Camera buffs will snap up Kaprelian Collection at Fuller’s, Nov. 19

Japanese Army ultrasmall handheld aerial roll film camera (GSK-99) with Hexar Ser. II lens and KOO-Tiyoko shutter. Includes a metal carrying case, two additional roll film backs and two filters. Image courtesy of Fuller’s Fine Arts Auctions.

Japanese Army ultrasmall handheld aerial roll film camera (GSK-99) with Hexar Ser. II lens and KOO-Tiyoko shutter. Includes a metal carrying case, two additional roll film backs and two filters. Image courtesy of Fuller’s Fine Arts Auctions.

Japanese Army ultrasmall handheld aerial roll film camera (GSK-99) with Hexar Ser. II lens and KOO-Tiyoko shutter. Includes a metal carrying case, two additional roll film backs and two filters. Image courtesy of Fuller’s Fine Arts Auctions.

PHILADELPHIA – Fuller’s Fine Arts Auctions will sell the Kaprelian Collection of Cameras and Photographica in a no reserve sale on Nov. 19 at 11 a.m. Eastern. LiveAuctioneers.com will provide Internet live bidding.

This is part one of a two-part sale. Part Two, to be sold in 2012, will include specialized lenses, camera parts, additional lots of cameras, and the Kaprelian library of camera ephemera.

Edward K. Kaprelian (American, 1913-1997) was an avid collector of photographic equipment and materials during his lifetime, and amassed a large collection of important cameras spanning the history of photography. He held more than 50 United States and international patents. During Word War II Kaprelian was the chief of the U.S. Army Signal Corps Engineering Labs in Fort Monmouth, N.J., and later was the chief engineer at the Kalart Co., a major manufacturer of photographic equipment.

This sale will feature more than 350 cameras spanning the history of photography, including late 19th- and early 20th-century box cameras, view cameras, tropical cameras, and many early examples of American, British, French and German cameras. There are important early Kodak Cameras in the collection.

Lot 230 will include a group of original prototype, scale production models and designs for a 16mm Victor Movie Camera by the Victor Animatographic Corp. in Davenport, Iowa. Lot 232 consists of a rare original 1949 Raymond Loewy Associates drawing of a prototype design for a 16mm Victor Movie Camera together with related documentation, invoices and correspondence.

There are several U.S. Army cameras and a 1930s Japanese army aerial camera (Lot 221); German-made Robot cameras and 16 Rollei twin-lens reflex cameras; and several important subminiature cameras including a Ducati Sogno (Lot 244), a Steky Model III (Lot 248) and Minox cameras. There are more than 60 lots of Leica cameras, lenses and accessories up for sale. The highlight of this group is (Lot 277) a Leica 250 Reporter in Nickel finish, Model FF converted to GG. Also included are a number of early movie cameras and projectors.

Auction preview schedule: Saturday, Nov. 12, and Monday, Nov. 14, through Friday, Nov. 18, from noon until 5 p.m. daily.

Day of sale: Doors open on Saturday, Nov. 19, at 9 a.m. The auction will begin promptly at 11 a.m.

Fuller’s will accept telephone line requests and absentee bids until noon on Friday, Nov. 18. Real-time online bidding is available through LiveAuctioneers.com. Advance registration is required.

The principal auctioneer is Jeffrey P. Fuller, director of Fuller’s Fine Art Auctions, president of Jeffrey Fuller Fine Art Ltd. since 1979, and an Accredited Senior Appraiser of the American Society of Appraisers since 1984.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Kodak Stereo Camera Model 1 with Kodak Anastigmat lenses. Manufactured by Eastman Kodak Co., Rochester, NY. Image courtesy of Fuller’s Fine Arts Auctions.

Kodak Stereo Camera Model 1 with Kodak Anastigmat lenses. Manufactured by Eastman Kodak Co., Rochester, NY. Image courtesy of Fuller’s Fine Arts Auctions.

Ciné-Kodak Special (Cine Kodak), 16mm movie camera with a 200-foot film magazine. Manufactured by Eastman Kodak Co.
 

Ciné-Kodak Special (Cine Kodak), 16mm movie camera with a 200-foot film magazine. Manufactured by Eastman Kodak Co.

One of a group of original prototype scale production models and designs for a 16mm Victor Movie Camera by Victor Animatographic Corporation in Davenport, Iowa. These range from hand-carved wood to cast metal, with a complete 'finished' lacquered wood model to show the final product. Image courtesy of Fuller’s Fine Arts Auctions.
 

