Jenack’s Nov. 21 auction a cornucopia of autumn delights

David Burliuk, oil on panel, ‘Seashore,’ Hampton Bays, N.Y., estimate $5,000-$8,000. Image courtesy of William J. Jenack Auctioneers.
David Burliuk, oil on panel, ‘Seashore,’ Hampton Bays, N.Y., estimate $5,000-$8,000. Image courtesy of William J. Jenack Auctioneers.
David Burliuk, oil on panel, ‘Seashore,’ Hampton Bays, N.Y., estimate $5,000-$8,000. Image courtesy of William J. Jenack Auctioneers.

CHESTER, N.Y. – William Jenack Estate Appraisers and Auctioneers will continue its fall season with a sale on Sunday, Nov. 21. The auction will include a fine collection of pocket watches, wristwatches, fine jewelry, silver, modern and Victorian furniture, important artwork and accessories.

LiveAuctioneers will provide Internet live bidding.

Of note are a Bulova platinum and diamond 18-jewel ultrathin Phantom open face pocket watch, circa 1920; a Touchon/Tiffany & Co. 18K white gold, 17-jewel mechanical wristwatch with diamond chapters, circa 1928, with box; Omega 14K gold, 17-jewel dress pocket watch; lady’s Rolex/Tudor steel and gold princess oyster date wristwatch; Russian silver .84 hunter-cased key-wind pocket watch, signed Georges Favre Jacot; vintage Le Coultre 14K white gold, 17-jewel and diamond mystery wristwatch and many others.

Fine jewelry will be in the mix with several lots containing good quality diamonds. Highlights of the jewelry are a Grand Tour Era carved lava stone cameo set in 14K gold; platinum and diamond engagement ring; vintage 18K white gold, platinum and diamond ring; 14K gold and half carat diamond man’s ring; 14K diamond and sapphire ring; Birmingham 18K yellow gold and diamond band with five cushion cut diamonds, circa 1880.

Notable artwork will be offered including an oil on canvas, vase of red roses, bearing the monogram of Bernard Buffet. An interesting note on this canvas has to do with the back of the canvas, which has some studies of owl’s bodies and heads, the same as Buffet’s series of owl lithographs. Three small canvases by David Burliuk, including a view in the Hamptons, Long Island, N.Y.; Charles-Theodore Frere, oil on canvas, Au Cairo signed and titled; William McGregor Paxton, oil on panel, wooded landscape; Roger Hilton, pen and crayon, nude, monogrammed; after Michaill Larionoff, oil on canvas board, landscape with figures, signed.

For the collector of Chinese and Japanese blue and white porcelain, William Jenack will be offering several lots of “Phoenix Bird” tableware. Some lots are quite large and offer a selection of items from teapots and coffee pots to creamers, sugars, salt and peppers, ladles and more. Most of the collection was purchased from the estate of John David White, an avid collector and dealer of Sullivan County New York.

Completing the sale will be a collection of antique frames, Renaissance Revival and Victorian parlor furniture, 19th- and 20th-century American and European furniture and decorative objects, rugs, carpets and artwork – a sale for every price level and collector.

Preview will be held at the William Jenack auction facility located at 62 Kings Highway Bypass, Chester NY 10918 from Wednesday-Saturday, Nov. 17-20 from noon-5 p.m. and day of sale 9-10:45 a.m.

For details go to the website www.jenack.com or call 845-469-9095.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


David Burliuk, oil on artist board, ‘Vase with Flowers,’ estimate $5,000-$10,000. Image courtesy of William J. Jenack Auctioneers.
David Burliuk, oil on artist board, ‘Vase with Flowers,’ estimate $5,000-$10,000. Image courtesy of William J. Jenack Auctioneers.

Charles-Theodore Frere, oil on canvas, ‘Au Cairo,’ signed and titled, estimate $5,000-$8,000. Image courtesy of William J. Jenack Auctioneers.
Charles-Theodore Frere, oil on canvas, ‘Au Cairo,’ signed and titled, estimate $5,000-$8,000. Image courtesy of William J. Jenack Auctioneers.

Blue sapphire and diamond ring, estimate $500-$800. Image courtesy of William J. Jenack Auctioneers.
Blue sapphire and diamond ring, estimate $500-$800. Image courtesy of William J. Jenack Auctioneers.
From a selection of Chinese and Japanese blue and white porcelain, here are several lots of "Phoenix Bird" tableware that show the diverse array of forms available, from teapots to tureens. Most of the collection was purchased from the estate of John David White, an avid collector and dealer. Image courtesy of William J. Jenack Auctioneers.
From a selection of Chinese and Japanese blue and white porcelain, here are several lots of "Phoenix Bird" tableware that show the diverse array of forms available, from teapots to tureens. Most of the collection was purchased from the estate of John David White, an avid collector and dealer. Image courtesy of William J. Jenack Auctioneers.

Leland Little to auction single-owner collection of toy trains, Nov. 17

Boxed 4-8-2 Mountain Steam Southern 28057 loco and tender 1491 with command control. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed 4-8-2 Mountain Steam Southern 28057 loco and tender 1491 with command control. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed 4-8-2 Mountain Steam Southern 28057 loco and tender 1491 with command control. Estimate $10-$10,000. Image courtesy Leland Little.

HILLSBOROUGH, N.C. – Internationally known for their high-profile sales of antiques, fine art and Southern specialties, Leland Little Auction & Estate Sales will head down a different track on Wednesday, Nov. 17 with a single-owner collection of toy trains and accessories. Internet live bidding will be provided by LiveAuctioneers.com.

The collection includes a variety of models and manufacturers, including: Lionel, Marx, Intermountain Railway Co., Sunset Models, MTH, Williams and Weaver. Still other brands include K-Line, Atlas, T-Reproductions, Petersen, Hallmark, Pride Lines, Sam Hong, Arnold Rapido and Wintersville.

