Arts funding gains support in Kan. budget talks

TOPEKA, Kan. (AP) – The Kansas Arts Commission has an improved chance of getting funded in the state budget approved by legislators this year.

Budget negotiators moved closer Tuesday to including $689,000 for the commission in a $14 billion spending plan for the fiscal year beginning July 1.

Republican Gov. Sam Brownback has proposed eliminating the commission as a state agency and replacing it with a private, non-profit foundation. The House endorsed that proposal, but the Senate rejected it.

The $689,000 approved by the Senate represents a 14 percent cut in the commission’s current budget.

In budget negotiations, House members agreed to accept the Senate’s position.

Many lawmakers expect Brownback to veto any budget line funding the commission, though he hasn’t promised it publicly.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Database documents Nazi theft of Jewish goods

U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

WASHINGTON (AFP) – The U.S. National Archives on Thursday launched an international database of Nazi-era documents that officials said will make it easier to recover plundered Jewish artifacts.

The International Research Portal for Records Related to Nazi-Era Cultural Property will work with the National Archives of the United Kingdom, the Federal Archives of Germany, the State Archives of Belgium, the Commission for Looted Art in Europe, and various other groups to display millions of pages of detailed images.

The creators said that the site will catalog cultural property that was stolen, looted, seized, forcibly sold, or otherwise lost during the Holocaust, in the hope of reuniting the lost objects with their rightful owners.

The property documented in the records, the National Archives said, runs the gamut from artwork to books to religious objects, antiquities, archival documents, carvings, and other artifacts.

“At the forefront of Holocaust restitution research efforts for over 15 years, the U.S. National Archives has strived to identify its records and to make them widely available and accessible to all,” said David Ferriero, archivist of the United States.

He said the new portal will help individuals and institutions recover their precious stolen assets.

“Researchers from all over the world will now be able to use a single point of entry to gain digital access to these widely dispersed archival materials,” he said at a ceremony Thursday.

 

 


ADDITIONAL IMAGE OF NOTE


U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Hopper etchings, Henry rifle are special at Case’s auction May 21

‘The

‘The Illustrator,’ one of two scarce Edward Hopper etchings in the sale, inscribed by Hopper to an artist friend. Estimate: $20,000-$25,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

KNOXVILLE, Tenn. – A piece of rock ’n’ roll history, two Edward Hopper etchings and a rare first model Henry Rifle are among the eclectic offerings at the Spring Case Antiques Auction, set for May 21 at the company’s gallery in Knoxville. LiveAuctioneers will provide Internet live bidding.

The Meet the Beatles! album, containing the Beatle’s first U.S. chart-topping hit I Want to Hold Your Hand, was released in 1964 just ahead of the band’s first U.S. tour. It came from the estate of Dr. Jules Gordon, the New York physician who treated George Harrison for strep throat on Feb. 8, 1964, the day before their American television debut on the Ed Sullivan Show. Both album and autographed cover are in very good condition and are accompanied by a New York Times article mentioning Gordon’s treatment of Harrison. The lot is estimated at $10,000-$15,000.

Two etchings by American artist Edward Hopper (1882-1967), The Illustrator/Portrait of Walter Tittle and Don Quixote, are also expected to garner attention. They are among seventy intaglio works produced by Hopper between 1915 and 1928 before he turned exclusively to painting, and both are inscribed by Hopper to his friend and fellow artist, Arthur Hosking (American, 1874-1970). Also from Hosking’s estate are four vibrantly colored woodcuts by Bror Julius Olsson Nordfeldt (1878-1955), a Swedish-American artist who invented a method of printing more than one color with a single impression.

Other fine art in the sale includes a panoramic rendering of St. Mark’s square from the Grand Canal in Venice by Warren W. Sheppard (American, 1858-1937), a harbor scene and landscape by Charles Paul Gruppe (Canadian, 1860-1940), an abstract drawing with dog by Roy Dean De Forest (American, 1930-2007), and a nude screenprint, Helen, by Tom Wesselmann (American, 1931-2004). Regional artists represented include painters Robert Rucker (American, Louisiana, 1932-2001), Eliot Candee Clark (American, 1883-1980), John Wood Dodge (New York/Tennessee 1807-1893), Lloyd Branson (Tennessee, 1861-1925), Louis Edward Jones (American, 1878-?), and George Daniel Hoffman (American/South Carolina, 1915-1999), and sculptor Thomas Puryear Mims (American/Tennessee, 1906-1975).

