Reward offered for caduceus sculpture stolen from clinic wall

QUINCY, Ill. (AP) – Quincy Regional Crime Stoppers are offering a reward for a caduceus stolen from a wall outside a clinic last week.

A caduceus, also known as the Staff of Asclepius, is the familiar medical symbol of a snake twined around a rod.

The caduceus stolen from the Rapp Clinic wall is nine feet tall and was cast out of aluminum by the late sculptor Mary Ann Lohman. It is worth more than $10,000.

The clinic was operated for many years by Dr. Roy Rapp. Rapp’s son, Quincy attorney Jim Rapp, says the staff had been in place since the 1960s.

Rapp tells the Quincy Herald-Whig the thieves were careful in in removing the caduceus, so they may have stolen it as an art object, rather than as scrap aluminum.

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Information from: The Quincy Herald-Whig, http://www.whig.com.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-12-15-10 0430EST

William Zorach (American, b. Lithuania, 1887-1966), Spirit of the Dance, bronze, 1932, 76 x 31 x 48 inches. Gift of Mr. and Mrs. Charles Stewart Mott, 1965.10. From the exhibition titled 3-D: Focus on the Figure. Image courtesy of the Flint Institute of Arts.

Flint Institute of Arts hosts sculpture exhibition

William Zorach (American, b. Lithuania, 1887-1966), Spirit of the Dance, bronze, 1932, 76 x 31 x 48 inches. Gift of Mr. and Mrs. Charles Stewart Mott, 1965.10. From the exhibition titled 3-D: Focus on the Figure. Image courtesy of the Flint Institute of Arts.

William Zorach (American, b. Lithuania, 1887-1966), Spirit of the Dance, bronze, 1932, 76 x 31 x 48 inches. Gift of Mr. and Mrs. Charles Stewart Mott, 1965.10. From the exhibition titled 3-D: Focus on the Figure. Image courtesy of the Flint Institute of Arts.

FLINT, Mich. (AP) – The Flint Institute of Arts is hosting an exhibition starting this weekend that explores the evolution of the human figure in sculpture from the late 15th century.

The exhibition titled “3-D: Focus on the Figure” opens Saturday and runs through Jan. 30. It includes 40 objects from the museum’s own collection.

The works on display include an earthenware figure by the 15th century artist Giovanni della Robbia and bronze sculptures by Edgar Degas and Auguste Rodin. A porcelain bust by Pablo Picasso also is featured.

Museum Director John Henry says the exhibition is a tribute to the “taste and generosity of patrons” who have given their collections to the museum.

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Online: http://www.flintarts.org

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-12-15-10 0400EST

 

Vincent van Gogh (Dutch, 1853-1890), The Ox-Cart. Image courtesy of Portland Art Museum.

US hospital X-rays van Gogh painting for clues

Vincent van Gogh (Dutch, 1853-1890), The Ox-Cart. Image courtesy of Portland Art Museum.

Vincent van Gogh (Dutch, 1853-1890), The Ox-Cart. Image courtesy of Portland Art Museum.

PORTLAND, Ore. (AP) – Digital X-ray equipment is providing art researchers with a new view of a priceless painting by Vincent van Gogh.

The masterpiece titled The Ox-Cart was examined at Oregon Health & Science University on Monday as part of an effort to better understand the artist and his technique.

The Oregonian reports that Engineering professors Don Johnson of Rice University and Richard Johnson of Cornell University are leading the international project.

The painting was donated to the Portland Art Museum in 2007 by a private collector.

Researchers are studying canvas thread patterns to piece together a precise chronology of van Gogh’s works and how they relate to one another.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-12-14-10 1448EST

18th century Deerfield carved chest. 27.5 inches x 43.5 inches x 19 inches. Estimate $20,000-$30,000. Image courtesy of Kaminski Auctions.

Kaminski’s Dec. 30-31 auction features antiques from Mass. estate ‘Red Roof’

18th century Deerfield carved chest.  27.5 inches x 43.5 inches x 19 inches.  Estimate $20,000-$30,000. Image courtesy of Kaminski Auctions.

18th century Deerfield carved chest. 27.5 inches x 43.5 inches x 19 inches. Estimate $20,000-$30,000. Image courtesy of Kaminski Auctions.