Among the highlights is a Lionel JLC Series 38058 Chesapeake & Ohio 2-8-8-2 steam locomotive and tender in original factory box. Other prized Lionel lots include a boxed 777 Commodore Vanderbilt Hudson 4-6-4 steam loco and tender, and a boxed 4-8-2 Mountain Steam Southern 28057 loco and tender 1491 with command control. Both a Norfolk & Western J Class 4-8-4 606 loco and tender with command control and a 2343C Santa Fe F3 Unit B with screen top are offered with their original Lionel boxes. All of the aforementioned lots are entered with a wide presale estimate of $10 to $10,000.

The Nov.17, 2010 auction will commence at 1 p.m. Eastern Time. To physically preview the items, please call for an appointment, as all items are being stored offsite.

Leland Little Auction & Estate Sales Ltd. is located at
620 Cornerstone Court,
Hillsborough, N.C. The gallery is off exit 165 of I-85, left on Cornerstone Court.

For information on any lot in the auction, call Leland Little at 919-644-1243 or e-mail info@llauctions.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet through www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Lionel JLC Series 38058 Chesapeake & Ohio 2-8-8-2 steam locomotive and tender in original factory box. Estimate $10-$10,000. Image courtesy Leland Little.
Lionel JLC Series 38058 Chesapeake & Ohio 2-8-8-2 steam locomotive and tender in original factory box. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed 777 Commodore Vanderbilt Hudson 4-6-4 steam loco and tender. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed 777 Commodore Vanderbilt Hudson 4-6-4 steam loco and tender. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed Norfolk & Western J Class 4-8-4 606 loco and tender with command control. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed Norfolk & Western J Class 4-8-4 606 loco and tender with command control. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed 2343C Santa Fe F3 Unit B with screen top. Estimate $10-$10,000. Image courtesy Leland Little.
Boxed 2343C Santa Fe F3 Unit B with screen top. Estimate $10-$10,000. Image courtesy Leland Little.

Millea Bros. turns up volume, quality for Estates Auction, Nov. 19-21

Rare Steinway & Sons grand piano in Louis XV case, circa 1901, stamped ‘G. Zimm,’ special rosewood veneered parquetry case with giltwood moldings and gilt bronze feet, est. $25,000-$35,000. Image courtesy of Millea Bros.
Rare Steinway & Sons grand piano in Louis XV case, circa 1901, stamped ‘G. Zimm,’ special rosewood veneered parquetry case with giltwood moldings and gilt bronze feet, est. $25,000-$35,000. Image courtesy of Millea Bros.
Rare Steinway & Sons grand piano in Louis XV case, circa 1901, stamped ‘G. Zimm,’ special rosewood veneered parquetry case with giltwood moldings and gilt bronze feet, est. $25,000-$35,000. Image courtesy of Millea Bros.

MORRISTOWN, N.J. – Property from prominent New York, New Jersey and south Florida families will be sold at Millea Bros.’ annual Fall Estate Auction on Friday, Saturday and Sunday, Nov. 19-21. The auction, to be held at the Morristown Armory, will begin at 10 a.m. Eastern all three days.

LiveAuctioneers will provide Internet live bidding.

Millea Bros. conducts two major auctions each year and this is one of them.

“Our last estates auction had an unusually large amount items, nice quality but at lower price point. Now we’re doubling down on the really nice things,” said Mark Millea.

Included will be property from the Estate of Sidney Edison, N.Y., a lifetime collector, world traveler and heir to the Edison Department Stores; property from the Estate of Ruth D. Cushing and descendants of Reginald Vanderbilt, Palm Beach, Fla., and New York, N.Y., property from the Frelinghuysen Family Collections, Hunterdon County, N.J.; and property from the Estate of Wall Street legend Jack Dreyfus of New York.

Friday’s auction session will be a 355-lot single-owner book and poster auction. Prewar posters and antiquarian books are from the Estate of Sidney Edison, a lifetime collector and resident of New York, Venice and Paris. Edison was the first director of the MOMA Dance Archive and heir to the Edison Brothers Stores, what was to become the largest chain of women’s shoe stores in the country. Edison’s passion for Venice and the theater is reflected in his collection, which includes many 16th-, 17th- and 18th-century Italian volumes highlighted by Wm. Hamilton’s “Collection of Engravings from Ancient Vases of Greek Workmanship”, Naples, 1791-95. More than 100 prewar lithograph posters will be sold on Friday including a rare Rogers Locomotive Works poster, Paterson, N.J., circa 1850.

Saturday’s auction session will include 413 lots beginning with Chinese, Japanese and Southeast Asian ceramics, paintings, jades and ivories, highlighted by a Chinese School panoramic gouache painting of an Imperial palace with an Ellsworth & Goldie provenance. Up next in lot order will be English and American Furniture and Decorations, including Chinese Export armorial porcelains and a collection of Chinese Export reverse paintings on glass as well as sporting art featuring a large oil on canvas of playing dogs by August Emile Flick (1870-1882, French). The day will conclude with Modernist, Designer and Postwar and Contemporary Fine Art, Furniture, Decorations and Lighting. Featured are a rare Gio Ponti for Giordano Chiesa brass and walnut server and bookcase cabinet by Singer Bros., studio pottery by Toshio Takaezu, Mary and Edwin Scheier, and Beatrice Wood, lighting by Paavo Tynell, and a large and important Talosel mirror by Line Vautrin.