A Henry repeating rifle, serial number 5217, with history relating to the Battle of Bull’s Gap in East Tennessee, leads a large offering of Civil War related material. Henry rifles, used primarily by Union forces, were made from the late 1850s through 1866, with only 14,000 produced. This one retains an old, probably original patina. A number of other Civil War firearms, swords, excavated relics, letters and documents are also included in the sale, along with an oil portrait by George Dury of Confederate Maj. Gen. Daniel Smith Donelson, for whom Tennessee’s pivotal Fort Donelson was named. Dating even earlier is a Revolutionary War period powder horn, inscribed with the name of Sgt. John Heister and elaborately carved with a scenic view of Philadelphia and its harbor. World War II items, including Thanksgiving and Christmas Day menus from the U.S.S. Arizona, are also featured.

The success of Asian material at Case’s recent auctions has prompted an influx of consignments of Chinese and Japanese material for this sale. There is a century-old collection of Asian carved ivory netsukes and okimono figures, a large collection of Ojime beads including an outstanding Shibayama (ivory inlaid with mother of pearl) example, early Republic porcelain, woodblock prints and a fine Chinese lacquer and hardstone four-panel floor screen.

Four recently discovered pieces of redware from a previously unrepresented 19th-century Tennessee pottery family, the Morts, leads the category of Southern arts, a staple at Case. Several other lots of Tennessee pottery are accompanied by a miniature Himer Fox (North Carolina) jug, and a Washington County, Va., cobalt stoneware jug decorated with the profile of a man with muttonchop sideburns. There are also two rare Tennessee needlework samplers including the first Nashville-made one ever to come on the market, two rare state maps, and a good selection of early 19th century Southern furniture.

Among the 70-plus lots of fine silver are a Federal/Classical silver basket by Harvey Lewis of Philadelphia, coin silver flatware, and a sterling compote with figural mounts by New York silversmith John Cann. Other decorative arts highlights include two plates in Haviland’s Flora and Fauna pattern designed for the President Hayes administration, a scarce Quezal art glass vine vase, a Loetz iridescent snake vase, an early Swiss Perrelet gold pocket watch, and several lots of high quality 19th century French giltwood furniture and signed 19th and 20th century garden antiques. The sale also includes a collection of early fire fighting memorabilia, numerous pieces of 19th and early 20th century campaign/political memorabilia, a collection of Victorian sewing material, a collection of signed Miriam Haskell jewelry, and a collection of 19th century antique bicycles including two early French boneshakers.

“This is certainly one of our most eclectic sales to date in terms of categories, but what ties everything together is good quality, condition, and in many cases, stellar provenance,” said Case. “There are enough things in this auction you’re unlikely to ever see again to make it a destination point for collectors, even at a busy time of year. And of course we accept phone, absentee written and Internet bids from those who can’t attend in person.”

The auction will be held at Case’s gallery in the historic Cherokee Mills Building, 2240 Sutherland Ave., in Knoxville, on Saturday, May 21, starting at 9:30 a.m. Eastern. Food is available. A preview will take place on Friday, May 20, from noon to 6 p.m. or by appointment.

For more information visit Case Antiques’ website www,caseantiques com or call the gallery in Knoxville at (865) 558-3033 or the Nashville office at (615) 812-6096.

 

 

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


A Civil War era first Model Henry rifle, with old, probably original patina, found near the Bull’s Gap battlefield in Tennessee. Estimate: $17,500-19,500. Image courtesy of Case Antiques Inc. Auction & Appraisals.

A Civil War era first Model Henry rifle, with old, probably original patina, found near the Bull’s Gap battlefield in Tennessee. Estimate: $17,500-19,500. Image courtesy of Case Antiques Inc. Auction & Appraisals.