BOSTON – Kaminski Auctions, one of Massachusetts’ premier auction houses, has announced details of its Annual New Year’s Auction, to take place Dec. 30-31, 2010 at the company’s new state-of-the-art auction gallery.  This important auction features a wide selection of fine art, antiques and collectibles, including a selection of items from the historic Gloucester, Massachusetts estate “Red Roof.” Internet live bidding will be provided by LiveAuctioneers.com.

Highlighting this exciting two-day auction is a rare custom banjo by Bacon & Day (estimate $15,000-$25,000). This unique instrument, which comes from the “Silver Bell” series by Vacon & Day, has a host of luxurious custom elements. Notable features include a polished mother-of-pearl fret board with gold Roman numeral inlays, lavish gold-plated tension hoop, resonator and tailpiece; abalone appointments, and a custom peghead with abalone inlay. The banjo measures 38.25 inches in height and comes with a custom-fitted case.

Also featured is an 18th century Deerfield chest (est. $20,000-$30,000). These fine hand-carved chests were produced primarily during the late 17th and early 18th centuries in western Massachusetts. The chest is adorned with a carved flat flower and leaf design and a custom monogram, characteristic elements for such pieces from this region. The chest measures 27.5 inches in height and is 43.5 inches wide.

Additional fine furniture offerings include an 18th century Queen Anne walnut bonnet-top highboy ($10,000-$20,000). This prodigious piece, standing at just over 7 feet tall, is accompanied by a family letter dated 1954. The letter indicates that the highboy was made in Salem or Marblehead between the years of 1750-1760. Having been passed down through six generations of a single family, the piece was originally purchased by William Saville, a life-long resident of Gloucester who served as the Town Clerk for two decades. A copy of the letter will be provided to the buyer.

In addition to the outstanding selection of fine furnishings and antiques, the auction also includes a stunning lineup of estate jewelry. Highlights include a gold, emerald and diamond bangle bracelet with Art Nouveau elements (est. $80,000-$100,000), a ladies emerald and diamond dinner ring (est. $35,000-$45,000), and a diamond and white gold tennis bracelet (est. $30,000-$35,000).

“We’re thrilled to kick off an exciting new year with a spectacular sale in our new state-of-the-art auction gallery,” said Frank Kaminski, owner of Kaminski Auctions. “We also have a selection of rare antiquities from the famous “Red Roof” estate in Gloucester, built in 1902.”

Red Roof was the home of A. Piatt Andrew, a distinguished Harvard economics professor at the beginning of the 20th century and the man known as the architect of both the Federal Reserve and the American Field Service in World War I. Visitors to Red Roof, located 36 miles north of Boston, included Isabella Stewart Gardner and John Singer Sargent.

For information on any lot in the sale, call Kaminski’s at 978-927-2223.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Rare custom banjo, Silver Bell series by Bacon & Day. Abalone inlay and gold-plated accents. Comes with custom case. Estimate $15,000-$25,000. Image courtesy of Kaminski Auctions.

Rare custom banjo, Silver Bell series by Bacon & Day. Abalone inlay and gold-plated accents. Comes with custom case. Estimate $15,000-$25,000. Image courtesy of Kaminski Auctions.

18th century Queen Anne walnut bonnet-top highboy.  84.5 inches by 36 inches by 21.25 inches. Estimage $15,000-$25,000. Image courtesy of Kaminski Auctions.

18th century Queen Anne walnut bonnet-top highboy. 84.5 inches by 36 inches by 21.25 inches. Estimage $15,000-$25,000. Image courtesy of Kaminski Auctions.

Steinway Model B ebony grand piano. Estimate $8,000-$12,000. Stephenson’s Auctions image.

Stephenson’s to welcome 2011 with exquisite silver, art, jewelry

Steinway Model B ebony grand piano. Estimate $8,000-$12,000. Stephenson’s Auctions image.

Steinway Model B ebony grand piano. Estimate $8,000-$12,000. Stephenson’s Auctions image.

SOUTHAMPTON, Pa. – Philadelphia-area estates, residences and private collectors were the sources contributing to the outstanding lineup of fine paintings, decorative art, silver and jewelry to be offered by Stephenson’s Auctioneers over the first weekend of 2011. Internet live bidding will be provided by LiveAuctioneers.com.