The final session on Sunday will bring 575 lots to the block. Italian and Continental Furniture & Decorations will start the day, including Old Master paintings and three ink drawings attributed to Johan Richter, 1665-1745, Swedish-born artist working in Venice, and a rare northern Italian paint-decorated console with unusual scagliola top depicting an architectural schematic. An extensive selection of French furniture and decorations will be offered including fine Parisian furniture from the workshops of Francois Linke and contemporaries, featuring a Vernis Martin painted vitrine attributed to the firm, a marble-top side table signed F. Linke, a bronze mounted parquetry bonheur du jour also by the Linke workshops and a circa 1901 Steinway grand piano in bronze mounted Louis XV-style case with possible Juilliard family provenance. More than 50 Persian, Caucasian and European tapestries and carpets, will be sold throughout the day, highlighted by a circa 1900 signed room-size Fereghan Sarouk. Silver, jewelry and objet vertu will bring up the tail end of the auction with Russian works of art and enameled silver, including the work of Faberge, Georg Jensen, Cartier, Boucheron, Bulgari and Tiffany & Co.

Auctions and previews will be held at the Morristown Armory, 430 Western Ave., in Morristown. Property will be available for preview on Thursday, Nov. 18 from 11 a.m. to 7 p.m.; Friday, Nov. 19, from 9 a.m. to 4 p.m.; Saturday, Nov. 20, from 9 a.m. to 4 p.m., and Sunday, Nov. 21 from 9 a.m. to 10 a. m. Absentee, telephone and live online bidding will be available. For details, directions and the fully illustrated catalog, visit www.milleabros.com or call 973-377-1500.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Talosel mirror by Line Vautrin (1913-1997, French), circa 1950s, signed ‘Line Vautrin – XII,’ 23 1/2 inches diameter, est. $10,000-$15,000. Image courtesy of Millea Bros.
Talosel mirror by Line Vautrin (1913-1997, French), circa 1950s, signed ‘Line Vautrin – XII,’ 23 1/2 inches diameter, est. $10,000-$15,000. Image courtesy of Millea Bros.
Original poster by Jules Cheret, Eugene Tompkins' Grand Production, ‘The Black Crook,’ Strobridge Litho. Co., Cincinnati 38 3/4 inches x 28 3/8 inches, est. $1,000-$1,500. Image courtesy of Millea Bros.
Original poster by Jules Cheret, Eugene Tompkins’ Grand Production, ‘The Black Crook,’ Strobridge Litho. Co., Cincinnati 38 3/4 inches x 28 3/8 inches, est. $1,000-$1,500. Image courtesy of Millea Bros.
Circle of Perugino (16th century), pen and ink drawing, head of St. Sebastian, pen and ink on paper, apparently unsigned, 5 1/4 inches x 3 1/2 inches (sheet), matted and framed, est. $1,000-$1,500. Image courtesy of Millea Bros.
Circle of Perugino (16th century), pen and ink drawing, head of St. Sebastian, pen and ink on paper, apparently unsigned, 5 1/4 inches x 3 1/2 inches (sheet), matted and framed, est. $1,000-$1,500. Image courtesy of Millea Bros.
China Trade School (19th century) reverse painting, ‘Sappho,’ reverse painting on glass, inscribed in ink on verso, 19 1/2 inches x 14 1/2 inches, (sight), giltwood frame, est.  $600-$800. Image courtesy of Millea Bros.
China Trade School (19th century) reverse painting, ‘Sappho,’ reverse painting on glass, inscribed in ink on verso, 19 1/2 inches x 14 1/2 inches, (sight), giltwood frame, est. $600-$800. Image courtesy of Millea Bros.
Leopold I, Holy Roman Emperor, legal document, July 3, 1686, signed, manuscript on vellum, seven leaves, signed, in vellum binder with original wax seal, est. $400-$600. Image courtesy of Millea Bros.
Leopold I, Holy Roman Emperor, legal document, July 3, 1686, signed, manuscript on vellum, seven leaves, signed, in vellum binder with original wax seal, est. $400-$600. Image courtesy of Millea Bros.

Veteran pilot paying tribute to 100th anniversary of Navy aviation

NEWPORT NEWS, Va. (AP) – Bob Coolbaugh did not exactly make aviation history on Oct. 8, 2010, but at least he can imagine what it must have felt like 100 years ago.

On that day in New Market, Va., the 61-year-old retired Navy pilot climbed aboard a replica of a 1911 Curtiss Pusher, an aircraft he had fashioned from wood, bamboo and steel.

The plan: Take off and cruise at a few thousand feet while sitting on a 12-inch wide wooden plank. See how things go.

The flight did not go smoothly. The nose wobbled as he got into the air, and it took a great deal of muscle to maneuver the aircraft.

“I got on the ground, and my arms were worn out,” he said.

Those few bumps were fitting, considering that Coolbaugh was paying tribute to a hell-bent, barnstorming pilot named Eugene Ely.

Ely figures prominently in the 100th anniversary of naval aviation, which the Navy is gearing up to celebrate in a big way. And Hampton Roads is part of that history.

On Nov. 14, 1910, Ely ignored storm clouds and took off in a spindly aircraft from the USS Birmingham, which sat in the waters of Hampton Roads. It was the first time an aircraft had ever lifted off from a ship.

A photograph freezes the moment in time that Ely became airborne. Yes, that would be him, dropping toward the water.

The flight came perilously close to failing. Ely dove toward the water to gain speed and pulled up, but not before his wheels and part of his propeller struck the water. The aircraft climbed into the air, rattling with damage. Steering with his shoulders – aircraft of that day were built by bicycle makers and were steered by leaning – he managed to land on the beach at Willoughby Spit.

Then in January 1911, Ely closed the historical loop by landing on the deck of a ship. This time, the event was in San Francisco and the ship was the USS Pennsylvania.

Later that year, Navy brass became convinced to give these new-fangled flying machines a try, and put in the first order for aircraft.

That makes 2011 the official 100th anniversary of naval aviation.