Warren W. Sheppard (American, 1858-1937) was noted for his Venice scenes. This panoramic view, in its original period frame measuring 55 inches by 37 inches, is one of his largest and most finely detailed renditions. Estimate: $8,000-$10,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

Warren W. Sheppard (American, 1858-1937) was noted for his Venice scenes. This panoramic view, in its original period frame measuring 55 inches by 37 inches, is one of his largest and most finely detailed renditions. Estimate: $8,000-$10,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

Fine Chinese lacquer and hardstone four-panel floor screen, with gilt narrative calligraphy on the reverse. Estimate: $4,000-$6,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

Fine Chinese lacquer and hardstone four-panel floor screen, with gilt narrative calligraphy on the reverse. Estimate: $4,000-$6,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

Virginia cobalt decorated stoneware jug, one of several pieces of fine Southern pottery in the auction. Estimate: $3,000-$4,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

Virginia cobalt decorated stoneware jug, one of several pieces of fine Southern pottery in the auction. Estimate: $3,000-$4,000. Image courtesy of Case Antiques Inc. Auction & Appraisals.

An early French boneshaker, one of several antique bicycles from a lifetime collection featured in the sale. Estimate: $1,500-$2,500. Image courtesy of Case Antiques Inc. Auction & Appraisals.

An early French boneshaker, one of several antique bicycles from a lifetime collection featured in the sale. Estimate: $1,500-$2,500. Image courtesy of Case Antiques Inc. Auction & Appraisals.

1990 photo of Bill Irwin and his seeing eye dog named Orient. Image courtesy of Appalachian Trail Museum.

Appalachian museum welcomes famed blind hiker Bill Irwin, May 14

1990 photo of Bill Irwin and his seeing eye dog named Orient. Image courtesy of Appalachian Trail Museum.

1990 photo of Bill Irwin and his seeing eye dog named Orient. Image courtesy of Appalachian Trail Museum.

GARDNERS, PA. – Bill Irwin, the only blind person to have ever completed the 2,181 mile Appalachian Trail solo, will be at the Appalachian Trail Museum on Saturday afternoon, May 14. The Appalachian Trail crosses 14 states from Maine to Georgia.

His historic hike, with his seeing eye dog Orient, began in Georgia in March 1990 and ended almost nine months later in north-central Maine. “This amazing odyssey was the single most publicized human endeavor that year, and an inspiring example of overcoming the odds for all,” said Larry Luxenberg, president of the Appalachian Trail Museum Society. “Bill will be hiking the Appalachian Trail with a youth group, and we are not sure when they will arrive at the museum on May 14, but we are planning for around midday to early afternoon.”

The Appalachian Trail Museum is located on the Appalachian Trail and is in Pine Grove Furnace State Park not far from Carlisle, Chambersburg and Gettysburg, Pennsylvania. The midway point of the trail is three miles south of the museum.

“Bill continues to inspire millions of people each year as a motivational speaker. His unique message of perseverance and the will to survive tantalizes all audiences throughout the world as he encourages his listeners to achieve their impossible dreams,” Luxenberg added. “His homespun, self-deprecating humor and life experiences, (over 30 years in corporate America, recovery from alcoholism, the Appalachian Trail experiences and encounters as a family counselor) allow him to make life-changing observations which translate into eventual life changing decisions in the lives of others.”

Irwin’s bestselling book Blind Courage, the account of his lifetime of overcoming the odds and his incredible journey, was released nationally in 1992, is in its 11th printing and has been featured on The Morning Show on NBC, Sonya Live on CNN and Heart to Heart on CBN. Additionally, he has been the subject and cover story of many magazines.

While at the museum, Irwin will talk with visitors and sign books. For youngsters at the museum, a children’s book about the historic hike that Irwin made with Orient will be read by a museum volunteer.

The Appalachian Trail Museum is across from the Pine Grove General Store on Pennsylvania Route 233 in south central Pennsylvania. The museum is open from noon to 4 p.m. daily from Memorial Day to Labor Day and on weekends from noon to 4 p.m. in the spring and fall.