The opening session on Saturday, Jan. 1 is laden with beautiful antique silver and jewelry. One of the premier lots is a circa-1900 Russian silver and gold cigarette case with the hallmark of Nicholai Kemper (St. Petersburg, 1898-1908). It is a heavy piece that almost certainly would have been a specially commissioned item, judging from the many script names and applied tokens that include a frog, pig, crown, German 50-mark note, and Masonic logo.

Two American silver tea and coffee services will be auctioned – one by International Silver and the other by Stieff. Both are large sets with a creamer, sugar bowl, waste receptacle and tray. Additionally, the silver section includes a sizable array of hollow ware.

Approximately 120 lots of jewelry are on the auction roster for day one. A collection of lovely Victorian pins, a Victorian rose gold brooch with seed pearls, tassels and d’epargne black enameling ($500-$700); and a Victorian dragon-head necklace encrusted with garnets ($500-$700) are among the highlights. Other important pieces include a hallmarked European 14K gold wide-mesh basketweave bracelet ($1,200-$1,500) a 1940s Tiffany owl pin, gold with bloodstone accents ($300-$500); and a 1950s Georg Jensen (Denmark) sterling silver cuff bracelet. “We’ve conservatively estimated the Jensen bracelet at $600-$1,000 because it is so uncommon we could not find a comparable bracelet in any available reference material,” said Stephenson’s jewelry expert Theresa Zaengle. “It’s really a great-looking piece.”

High-quality vintage Mexican silver will be offered, as well. Within the grouping are a 30-inch sterling link necklace by the Taxco silversmiths Los Castillo ($200-$300) and a wide silver cuff bracelet of 980 silver decorated with amethyst stones and the ancient Mayan motif of the “Feathered Serpent” deity Quetzalcoatl (200-$300).

Every woman loves a charm bracelet, and Stephenson’s New Year’s event includes one of the most desirable examples to come to auction in quite some time. The heavy gold bracelet includes six substantial charms adorned with pearls, rubies and sapphires, and representing such forms as a golf bag with clubs, opera glasses and a telephone. Estimate: $1,500-$2,000. A second charm bracelet features gold coins and a gold charm replicating a coin.

Among the other jewelry highlights are a 30-inch double strand of uniform 8mm pearls with a 14K gold and carved cameo opal and diamond clasp ($2,000-$3,000), a Chinese jade necklace with a large disc pendant, matching earrings and bracelets; a 1920s Art Deco-style 14K white gold filigree three-stone diamond ring, several cameos, and a suite of angel skin coral and diamond earrings, pendant and ring, with each piece to be auctioned separately. Exhibiting the chic, modern styling of David Anderson, a plain silver and enameled pendant duo will be offered as one lot.

The opening session also includes a number of excellent decorative art lots, with leading entries being the 19-inch Mont Joye enameled vase with sunflower motif ($700-$1,100) and a pair of impressive Sevres-style porcelain bronze-mounted urns. Additionally, Stephenson’s will auction Lalique and Daum crystal, as well as a number of small porcelains, figures and large-size Royal Doulton figural pieces from the remaining stock of an upscale Bucks County specialty shop whose owner is now deceased.

The Sunday, Jan. 2 session is devoted to fine art and furniture. A lively oil-on-canvas genre painting by Emma Brownlow (English, 1820-1880) is titled Halloween and depicts a gaggle of children, some with masks, industriously creating holiday decorations inside a quaint cottage. Stephenson’s Auctioneers’ owner, Cindy Stephenson, described the 17- by 21-inch (sight) painting as “a wonderful example of Brownlow’s work,” adding, “We expect it to make $20,000-$30,000.”

Another significant artwork is the oil-on-canvas Hudson River Valley landscape by William Mason Brown (American, 1828-1898). Artist-signed, the 21- by 29-inch (sight) painting comes from a private residence in Bucks County, Pa., and is estimated at $6,000-$10,000. Other pictures to be auctioned include three works by Joseph Barrett and a few by David Hahn, both of whom are from Bucks County.

A selection of furniture to be sold in the second session includes 15 pieces of Kittinger Colonial Williamsburg, all from a Philadelphia Main Line estate and dating to the mid-20th century; a Pennsylvania cherry corner cupboard, a Chippendale semi-tall chest, circa-1790 Federal drop-leaf inlaid table, and a superior Art Nouveau glass-doored oak bookcase. Adding a musical touch, a Steinway Model B ebony grand piano with bench in beautiful condition is estimated at $8,000-$12,000.

