Museum takes drastic steps to prevent rhino horn theft

White rhinos in Namibia. Image courtesy of Wikipedia Commons.
White rhinos in Namibia. Image courtesy of Wikipedia Commons.
White rhinos in Namibia. Image courtesy of Wikipedia Commons.

GENEVA (AFP) – A Swiss museum has taken the drastic step of replacing the horns of its rhinoceroses with fake ones to deter thieves fueling a lucrative global trade, curators said Tuesday.

Staff at Bern’s Natural History Museum cut off the horns of its six display animals and put crude wooden ones in their place amid concerns they would be targeted.

Curators acted after hearing of horn thefts at museums across Europe, including in Britain, France and Germany.

Rhinoceros horn is prized in Asia where many consider it to have aphrodisiac and disease-fighting properties.

In recent months prices have soared, and they currently fetch between 30,000 and 250,000 Swiss francs ($32,225 and $268,500), according to the museum.

“On the black market, rhinoceros horns are more valuable than gold,” it said in a statement.

Though a relatively new phenomenon, museum thefts have noticeably increased recently, it added.


ADDITIONAL IMAGE OF NOTE


White rhinos in Namibia. Image courtesy of Wikipedia Commons.
White rhinos in Namibia. Image courtesy of Wikipedia Commons.

Donations sought to finish American Indian Cultural Center

The American Indian Cultural Center construction site in Oklahoma City. Kimberly Rodriguez photo, courtesy of the American Indian Cultural Center.
The American Indian Cultural Center construction site in Oklahoma City. Kimberly Rodriguez photo, courtesy of the American Indian Cultural Center.
The American Indian Cultural Center construction site in Oklahoma City. Kimberly Rodriguez photo, courtesy of the American Indian Cultural Center.

OKLAHOMA CITY (AP) – Private donations are being sought to complete the American Indian Cultural Center and Museum that’s being built in Oklahoma City,

The center’s new executive director, Blake Wade, says he will have to raise $80 million to complete the structure, which is about half finished. Wade says the center could open in three to four years.

The Oklahoman reports that Wade says he expects to have to raise $40 million from the public in private donations and the rest through state appropriations.

So far, the state has contributed $67 million in addition to $16 million from the federal government plus $6.7 million from Indian tribes and private donors.

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Information from: The Oklahoman, http://www.newsok.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-19-11 1436GMT


ADDITIONAL IMAGE OF NOTE


The American Indian Cultural Center construction site in Oklahoma City. Kimberly Rodriguez photo, courtesy of the American Indian Cultural Center.
The American Indian Cultural Center construction site in Oklahoma City. Kimberly Rodriguez photo, courtesy of the American Indian Cultural Center.

National Park Service studying historic Ste. Genevieve

The 1740 Bulduc House Museum in Ste. Genevieve, Mo. Image courtesy of Wikipedia Commons.
The 1740 Bulduc House Museum in Ste. Genevieve, Mo. Image courtesy of Wikipedia Commons.
The 1740 Bulduc House Museum in Ste. Genevieve, Mo. Image courtesy of Wikipedia Commons.

STE. GENEVIEVE, Mo. (AP) – The National Park Service has been studying whether to get involved in the town of Ste. Genevieve, south of St. Louis, which has a large collection of 200-year-old homes, as well as the largest concentration of colonial French architecture in North America.

Park service officials toured Ste. Genevieve this month and briefed local leaders on the status of the study, which the park service says will be finalized in 2013, according to The St. Louis Post-Dispatch.

The park service has been considering several options. It could get involved in a limited way, by helping local groups or helping fund restoration projects. Or, it could acquire old French houses and other properties, and open a federally funded historic site in the Mississippi River town of about 11,000 residents.

The park service manages dozens of smaller and lesser-known places. Sharon Miles, a park service planner who is in charge of the Ste. Genevieve study, said one site that could serve as a blueprint is Louisiana’s Cane River Creole National Historic Park, which includes two plantations and several outbuildings. Management of the site is split between the park service and private landowners.

Miles said it’s too early to discuss the alternatives under review. Even after the study is complete, any permanent role for the park service in Ste. Genevieve would require an act of Congress, she said.

Not every historic house owner is eager to give away a building. The Colonial Dames, a nonprofit group, owns one of Ste. Genevieve’s best-known historic attractions, the Bolduc House Museum.

