Michaan’s puts together comprehensive sale for 2012 opener on Jan. 7

Duffner & Kimberly hanging chandelier, est. $6,000-$8,000. Image courtesy of Michaan's.

Duffner & Kimberly hanging chandelier, est. $6,000-$8,000. Image courtesy of Michaan's.

Duffner & Kimberly hanging chandelier, est. $6,000-$8,000. Image courtesy of Michaan’s.

ALAMEDA, Calif. – Michaan’s Auctions 2012 estate sale premiere on Saturday, Jan. 7, will feature over 800 lots of property from estates and private collections. The sale is comprehensive, including Asian porcelains, ivory and jade carvings and Japanese lots, timepieces and gemstone jewelry, silver service pieces and Meissen porcelains.

LiveAuctioneers will provide Internet live bidding for the auction, which will begin at 10 a.m. Pacific.

Fine works of art include paintings, European sculptures, prints, etchings and original animation. The January Estate Auction will deviate from Michaan’s regular auction schedule this month only. The auction will be held at Michaan’s main gallery at 2751 Todd St. in Alameda, CA 94501.

The jewelry department features a cleverly designed Tiffany & Co. brooch among its January estate offerings. Lot 113 is uniquely fashioned as a pinned wasp specimen. The wasp’s head is formed from a 4.00mm pearl and the entire insect is accented by rose-cut diamonds, set in 14K yellow gold (est. $1,000-1,500).

A sale highlight from the Asian offerings is lot 261, a Chinese Famille Rose porcelain pillow. Largely used in opium dens, the opening allows items to be stored inside for safekeeping. The pillow for sale depicts beauties in vibrant garden scenes enjoying various leisure activities and displays an openwork motif upon one end (est. $350-550).

A beautiful example of American Art Nouveau leaded glasswork is seen in lot 557. The Duffner & Kimberly chandelier exhibits vine blooms in rich purple tones cascading down a subtly geometric background. The glasswork is set in a verdigris bronze patinated frame. Measuring approximately 26 1/2 inches in diameter and 9 inches in depth, the piece is highly collectible and substantial enough to illuminate an entire room (est. $6,000-8,000).

The fine art presentation includes a wide variety of artworks in the January sale, suitable to satisfy an assortment of buyers. Of note is lot 897, a classic and highly collectible John Taylor Arms etching of Amiens Cathedral gargoyles (est. $1,000-1,500) and a D.H. Chiparus bronze dancer sculpture in excellent condition (lot 817, est. $600-900). Michaan’s Auctions has also acquired a pair of Paul Cadmus etchings from a local private estate (lot 867, $600-1,000). Rounding out the sale is a quintessential view of Monterey’s Big Sur in a Joseph Bennett oil (lot 833, est. $800-1,200) and an original Hanna Barbera Yogi Bear published comic illustration (lot 920, est. $600-800).

Previews open at Michaan’s Auctions on Jan. 1 and continue on Jan. 6-7. For information visit Michaan’s website www.michaans.com or call 510-740-0220.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Duffner & Kimberly hanging chandelier, est. $6,000-$8,000. Image courtesy of Michaan's.

Duffner & Kimberly hanging chandelier, est. $6,000-$8,000. Image courtesy of Michaan’s.

Famille Rose-enameled porcelain pillow. Estimate: $350-$550. Image courtesy of Michaan's Auctions.

Famille Rose-enameled porcelain pillow. Estimate: $350-$550. Image courtesy of Michaan’s Auctions.

After Demeter H. Chiparus (Romanian 1888-1950), 'Dancer,' bronze sculpture, signed 'D.H. Chiparus.' Estimate: $600-$900. Image courtesy of Michaan's Auctions.

After Demeter H. Chiparus (Romanian 1888-1950), ‘Dancer,’ bronze sculpture, signed ‘D.H. Chiparus.’ Estimate: $600-$900. Image courtesy of Michaan’s Auctions.

Conger Metcalf (American 1914-1998), 'Boy Drawing,' ink wash drawing. Estimate: $700-$1,000. Image courtesy of Michaan's Auctions.

Conger Metcalf (American 1914-1998), ‘Boy Drawing,’ ink wash drawing. Estimate: $700-$1,000. Image courtesy of Michaan’s Auctions.