One of a group of original prototype scale production models and designs for a 16mm Victor Movie Camera by Victor Animatographic Corporation in Davenport, Iowa. These range from hand-carved wood to cast metal, with a complete ‘finished’ lacquered wood model to show the final product. Image courtesy of Fuller’s Fine Arts Auctions.

Original 1949 Raymond Loewy Associates drawing of a prototype design for a 16mm Victor Movie Camera with related documentation and correspondence. The drawing is colored pencils on paper, matted, 14 1/2 x 13 inches. Image courtesy of Fuller’s Fine Arts Auctions.
 

Original 1949 Raymond Loewy Associates drawing of a prototype design for a 16mm Victor Movie Camera with related documentation and correspondence. The drawing is colored pencils on paper, matted, 14 1/2 x 13 inches. Image courtesy of Fuller’s Fine Arts Auctions.

Leica 250 Reporter body (Serial No. 135648). An Early Model FF converted to GG in nickel finish with a top speed of 1/1000 sec. Manufactured by Ernst Leitz in Wetzlar, Germany circa 1934. Includes a rare Leica bakelite body cap. Image courtesy of Fuller’s Fine Arts Auctions.

Leica 250 Reporter body (Serial No. 135648). An Early Model FF converted to GG in nickel finish with a top speed of 1/1000 sec. Manufactured by Ernst Leitz in Wetzlar, Germany circa 1934. Includes a rare Leica bakelite body cap. Image courtesy of Fuller’s Fine Arts Auctions.

Clutch hits: Ted Williams’ love letters to his mistress

Handwritten Ted Williams letters are scarce. Heritage Auctions will sell six of them written in the 1950s to Williams' mistress.
Handwritten Ted Williams letters are scarce. Heritage Auctions will sell six of them written in the 1950s to Williams' mistress.
Handwritten Ted Williams letters are scarce. Heritage Auctions will sell six of them written in the 1950s to Williams’ mistress.

DALLAS – Six handwritten love letters penned by Boston Red Sox legend Ted Williams, written in the early 1950s to his mistress, Norma Williamson, are expected to bring more than $4,000 as part of Heritage Auction’s Nov. 11 Vintage Sports Collectibles event.

“Now when I got your letter I also got one from Doris (Williams) ‘quoting’ a letter that was sent to me from you but got back to Miami someway & she got it,” reads a letter in the trove from Williams to Williamson. “Now isn’t that dandy? I really don’t care to (sic) much but don’t ever put your return address on them …”

So reads just one of the many juicy selections from this collection of a half dozen letters, purchased by the consignor from Williams’ former mistress, Norma Williamson, providing an intensely personal and private insight into baseball’s greatest hitter.

“Collectors know that handwritten letters from Williams are quite scarce regardless of content,” said Chris Ivy, director of Vintage Sports Collectibles auctions at Heritage, “but few could match this collection for tabloid intrigue.”

Two are small index-sized cards mailed from Boston in 1950 and 1951, both of which betray a bit of insecurity on Williams’ part: “I haven’t heard from you,” reads the one from 1950. “Have an idea you’ve met someone whose (sic) making you forget about the kid.” And from 1951: “Say listen this is just a note really to tell you that if I ever find out you even talk to a ballplayer or anyone connected with it I’ll just take it you don’t want to see me, did ya hear?”

Three of the letters were written while Williams served in the Korean conflict, with the last one, sent in 1953 from Puerto Rico, in which Williams vents his military frustrations: “I’m discusted (sic) with this g*d d**n mess I’m in I never saw anything so fowled (sic) up my slogan for life from now on is the Marine Corps stinks.”

Another reads: “Your picture honey was terrific & I’ve got it right by my bed to look at, some of my thoughts keep me awake at nite (sic) thinking about you & your precious little body.”

Also included in the same auction is another significant piece of Red Sox history: The birth of the Boston Red Sox team franchise, in the form of stock certificate no. 1, issued in 1901 by the “Boston American League Base-Ball Club” to famed Massachusetts District Attorney Joseph C. Pelletier, for eight shares. The piece is expected to bring $20,000-plus.

“This is one of the most significant Boston Red Sox artifacts ever placed on the auction block,” said Ivy. “It is, literally, the very beginning of one of the most storied and important professional teams to ever exist.”