Lesley Barker, director of the museum, said that the group is happy that the park service is interested in getting involved in Ste. Genevieve, but has no interest in letting go of the 219-year-old house surrounded by a stockade fence.

“The Colonial Dames (organization) is proud to own the Bolduc House, and nobody wants to get rid of it,” Barker said.

Tim Conley, 64, has spent more than 40 years restoring houses in the region and owns the Jean Baptiste Vallé house, which was built in 1794.

“I’ve made it clear to the feds that, unless the idea of a national park bites the dust, the federal government will have the opportunity to acquire the house after I die,” Conley said. “But I’m not old enough to say they can have it now.”

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Information from: St. Louis Post-Dispatch, http://www.stltoday.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-19-11 1505GMT


ADDITIONAL IMAGE OF NOTE


The 1740 Bulduc House Museum in Ste. Genevieve, Mo. Image courtesy of Wikipedia Commons.
The 1740 Bulduc House Museum in Ste. Genevieve, Mo. Image courtesy of Wikipedia Commons.

Lone bid wins Frank Lloyd Wright house for $578,500

The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.
The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.
The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.

ROCKFORD, Ill. (AP) – The only Frank Lloyd Wright house designed to be handicapped accessible has sold at an Illinois auction for $578,500.

The Rockford Register Star reports that the Rockford house drew one bid from the Laurent House Foundation Board.

The auction was held Thursday in Chicago.

John Groh is the Rockford Area Convention and Visitors Bureau’s president and is adviser to the foundation. He says the foundation is pleased that the community has stepped up to save this treasure.

The newspaper reports that Kenneth and Phyllis Laurent sold the home they’d lived in for nearly 60 years to move to assisted living.

Laurent was a World War II veteran who was in a wheelchair. In 1948, he asked Wright to build him a home.

___

Information from: Rockford Register Star, http://www.rrstar.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-16-11 0309GMT


ADDITIONAL IMAGE OF NOTE


The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.
The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.
The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.
The Kenneth Laurent House designed by Frank Lloyd Wright. Image courtesy of Wright, Chicago.

1880 gold coin turns up in Salvation Army kettle

A $10 gold coin was found in a Salvation Army kettle in Kentucky. Image courtesy of LiveAuctioneers,com Archive and Godwin's Auction.

A $10 gold coin was found in a Salvation Army kettle in Kentucky. Image courtesy of LiveAuctioneers,com Archive and Godwin's Auction.
A $10 gold coin was found in a Salvation Army kettle in Kentucky. Image courtesy of LiveAuctioneers,com Archive and Godwin’s Auction.
CYNTHIANA, Ky. (AP) – The Salvation Army is hoping to turn a $10 gold piece dropped into one of its red collection kettles into a larger sum with an auction that starts the bidding at $800.

The 1880 coin was placed into a kettle at the Cynthiana Wal-Mart this month and went unnoticed until a bank teller spotted it, John Hodge, chairman of the service unit of the Harrison County chapter of the Salvation Army, told the Lexington Herald-Leader.

Hodge says he thinks the coin wasn’t given by mistake but deliberately donated by someone who doesn’t want to be identified.

Similar stories have been reported in Kansas, Maryland and Tennessee.

The Salvation Army will accept sealed bids for the coin until 4 p.m. Jan. 9 at P.O. Box 295, Cynthiana, Ky. 41031.

___

Information from: Lexington Herald-Leader, http://www.kentucky.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-16-11 0833GMT

 

 

 

Leland Little Auctions to close out art gallery Jan. 4

Henry Ch. Brewer (British, 1866-1950), ‘St. Gilles,’ signed at lower left, depicting nuns and children entering the famous cathedral in the south of France, matted and framed under glass, overall 33 1/2 x 27 inches. Estimate: $800-$1,000. Image courtesy of Leland Little Auction & Estate Sales.
Henry Ch. Brewer (British, 1866-1950), ‘St. Gilles,’ signed at lower left, depicting nuns and children entering the famous cathedral in the south of France, matted and framed under glass, overall 33 1/2 x 27 inches. Estimate: $800-$1,000. Image courtesy of Leland Little Auction & Estate Sales.