Many events are planned for next year, but the Navy will get a head start on the celebration come Friday, with a celebration and a display of older aircraft.

Coolbaugh’s replica is closer to the aircraft that Ely landed out in San Francisco in 1911, as opposed to the one that took off from Hampton Roads a few months earlier. Still, he had hoped to fly his aircraft off the deck of the USS George H.W. Bush as a tribute to Ely’s first take-off.

The Navy, while appreciating his gumption, said that probably wasn’t a good idea.

“I was begging them,” he said.

However, Coolbaugh was scheduled to fly as part of the kick-off celebration on Nov. 12. Plans called for him to take off from Chambers Field and cruise around Willoughby Bay before coming back to land.

Last Friday’s ceremony, which was not open to the public, also featured flyovers by other naval aircraft and a list of speakers, including U.S. Sen. Mark R. Warner. Adm. Robert Willard, commander, U.S. Pacific Command, will give the keynote address.

Capt. Rich Dann is the director of history and outreach for the Centennial of Naval Aviation Task Force. He and Coolbaugh have talked many times.

“I just love it,” he said, “I think it’s a fantastic achievement personally, and Bob’s got a bigger sense of history, too, which is why I think he did it, to let people know how important naval aviation is.”

It took Coolbaugh two and a half years to construct his Curtiss Pusher with help from Andrew King of Culpeper, Va. King restores antique aircraft for a living, and he’s flown vintage aircraft in movies.

They added a few modern options that Ely’s model left out, including a radio and a more up-to-date steering mechanism than the shoulder yoke that Ely used.

“We wanted an airplane that was reliable, that wouldn’t end up in a pile of sticks in front of an audience,” Coolbaugh said.

Coolbaugh had made hundreds of carrier landings during his Navy career, but there was some excitement about that maiden flight.

“The night before, when I should have been sleeping, I played the flight in my mind,” he said.

For all the fun he’s had, Coolbaugh said his quest has given him a greater appreciation for Eugene Ely and his daredevil peers. They were the Mercury astronauts of their generation.

“What they did was beyond comprehension for me,” he said. “Was it courage? Was it ignorance of youth? What got them to do it, I don’t know.”

What Ely and his colleagues did was more than a technological achievement. It eventually triggered a seismic shift in Navy culture.

Before aviators stormed onto the scene, the Navy made war with battleships, cruisers, corvettes, frigates and other surface ships, said Rear Adm. Richard J. O’Hanlon, commander, Naval Air Force Atlantic.

And they were pretty comfortable with that.

“The culture of the Navy was resistant to change,” said O’Hanlon.

Then around the beginning of the 20th century, Navy Capt. Washington Irving Chambers was put in charge of looking into aviation. Chambers had built a reputation as an innovator, and he proposed launching and landing an aircraft from a ship.

If he could pull that off, Navy brass said they would get serious about the idea.

The USS Birmingham was the first ship to host a launch, and Chambers had to retrofit it with a ramp paid for with private money.

That paved the way for Ely to fly into history.

Today, it is difficult to imagine the world in Hampton Roads or elsewhere without naval aviation, from the E2-C Hawkeyes that steadily cruise above Norfolk to the roar of F/A-18s at Oceana Naval Air Station.

Across the water, Newport News is still the only U.S. site where aircraft carriers are built. And aviation in Hampton Roads is not exactly limited to the Navy, O’Hanlon notes, with the presence of Langley Air Force Base in Hampton, which is the headquarters of Air Combat Command.

“The sea lanes are open today because of the efforts of the United States Navy and other navies,” O’Hanlon said. “It’s something that I think we take for granted. I know I do. If you read history, it hasn’t always been that way.”

Information from: Daily Press, http://www.dailypress.com

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-11-11-10 1122EST

 

 

Doll collection of artist Kathy Riddick featured at Frasher’s, Nov. 20

Jumeau Portrait Bebe of superb quality with "Au Papa Entrennes" shop label, 19 inches, pressed bisque socket head, almond-shape blue eyes. Estimate $7,000-$12,000. Image courtesy of Frasher's Doll Auction.
Jumeau Portrait Bebe of superb quality with "Au Papa Entrennes" shop label, 19 inches, pressed bisque socket head, almond-shape blue eyes. Estimate $7,000-$12,000. Image courtesy of Frasher's Doll Auction.
Jumeau Portrait Bebe of superb quality with "Au Papa Entrennes" shop label, 19 inches, pressed bisque socket head, almond-shape blue eyes. Estimate $7,000-$12,000. Image courtesy of Frasher’s Doll Auction.

KANSAS CITY, Mo. – On Saturday, Nov. 20, Frasher’s will offer the personal doll collection of artist Kathy Riddick of Fayetteville, Ark., as well as a fine private collection of early and vintage paper dolls, in a cataloged auction titled “Kathy’s Kollection.” The sale will be held at the Expo Center at the Kansas City, Missouri International Airport, with Internet live bidding through LiveAuctioneers.com.

The Riddick collection of antique dolls forms the centerpiece of Frasher’s 300-lot auction and includes numerous cabinet-size French and German bisque dolls. Dolls of the Sonneberg and Belton types, mostly with French and Bru-look faces, will grace the auction catalog. Several models of the French characters by SFBJ are featured, along with the sought-after SFBJ Bluettes. German bisque dolls include the ever-popular Kammer and Reinhardt characters, as well as varying sizes of the early Kestner pouty models. Several of the uniquely modeled characters by Gebruder Heubach also figure in the mix.

In addition, another small private collection of French and German bisque dolls and paper dolls will be offered in the section featuring Riddick’s dolls of that type.

Lenci dolls from the 1920s and 1930s were another dimension of Kathy’s doll collecting. Within the selection are models ranging in size from the tiniest examples to some measuring 19 inches tall.