 

 

Asian Antiques Gallery to auction ancient jade collection, Nov. 5

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

HADLEY, Mass. – Collecting ancient Chinese jades has long been considered one of the most difficult fields of knowledge to master. On Nov. 5, Asian Antiques Gallery will showcase the specialty with the online-only auction of an important collection of jades: the Percy B. Smith Jr. collection.

Online bidding will be provided by LiveAuctioneers.com, where browsers and prospective bidders will find a catalog rich with quality photographs and excellent descriptions. All 230 lots will be offered unreserved with realistic starting bids.

The range of ancient jades cataloged for this sale is described as “exceptional” by Asian Antiques Gallery’s principal Robert Henry Cornell. “From Neolithic examples that often feature owl or other bird images through the ritual jades of the Shang and Zhou periods, and intricate sinuous dragons of the late Zhou and Han periods, a wide selection is represented at this sale,” Cornell said.

Many of the jades in the collection are deemed to be “archaistic” – that is, of the same style and general workmanship as the ancient, but made at later periods to honor the great traditions of the past.

“Thus during the Ming and Qing periods of the past 600 years, quality pieces were carved for collectors – not to deceive but to give them an example of ancient-style craftsmanship and imagery that they otherwise could not obtain,” Cornell said.

In the catalog listings, these later pieces are clearly distinguished from the true ancient examples.

Cornell, who cataloged the collection, has studied the field since 1968. He has traveled to mainland China 43 times, visited countless museums and galleries and bought several shelves of books on the subject.

Percy B. Smith Jr. was a resident of California during most of his adult life and counted amongst his friends such luminaries as Bing Crosby, Errol Flynn and Elizabeth Taylor. He traveled extensively to build his holdings and died in 1984. Proceeds from the sale of his collection will go toward the Building Fund of the World Peace Foundation of Hadley, Mass., which is sponsoring the event.

The Nov. 5 online-only auction will commence at 6 p.m. Eastern time.

For additional information on any item in the auction, call 413-582-0032.

To view the fully illustrated catalog or place an absentee bid, visit www.LiveAuctioneers.com.

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Courtesy of Asian Antiques Gallery.

Heinz History Center acquires building for artifact storage

Opened in 1996, the Senator John Heinz History Center is housed in the century-old Chautauqua Lake Ice Company building in Pittsburgh. This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 license.
Opened in 1996, the Senator John Heinz History Center is housed in the century-old Chautauqua Lake Ice Company building in Pittsburgh. This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 license.
Opened in 1996, the Senator John Heinz History Center is housed in the century-old Chautauqua Lake Ice Company building in Pittsburgh. This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 license.

PITTSBURGH (AP) – The Senator John Heinz History Center in Pittsburgh plans to convert an adjacent building into an eight-story, climate-controlled space where it can store historical artifacts and also help local families restore heirlooms.

The history center in the city’s Strip District recently closed on the purchase of the former American Equipment Co. building for $1.35 million. Built in 1929, the building housed a kitchen supply business.

The building will be connected to the History Center using an enclosed skywalk, and will be renovated for about $3 million so it will meet storage standards set by the American Association of Museums.

Museum president and chief executive officer Andrew Masich says the long-range plan calls for the museum to not only store and restore its own artifacts, but to offer similar services for family heirlooms as a retail service.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-01-11 1353GMT

New ‘Sound of Music’ exhibit in Salzburg

'The Sound of Music' original US roadshow three-sheet poster, 1965, used for the premiere reserved-seat run of the famed musical starring Julie Andrews. Image courtesy of LiveAuctioneers.com Archive and Profiles in History.
'The Sound of Music' original US roadshow three-sheet poster, 1965, used for the premiere reserved-seat run of the famed musical starring Julie Andrews. Image courtesy of LiveAuctioneers.com Archive and Profiles in History.
‘The Sound of Music’ original US roadshow three-sheet poster, 1965, used for the premiere reserved-seat run of the famed musical starring Julie Andrews. Image courtesy of LiveAuctioneers.com Archive and Profiles in History.

VIENNA (AFP) – The Salzburg Museum unveiled Wednesday a new exhibit with all aspects of the “Sound of Music” from the von Trapp family’s real lives to the massively successful 1965 Oscar-winning film.

Using 180 items from several collections in the United States and Europe, some of which have never been seen before, it explores the runaway popularity of the singing-and-dancing family both before and after World War II.

“There probably isn’t a town with more than 50,000 people in America where we didn’t perform,” Johannes von Trapp, whose mother Maria Augusta von Trapp was played by Julie Andrews in the movie, said in Salzburg on Wednesday.