Henry Ch. Brewer (British, 1866-1950), ‘St. Gilles,’ signed at lower left, depicting nuns and children entering the famous cathedral in the south of France, matted and framed under glass, overall 33 1/2 x 27 inches. Estimate: $800-$1,000. Image courtesy of Leland Little Auction & Estate Sales.

HILLSBOROUGH, N.C. – Leland Little Auction & Estate Sales Ltd. will liquidate the inventory of Clark Art in Raleigh on Wednesday, Jan. 4, beginning at 6:30 p.m. Eastern. The auction will be conducted at Clark Art, 300 Glenwood Ave., Raleigh, NC 27603. LiveAuctioneers.com will provide Internet live bidding for the 200-lot auction.

John Albert Clark established Clark Art in Raleigh in 1923 as a picture framing business. After World War II the business transitioned to the second generation. Doris Clark Walker and Owen Walker Jr. began offering contemporary traditional oil paintings and prints. In the 1970s, the third generation, Owen Walker III, added to the contemporary oils with antique oil paintings, antique watercolor paintings and fine art hand-produced antique prints.

In Walker’s words: “After 88 years of serving our friends, it is time to retire.”

“Please plan to join us and fellow collectors for this auction to celebrate a Raleigh art gallery legacy and take a special piece home for your collection,” said Leland Little.

Paintings range from a Pal Fried (Hungarian-American, 1893-1976) portrait of two ballerinas to a large 19th century British landscape of Lynmouth, Devon, signed “Allen.”

A large watercolor by Henry Ch. Brewer (British, 1866-1950) depicts St. Gilles, the famous cathedral in the South of France. Like many of the works in the auction, it has an estimate of $800-$1,000.

Traditional paintings by contemporary artists include works by Altino Villasante (Peru, b. 1963).

The auction also holds fine selections of aquatints, engravings, lithographs, antique maps, mezzotints, pastels, pen and ink works on paper and photogravures.

For details contact Leland Little Auction & Estate Sales by email: info@llauctions.com or phone 919-644-1243.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Henry Ch. Brewer (British, 1866-1950), ‘St. Gilles,’ signed at lower left, depicting nuns and children entering the famous cathedral in the south of France, matted and framed under glass, overall 33 1/2 x 27 inches. Estimate: $800-$1,000. Image courtesy of Leland Little Auction & Estate Sales.

Henry Ch. Brewer (British, 1866-1950), ‘St. Gilles,’ signed at lower left, depicting nuns and children entering the famous cathedral in the south of France, matted and framed under glass, overall 33 1/2 x 27 inches. Estimate: $800-$1,000. Image courtesy of Leland Little Auction & Estate Sales.

‘Lynmouth, Devon’ oil on canvas, lined, British, 19th century, signed ‘Allen’ lower left, depicting a seaside village with ships and figures, in a contemporary gilt frame, overall 28 x 46 1/2 inches. Estimate:  $1,500-$2,000. Image courtesy of Leland Little Auction & Estate Sales.

‘Lynmouth, Devon’ oil on canvas, lined, British, 19th century, signed ‘Allen’ lower left, depicting a seaside village with ships and figures, in a contemporary gilt frame, overall 28 x 46 1/2 inches. Estimate: $1,500-$2,000. Image courtesy of Leland Little Auction & Estate Sales.

Pal Fried (Hungarian American, 1893-1776), ‘Two Ballerinas,’ oil on canvas, framed, overall 29 1/2 x 35 1/2 inches. Estimate: $800-$1,200. Image courtesy of Leland Little Auction & Estate Sales.

Pal Fried (Hungarian American, 1893-1776), ‘Two Ballerinas,’ oil on canvas, framed, overall 29 1/2 x 35 1/2 inches. Estimate: $800-$1,200. Image courtesy of Leland Little Auction & Estate Sales.

Altino Villasante (Peru, b. 1963), ‘The Waterfall,’ oil on canvas, signed at lower left, framed with linen liner and wood frame, 45 1/2 x 35 1/2 inches. Estimate: $800-$1,200. Image courtesy of Leland Little Auction & Estate Sales.

Altino Villasante (Peru, b. 1963), ‘The Waterfall,’ oil on canvas, signed at lower left, framed with linen liner and wood frame, 45 1/2 x 35 1/2 inches. Estimate: $800-$1,200. Image courtesy of Leland Little Auction & Estate Sales.