Click here to purchase Bill Irwin’s book Blind Courage through Amazon.com:

www.amazon.com/Blind-Courage-Bill-Irwin/dp/1567960928/ref=sr_1_1?ie=UTF8&qid=1304623043&sr=8-1

About the Appalachian Trail Museum Society:

The Appalachian Trail Museum Society, a 501-C-3 not-for-profit organization formed in 2002, organizes programs, exhibits, volunteers and fundraising nationwide for the Appalachian Trail Museum. The museum opened on June 5, 2010, as a tribute to the thousands of men, women and families who have hiked and maintained the 2,181 mile long hiking trail that passes through 14 states from Maine to Georgia. Located in the Pine Grove Furnace State Park in Gardners, Pennsylvania, the museum is conveniently near Carlisle, Gettysburg and Chambersburg, Pennsylvania. Additional information is available at www.atmuseum.org

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Pal Fried, ‘Black Glove,’ oil on canvas, 30 x 24 inches. Estimate: $1,000-$1,500. Images courtesy of Rachel Davis Fine Arts.

Rachel Davis’ paintings & decorative arts auction set for May 14

Pal Fried, ‘Black Glove,’ oil on canvas, 30 x 24 inches. Estimate: $1,000-$1,500. Images courtesy of Rachel Davis Fine Arts.

Pal Fried, ‘Black Glove,’ oil on canvas, 30 x 24 inches. Estimate: $1,000-$1,500. Images courtesy of Rachel Davis Fine Arts.

CLEVELAND – Rachel Davis Fine Arts will sell a wide variety of art, antiques and collectibles – from a Pal Fried portrait of a woman to an advertising chromolithograph of a brewery – at an auction Saturday, May 14.

Liveauctioneers will provide Internet live bidding for the 663-lot auction, which will begin at 9:30 a.m. Eastern. The sale will be conducted at Rachel Davis Fine Arts’ gallery at 1301 W. 79th St.

The Fried oil painting titled Black Glove pictures a beautiful woman in a yellow dress and long black gloves. The Hungarian-American artist (1893-1997) signed the canvas on the lower right “Fried Pal,” as was his custom. The large paining has a $1,000-$1,500 estimate.

Other artists represented in the auction include Richard Andres, Alfred Birdsey, Isadore L. Firestone, E.H. Dumaige, Bernard Pfriem, Clemente Spampinato, Detlev Nitschke, and Maurice S. Hague, as well as folk and primitive paintings.

Works on paper include a collection of Cape Dorset and Baker Lake stone cuts, historical and botanical prints, posters, European and American maps, and Walt Disney drawings and cels.

The aforementioned brewery advertising is a bird’s-eye view of the Eberhardt & Ober Brewing Co. in Allegheny, Pa. The 1890s broadside measures 26 by 41 inches and is estimated at $700-$1,000.

Porcelain and pottery in the sale include Willetts Belleek, Royal Doulton figurines and vases, R.S., Prussia, Herend, Amphora, Royal Dux, Wedgwood, majolica, Cowan, Harris Strong tiles, Limoge, Zsolnay, Meissen and Rose Medallion.

Fine glassware ranges from Victorian to Waterford crystal.

Miscellaneous pieces include a Haida argillite pipe, ca. 1820s-’30s, which has a $3,000-$5,000 estimate.

An Elliot of London grandfather clock with a moon dial face, five tubes and mahogany case carries a $2,000-$4,000 estimate. Other furniture in the sale includes Diamond and Tulip chairs, Eames chairs and a mahogany dining table with four chairs.

For details visit www.racheldavisfinearts.com or call 216-939-1190.

 

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


A paper label names ‘Napoleon’ as the subject of this German porcelain plaque, which measures 7 1/4 inches by 5 inches. The plaque carries a $600-$900 estimate. Image courtesy of Rachel Davis Fine Arts.

A paper label names ‘Napoleon’ as the subject of this German porcelain plaque, which measures 7 1/4 inches by 5 inches. The plaque carries a $600-$900 estimate. Image courtesy of Rachel Davis Fine Arts.

French gilt bronze clock of a cherub in a chariot pulled by a winged dragon, 11 x 14 x 6 inches. Estimate: $400-$600. Image courtesy of Rachel Davis Fine Arts.

French gilt bronze clock of a cherub in a chariot pulled by a winged dragon, 11 x 14 x 6 inches. Estimate: $400-$600. Image courtesy of Rachel Davis Fine Arts.

Wallace Grand Baroque sterling silver flatware set, 75 pieces, service for 12 including serving pieces. Estimate: $3,500-$4,500. Images courtesy of Rachel Davis Fine Arts.