John Taylor Arms (American, 1887-1954), 'Watching the Peoplw Below, Amiens Cathedral, 1921,' Estimate: $1,000-$1,500. Image courtesy of Michaan's Auctions.

John Taylor Arms (American, 1887-1954), ‘Watching the Peoplw Below, Amiens Cathedral, 1921,’ Estimate: $1,000-$1,500. Image courtesy of Michaan’s Auctions.

Hanna Barbera (American 20th Century), 'Yogi Bear Sunday comic drawing, 1968, ink drawing on paper. Estimate: $600-$800. Image courtesy of Michaan's Auctions.

Hanna Barbera (American 20th Century), ‘Yogi Bear Sunday comic drawing, 1968, ink drawing on paper. Estimate: $600-$800. Image courtesy of Michaan’s Auctions.

Reading the Streets: Robots Will Kill going international

This mixed media collage on canvas is titled ‘After All This I Get a Gold Watch.’ Painting by Chris RWK. Photography courtesy of Mighty Tanaka Gallery.
This mixed media collage on canvas is titled ‘After All This I Get a Gold Watch.’ Painting by Chris RWK. Photography courtesy of Mighty Tanaka Gallery.
This mixed media collage on canvas is titled ‘After All This I Get a Gold Watch.’ Painting by Chris RWK. Photography courtesy of Mighty Tanaka Gallery.

NEW YORK – The Brooklyn gallery Mighty Tanaka is hosting a show featuring art from Robots Will Kill through Jan. 17.

The art site Robots Will Kill was built in 2001, initially to trade stickers, but it has become a website that exposes street art around the world. So far they have shown off the work of more than 800 international artists. This is the second year Mighty Tanaka has brought together a collection of artists who have collaborated with robotswillkill.com.

The core group of RWK (Chris, Kev/Psyn, Veng and OverUnder in the USA, ECB and Flying Fortress in Germany, Peeta in Italy, and JesseRobot in Belgium) has been joined by their friends Michael (coallus) Banks, Vincent REGA, Mike Die, Downtimer, Norm Morales, NoseGo, Evoker, El Toro, SINNED, Becki Fuller, Luna Park, Christopher Rini, Joe Iurato, BURN353, SEE ONE, Shai Dahan, Joe Russo, Abe Lincoln Jr., Royce Bannon, olive47, Cake, Eric “Phoneticontrol” Broers, MCA/Evil Design, Shawn “ako,” Whisenant, Lunartik, Disposable Hero.

“Working with RWK is always a pleasure,” says Alex Emmert, owner of the Mighty Tanaka Gallery in an email. “This group show demonstrates the range and diversity of artists that RWK have worked with. It is a refreshing departure from the street art world they are involved with and presents a different side to things. With work ranging from stencils and collage to photography and prints, there is something for everyone.” All of the work shown in the gallery is also available on the Mighty Tanaka website, mightytanaka.com. 111 Front St., Suite 224, Brooklyn. Hours: Wednesday-Saturday, 11 a.m.-7 p.m.


ADDITIONAL IMAGES OF NOTE


This mixed media collage on canvas is titled ‘After All This I Get a Gold Watch.’ Painting by Chris RWK. Photography courtesy of Mighty Tanaka Gallery.
This mixed media collage on canvas is titled ‘After All This I Get a Gold Watch.’ Painting by Chris RWK. Photography courtesy of Mighty Tanaka Gallery.
This oil-on-linen painting is titled ‘A Moment of Repose.’ Painting by H. Veng Smith. Photography courtesy of Mighty Tanaka Gallery.
This oil-on-linen painting is titled ‘A Moment of Repose.’ Painting by H. Veng Smith. Photography courtesy of Mighty Tanaka Gallery.

Guernsey’s to auction Titanic artifacts on centenary

The April 16, 1912, issue of 'New York Times' pictured the Titanic and her captain on the front page. Image courtesy of LiveAucitoneers.com Archive and Guernsey's.
The April 16, 1912, issue of 'New York Times' pictured the Titanic and her captain on the front page. Image courtesy of LiveAucitoneers.com Archive and Guernsey's.
The April 16, 1912, issue of ‘New York Times’ pictured the Titanic and her captain on the front page. Image courtesy of LiveAucitoneers.com Archive and Guernsey’s.