Altino Villasante (Peru, b. 1963), ‘Valley Fields,’ oil on canvas, signed at lower left, framed, overall 46 x 36 inches. Estimate: $800-$12,000. Image courtesy of Leland Little Auction & Estate Sales.

Altino Villasante (Peru, b. 1963), ‘Valley Fields,’ oil on canvas, signed at lower left, framed, overall 46 x 36 inches. Estimate: $800-$12,000. Image courtesy of Leland Little Auction & Estate Sales.

Angel Ruiz de la Casa (Spanish, 20th century), ‘The Arbor,’ oil on canvas, signed at lower right, silver leaf frame with linen liner, overall  47 x 37 inches. Estimate: $700-$1,200. Image courtesy of Leland Little Auction & Estate Sales.

Angel Ruiz de la Casa (Spanish, 20th century), ‘The Arbor,’ oil on canvas, signed at lower right, silver leaf frame with linen liner, overall 47 x 37 inches. Estimate: $700-$1,200. Image courtesy of Leland Little Auction & Estate Sales.

Gold coins, spectacular jewels, art at Government Auction, Jan. 1

Caille upright 5-cent slot machine with ornate copper decoration, paw feet. Estimate $66,000-$132,000. Government Auction image.
Caille upright 5-cent slot machine with ornate copper decoration, paw feet. Estimate $66,000-$132,000. Government Auction image.

Caille upright 5-cent slot machine with ornate copper decoration, paw feet. Estimate $66,000-$132,000. Government Auction image.

TEHACHAPI, Calif. – On Jan. 1, 2012, California-based Government Auction will host its seventh annual New Year’s sale, featuring rare gold coins, fine jewelry and gems; art and antique music machines. More than two million dollars in merchandise will be sold to the highest bidder at the event, which is structured as an absentee, phone and Internet auction, with Internet live bidding available through LiveAuctioneers.com.

The company traditionally reserves for its annual New Year’s sale only the best and most valuable items in its inventory. “It takes a lot of time to prepare for our New Year’s auction, but it’s always worth it. Collectors love it because most of the lots have no reserve and start with an opening bid of only one or two dollars,” said Chris Budge, of Government Auction’s Marketing department.

A strong candidate for top lot of the 2,000-lot sale is a 1795 13-leaves $10 gold eagle coin. Fewer than 5,100 gold eagle coins were minted in 1795 – some with the eagle grasping a branch with 13 leaves and others with nine leaves. Only 400 to 500 examples of the 13-leaves coin are known to exist. These coins hold strong interest with collectors because they were the first U.S. gold eagle coins to be stamped. Designed by Robert Scott, each weighs 17.5 grams and has 91.7% gold content. The coin in Government Auction’s sale is graded NGC AU by Numismatic Guaranty Corp., and is expected to make $123,000-$246,000.

Additional coin highlights include an 1882-CC $20 Liberty Head coin, est. $37,500-$75,000; and a 901-S Barber 25-cent coin, est. $70,500-$141,000.

Several truly exquisite necklaces are entered in the auction. A design in 18K yellow and white gold features 35 emeralds with a total weight of 19.02 carats and 288 diamonds having a total weight of 7.20 carats. The Gemological Laboratory of America has valued the necklace at $86,419. It carries a presale estimate of $43,000-$86,000.

An 18K yellow gold necklace with 36.15 carats of genuine Ceylon cabochon sapphires and 3.5 carats of diamonds could fetch $32,000-$64,000; while a striking 7.90-carat cabochon ruby pendant-style 14K gold necklace is estimated at $18,000-$36,000. The ruby in the latter necklace is a blood-red color and serves as the focal point of three stepped squares of surrounding diamonds. The pendant is suspended from a heavily diamond-encrusted necklace. Yet another select entry is the 2,281.35-carat faceted emerald gemstone, described as having a “dark tone with strong, vivid saturation.” The massive emerald could realize close to $80,000 on auction day.

A signed John Lewis Brown (French/Scottish ancestry, 1829-1892) oil-on-board painting showcases the artist’s skill in painting equine, canine and military subjects. “Brown was influenced by the Impressionists, especially Degas, which is obvious in this painting,” said Budge. The framed 18 by 22in. pastoral work is estimated at $13,500-$27,000.