The second half of the exhibition focuses on the film, one of the most successful of all time, and includes 15 different versions of Rodgers and Hammerstein’s song “Do-re-mi”, including in Hebrew, Japanese and Icelandic.

Even though the film attracts hundreds of thousands of tourists to Salzburg every year, the “Sound of Music” has long been ignored by locals, and it was only last month that the feel-good musical was performed there for the first time.

Museum director Erich Marx said part of the reason for this was that inhabitants were uncomfortable with the fact that the von Trapp family had to flee Austria because of the Nazis.

“I think it is to do with shame and a bad conscience that we in Salzburg were also responsible for the courageous Baron von Trapp and his family ending up in the awkward situation they did,” he said.

The exhibition opens on Friday and runs until November 2012.

Website: www.salzburgmuseum.at

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Is Eastman Kodak at the end of the roll?

A 1930s two-sided metal Kodak sign. Image courtesy of LiveAuctioneers Archive and Dan Morphy Auctions.
A 1930s two-sided metal Kodak sign. Image courtesy of LiveAuctioneers Archive and Dan Morphy Auctions.
A 1930s two-sided metal Kodak sign. Image courtesy of LiveAuctioneers Archive and Dan Morphy Auctions.

ROCHESTER, N.Y. (AP) – Picture this: Kodak – the company that invented the first digital camera in 1975, and developed the photo technology inside most cell phones and digital devices – is in the midst of the worst crisis in its 131-year history.

Now, caught between ruin and revival, Eastman Kodak Co. is reaching ever more deeply into its intellectual treasure chest, betting that a big cash infusion from the sale of 1,100 digital-imaging inventions will see it through a transition that has raised the specter of bankruptcy.

Kodak popularized photography over a century ago. It marketed the world’s first flexible roll film in 1888 and transformed picture-taking into a mass commodity with the $1 Brownie camera in 1900. But for too long the world’s biggest film manufacturer stayed firmly focused on its 20th-century cash cow, and failed to capitalize quickly on its new-wave know-how in digital photography.

As a result, Kodak has been playing catch-up. Pummeled by Wall Street over its dwindling cash reserves – and its stumbling attempts to reinvent itself as a profitable player in digital imaging and printing – Kodak has been hawking the digital patents since July. Many financial analysts foresee the portfolio fetching $2 billion to $3 billion.

But others think Kodak can haul in far more than that – and carry it off within a few months. That’s because patents have become highly valuable to digital device makers who want to protect themselves from intellectual property lawsuits. In July, an alliance made up of Apple and Microsoft purchased a raft of patents from Nortel Networks for $4.5 billion. A month later, Google bought Motorola Mobility for $12.5 billion, in part, to gain hold of the company’s 17,000 patents.

“The size of the (Kodak) deal could blow your socks off,” predicts Los Angeles money manager Ken Luskin, whose Intrinsic Value Asset Management owns 3.8 million Kodak shares.

“It’s pocket change for Google and Apple to go pay $3-or-$4-or-$5 billion for these patents,” concurs Christopher Marlett, chief executive of MDB Capital, an investment bank based in Santa Monica, Calif., that specializes in intellectual property. “There is an all-out nuclear war right now for global dominance in smartphones, tablets and mobile devices, and Kodak has one of the largest cache of weapons sitting there.” Marlett says he owns Kodak stock, but wouldn’t disclose how much.

Even a hefty return, skeptics counter, won’t solve Kodak’s struggle to close out a nearly decade-long transformation and return to profitability in 2012 after running up losses in six of the last seven years.

“All the extra cash does is give you a lifeline for a short period. And then, poof, you’re back in the same position without the assets to sell,” says analyst Shannon Cross of Cross Research in Livingston, N.J. “If you’re burning cash and not finding a way to generate recurring earnings, it doesn’t matter.”

Kodak’s grim financial picture should become clearer when it reports third-quarter results Thursday.

Agitated investors will likely focus on the company’s latest borrowing activities and cash woes – it had $957 million in cash in June, down from $1.6 billion in January. They will also want to know what kind of progress Kodak made in the July-September period in building up a high-margin ink business to replace shriveling film sales.

Kodak has poured hundreds of millions of dollars into new lines of inkjet printers that are finally on the verge of turning a profit. Home photo printers, high-speed commercial inkjet presses, workflow software and packaging are viewed as the company’s new core. Kodak projects that sales from those four businesses will double to nearly $2 billion in revenue in 2013, accounting for 25 percent of all sales.