WASHINGTON (AFP) – More than 5,000 artifacts salvaged from the Titanic are to be sold in one lot at auction in New York, 100 years to the day after the luxury liner sank in the Atlantic with some 1,500 people on board.

In a filing with the Security and Exchange Commission, Premier Exhibitions, which owns sole salvage rights to the Titanic through its RMS Titanic unit, said it has engaged New York auctioneers Guernsey’s to handle the sale.

It will take place April 15, the 100th anniversary of the day the White

Star liner—on its maiden voyage to New York from Southampton, England—slipped under the icy North Atlantic Ocean after hitting an iceberg off Newfoundland.

No reserve price has been set, but publicly listed Premier Exhibitions said the artifacts—some of which are now on show in Singapore and Curitiba, Brazil—were appraised at $189 million in 2007.

“We expect to identify a buyer capable of serving as a proper steward of the collection and the wreck site,” said RMS Titanic’s president Christopher Davino in the filing.

No reason was given for the sale, but last month Premier Exhibitions reshuffled its top management team after reporting a second-quarter loss of nearly $2 million due in part to fewer people going to its shows.

A new 3D version of director James Cameron’s 1997 blockbuster Titanic is to open in Canadian and U.S. theaters on April 6, four days before the centenary of the day the doomed ship began its ill-fated voyage.


ADDITIONAL IMAGE OF NOTE


The April 16, 1912, issue of 'New York Times' pictured the Titanic and her captain on the front page. Image courtesy of LiveAucitoneers.com Archive and Guernsey's.
The April 16, 1912, issue of ‘New York Times’ pictured the Titanic and her captain on the front page. Image courtesy of LiveAucitoneers.com Archive and Guernsey’s.

Chicago’s new museum tells story of Greek America

The new 40,000-square-foot National Hellenic Museum is in Chicago's Greektown at 333 S. Halstead St. Image courtesy of Wikimedia Commons.
The new 40,000-square-foot National Hellenic Museum is in Chicago's Greektown at 333 S. Halstead St. Image courtesy of Wikimedia Commons.
The new 40,000-square-foot National Hellenic Museum is in Chicago’s Greektown at 333 S. Halstead St. Image courtesy of Wikimedia Commons.

CHICAGO (AP) – Dolls a Greek woman made during World War II. Ice cream bowls and wooden spoons from a 1940s Greek candy store. Thousands of record albums filled with Greek music.

These items and many other beloved objects and family heirlooms have found their way from around the country to the National Hellenic Museum in Chicago, which has a new place to store and exhibit them all, in a four-story 40,000-square-foot environmentally friendly building of limestone and glass that opened in early December.

The $20-million project in the city’s Greektown neighborhood, which includes temporary and permanent exhibition space, classrooms, oral history archives, a library and roof patio overlooking downtown, replaces the museum’s previous space a few blocks away on one floor of a four-story building.

“This museum became by default the repository for artifacts from the Greek American experience because there was no other place people felt secure donating their items,” said Stephanie Vlahakis, the museum’s executive director.

Outside the museum, the street bustles with diners at Greek restaurants like The Parthenon, Athena or Santorini. A group of men speak Greek during an animated game of backgammon at the Panhellenic Pastry Shop with mounds of powdered sugar almond cookies and baklava piled in the glass cases behind the counter.

“We are telling the story of Greek America,” Vlahakis said. “We just start from the beginning, from ancient times and bring it to the modern times.”

The museum is a work in progress, with a skeleton version of the permanent exhibit on the second floor. Curators have scribbled design concepts in colored marker on the walls, like “absolutely want mosaic work” or “look into etching on glass?” The hope is to raise enough money to fill the displays out in a year.

But there is still plenty to see: shelves filled with items from a Greek family in New York, a wall of black and white pictures that chronicles the story of Greek immigrants in America and an area to learn the Greek alphabet. Visitors can watch a short introductory video narrated by, who else, George Stephanopoulos.

