection of fresh-to-the-market clocks that won’t be offered again for a long while.”

Just a few of the shelf clocks expected to generate much bidder interest include the following:

  • A carved case shelf clock by Eli Terry Jr. featuring carved quarter columns flanking the full-length door, which has a reverse painted glass below the glazed square wood dial and carved paw feet. The crest mounted on top is a finely carved federal eagle.
  • A Jerome & Darrow shelf clock made circa 1824-1826, having a look of reeded pilasters with neatly carved capitals, a scrolled top with hollow brass finials (an affectation from the earlier Eli Terry Pillar and Scroll design clock), and a later reverse painting of Independence Hall.
  • An important striking looking-glass shelf clock signed “Sawin” (John Sawin, Boston, 1810-1863), with a stencil reverse painted decorated glass masking the dished dial above a looking-glass mounted within the base panel. Striking shelf clocks are rare, making them desirable to collectors.
  • An early 19th-century American shelf clock with an original label that identifies C. & C.L. Ives as the manufacturer for David & Barber of Bristol, Conn. The clock has robust carving on the crests and half columns, two reverse paintings of two prominent buildings, and a painted wood dial.
  • A faux finish, mahogany, gilt wood, carved and reverse painted triple-deck shelf clock made by the Forestville Manufacturing Co., of Bristol, Conn. The reverse painted glasses of architectural landscapes and the carved and gilt crest atop the case are unusual in their form. The clock also boasts ball feet.

New England’s clock makers in the early 1800s had little to work with in terms of technology to create clocks that would be affordable to the masses. But between 1820 and 1860, there was a proliferation of shelf clocks – so-named because they ended up being quite high and so couldn’t fit easily onto mantel pieces. Instead, they were displayed on shelves. Best of all they were affordable.

The skills of the craftspeople in New England’s cottage industries (such as reverse painting on glass, stenciling, wood carving and gold leaf skills) were all utilized in the making of these popular shelf clocks. Inside each one were clockworks that also showed off the inventive skills of the Yankee clock makers. Many had calendars, wooden gears, alarm devices and brass springs.

“This auction will feature shelf clocks in a variety of styles and sizes, by various makers,” Converse said. “Bidders will be treated to variations on seminal designs, real-life examples of original patents and crafts skills of the 19th century – enough to fill a museum. We’ll have clocks by the Terrys of Connecticut and many made in Bristol, Conn., the Yankee clock-making capital from 1800 to 1850.”

While shelf clocks are expected to take center stage at the auction, dozens of other pieces in a wide array of sizes and styles will also come under the gavel. These will include a 39-inch C. & N. Jerome eight-day repeating brass clock with scored dial; a rare miniature timepiece made by Silas Hoadley; and a circa 1900 Black Forest painted cast iron and tin “Clock Peddler” clock standing 11 inches tall.

Also offered will be a circa 1870s French industrial lighthouse clock, 22 inches tall, with a model Fresno light atop the structure oscillating on the half-seconds; a fine Federal tall case clock (circa 1790-1810), with a dense and dark solid mahogany case and a dial possibly from the shop of Nolan & Curtis; and a four-candlestick mahogany cased “wagon spring” steeple clock by Birge & Fuller.

The sale will be split into two parts to allow for a brief intermission. The first part will begin at 3:15 p.m. and conclude around 5:30. The second session will start at 6 p.m. Each session will feature 125 lots.

To view most of the catalog or to register online, log on to LiveAuctioneers.com.

The Italian-American Club, the auction site, is located at 301 W. Wayne Ave., in Wayne, Pa., 30 minutes west of Philadelphia.

For details call (610) 722-9004 or e-mail Gordon@ConverseClocks.com. To learn more about the company and the upcoming Dec. 29 auction, log on to www.AuctionsatConverse.com or www.ConverseClocks.com.

To order a catalog for the upcoming Dec. 29 clock vintage clocks and horology auction, send a check or money order for $12.50 to Gordon S. Converse & Co., 758 Mancill Road., Strafford, PA 19087.

Click here to view Gordon S. Converse & Co.’s complete catalog.


ADDITIONAL LOTS OF NOTE



39-inch 8-day repeating brass clock labeled 'C & N Jerome' with scored dial.

Traditionally appointed shelf clock by John Birge (1785-1862), in Bristol, Conn., after 1840.
Traditionally appointed shelf clock by John Birge (1785-1862), in Bristol, Conn., after 1840.

Kaminski has best of Jack in the Box boss Peterson’s estate Dec. 28-29

Louis Valtat (French, 1869-1952), Jeune Femmes Sur Les Rochers, 1902. Oil on canvas, 11 inches by 13 3/4 inches. Est. $30,000-$50,000. Image courtesy of Kaminski Auctions.
Louis Valtat (French, 1869-1952), Jeune Femmes Sur Les Rochers, 1902. Oil on canvas, 11 inches by 13 3/4 inches. Est. $30,000-$50,000. Image courtesy of Kaminski Auctions.
Louis Valtat (French, 1869-1952), Jeune Femmes Sur Les Rochers, 1902. Oil on canvas, 11 inches by 13 3/4 inches. Est. $30,000-$50,000. Image courtesy of Kaminski Auctions.

BOSTON – Kaminski Auctions’ December Estates Auction on Dec. 28 and 29 will feature fine art and antiques from the San Diego estate of Robert O. Peterson, noted patron of the arts and founder of the Jack in the Box restaurant chain. LiveAuctioneers.com will provide Internet live bidding.