Wallace Grand Baroque sterling silver flatware set, 75 pieces, service for 12 including serving pieces. Estimate: $3,500-$4,500. Images courtesy of Rachel Davis Fine Arts.

Eberhardt & Ober Brewing Co. broadside, chromolithograph, circa 1890, 26 x 41 inches. Estimate: $700-$1,000. Images courtesy of Rachel Davis Fine Arts.

Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.

Enhanced venue for May 13-15 Wayside Inn Antiques Show

Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.

Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.

SUDBURY – Following an eminently successful first year, the Wayside Inn Antiques Show is now destined to be an annual event drawing antique dealers and antique lovers from all over the Northeast, Midwest and this year, from across the Atlantic.

Nearly 50 premier antique dealers will converge upon grounds of the inn, 72 Wayside Inn Road, from May 13, through 15. This year’s event will be held in a 20,000 square-foot lavishly appointed, climate controlled tent and feature dealers from as far away as Portugal. New this year is an unmatched opportunity for those attending to get in-depth knowledge from experts via eight “Booth Chats” to be held during the show on Saturday and Sunday.

Proceeds from the show will be donated to The Wayside Inn Historic Site, the 501(c)3 not-for-profit corporation that oversees the sprawling 125-acre campus. The grounds include Longfellow’s Wayside Inn, The Gristmill, the Schoolhouse, and the Martha-Mary Chapel, along with many scenic walking trails connecting the buildings. Funds raised will be used for upkeep of the grounds and buildings and for informational and educational purposes.

“Last year’s event was successful beyond even our high expectations,” said Guy LeBlanc, Wayside’s museum services coordinator. “We’re very pleased to be able to offer the region what will now be an annual show featuring extremely high quality exhibitors and their wares.”

The show begins on Friday evening, May 13, with a preview party and reception from 6:30-9 p.m. Tickets for the preview party, a major fundraising portion of the event, are $125 per person with advanced registration, or $150 at the door. The main show will run on May 14 and 15 from 10 a.m. to 5 p.m. each day. General admission on Saturday and Sunday is $10 at the door. Once again Skinner Auctioneers & Appraisers, of Marlborough and Boston, is the show’s presenting sponsor.

“Skinner is proud to again sponsor the Wayside Inn Antiques Show. With so many first-rate dealers assembled under one roof, collectors and aficionados will find an incredible array of antiques and decorative art,” said Karen Keane, CEO of Skinner. “As appraisers and auctioneers, we relish in discovering the treasures of yesterday. This show brings that excitement to the general public with the opportunity to appreciate and experience all that American furniture and decorative arts have to offer.”

New to this year’s show will be the informative “booth chats,” four each day, at 11 a.m., noon, 1 and 2 p.m. Each chat will feature one of the show’s exhibitors discussing topics including American furniture, oriental carpets, American painting, and caring for fine art collections.

Sarah B. Cunningham, a Sudbury resident and the owner of Walker-Cunningham Fine Art on Boston’s Newbury Street, will be conducting the booth chat titled “Secrets from a Gallery Owner – Tips on Managing Your Collection,” on Sunday at 2 p.m.

“I’m very pleased to be back this year and to be giving this presentation,” Cunningham said. “I will be talking about organizing a collection, insuring it, appraising it and caring for it. Collections take shape over time and some collectors may lose sight of very important details involved in conserving their collections.”

Cunningham will also be bringing many paintings to the show, including two rare Boston school works, Wilton Lockwood’s Still Life of Peonies, and Frank Hector Tompkins’ The Young Mother.

Another dealer, Keith Funston, of Funston Antiques, also a Sudbury resident, will return this year as well, having had a great experience with the first show last spring.

“I’m really looking forward to this year’s show,” he said. “We drew a great crowd from all over the region last year, and with the economy picking up, we should do even better this year.”

Funston specializes in recreating wunderkammerns, or wonder chambers, also called chambers of curiosities. Such rooms were created in Europe during the Age of Discovery, circa 1500 to 1650, whereby collectors would display all sorts of items culled from the “New World” together with wonder-inspiring things made by local artists.