For additional information on any lot in the sale, call Cindy Stephenson at 215-322-6182 or e-mail info@stephensonsauction.com.

Absentee and live Internet bidding will be facilitated by LiveAuctioneers.com. Watch for the fully illustrated catalog to appear soon at www.LiveAuctioneers.com.

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ADDITIONAL LOTS OF NOTE


Circa-1860 Emma Brownlow (English, 1820-1880) oil-on-canvas painting titled Halloween. Estimate $20,000-$30,000. Stephenson’s Auctions image.

Circa-1860 Emma Brownlow (English, 1820-1880) oil-on-canvas painting titled Halloween. Estimate $20,000-$30,000. Stephenson’s Auctions image.

Russian circa-1900 silver and gold enameled cigarette case, hallmark of Nicholai Kemper (St. Petersburg, 1898-1908). Stephenson’s Auctions image.

Russian circa-1900 silver and gold enameled cigarette case, hallmark of Nicholai Kemper (St. Petersburg, 1898-1908). Stephenson’s Auctions image.

William Mason Brown (American, 1828-1898), Hudson River Valley landscape painting, oil on canvas. Estimate $6,000-$10,000. Stephenson’s Auctions image.

William Mason Brown (American, 1828-1898), Hudson River Valley landscape painting, oil on canvas. Estimate $6,000-$10,000. Stephenson’s Auctions image.

Pair of Sevres-style porcelain bronze-mounted urns. Stephenson’s Auctions image.

Pair of Sevres-style porcelain bronze-mounted urns. Stephenson’s Auctions image.

Signed Mont Joye enameled “Sunflower” vase, 19 inches tall. Estimate $700-$1,100. Stephenson’s Auctions image. Stephenson’s Auctions image.

Signed Mont Joye enameled “Sunflower” vase, 19 inches tall. Estimate $700-$1,100. Stephenson’s Auctions image. Stephenson’s Auctions image.

International sterling silver tea and coffee service. Stephenson’s Auctions image.

International sterling silver tea and coffee service. Stephenson’s Auctions image.

This lithographed tin boy-on-sled toy is 7 inches long. It sold at RSL Auction Co. for $334. Image courtesy RSL Auction Co.

Kovels – Antiques & Collecting: Week of Dec. 13, 2010

This lithographed tin boy-on-sled toy is 7 inches long. It sold at RSL Auction Co. for $334. Image courtesy RSL Auction Co.

This lithographed tin boy-on-sled toy is 7 inches long. It sold at RSL Auction Co. for $334. Image courtesy RSL Auction Co.

Because the 19th-century Industrial Revolution resulted in new technology and the creation of a middle class, the invention of tin toys was possible and profitable. Earlier toys had been made of wood, fabric or ceramics. Tin toys were made in the early years of the 19th century in Germany, England and France. The J. Hess Co. was founded in Germany in 1826. Other German toy companies, including Marklin, Bing and Lehmann, soon started up, too. Tin toys were first made in the United States in the early 1830s. By the 1860s, many U.S. companies were producing the toys. In fact, the years from 1865 to 1895 are called the “Golden Age of American Tin Toys.” By the 1890s, German and French toymakers were realizing that tin toys were popular in the United States. They made large numbers of toys and pictured them in sales catalogs that now help collectors identify the makers. American toys were less complicated and more amusing than European examples. Toys then, as now, chronicled the everyday life of children. One popular Hess toy was a windup toy shaped like a boy on a sled. Turn the key and the sled scoots across the floor. It was made in several different color combinations. The boy might have a red, green or yellow jacket. Other companies made a very similar boy-on-sled toy. All date from about 1915.

Q: I have a Frister & Rossman treadle sewing machine mounted on a maple stand. It has a crank that can be operated by foot or hand. The scrollwork on the machine is beautiful. Ironwork on the bottom spells out “Original.” Can you tell me more about the machine?

A: Robert Frister and Gustav Rossmann started making sewing machines in Berlin in the mid 1860s. Their first machines were licensed copies of American machines made by Wheeler & Wilson and Willcox & Gibbs. Frister & Rossmann was the largest producer of sewing machines in Germany for decades, and new sewing machines with the Frister & Rossmann brand name are still being sold.