Museum curator Bethany Fleming hopes to travel to Greece and make casts of columns, gates and parts of temples to bring back to Chicago.

Downstairs the temporary exhibit space is home to “Gods, Myths and Mortals: Discover Ancient Greece,” an exhibit on loan from the Children’s Museum of Manhattan until August. It’s a child’s view of the daily life of ancient Greece and its legends and heroes, like Aristotle, Odysseus and Cyclops.

“What we want to do with all our exhibits is create a place where all generations of visitors can connect,” Fleming said.

There’s a kid-sized recreated Greek temple, and children can dress up in togas in front of a mirror or crawl into a jungle-gym Trojan horse. Interspersed are nearly three dozen Greek artifacts, including coins, pottery and figurines. One Macedonian drachma coin dates to 336-323 B.C. and is about the size of a dime.

The museum building itself is inspired by nature, containing elements of earth, air, fire and water. Inside a large, sky-lit stairway leads visitors from east to west, symbolizing the travel of Greek immigrants from Europe to America. Everything, Vlahakis says, was done deliberately to parallel the Greek American experience.

“So much of our world is inspired by the ancient,” she said.

___

If You Go…

NATIONAL HELLENIC MUSEUM: 333 S. Halsted St., Chicago; http://www.nationalhellenicmuseum.org or 312-655-1234. Tuesday-Friday, 10 a.m.-5 p.m. (until 8 p.m. on Tuesdays); Saturday-Sunday, 11 a.m.-5 p.m. Adults, $10; seniors and students, $8; children 3-12, $7.

GETTING THERE: The museum is within walking distance of the Chicago Transit Authority’s No. 8 bus and Blue Line’s UIC-Halsted stop in the West Loop neighborhood. Street parking and pay parking are available.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 

AP-WF-12-28-11 0437GMT


ADDITIONAL IMAGE OF NOTE


The new 40,000-square-foot National Hellenic Museum is in Chicago's Greektown at 333 S. Halstead St. Image courtesy of Wikimedia Commons.
The new 40,000-square-foot National Hellenic Museum is in Chicago’s Greektown at 333 S. Halstead St. Image courtesy of Wikimedia Commons.

 

 

Cheetah the chimp from 1930s Tarzan films dies at age 80

Cheetah, Tarzan's chimp, 'autographed' this photograph, which also pictures Johnny Wiessmuller and Maureen O'Hara. Image courtesy of LiveAuctioneers Archive and Signature House.
Cheetah, Tarzan's chimp, 'autographed' this photograph, which also pictures Johnny Wiessmuller and Maureen O'Hara. Image courtesy of LiveAuctioneers Archive and Signature House.
Cheetah, Tarzan’s chimp, ‘autographed’ this photograph, which also pictures Johnny Wiessmuller and Maureen O’Hara. Image courtesy of LiveAuctioneers Archive and Signature House.

PALM HARBOR, Fla. (AP) –A Florida animal sanctuary says Cheetah the chimpanzee sidekick in the Tarzan movies of the 1930s has died at age 80.

The Suncoast Primate Sanctuary in Palm Harbor announced that Cheetah died Dec. 24 of kidney failure.

Sanctuary outreach director Debbie Cobb on Wednesday told The Tampa Tribune newspaper that Cheetah was outgoing, loved finger painting and liked to see people laugh. She says he seemed to be tuned into human feelings.

Based on the works of author Edgar Rice Burroughs, the Tarzan stories, which have spawned scores of books and films over the years, chronicle the adventures of a man who was raised by apes in Africa.

Cheetah was the comic relief in the Tarzan films that starred American Olympic gold medal swimmer Johnny Weissmuller. Cobb says Cheetah came to the sanctuary from Weissmuller’s estate sometime around 1960.

Cobb says Cheetah wasn’t a troublemaker. Still, sanctuary volunteer Ron Priest says that when the chimp didn’t like what was going on, he would throw feces.

___

Online:

http://suncoastprimate.homestead.com/

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-28-11 1424GMT


ADDITIONAL IMAGE OF NOTE


Cheetah, Tarzan's chimp, 'autographed' this photograph, which also pictures Johnny Wiessmuller and Maureen O'Hara. Image courtesy of LiveAuctioneers Archive and Signature House.
Cheetah, Tarzan’s chimp, ‘autographed’ this photograph, which also pictures Johnny Wiessmuller and Maureen O’Hara. Image courtesy of LiveAuctioneers Archive and Signature House.