“Kathy had a keen interest in everything Shirley Temple,” said Frasher’s owner, Barbara Frasher. “The auction offers numerous composition Shirley Temples in such outfits as the rare “Little Colonel,” “Hawaiian” and “Captain January.” More than 30 examples are entered in the sale, along with a collection of memorabilia associated with the ever-popular child star.

Rounding out the auction is another small, private collection of French and German dolls, including the “C Series” lever-eyed Steiner, an 18-inch JDK Asian baby in elaborate Chinese costume, an early, almond-eyed Portrait Jumeau bebe with original shop label; and other choice French bebes. French characters by S.F.B.J. include a brown-eyed model of mold 238, an outstanding 24-inch toddler model known as “The Twirp”, and two jewel-eyed examples of mold 235.

Lastly, the auction will offer 72 lots of vintage, mostly uncut paper dolls in fine condition.

For more information about any item in Frasher’s Nov. 20 auction, or to consign to the company’s 2011 Scottsdale, Arizona auction, call Barbara Frasher at 816-625-3786 or e-mail frasher@aol.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

# # #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Circa-1885 Sonneberg bisque doll by mystery maker, all original, 13 inches, bisque socket head with blue paperweight eyes, composition jointed body, original factory chemise. Estimate $2,000-$3,000. Image courtesy of Frasher's Doll Auction.
Circa-1885 Sonneberg bisque doll by mystery maker, all original, 13 inches, bisque socket head with blue paperweight eyes, composition jointed body, original factory chemise. Estimate $2,000-$3,000. Image courtesy of Frasher’s Doll Auction.
From a large selection of mostly uncut paper dolls, four military paper dolls including American Nurse wooden doll with Army, Navy and Red Cross uniforms, Victory Girls, Army Nurse and Doctor. Estimate $50-$100. Image courtesy of Frasher's Doll Auction.
From a large selection of mostly uncut paper dolls, four military paper dolls including American Nurse wooden doll with Army, Navy and Red Cross uniforms, Victory Girls, Army Nurse and Doctor. Estimate $50-$100. Image courtesy of Frasher’s Doll Auction.
A wonderful selection of antique and vintage dolls awaits bidders, with the centerpiece of the auction being the personal collection of artist Kathy Riddick. Image courtesy of Frasher's Doll Auction.
A wonderful selection of antique and vintage dolls awaits bidders, with the centerpiece of the auction being the personal collection of artist Kathy Riddick. Image courtesy of Frasher’s Doll Auction.

Man charged with stealing stuffed rare birds from museum

White-tailed Trogon, Camino del Oleoducto, Parque Nacional Soberania, Panama. Photo taken January 2008 by Mdf. Licensed under Creative Commons Attribution-Share Alike 3.0 Unported license.
 White-tailed Trogon, Camino del Oleoducto, Parque Nacional Soberania, Panama. Photo taken January 2008 by Mdf. Licensed under Creative Commons Attribution-Share Alike 3.0 Unported license.
White-tailed Trogon, Camino del Oleoducto, Parque Nacional Soberania, Panama. Photo taken January 2008 by Mdf. Licensed under Creative Commons Attribution-Share Alike 3.0 Unported license.

LONDON (AP) – British police say they have arrested and charged an American man for stealing hundreds of rare bird skins from a British museum outside London.

Detectives investigating the theft of nearly 300 brightly colored stuffed birds from the Natural History Museum in Tring arrested Edwin Rist on Friday.

Police said Monday the 22-year-old has been charged with burglary and money laundering offenses.

The bird skins disappeared after reports of a break-in at the museum in June last year.

Richard Lane, director of science at the museum, said the specimens were valuable and included male trogons and quetzals from Central and South America, and birds of paradise from New Guinea.

He said the bird collection at the museum, northwest of London, is one of the most important in the world.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-11-15-10 0944EST


ADDITIONAL IMAGE OF NOTE


Resplendent Quetzal entering its next, Costa Rica. March 25, 2003 photo by Dennis from Bethany, USA. Licensed under Creative Commons Attribution 2.0 Generic license.
Resplendent Quetzal entering its next, Costa Rica. March 25, 2003 photo by Dennis from Bethany, USA. Licensed under Creative Commons Attribution 2.0 Generic license.

Fisk board responds to alumi criticisms amid O’Keeffe controversy

Cravath Hall, Fisk University, Nashville, Tenn., May 24, 2008 photo by EVula. Licensed under the Creative Commons Attribution 3.0 Unported license.

Cravath Hall, Fisk University, Nashville, Tenn., May 24, 2008 photo by EVula. Licensed under the Creative Commons Attribution 3.0 Unported license.
Cravath Hall, Fisk University, Nashville, Tenn., May 24, 2008 photo by EVula. Licensed under the Creative Commons Attribution 3.0 Unported license.

NASHVILLE, Tenn. (AP) – The Fisk University Board of Trustees is answering charges from a group of alumni that called for the resignation of President Hazel O’Leary.

The Tennessean reports a letter from the board says the group has been vigilant and responsible in its stewardship of the financially troubled school.

It also defends the idea of selling a 50 percent share in Fisk’s Steiglitz art collection, which was donated to the school by the late painter Georgia O’Keeffe.

It says the board is planning a $90 million fundraising campaign but needs the seed money the art sale would raise in order to pull it off.

The letter is signed by the all the directors of the historically black university. It was released Friday night.

___

Information from: The Tennessean, http://www.tennessean.com

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-11-13-10 1607EST

Britain’s National Portrait Gallery finds king’s relics in its basement

Sketch of the skull of Richard II, 1871. Copyright National Portrait Gallery, London.
Sketch of the skull of Richard II, 1871. Copyright National Portrait Gallery, London.
Sketch of the skull of Richard II, 1871. Copyright National Portrait Gallery, London.