Q: I have a dessert serving set that was given to me by a great-aunt in the 1950s. There is a circular mark on the bottom of the dishes enclosing the word “Shofu” in large capital letters surrounded by the words “Made in Japan.” Can you tell me who made this set and how old it is?

A: The history of Shofu is confusing. Shofu Kajo or Shofu Katei (1870 to 1928) made porcelain in Kyoto, Japan, beginning in 1890. He founded the Shofu Ceramics Co. in 1908 and began importing ceramics. There still is a company called Shofu in Kyoto. It was incorporated in 1922 by Kajo Shofu III and is still in business making porcelain dentures. The words “Made in Japan” are a clue to the years when the mark on your dessert set was used. On its ceramics exports, Japan used the word “Nippon” (a transliteration of “Japan”) as its country name until 1921. After 1921 the U.S. government forced Japanese exporters to use the word “Japan” in their marks. Pieces made in Japan from 1947 to 1952 are marked “Made in Occupied Japan.” Your dessert set was made between 1921 and 1941 or in the early 1950s.

Q: Are armadillo baskets really made out of armadillo “skin” or are they just made to look like an armadillo? When were they made?

A: Armadillo baskets are made from the hard “shell” of the nine-banded armadillo, one of the many varieties of armadillos. Usually the finished baskets are varnished; some have cloth linings. Charles Apelt (1862-1944), a German immigrant basket-maker who lived on a farm in Texas, noticed that the shell of an armadillo he had killed and skinned curled up into a basket shape as it dried. He started the Apelt Armadillo Co. in Comfort, Texas, in 1898 and began to make baskets from the shells. Handles were formed by looping the long tail over and wiring it to the basket. Armadillo baskets became popular after they were shown at the St. Louis World’s Fair in 1904. The company made baskets, purses, lamps and other items from armadillo shells until it closed in 1971. Armadillos have been used to conduct research on leprosy. For a while, some people thought owning an armadillo basket was dangerous because armadillos carried leprosy, but it has been proven that very few of the animals carry the disease and it can’t be transferred unless a person eats the undercooked meat. A basket in good shape sells for about $50 to $100, depending on its size and lining.

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Q: I have a 7-foot-diameter dining table with beautiful inlay. I would love to use it without pads and tablecloth, but am petrified to do so. Design magazines often show wood tables set for a meal directly on the wood surface. I know from experience that setting anything remotely warm on a bare table leaves white marks. Are placemats or chargers sufficient for plates? What about salt cellars, other condiment dishes, crystal wine glasses or bowls of flowers?

A: The pictures in the magazine may look attractive, but you should protect your table with placemats or a tablecloth if you are serving anything hot, cold or wet. Be sure to use a pad under the tablecloth or placemats, unless they are already padded. Trivets should be used under serving dishes to make sure heat doesn’t penetrate the pad.

Tip: You can clean oil, fingerprints and dust from a photograph with a wad of white bread.

Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or

e-mail addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, (Name of this newspaper), King Features Syndicate, 300 W. 57th St., New York, NY 10019.

Need more information about collectibles? Find it at Kovels.com, our website for collectors. Check prices there, too. More than 700,000 are listed, and viewing them is free. You can also sign up to read our weekly “Kovels Komments.” It includes the latest news, tips and questions and is delivered by e-mail, free, if you register. Kovels.com offers extra collector’s information and lists of publications, clubs, appraisers, auction houses, people who sell parts or repair antiques and much more. You can subscribe to “Kovels on Antiques and Collectibles,” our monthly newsletter filled with prices, facts and color photos. Kovels.com adds to the information in our newspaper column and helps you find useful sources needed by collectors.

CURRENT PRICES:

Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.

Southern Pacific Lines deck of cards, fabric-covered box, photos of various landmarks, including Yosemite Falls, Fisherman’s Wharf, 1930, $85.

Cab driver’s hat, white fabric, “Al’s Cab” on front, with 1950s Minnesota licensed chauffeur button, black plastic visor, 7 1/2 inches, $115.

1939 New York World’s Fair camera, plastic, brass face plate, image of Trylon & Perisphere, text, metal winding knob, 2 3/4 x 3 x 2 1/2 inches, $140.

Coin silver crumber, handle, center engraved with waterfront, boat and church, marked “Coin,” D.C. jeweler’s box, 1847-79, 12 inches, $175.