The auction will take place at Woodman’s Function Hall, State Route 133, Main Street, in Essex, Mass. Bidding will commence at 4 p.m. Eastern both days.

Peterson opened the first Jack in the Box in 1951 in San Diego. A life-long collector and philanthropist, he also served as chairman of the American Craft Council. During his tenure there, Peterson worked diligently to foster the idea of crafts as art, furthering the careers of emerging artists. Peterson housed his massive collection in his Russell Forester-designed San Diego residence.

With operations in both San Diego and the Boston area, Kaminski Auctions will bring the collection to the East Coast for the sale, with live online bidding available globally.

Featured items from the Peterson estate include a teakwood rocking chair (est. $20,000-$30,000) by renowned furniture designer and woodworker Sam Maloof (American, 1916-2009). The chair, which stands 45 inches high, is signed “No. 5, 1982, Sam Maloof” on its base. Maloof’s work is held in the collections of several major art institutions, including the Metropolitan Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Notable owners of Maloof rockers have included Presidents Jimmy Carter and Ronald Reagan.

Among a spectacular selection of fine art from the Peterson estate is a painting by French artist Louis Valtat (1869-1952). Completed in 1902, Jeune Femmes Sur Les Rochers (est. $30,000-$50,000) is an oil on canvas measuring 11 by 13 3/4 inches. A visionary artist, Valtat is considered to be one of the leaders of the Fauvist movement. In addition to his paintings, Valtat is also known for his 1894 collaboration with Henri de Toulouse-Lautrec and Albert Andre to create the décor for the Paris theatre L’Oeuvre.

Also offered are two sculptures by renowned American artist Donal Hord (1902-1966). Both pieces are sculpted in lignum vitae, a rare hardwood known for its uncommonly high density. Descending Sun (est. $20,000-$30,000) and Summer Rain (est. $20,000-$30,000) are each initialed on their bases.

“We are thrilled to be able to offer such rare and beautiful items from this important estate,” said Frank Kaminski, owner of Kaminski Auctions. “Mr. Peterson was a discerning collector with an eye for important fine and decorative art, and we are certain this sale will generate a lot of interest nationally and internationally.”

Previews are scheduled Dec. 27 from 10 a.m. to 5 p.m. and on the day of the auction from 11 a.m. to 4 p.m. Visit www.KaminskiAuctions.com for information. For details call 978-927-2223.

View a fully illustrated catalog and sign up to bid absentee or live via the Internet during the sale at www.LiveAuctioneers.com.

Click here to view Kaminski Auctions’ complete catalog.


ADDITIONAL LOTS OF NOTE


Sam Maloof teakwood rocker, 45 inches high. Signed, numbered and dated on base. Est. $20,000-$30,000.
Sam Maloof teakwood rocker, 45 inches high. Signed, numbered and dated on base. Est. $20,000-$30,000.

Donal Hord, Summer Rain. Lignum vitae, 48 3/4 inches high. Est. $20,000-$30,000. Image courtesy of Kaminski Auctions.
Donal Hord, Summer Rain. Lignum vitae, 48 3/4 inches high. Est. $20,000-$30,000. Image courtesy of Kaminski Auctions.

France returns wall paintings sought by Egypt

General view of Luxor Temple, front end, from the Corniche. Photo taken by Hajor, Dec. 2002. Released under cc.by.sa and/or GFDL. Image acquired through Wikimedia Commons.
General view of Luxor Temple, front end, from the Corniche. Photo taken by Hajor, Dec. 2002. Released under cc.by.sa and/or GFDL. Image acquired through Wikimedia Commons.
General view of Luxor Temple, front end, from the Corniche. Photo taken by Hajor, Dec. 2002. Released under cc.by.sa and/or GFDL. Image acquired through Wikimedia Commons.


PARIS (AP) – Fragments of an ancient wall painting that caused a feud between Egypt and the Louvre Museum are heading home.

France returned the ancient artwork to Egyptian officials after President Hosni Mubarak inspected one of the fragments following a visit with his French counterpart, Nicolas Sarkozy. The pockmarked slab in sepia and blue tones, from a 3,200-year-old tomb near the ancient temple city of Luxor, shows an offering from a nobleman to a servant.

Egypt’s antiquities czar Zahi Hawass cut ties with the Louvre in October, saying the famed Paris museum had refused to return the fragments. Egyptian officials said the artifacts had been stolen in the 1980s – chipped from the tomb’s walls.

French officials quickly agreed to hand over the fragments following a recommendation by scientific experts.

France said the works had been acquired by the Louvre “in good faith” in 2000 and 2003, but doubts emerged last year about whether the pieces had been taken from Egypt illegally years before.

French Culture Minister Frederic Mitterrand said in a statement that the handover “is testament to France’s desire to… fight against the illegal trafficking of cultural goods, which France is itself a victim of, as well as the excellence of French-Egyptian cooperation in the realm of archaeology.”

Christiane Ziegler, a former curator of the Louvre’s Egyptology department, said the spat could have been resolved with fewer fireworks.

“This was much ado about not very much,” said Ziegler, who was briefly barred from lecturing in Egypt during the feud.

Hawass, Egypt’s chief archaeologist, is leading aggressive efforts to reclaim what he says are antiquities stolen from the country and purchased by leading world museums. The move against the Louvre was one of the biggest moves yet in his efforts.

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