This year, Funston will be displaying a 17th century table cabinet used in a wonder chamber collection, fossilized dinosaur bones, a Victorian bird egg collection, tribal antiquities and many other items. The idea, according to Funston, is to create a “sensation of juxtaposition” pleasing to a 21st Century eye. Funston noted that he has been seeing more interest in wonder chambers, as evidenced by a replication of them in Macy’s store windows in New York City this past Christmas season.

For further information please call 978-443-1776 or log on to www.thewaysideinnantiquesshow.org. For information on presenting sponsor Skinner Auctioneers & Appraisers, go to www.skinnerinc.com, for Walker-Cunningham Fine Art go to www.walkercunningham.com, and for Funston Antiques go to www.funstonantiques.com.

About the Wayside Inn Historic Site:

The Wayside Inn Historic Site (WIHS) is an internationally recognized 125-acre campus which operates the colonial-era inn and tavern known as Longfellow’s Wayside Inn. The WIHS offers educational tours of its village-like property to nearly 150,000 visitors annually, providing access to a water-powered grist mill, an early one-room schoolhouse, as well as the Wayside Inn homestead itself. A non-profit since 1945, the WIHS remains dedicated to the preservation and stewardship of its role as an important 18th-century stagecoach stop, using museum-room settings and display cases to exhibit objects related to the four generations of the Howe family who ran a well-known inn keeping business on this site from 1716 to 1861.

 

 


ADDITIONAL IMAGE OF NOTE


Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.

Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.

The DIA is housed in this 1927 Beaux-Arts building by Paul Cret. Image courtesy of the Detroit Institute of Arts.

Detroit Institute of Arts names gallery after donors

The DIA is housed in this 1927 Beaux-Arts building by Paul Cret. Image courtesy of the Detroit Institute of Arts.

The DIA is housed in this 1927 Beaux-Arts building by Paul Cret. Image courtesy of the Detroit Institute of Arts.

DETROIT (AP) – The Detroit Institute of Arts announced Wednesday that it is naming a gallery of contemporary African-American art after a pioneering General Motors executive and his wife who made a large donation to the museum.

The newly named Maureen and Roy S. Roberts gallery honors the generosity of the health care professional and retired GM group vice president, respectively, who are longtime philanthropists in the areas of the arts, culture and education.

“Maureen and I have always loved the arts and realize the cultural importance of museums like the DIA, both to our community and for future generations,” Roy Roberts said. “We leave this legacy with our children, to whom we’ve instilled the values of education, working hard and giving back. We are happy to celebrate this milestone with them.”

The Roberts gallery is one in a suite that chronicles the development of modern and contemporary African-American art. It features works by such artists as Benny Andrews, Elizabeth Catlett, Alvin Loving, Joyce Scott and Charles McGee.

The curatorial department, called the General Motors Center for African American art, was established in 2000.

The Robertses were major contributors to the Charles H. Wright Museum of African American History when that Detroit museum was fighting for its survival and also have given to the United Negro College Fund, the NAACP, Urban League and Western Michigan University, among many others.

Well before he was a name in the world of philanthropy, Roy Roberts was a trailblazer in the automotive world.

In 1983, the DIA said he became the first African-American plant manager of GM’s assembly facility in North Tarrytown, N.Y., and was the first African-American vice president and corporate officer in charge of personnel administration and development; general manager of field sales, service and parts; and group vice president of North American vehicle sales, service and marketing.

Roberts currently is managing director and co-founding member of the private equity investment firm Reliant Equity Investors.

Maureen Roberts was supervisor of health education and health services for the Grand Rapids Public School District and was a coordinator in the corneal transplant program for the Michigan Eye Bank.

“We are delighted to name a gallery after Maureen and Roy, whose generous gift will help us continue to provide our community with imaginative, high-quality programs and exhibitions,” DIA director Graham W.J. Beal said.

The Detroit Institute of Arts is home to more than 60,000 works from ancient times through present day, and its best-known holdings include Vincent van Gogh’s “Self-Portrait” and Diego Rivera’s Detroit Industry murals.

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Online:

www.dia.org

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-04-11 1257GMT


ADDITIONAL IMAGES OF NOTE


The DIA is housed in this 1927 Beaux-Arts building by Paul Cret. Image courtesy of the Detroit Institute of Arts.