Vintage lawn sprinklers are collectible garden art

The Monkey sprinkler brought $9,000 at a recent auction. Photo provided by John and Nancy Smith.
The Monkey sprinkler brought $9,000 at a recent auction. Photo provided by John and Nancy Smith.
The Monkey sprinkler brought $9,000 at a recent auction. Photo provided by John and Nancy Smith.

PHILADELPHIA (ACNI) – A mass-manufactured symbol of suburban living, the lawn and garden sprinkler has moved from the tool shed to the collectors cabinet. Like many other products of late 19th and early 20th century industrial design, the well-turned sprinkler is now appreciated as a piece of sculptural and cultural beauty.

Andy Durham, of Annandale, Va., has a collection of more than 80 sprinklers, mostly steel and iron watering implements made from the late 1800s to the 1950s. The joys of collecting were instilled in Durham as a boy, when he’d visit his grandfather, a collector of holly trees, fluorescent minerals, and books on Quaker history.

Durham’s first obsession was horticultural books. Then, about 15 years ago, he picked up a metal sprinkler for $5 at a garage sale, and used it to keep his lawn green. “It dawned on me one day that this is an antique,” and he began searching a new marketplace called eBay for other early sprinklers, a logical collecting progression for Durham, a landscape architect.

He learned that sprinklers were an offshoot of the first pressurized water and fire-suppression systems invented in the 1870s. They were initially used in buildings and utilized public water systems and individual water tanks. They moved out to agricultural use, and then to the growing landscape and public park movements. As the front lawn and home garden became an important component of the middle-class suburbs, the sprinkler industry saturated the market.

In the early 1880s, Durham explained, the designs were practical, intended to do a job on a farm or lawn. “There was a burst of creativity in the first decades of the 1900s. There were many manufacturers involved, and that allowed for expression of styles and shapes.”

Durham appreciates a wide range of sprinklers stylistically, he said, but is most interested in the heavy, detailed metal pieces, some of which boast beautiful scrolls and lion claw feet. One of his favorites was made by the White Showers Company of Detroit. It has a brass piston and carefully crafted cast iron parts. White Showers went into operation before the Great Depression, made a limited number of sprinklers, and went out of business after the market crash.

The 1940s saw the introduction of Bakelite, the early plastic, in sprinkler design. Exciting space age designs were launched in the 1950s. But the manufacturers incorporated aluminum and cheaper plastics, as the well-crafted metal sprinklers became too expensive to produce and ship.

Durham said collectors can find smaller examples for as little as $20, and “nicer ones in the hundreds of dollars.” Finding sprinklers at garage sales, flea markets or even antique shops has become a challenge, “but if you click on eBay you can still find dozens,” he said.

Durham’s collection includes examples of how sprinklers were portrayed in advertising, from postcards used by traveling salesmen, to full-size pages in 1940s Life magazines, capitalizing on the mail-order trend.

One of the popular collecting categories is figural sprinklers. The Firestone Rubber Company featured a line of upright, silk-screened figures on sheet metal that included the Sambo character, a clown and monkey, explained Durham.

A highly sought figural sprinkler is the Cowboy, a 30-inch-high figure whose lasso spins around and drops down as he waters the lawn. There were fewer than 100 made, Durham said, and may sell for as much as $4,000 now.

Figural sprinklers are the focus of John and Nancy Smith, of Barnesville, Md., whose more extensive collections include banks and doorstops. “We love figural cast iron,” explained John, “and lawn sprinklers really lent themselves to figural designs.”

But not very many were made in cast iron. The Smiths count 18 different figural sprinklers in that medium. “And searching for those with great original paint was a challenge. They were used, so they had a tendency to rust,” John Smith said.

The Smiths began collecting cast iron sprinklers in 1971, and made their first purchase – a wood mallard – for $35. Today, that duck can bring up to $2,000. One of the most graceful sprinklers, the Mermaid, has gone from $200 in the 1970s to $8,000 now.