LONDON – An archivist at the National Portrait Gallery has found relics from the tomb of King Richard II while cataloguing the papers of its first Director Sir George Scharf (1820-1895). Among the hundreds of diaries and notebooks left behind in boxes not opened for years were contents from the coffin of a medieval English king, and sketches of his skull and bones.

The contents of a cigarette box dated 31 August 1871 were only identified as relics from a royal tomb following cataloguing, when it became possible to cross-reference the date on the front of the box with diary entries and sketches made on the same day. The box contained fragments of wood, possibly from the coffin itself, and some fabric. Records from this date reveal that Scharf was present at an opening of the royal graves at Westminster Abbey. A piece of leather corresponds particularly with Scharf’s sketch of a glove contained in the coffin. A full account of the event was recorded by the Very Reverend Arthur Stanley, Dean of Westminster and published in Archaeologia in 1879.

The Gallery’s founding Director also made careful sketches of the skull and bones of the king, including detailed measurements. The sketches are so faithfully drawn that they could possibly be used to reconstruct the king’s true appearance.

While cataloguing the papers, as part of a six-month online project funded by the National Cataloguing Grants Programme for Archives http://archivecatalogue.npg.org.uk, it became clear that the nineteenth-century gallery director’s analytical approach to record-keeping extended well beyond art and contemporary society. He frequently attended the opening of graves and witnessed those of Richard II, Edward VI, Henry VII, James I and Elizabeth of York.

Krzysztof Adamiec, National Portrait Gallery Assistant Archivist (Scharf Project), says: ‘It was a very exciting discovery and one that reveals the hidden potential of Scharf’s papers. By matching diary entries, with sketches, notes and other material in the collection a unique record is revealed. Scharf meticulously recorded almost everything he saw and experienced. In reading his papers, one is able to reconstruct in minute detail ‘a day in the life’ of this remarkable Victorian gentleman.’

The Scharf papers held in the National Portrait Gallery’s Heinz Archive & Library comprise business, personal and family records which reflect not only the history of the Gallery, but also the wider social history of Victorian England.

Scharf was a careful observer of life in his own times and his diaries, notebooks and sketches provide a detailed record of a changing London, everyday Victorian life, and important historic events of the era.  They are also an exceptional resource for the study of portraits and portraiture. Alongside his responsibility, as Director, for building-up the National Portrait Gallery’s collection, Scharf also worked in a private capacity on various external projects. He was directly involved in some of the most significant exhibitions of the Victorian period, including Crystal Palace (after its relocation to Sydenham) in 1854 and the Manchester Art Treasures exhibition in 1857.

The papers include 230 notebooks and sketchbooks, in which Scharf made detailed notes and meticulous drawings of portraits, people and places including Winston Churchill as a baby, Coventry before it was bombed and Wellington’s funeral. They also include Scharf’s observations on British private and public art collections.

Sir George Scharf was appointed in 1857, shortly after the Gallery was founded. His papers cover the first 38 years of the institution’s existence. They document its formative years, during which period there was a growing interest in national identity and awareness of the role that portraiture might play in representing British history.

The National Portrait Gallery has launched its archive catalogue on the web http://archivecatalogue.npg.org.uk/, revealing to a wider audience fascinating stories about the Gallery’s activities since it was founded in 1856.  The online archive comprises over 15,000 file-level descriptions containing information about all types of records, including letters, x-rays, videos, posters, press-cuttings, minutes and reports as well as photographs. It includes records on acquiring, conserving and displaying portraits, organising and staging exhibitions and constructing, managing and developing the building. Descriptions of Sir George Scharf’s papers have been added, following an award of £17,909 from the National Cataloguing Grants Programme for Archives to catalogue the material.

The papers will join those of other former Gallery Directors, such as Sir Lionel Cust and Sir Roy Strong, already available. While the new online facility is a catalogue of the Archive and not its entire contents, visitors can make an appointment to see any of the documents listed at the Gallery’s Heinz Archive and Library. For a booking please go to: http://www.npg.org.uk/research/archive/directions.php

If You Visit:

The National Portrait Gallery’s Heinz Archive and Library dates back to the foundation of the Gallery in 1856, and is the prime centre for research in the field of British portraiture. It is open by appointment only: Tuesday to Friday, 10.00–17.00 (Closed: 24 December to 1 January inclusive, weekends, public bank holidays and for a two week stock-take between mid-August and mid-September). Telephone: (0)20 7321 6617. E-mail: archive@npg.org.uk Website: www.npg.org.uk/research/archive Library catalogue: www.librarycatalogue.npg.org.uk

National Portrait Gallery, St. Martin’s Place, WC2H 0HE London opening hours: Saturday-Wednesday: 10am – 6pm (Gallery closure commences at 5.50pm) Late Opening: Thursday, Fridays:10am – 9pm (Gallery closure commences at 8.50pm) Recorded information: 020 7312 2463 General information: 020 7306 0055

Visit the gallery online at: www.npg.org.uk

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London Eye: November 2010

An extremely rare and important 18th-century Qianlong reticulated porcelain ovoid vase decorated with famille rose and famille jaune enamels, that set a new world record for a Chinese work of art when it sold at Bainbridge's London auction rooms for 51.6 million pounds ($83.2 million), including buyer's premium. Image courtesy Bainbridge's.
An extremely rare and important 18th-century Qianlong reticulated porcelain ovoid vase decorated with famille rose and famille jaune enamels, that set a new world record for a Chinese work of art when it sold at Bainbridge's London auction rooms for 51.6 million pounds ($83.2 million), including buyer's premium. Image courtesy Bainbridge's.
An extremely rare and important 18th-century Qianlong reticulated porcelain ovoid vase decorated with famille rose and famille jaune enamels, that set a new world record for a Chinese work of art when it sold at Bainbridge’s London auction rooms for 51.6 million pounds ($83.2 million), including buyer’s premium. Image courtesy Bainbridge’s.