Old Gold cigarettes countertop display box, cardboard, truck shape, woman, dogs and cigarette pack on both sides, 1930s, 5 7/8 x 11 1/2 inches, $300.

Schoenhut boy doll, brown carved hair, painted face, blue intaglio eyes, closed mouth, spring-jointed body, sailor outfit, c. 1912, 14 inches, $545.

Black woman wind-up toy, tin lithograph, concentric wheels move toy forward with up and down motion, upper body moves back and forth, Gunthermann, Germany, c. 1900, 6 1/2 inches, $805.

Applique quilt, 12-block coxcomb and currant variation with daisy center, quilted white ground, red binding, Ohio, 1800s, 87 x 70 inches, $920.

Howdy Doody jacket, “Buffalo Bob Says Howdy Doody for President” on back, corduroy, “Buffalo Bob” embroidered on chest, 1952, adult size, $1,150.

Shaker work table, pine, red wash, overhanging top with batten ends, turned & tapered legs, Enfield, 1860-80, 30 x 56 inches, $2,700.

Keep up with changes in the collectibles world. Send for a FREE sample issue of our 12-page, full-color newsletter, “Kovels on Antiques and Collectibles,” filled with prices, news, information and photos, plus major news about the world of collecting. To subscribe at a bargain $27 for 12 issues, write Kovels, P.O. Box 8534, Big Sandy, TX 75755; call 800-829-9158; or subscribe online at Kovelsonlinestore.com.

© 2010 by Cowles Syndicate Inc.

 

Pair of Georg Jensen sterling silver Pomegranate candelabra, design date 1919. Estimate $6,000-$8,000. Image courtesy Skinner Inc.

Skinner 20th C. auction features Tiffany, Roycroft, Wegner designs

Pair of Georg Jensen sterling silver Pomegranate candelabra, design date 1919. Estimate $6,000-$8,000. Image courtesy Skinner Inc.

Pair of Georg Jensen sterling silver Pomegranate candelabra, design date 1919. Estimate $6,000-$8,000. Image courtesy Skinner Inc.

BOSTON – Skinner Inc.’s Dec. 18 auction of 20th century furniture and decorative arts presents bountiful opportunities for last-minute holiday shopping. The auction features a large selection of modern artwork including paintings, sculpture, and wall hangings, modern furniture, and furniture, silver and art pottery from the Arts & Crafts movement. Tiffany lighting and Art Deco lamps and wall sconces will be offered, as well.

The sale kicks off with a fine selection of Arts & Crafts, including collections of Roycroft furniture and Walley pottery. “Collectors will be pleased with the offerings, as this auction features a nice selection of Arts & Crafts material not often seen at auction,” said department director Jane Prentiss. Among the highlights is a Celia Laighton Thaxter bowl, painted in New Hampshire and estimated at $2,000 to $3,000.

Metalwork is always popular with 20th century enthusiasts, and the sale features a collection of European (mostly English and German) metalwork, including inkwells, teapots and a fine array of early 20th decorative belt buckles.

Highly sought-after Georg Jensen silver will also be available, led by a pair of Pomegranate candelabra, estimated at $6,000 to $8,000. Arthur Stone silver offerings include a nice modern design set of flatware by Aanton Michelson, estimated $4,000-$6,000.

The sale boasts a great selection of Tiffany Studios designs, from quintessential lamps to pottery, glass and metalwork. Art glass lamp highlights include a Bigelow & Kennard table lamp estimated at $3,000 to $5,000; and a Tiffany Studios table lamp in a herringbone pattern, estimated at $6,000 to $8,000. A Tiffany paperweight daffodil vase, estimated at $5,000 to $7,000, is another key lot.

A very interesting Mary Ogden Abbott wall sculpture graces the sale. Abbott was a widely traveled artist, hunter, and equestrian. She was born and lived most of her life in Concord, Mass., and attended the School of the Museum of Fine Arts in Boston, graduating in 1917. She then spent eight years in her twenties traveling with her mother across the United States, backpacking in the Grand Canyon and Montana. She also traveled abroad to the Far and Near East and then through Europe. She was a landscape artist, painting views of the American West, the western Himalayas and Mexico. She also carved wooden doors, including a pair of teak doors used at the entrance of the Department of the Interior in Washington, D.C. Her drawings were illustrated in the journal Appalachia and in travel books and her works have been exhibited at the Addison Gallery of American Art, Andover, Mass.; the Currier Gallery, Manchester, N.H.; Concord Art Association, Concord, Mass.; and the Fitchburg Art Center, Fitchburg, Mass. Abbott’s wall sculpture depicting a stalking mountain lion amidst rockery and cactus is entered in the Skinner sale with a presale estimate of $5,000 to $10,000.