“What happened,” John Smith explained, “is that they have a folky look, so folk art dealers are buying them. They are commanding a great deal of money these days. The Monkey sprinkler sold at auction recently for $9,000. A folk art collector bought that one.”

The cast iron figurals were mainly produced in the 1920s and 30s, Smith said, by some of the same foundries that made the doorstops he and his wife collect. “The 20s and 30s were tough times, and they created the sprinklers to make some extra money.”

The early cast iron sprinkler companies included the English manufacturer Nuydea, National Foundry of Massachusetts, and Grey Iron of Mount Joy, Pa. Nuydea produced the Frog on Globe, as well as sprinklers with ducks and cardinals in the 1920s. Other companies made turtle and alligator models and a two-faced man.

“Bradley and Hubbard, one of the ‘Cadillac’ casting companies, made tremendous forms on sprinklers, including a wood duck and mallard,” Smith said.

While Andy Durham can find his objects of desire online, the Smiths hunt for figural sprinklers at antique shows and auctions and through dealers of figural cast iron. “But in the condition we like, they are getting very difficult to find. They’re starting to get rare.”

Visit John and Nancy Smith’s website to view their collections and sale items at www.castirononline.com.

#   #   #

Copyright 2011 Auction Central News International. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 

 


ADDITIONAL IMAGE OF NOTE


The Monkey sprinkler brought $9,000 at a recent auction. Photo provided by John and Nancy Smith.
The Monkey sprinkler brought $9,000 at a recent auction. Photo provided by John and Nancy Smith.
The Mermaid is a sprinkler with style and grace. Photo provided by John and Nancy Smith.
The Mermaid is a sprinkler with style and grace. Photo provided by John and Nancy Smith.
Bradley and Hubbard, one of the premier metal casting companies, produced this Mallard sprinkler. Photo provided by John and Nancy Smith.
Bradley and Hubbard, one of the premier metal casting companies, produced this Mallard sprinkler. Photo provided by John and Nancy Smith.
The sitting frog was made by Bradley and Hubbard. Photo provided by John and Nancy Smith.
The sitting frog was made by Bradley and Hubbard. Photo provided by John and Nancy Smith.
One of the early sprinkler manufacturers was Nuydea, which produced the Wood Duck. Photo provided by John and Nancy Smith.
One of the early sprinkler manufacturers was Nuydea, which produced the Wood Duck. Photo provided by John and Nancy Smith.
Nuydea also made the colorful Frog on Globe. Photo provided by John and Nancy Smith.
Nuydea also made the colorful Frog on Globe. Photo provided by John and Nancy Smith.
The charming Cardinal on Branch was designed by an unknown manufacturer. Photo provided by John and Nancy Smith.
The charming Cardinal on Branch was designed by an unknown manufacturer. Photo provided by John and Nancy Smith.
Firestone and other companies produced a series of figural, sheet metal sprinklers. Photo provided by Andy Durham.
Firestone and other companies produced a series of figural, sheet metal sprinklers. Photo provided by Andy Durham.
The Space Age influenced the style of sprinklers made in the 1950s. Photo provided by Andy Durham.
The Space Age influenced the style of sprinklers made in the 1950s. Photo provided by Andy Durham.

When in Rome, Japanese man inspired to restore pyramid

The pyramid of Caius Cestius is on a thoroughfare in the south side of old Rome. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The pyramid of Caius Cestius is on a thoroughfare in the south side of old Rome. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The pyramid of Caius Cestius is on a thoroughfare in the south side of old Rome. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

ROME (AFP) – A Japanese businessman has agreed to invest around one $1.3 million to restore a 2,000-year-old Roman pyramid in the Italian capital, La Repubblica daily reported on Thursday.

Yuzo Yagi, a fashion business owner from Osaka, is due to sign the agreement later this month. The pyramid was built in A.D. 13 as a tomb for Roman magistrate Gaius Cestius. Work is set to start in April, officials said.

“His dream is to leave a mark in our country. Last year, he visited the pyramid and was struck by how remarkable it was,” Rita Paris, who manages the monument on behalf of the state, was quoted as saying.

Yagi’s only request is for a plaque with his name on it near the monument.