When the bidding takes off at a public auction and enters seven-figure territory, the atmosphere in the room can become nerve-shreddingly tense, particularly for those bidding for the lot. But spare a thought for the auctioneer who has to keep cool throughout. Only when the hammer has fallen can he properly relax. Sometimes the relief expresses itself in unexpected ways.

When London auctioneer Peter Bainbridge dropped the hammer down this week he hit the rostrum so hard his gavel smashed. It was not surprising. He had just presided over an auction that saw a Chinese Qianlong imperial porcelain vase climb to a winning bid of 51.6 million pounds ($83.2 million), including the buyer’s premium – a new world record for Chinese porcelain and doubtless for a host of other categories too. Whether Bainbridge’s considerable commission on the sale contributed to his over-zealous hammering remains unclear. Certainly his life – and that of the vase’s vendor – will never be the same again.

Views from both sides of the neck of the Qianlong imperial porcelain vase that fetched a world record 51.6 million pounds ($83.2 million) at Bainbridge's November auction. Image courtesy Bainbridge's.
Views from both sides of the neck of the Qianlong imperial porcelain vase that fetched a world record 51.6 million pounds ($83.2 million) at Bainbridge’s November auction. Image courtesy Bainbridge’s.

Bainbridge’s family-run saleroom in the West London borough of Ruislip is more accustomed to selling relatively low-value chattels than record-setting Chinese ceramics. When the Chinese vase was discovered among the otherwise mundane effects of a local house clearance, the auctioneers knew they needed to call in some experienced consultancy. But not even their knowledgeable Chinese ceramics expert had any idea that this extremely rare, reticulated, double-walled ovoid vase would draw just about every dealer and collector in Chinese porcelain to the Ruislip saleroom.

In recent weeks we’ve seen plenty of evidence of the strength of the Chinese market. Last month we reported on a small Chinese hardwood carving of a deity that fetched 320,000 pounds ($511,775) at Duke’s in Dorchester. However, this most recent price seems to indicate that when the very rarest and finest examples of early Chinese cultural heritage come onto the market there is virtually no limit to what mainland Chinese collectors will pay. Doubtless attics all over Britain are being searched for similar examples, but Qianlong masterpieces of this quality are rare indeed. Hence the extraordinary price.

And so to rather more accessibly priced material. This month, London antiquities dealers Charles Ede Ltd. published the catalog for their forthcoming Christmas selling exhibition with a varied selection of objects priced from 100 pounds ($160) to around 7,000 pounds ($11,200). Selling antiquities is an unenviable task in modern times when very object is subject to merciless scrutiny by the provenance police. But director James Ede is acknowledged as being among the more responsible and ethical members of the antiquities fraternity, working actively to foster best practice within the London trade. If one can buy with peace of mind anywhere, it is through Ede.

Ede’s Christmas show extends this somewhat rarefied market sector to those collectors restricted to more modest price levels than one generally associates with the antiquities trade. The selection embraces everything from affordable Roman gold earrings priced at around 1,000 pounds ($1,600), to a Roman marble stele carved in relief with a figure holding a scroll, for sale at 6,750 pounds ($10,850). Ede is even offering small Egyptian amulets and figurines in bronze and faience priced at between 90 pounds ($144) and 550 pounds ($884).

This Roman carved marble stele of a toga-clad figure holding a scroll, second or third century, is included in Charles Ede's Christmas catalog priced at 6,750 pounds ($10,850). Image courtesy Charles Ede Ltd.
This Roman carved marble stele of a toga-clad figure holding a scroll, second or third century, is included in Charles Ede’s Christmas catalog priced at 6,750 pounds ($10,850). Image courtesy Charles Ede Ltd.
London antiquities dealer Charles Ede Ltd. is offering a range of reasonably priced objects for Christmas, including these Roman gold earrings (from left) priced at: 900 pounds ($1,450), 1,100 pounds ($1,770) and 950 pounds ($1,525). Image courtesy Charles Ede Ltd.
London antiquities dealer Charles Ede Ltd. is offering a range of reasonably priced objects for Christmas, including these Roman gold earrings (from left) priced at: 900 pounds ($1,450), 1,100 pounds ($1,770) and 950 pounds ($1,525). Image courtesy Charles Ede Ltd.
A selection of Egyptian amulets and figurines on sale with London antiquities dealers Charles Ede Ltd., priced at (from left): 550 pounds ($885), 190 pounds ($305), 250 pounds ($400), 90 pounds ($145). Image courtesy Charles Ede Ltd.
A selection of Egyptian amulets and figurines on sale with London antiquities dealers Charles Ede Ltd., priced at (from left): 550 pounds ($885), 190 pounds ($305), 250 pounds ($400), 90 pounds ($145). Image courtesy Charles Ede Ltd.

Another London gallery seeking to capitalize on the seasonal appetite for affordable gifts is the shop attached to the famous Courtauld Gallery at Somerset House. Between now and Christmas one can stroll around the Courtauld’s matchless collection of Impressionist masterpieces upstairs and afterwards peruse the gallery’s retail outlet. Here you’ll find hand-crafted, gold-plated dice at 35 pounds ($56) per set, floral silk scarves, inspired by the Courtauld’s “History of Dress” collection, for sale at 40 pounds ($64), and handmade ceramic and sterling silver “Ace of Hearts” pendants and earrings by Welsh crafts company Noa Jewellery priced at 30 pounds ($48) and 35 pounds ($56) respectively.