Mid-century modern furniture up for bid includes pieces by Danish designer Hans Wegner, as well as other Scandinavian furniture craftsmen, such as Poul Kjaerholm. The sale also features a great selection of George Nakashima furniture from the original commissioner, including a chest of drawers, dining table, and coffee table.

For additional information on any lot in the sale, call 617-350-5400.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Tiffany Studios table lamp, mosaic art glass and bronze, early 20th century, marked Tiffany Studios, New York. Estimate $6,000-$8,000. Image courtesy Skinner Inc.

Tiffany Studios table lamp, mosaic art glass and bronze, early 20th century, marked Tiffany Studios, New York. Estimate $6,000-$8,000. Image courtesy Skinner Inc.

Pair of Poul Kjaerholm (Danish, 1929-1980) PK 20 lounge chairs, leather and steel. Estimate $1,000-$1,500. Image courtesy Skinner Inc.

Pair of Poul Kjaerholm (Danish, 1929-1980) PK 20 lounge chairs, leather and steel. Estimate $1,000-$1,500. Image courtesy Skinner Inc.

Mary Ogden Abbott (American/Concord, Mass., 1894-1981) wall sculpture, relief-carved, stained and burnished giltwood panel depicting a stalking mountain lion amidst rockery and cactus. Estimate $5,000-$10,000. Image courtesy Skinner Inc.

Mary Ogden Abbott (American/Concord, Mass., 1894-1981) wall sculpture, relief-carved, stained and burnished giltwood panel depicting a stalking mountain lion amidst rockery and cactus. Estimate $5,000-$10,000. Image courtesy Skinner Inc.

Pair of folk art candy canes sold by Morphy Auctions on Dec. 11, 2004. Image courtesy of LiveAuctioneers.com Archive and Morphy Auctions.

Reyne Gauge: The History of the Candy Cane

Pair of folk art candy canes sold by Morphy Auctions on Dec. 11, 2004. Image courtesy of LiveAuctioneers.com Archive and Morphy Auctions.

Pair of folk art candy canes sold by Morphy Auctions on Dec. 11, 2004. Image courtesy of LiveAuctioneers.com Archive and Morphy Auctions.

You might be surprised to know that the candy cane, or concept of, was not created by a major American candy manufacturer.

The candy cane actually dates back to the 17th century, when the European Christians celebrated Christmas by decorating trees with food and candy-type items. Originally, the decorations were sugar stick candy. In 1670, a choirmaster in German bent the stick-form treats to represent a shepherd’s staff. They were given to the children during the Nativity services at church to keep them busy. Back then, candy canes were solid white.

The act of handing out candy canes during the holiday services became quite popular and spread all across Europe. We did not see the candy cane in America until the mid-1800s, when a German immigrant in Ohio named August Imgard decorated his Christmas tree with candy canes.

No one is exactly sure who added red stripes – and even green stripes – to the candy cane. Images of candy canes on postcards and Christmas cards prior to 1900 all illustrate a white cane; however, images dating after 1900, in large part, show the red and white striped canes we know today. It was during the early 20th century that candy cane manufacturers began experimenting with peppermint flavoring in their candy canes. Apparently, this flavor was a hit with consumers.

One of the first companies to mass produce the candy cane in the United States was Bob’s Candies of Georgia. “Bob” didn’t set out to produce candy for consumers; he started out making candy canes with the red stripes for friends in the 1920s. Eventually his plans were to sell to shopkeepers, but making candy canes was very time consuming, and he quickly realized he would be unable to sell beyond the local stores.

Bob’s brother, Gregory Keller, determined they needed something to produce candy canes faster. He created a machine to expedite the process, and today Bob’s Candies has become the largest producer of candy canes in the world. Bob’s Candies was also one of the first companies to use cellophane to protect their candy from moisture damage.

Just how popular is the candy cane in the 21st century? It is estimated 1.7 billion candy canes are sold each year. They’ve become a Christmas classic, still beloved by children – and tree decorators – everywhere.