The project will include the use of probes to determine whether there are any secret chambers built into the 118-foot-high pyramid after recent ultrasonic testing found some gaps in the structure.

Like the Colosseum, which is also preparing for a major restoration project next year, the pyramid is at the center of a busy road junction.


ADDITIONAL IMAGE OF NOTE


The pyramid of Caius Cestius is on a thoroughfare in the south side of old Rome. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The pyramid of Caius Cestius is on a thoroughfare in the south side of old Rome. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Don Aslett’s Museum of Clean ready to shine

The Queen brand hand-pump vacuum cleaner dates to 1911. Image courtesy of LiveAuctioneers Archive and David Iver Auctions.
The Queen brand hand-pump vacuum cleaner dates to 1911. Image courtesy of LiveAuctioneers Archive and David Iver Auctions.
The Queen brand hand-pump vacuum cleaner dates to 1911. Image courtesy of LiveAuctioneers Archive and David Iver Auctions.

POCATELLO, Idaho (AP) – Don Aslett may be more than a half century into his fight against dirt and clutter, but he still can’t take a stroll without bending to pick up litter from the sidewalk.

As a child, he can remember cringing at the site of spilled coffee grounds and in high school, finding it strange the other boys didn’t like to clean their rooms. Even now at the age of 76, his battle against grit and grime has yet to relent.

Those who may not understand his devotion, he reasons, have likely never felt the satisfaction of making a toilet bowl shine.

“I’ll tell you, clean is a hard sell,” said Aslett, who has written 37 books on the topic and founded a janitorial business with branches in most states and Canada.

While mothers may threaten their kids with having to clean their rooms as punishment, Aslett knew he was different from an early age.

“I love to clean,” he said with a shrug.

And now, he has a six-floor shrine dedicated to his craft – the Museum of Clean – that recently opened to the public in southeastern Idaho.

Among the exhibits: A horse-drawn vacuum dating back to 1902; a collection of several hundred pre-electric vacuum cleaners; a Civil War-era operating table; a 1,600-year-old bronze pick that was used to clean teeth, and an antique Amish foot bath.

If visitors grow weary while touring the building with its estimated 6,000 historical cleaning devices, they can take a seat on chairs fashioned out of garbage bins, a claw foot bathtub and a washing machine from 1945.

There’s also an 88-seat theater, an art gallery, and a gift shop with cleaning kits for kids priced at $9.95 and plush toys in the shape of germs. Aslett’s most prized possession—a 2,000-year-old terra-cotta water vessel used by the Romans to wash up—is not quite ready for display and kept locked in a filing cabinet.

The idea for the project came several years ago, when Aslett came upon an old pre-electric sweeper vacuum at a Detroit museum.

“I thought, well there’s horse museums, cow museums, train museums, plane museums. Why not a clean museum?” Aslett said.

He started his collection with an old pump vacuum he purchased for about $250 and tracked down more items at antique stores, while others were donated. He soon had enough for a display at his office in downtown Pocatello.

“I found out something interesting, people are into cars and food and sports,” Aslett said. “Cleaning is way down on the list. But if you took something as dull as cleaning and made it humorous, then cleaning goes to the top.”

Aslett started public speaking and writing cleaning handbooks with titles such as: Is there Life after Housework? and Clutter’s Last Stand. His personal monikers have included the Dean of Clean, the Sultan of Shine and, who could ever forget, Don Juan of the John.

He was featured in People Magazine. He’s also been on Oprah. At one point, he started carrying a fiberglass toilet as a suitcase because he felt that was the symbol of his trade. He also enjoyed the suspense of his fellow travelers as they waited by the baggage carousel to see who would claim it.

As his cleaning business thrived, so did the cleaning tool collection. Things got serious when he found a Boston collector with 230 pre-electric vacuums he was willing to sell for $300,000.

“After I got that collection, I found out that I needed a lot more room,” Aslett said. “I thought, if I’m going to do this, I’m going to leave a real legacy.”

Over the years, as the museum missed several expected starts, but Aslett stood firm in his belief: “When you hear Pocatello, you’re going to think clean.”