The DIA is housed in this 1927 Beaux-Arts building by Paul Cret. Image courtesy of the Detroit Institute of Arts.

Roy and Maureen Roberts have been honored by the DIA with a gallery named after them. Image courtesy of Detroit Institute of Arts.

Roy and Maureen Roberts have been honored by the DIA with a gallery named after them. Image courtesy of Detroit Institute of Arts.

Conceptualist artist Hans-Peter Feldman. Image courtesy of Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

100,000 dollar bills will become art at Guggenheim

Conceptualist artist Hans-Peter Feldman. Image courtesy of Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Conceptualist artist Hans-Peter Feldman. Image courtesy of Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

NEW YORK (AP) – A German artist is using his $100,000 contemporary art prize to create a conceptual piece – literally.

He’s pinning 100,000 used dollar bills to the gallery walls of a major New York City museum.

Hans-Peter Feldmann’s installation at the Guggenheim Museum opens May 20 and runs until Nov. 2.

Feldmann is the 2010 winner of the Hugo Boss Prize, established by the museum and named after the German fashion company.

The Guggenheim says Feldmann is portraying currency as mass-produced material used every day, rather than a symbol of capitalism.

The 70-year-old artist previously has created a sequence of 100 portraits of people, from babies to age 100.

Extra security cameras and guards will ensure the bills remain on the wall.

Feldmann will keep the money after the exhibition.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-04-11 1710GMT

 

View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

First Tower now Paris’ tallest office block

View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

PARIS  (AFP) – Paris unveiled the latest giant to grace its famous skyline Thursday, with the formal inauguration of France’s tallest skyscraper, known as the “First Tower.”

At 21,000 tonnes, the First is more than twice as heavy as the French capital’s tallest and most famous landmark, the Eiffel Tower, which nevertheless beats it for sheer height at 324 metres (1,063 feet).

The spire was born when developers stripped down and rebuilt the mighty Axa block in La Defense business quarter on the western edge of the city, adding 69 metres to send it soaring to 231 metres. Now, the tower tops the city’s previous – famously unloved – tallest office block, the slab-like Tour de Montparnasse, which looms over the Left Bank at 210 metres (758 feet) tall.

Compared to major financial centers like London, Frankfurt, New York or Hong Kong, Paris has a low-rise skyline, with planners keen to preserve the look of its elegant 19th century boulevards.

Skyscrapers allowed in Paris have been pushed to the edge of the city center to leave a clear view to the iconic Eiffel Tower, and efforts have been made to attract global business to the outlying La Defense district.

But, despite the triumph of its architecture, First has so far not proved a hit with tenants: Only half of its office space, 80,000 square metres spread over 52 floors, has so far been allocated.

Building on the 300 million euro (440 million dollar) tower began in 2008. The first tenant, accountancy giant Ernst and Young, will move in during the second half of the year.

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ADDITIONAL IMAGE OF NOTE


View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

The Leopold Museum of Vienna's prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.

Austria museum to sell Schiele painting to pay for ‘Wally’

The Leopold Museum of Vienna's prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.

The Leopold Museum of Vienna’s prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.

VIENNA (AFP) – The Leopold Museum in Vienna said Thursday it would sell a key painting by Austrian painter Egon Schiele to help finance last year’s acquisition of the Portrait of Wally by the same artist.

The museum said in a statement it planned to put up for auction at Sotheby’s in London next month Schiele’s 1914 canvas entitled House with coloured linen. The Leopold Museum put the painting’s estimated value at 30 million euros ($44.5 million), but said it could sell for even higher and perhaps achieve a record for Schiele’s works at auction.

Sotheby’s said it viewed the picture as “one of Schiele’s most important works” and valued it at $36-50 million (24-33 million euros).

The museum will use the proceeds to pay for “Wally,” which it managed to buy last year for $19 million after years of legal wrangling with the family of the painting’s previous Jewish owner.

In 2006, a landscape by Schiele went for a record $22.4 million. Schiele (1890-1918) was one of Austria’s major expressionist painters, alongside Gustav Klimt and Oskar Kokoschka.

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ADDITIONAL IMAGE OF NOTE


The Leopold Museum of Vienna's prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.

The Leopold Museum of Vienna’s prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.