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Civil War-era school found inside another building

BENTONVILLE, Ark. (AP) – Preservation work has begun on a Civil War-era schoolhouse located just off the city square.

Contractors are working to preserve a red-brick schoolhouse found encased inside a newer house. Enclosing the original building inside the newer building is thought to have occurred during construction on an addition on the back of the newer home, said Connie Hendrix-Krall, executive director of the Peel Compton Foundation, which owns the building.

We are tremendously excited about the possibilities,” Hendrix-Krall said, adding that a completion date for the project hasn’t been determined.

The preserved schoolhouse will serve as a conference room for the foundation and will house the Benton County Historical Society, Hendrix-Krall said.

Monte Harris, adult programs coordinator with the Rogers Historical Museum, said she was excited to see the schoolhouse preserved.

We are working on the best way to preserve the structure,” Harris said. “It’s a very unusual situation because it is a building within a building.”

Harris has been researching this history of the schoolhouse.

The 144-year-old red brick building was one of the first buildings erected in Bentonville after the Civil War. It was built by the Presbyterian church and was originally used as a Sunday school, Harris said.

The building was converted into a school in June 1866 and John Black was appointed the school superintendent, Harris said. She said she was able to find a list of students who attended the school in its first year.

It is going to be a very beautiful little building when it is finished,” Harris said.

Harris said she believes the schoolhouse will be one of a kind in Arkansas.

I don’t know of another town that has a school that early in Arkansas that is preserved, and it was an accident that it was even preserved,” Harris said.

Bentonville Mayor Bob McCaslin said the renovations of the schoolhouse can only add to the city’s downtown experience.

We have a lot of great things coming this way, and (the schoolhouse) is just one more thing to make Bentonville a destination,” McCaslin said.

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Information from: Benton County Daily Record, http://www.nwaonline.com

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-12-13-10 1856EST

 

Warhol group threatens to end Smithsonian funding

WASHINGTON (AP) – The Andy Warhol Foundation said Monday it will withhold future funding from the Smithsonian Institution unless it restores a video removed from the National Portrait Gallery after a Roman Catholic group complained.

Joel Wachs, president of the foundation, said its board voted Friday to demand the video by late artist David Wojnarowicz, which depicts ants crawling on a crucifix, be reinstalled at the gallery. The board sent a letter and e-mail Monday to Smithsonian Secretary Wayne Clough.

The Warhol Foundation has been a supporter of the current Portrait Gallery exhibit “Hide/Seek: Difference and Desire in American Portraiture,” Wachs wrote. It is the first major museum exhibit to explore the impact of sexual orientation on art history.

Such blatant censorship is unconscionable,” he wrote. “We cannot stand by and watch the Smithsonian bow to the demands of bigots who have attacked the exhibition out of ignorance, hatred and fear.”

For the arts to flourish the arts must be free,” Wachs wrote.

The foundation says it has given $375,000 over the past three years to various Smithsonian museums, including $100,000 to help fund “Hide/Seek,” from which the video was removed.

Other museums and galleries in New York, Washington and Los Angeles have rushed to show the video in protest of its removal by the Smithsonian on Nov. 30. The Association of Art Museum Directors also has condemned the Smithsonian’s removal of the piece.

Clough said in a statement Monday that the Smithsonian won’t show the video again.

While we regret the foundation’s action, the Smithsonian’s decision to remove the video was a difficult one, and we stand by it,” he said. “The 104 works of the ‘Hide Seek’ exhibition will remain on view at the National Portrait Gallery.”

The museum has said the video became a distraction from the larger themes of the exhibit, which opened in late October.

The Smithsonian received more than $65 million in support from foundations during the 2010 fiscal year.

Wojnarowicz’s work explored the subject of AIDS. He died in 1992 of complications from the disease at age 37. The exhibit also features works by major artists, including Warhol, Jasper Johns, Thomas Eakins and Annie Leibovitz.

The Smithsonian is a collection of more than one dozen museums, including the Portrait Gallery and the National Museum of American History, plus the National Zoo. It resulted from a bequest of Englishman James Smithson, a scientist who died in 1832. His will said, without explanation, that the money should be used to build in Washington “an establishment for the increase and diffusion of knowledge among men.” He had never been to the United States.

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Associated Press writer Kasey Jones in Baltimore, Maryland, contributed to this report.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-12-13-10 1926EST