He was quick to dismiss a website survey this year that ranked Pocatello among the dirtiest cities in the United States based on online sales of cleaning products.

“That’s like saying Pocatello has the most ugly women in the world because we buy the least makeup,” he said

The museum, which took six years to assemble at a cost of about $6 million, marked its grand opening last month. Tickets cost $5 per person or $15 for a family.

Inside, the history of clean begins to the right, with a giant model of Noah’s Ark, a reference to the worldwide cleaning of biblical proportions. To the left are interactive exhibits aimed at teaching kids how to properly make their bed, clean their room, sweep and recycle.

During a recent tour, Aslett stopped to clean a window display inside a children’s play area. His squeegee glided across glass in a quick flurry of sweeping strokes, like an artist painting a canvas.

“That’s how the professionals do it,” Aslett said, leaning back to admire his work.

He would know.

Aslett first marketed himself as professional cleaner when he was 19 and attending Idaho State University in the 1950s. He charged $1.25 an hour and recalls his first job cleaning around a furnace took him 56 minutes. He was paid $1.18, an amount of money he keeps framed on his office wall.

“I thought, it’s going to be a tough road after this,” Aslett said.

But by the time he graduated, Aslett had launched a construction, facility services and janitorial company that employed about 500 and had branches in three states. Varsity Contractors now boasts annual sales of $100 million.

The cleanliness concept was ingrained into him from the time he was a child, growing up poor in the tiny south-central town of Dietrich, where the family grew beans, potatoes and wheat. His mother taught him that clean was something to be desired.

“She said: ‘The reason I married your dad is because he was always clean, he always washed his hands, he always had clean clothes,’” Aslett said.

He and his wife, Barbara, now split their time between their Idaho ranch and their home in Hawaii. He may be a millionaire, but he also embodies the decluttered lifestyle he preaches. He has two pairs of shoes, three suits and the last time he brought a new pair of Levis jeans, they cost $3.25.

“When you’re a cleaner, you look at things a little differently,” Aslett said. “You look at the stuff you have to clean up, the unnecessary bottles and the unnecessary towels, and the garbage … ” he said, his voice trailing off as the list went on.

Online:

Don Aslett’s Museum of Clean: http://www.museumofclean.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-27-11 1906GMT


ADDITIONAL IMAGE OF NOTE


The Queen brand hand-pump vacuum cleaner dates to 1911. Image courtesy of LiveAuctioneers Archive and David Iver Auctions.
The Queen brand hand-pump vacuum cleaner dates to 1911. Image courtesy of LiveAuctioneers Archive and David Iver Auctions.

 

 

Fire destoys home in upstate N.Y., spares Elvis museum

Elvis Presley's 'Loving You' album. Image courtesy of LiveAuctioneers Archive and Lesle Hindman Auctioneers.
Elvis Presley's 'Loving You' album. Image courtesy of LiveAuctioneers Archive and Lesle Hindman Auctioneers.
Elvis Presley’s ‘Loving You’ album. Image courtesy of LiveAuctioneers Archive and Lesle Hindman Auctioneers.

DE PEYSTER, N.Y. (AP) – A northern New York couple has lost their home to a fire, but their massive collection of Elvis Presley memorabilia remains intact.

The Watertown Daily Times reports that Robert and Shirley Gagnon’s home in the St. Lawrence County town of De Peyster was destroyed by a fire last Friday night.

Robert Gagnon, a 70-year-old woodworker, managed to prevent the flames from spreading to the couple’s Memories of Elvis museum next door by using a hose to keep the building doused with water.

No one was injured.

The newspaper reports that the couple’s 15-year-old museum contains 50,000 Elvis mementos that fill a five-room modular home with posters, magazines, dolls and other items.

Located at the end of a dead-end rural road, the museum gets only a few dozen visitors a year.

___

Information from: Watertown Daily Times, http://www.watertowndailytimes.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-28-11 1208GMT


ADDITIONAL IMAGE OF NOTE


Elvis Presley's 'Loving You' album. Image courtesy of LiveAuctioneers Archive and Lesle Hindman Auctioneers.
Elvis Presley’s ‘Loving You’ album. Image courtesy of LiveAuctioneers Archive and Lesle Hindman Auctioneers.