The Courtauld Gallery Shop at Somerset House has produced a range of affordable objects for Christmas inspired by works in its collection. These handcrafted, gold-plated dice can be purchased at 35 pounds  ($56) per set. Image courtesy Courtauld Gallery.
The Courtauld Gallery Shop at Somerset House has produced a range of affordable objects for Christmas inspired by works in its collection. These handcrafted, gold-plated dice can be purchased at 35 pounds ($56) per set. Image courtesy Courtauld Gallery.
A floral silk scarf inspired by the Courtauld Gallery's 'History of Dress' collection, for sale at 40 pounds ($64) as part of the Courtauld's seasonal retail offering. Image courtesy Courtauld Gallery.
A floral silk scarf inspired by the Courtauld Gallery’s ‘History of Dress’ collection, for sale at 40 pounds ($64) as part of the Courtauld’s seasonal retail offering. Image courtesy Courtauld Gallery.
Handmade ceramic and sterling silver 'Ace of Hearts' pendants by Welsh crafts company Noa Jewellery, priced at 30 pounds ($48) at the Courtauld Gallery Shop. Image courtesy Courtauld Gallery.
Handmade ceramic and sterling silver ‘Ace of Hearts’ pendants by Welsh crafts company Noa Jewellery, priced at 30 pounds ($48) at the Courtauld Gallery Shop. Image courtesy Courtauld Gallery.

If you are wondering what connection these vague gambling themes might have with the Courtauld Collection, we can confirm they were created to coincide with the exhibition “Cézanne’s Card Players,” on view at the gallery until Jan 16. Clearly the pressure on museums and galleries to “monetize” their collections through retail and merchandising opportunities is growing ever more intense as the knock-on effect of the budget deficit bites.

In general, however, despite the recession, the art market seems to be thriving. As we have seen, Chinese works of art are in feverish demand, consignments at auction are markedly up on a year ago, and new galleries are opening all the time. In fact, so confident are Worcestershire dealers Simon Shore and Steven Beale that the current upward market trend will continue, that they have decided to open a London gallery.

Trinity House Paintings founders Simon Shore and Steven Beale, who have expanded their Worcestershire-based business by opening a London gallery at 50 Maddox St. Image courtesy Trinity House Paintings.
Trinity House Paintings founders Simon Shore and Steven Beale, who have expanded their Worcestershire-based business by opening a London gallery at 50 Maddox St. Image courtesy Trinity House Paintings.

The partners’ Trinity House Paintings partnership has been thriving down in Broadway, Worcestershire since 2006, but Shore and Beale believe a second outlet in Maddox Street, Mayfair, London W1 will open up new opportunities. “Many of our clients live in the capital and Mayfair is where everyone comes to buy the best art in the world,” says Beale. “Our new Maddox Street location will be an exciting development, enabling us to reach both the London and international art markets effectively.” Trinity House offers classy Impressionist, Post-Impresionist and Modern British paintings and works on paper. The new gallery is the place to see (and buy), among other wonderful things, landscapes by French painter Eugene Boudin and charcoal drawings by Camille Pissarro.

Eugène  Boudin, ‘Coucher de Soleil, Étaples,’ oil on canvas, signed and dated (18)78, currently on view at Trinity House Painting's new gallery at 50 Maddox Street, London W1. Image courtesy Trinity House Paintings.
Eugène Boudin, ‘Coucher de Soleil, Étaples,’ oil on canvas, signed and dated (18)78, currently on view at Trinity House Painting’s new gallery at 50 Maddox Street, London W1. Image courtesy Trinity House Paintings.
Camille Pissarro, ‘Femme Assise,’ charcoal on paper, signed ‘C. Pissarro,’ on exhibition at Trinity House Paintings' new gallery at 50 Maddox St., Mayfair. Image courtesy Trinity House Paintings.
Camille Pissarro, ‘Femme Assise,’ charcoal on paper, signed ‘C. Pissarro,’ on exhibition at Trinity House Paintings’ new gallery at 50 Maddox St., Mayfair. Image courtesy Trinity House Paintings.

Finally, an interesting take on the bespoke celebrity vacation tour. Celia Sandys, one of Sir Winston Churchill’s granddaughters has spent many years keeping her grandfather’s reputation alive in the public mind by publishing books and organizing tours “in Sir Winston’s footsteps.” Next year, April 3-10, she will be leading a tour to Cuba, where Churchill is still something of a revered icon, not least thanks to his role in promoting the country’s famous cigar industry. The Ultimate Travel Company, co-organisers of the Churchill tours, tell us that the great man visited Cuba on two occasions – first in 1895, as the unknown son of politician Lord Randolph Churchill, and again in 1946, by which time he was one of the most famous public figures in the world.

September sees Ms. Sandys and her party fly to Morocco, another of Churchill’s favorite countries on account of its picturesque scenery, which Sir Winston loved to paint. For more information on the Churchill tours, contact the Ultimate Travel Company at 25-27 Vanston Place, London SW6 1AZ.

A painting of the Ourika Valley, Morocco, by Sir Winston Churchill. Churchill's grand-daughter, Celia Sandys, is following in Sir Winston's footsteps by organizing tours to Morocco in 2011. Image copyright Churchill Heritage and by permission.
A painting of the Ourika Valley, Morocco, by Sir Winston Churchill. Churchill’s grand-daughter, Celia Sandys, is following in Sir Winston’s footsteps by organizing tours to Morocco in 2011. Image copyright Churchill Heritage and by permission.
Sir Winston Churchill painting at Marrakech in the 1950s.  Image copyright Churchill Heritage and by permission.
Sir Winston Churchill painting at Marrakech in the 1950s. Image copyright Churchill Heritage and by permission.
‘The Koutoubia Mosque, Morocco’ by Sir Winston Churchill. Image copyright Churchill Heritage and by permission.
‘The Koutoubia Mosque, Morocco’ by Sir Winston Churchill. Image copyright Churchill Heritage and by permission.