In the meantime, Kodak needs to tap other sources of revenue before those areas have time to pay off – and mining its inventions has become indispensable.

Kodak’s chief executive, Antonio Perez, has signed confidentiality agreements with potential buyers but hasn’t given a time frame for a deal. The patents for capturing, storing, organizing, editing and sharing digital images do not apply to the four core businesses, Kodak spokesman Gerard Meuchner says.

“One thing I would stress is: It is our intention to retain a license to any of the intellectual property we sell,” Meuchner says. “It’s like you sell the property but still get to live in the house.”

A sale represents a sharp tactical shift. Kodak picked up just $27 million in patent-licensing fees in the first half of 2011 after amassing nearly $2 billion in the previous three years.

In the heated environment for patents, “it makes more sense for us to sell the portfolio than it does to license it company by company, which takes lots of time and expense and can involve litigation,” Meuchner says.

Michael Fitzgerald, chief executive of Next Techs Technologies, a patent buying-and-selling intermediary in Houston, says that while the portfolio is valuable, “I just don’t view it necessarily as a ‘strategic’ acquisition that multiple players will fall all over themselves on.”

Investor fears sent Kodak stock tumbling to an all-time closing low of 78 cents a share on Sept. 30 after it hired Jones Day, a major restructuring law firm, as an adviser. Kodak insisted it had no intention of filing for bankruptcy protection.

Kodak is also involved in a royalty dispute with iPhone behemoth Apple and BlackBerry maker Research in Motion Ltd. The case centers on a 2001 patent now on the auction block – a method that enables a camera to preview low-resolution versions of a moving image while recording still images at higher resolutions.

The 21-month-old battle before the U.S. International Trade Commission, a trade-dispute arbiter in Washington, D.C., was due to be revisited on Monday, but was recently shelved until Dec. 30.

Chief Executive Antonio Perez thinks a favorable ruling could enable Kodak to draw up to $1 billion in fees from its deep-pocketed rivals. In 2009, the commission ruled that South Korean mobile phone makers Samsung Electronics and LG Electronics infringed the same patent, resulting in $964 million in payouts.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-10-30-11 1913GMT

Obama to make Fort Monroe a national monument

The Old Point Comfort Light at Fort Monroe, built in 1802. Image courtesy of Wikimedia Commons.
The Old Point Comfort Light at Fort Monroe, built in 1802. Image courtesy of Wikimedia Commons.
The Old Point Comfort Light at Fort Monroe, built in 1802. Image courtesy of Wikimedia Commons.

WASHINGTON (AP) – President Barack Obama wants to protect a deactivated Army fort in Virginia’s Tidewater area that played an important role in the nation’s history.

A White House official said a proclamation Obama was signing Tuesday will designate Fort Monroe as a national monument, saving it from major development and preserving its history for generations.

The fort and the land it occupies are historically significant because it was where Dutch traders first brought enslaved Africans in 1619. It remained in Union possession during the Civil War and became a place where escaped slaves could find refuge. It’s also where Confederate President Jefferson Davis was once imprisoned following the Civil War.

In a 2005 cost-cutting move, the government decided to close the fort and many other military installations. In September, the Army ended its 188-year presence there.

The fort, which occupied a strategic coastal defensive position at the mouth of the Chesapeake Bay, was built after the British sailed north from there and burned Washington.

Beyond the historical issues, Obama also was doing some up-to-date politicking aimed at Virginia, a state that may prove crucial to his re-election bid.

“Fort Monroe has played a part in some of the darkest and some of the most heroic moments in American history. But today isn’t just about preserving a national landmark. It’s about helping to create jobs and grow the local economy,” Obama said in a statement. “Steps like these won’t replace the bold action we need from Congress to get our economy moving and strengthen middle-class families, but they will make a difference.”

The White House pointed to a 2009 economic analysis commissioned by the Fort Monroe Authority that said implementing a plan to reuse the fort would help create nearly 3,000 jobs in Virginia.

Obama was exercising his authority under the Antiquities Act to declare the fort a national monument. Presidents dating to Theodore Roosevelt have used the 1906 law to protect sites deemed to have natural, historical or scientific significance, including the Grand Canyon, the Statue of Liberty and Ellis Island.

The designation of Fort Monroe as a national monument would mark Obama’s first use of his authority under the law.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-01-11 1246GMT