The auction will not be short of musical accompaniment with a 1940s Rock-Ola jukebox in the lineup. The classic jukebox plays 78 RPM records and exudes visual appeal with its colorful, illuminating Art Deco façade. Estimate: $5,100-$10,200. Two early forms of mechanical musical entertainment will be available to bidders, as well. A rare Polyphon music box in immaculate condition carries an estimate of $10,500-$21,000; while a Regina upright music box in mint condition and accompanied by 15 discs may climb much higher, to its estimate of $57,000-$114,000.

From the same general timeframe as the mechanical music machines, a Caille upright 5-cent slot machine is richly decorative, with a copper marquee, front plates, paw feet and additional trim to its handsome oak body. A stunning work of art, its target price is $66,000-$132,000.

Sports fans won’t want to miss the opportunity to bid on a custom-matted and framed collage of autographs, images and collector sports cards representing the athletes known collectively as the “NBA 60 Greatest Players.” Among the superstars included in the collage are Michael Jordan, Wilt Chamberlain, “Pistol” Pete Maravich, Larry Bird, Magic Johnson, Kobe Bryant, Julius “Dr. J” Erving, Kareem Abdul-Jabbar, Shaquille O’Neal and many other masters of the hardcourt. An estimate of $14,997-$29,994 has been set on this lot.

Government Auction’s Jan. 1, 2012 New Year’s Day sale will commence at 7:30 a.m. Pacific Time/10:30 a.m. Eastern Time. For additional information on any lot in the sale, call Debbie on 661-823-1543 or e-mail info@governmentauction.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

# # #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Caille upright 5-cent slot machine with ornate copper decoration, paw feet. Estimate $66,000-$132,000. Government Auction image.

Caille upright 5-cent slot machine with ornate copper decoration, paw feet. Estimate $66,000-$132,000. Government Auction image.

John Lewis Brown (French/Scottish ancestry, 1829-1892), signed landscape with figures, horses, dogs. Oil on board, 18 x 22in., est. $13,500-$27,000. Government Auction image.

John Lewis Brown (French/Scottish ancestry, 1829-1892), signed landscape with figures, horses, dogs. Oil on board, 18 x 22in., est. $13,500-$27,000. Government Auction image.

John Lewis Brown (French/Scottish ancestry, 1829-1892), signed landscape with figures, horses, dogs. Oil on board, 18 x 22in., est. $13,500-$27,000. Government Auction image.

John Lewis Brown (French/Scottish ancestry, 1829-1892), signed landscape with figures, horses, dogs. Oil on board, 18 x 22in., est. $13,500-$27,000. Government Auction image.

1795 13-leaves $10 gold eagle coin, graded NGC AU by Numismatic Guaranty Corp., est. $123,000-$246,000. Government Auction image.

1795 13-leaves $10 gold eagle coin, graded NGC AU by Numismatic Guaranty Corp., est. $123,000-$246,000. Government Auction image.

Collage representing the NBA’s 60 Greatest Players, with autographs, photos and collector cards for each athlete, est. $14,997-$29,994. Government Auction image.

Collage representing the NBA’s 60 Greatest Players, with autographs, photos and collector cards for each athlete, est. $14,997-$29,994. Government Auction image.

18K yellow and white gold necklace with 35 emeralds weighing 19.02 carats and 288 diamonds weighing 7.20 carats. Estimate $43,000-$86,000. Government Auction image.

18K yellow and white gold necklace with 35 emeralds weighing 19.02 carats and 288 diamonds weighing 7.20 carats. Estimate $43,000-$86,000. Government Auction image.

1940s Rock-Ola jukebox with illuminating Art Deco façade, est. $5,100-$10,200. Government Auction image.

1940s Rock-Ola jukebox with illuminating Art Deco façade, est. $5,100-$10,200. Government Auction image.

18K yellow gold necklace with 36.15 carats of genuine Ceylon cabochon sapphires and 3.5 carats of diamonds, est. $32,000-$64,000. Government Auction image.

18K yellow gold necklace with 36.15 carats of genuine Ceylon cabochon sapphires and 3.5 carats of diamonds, est. $32,000-$64,000. Government Auction image.

7.90-carat cabochon ruby pendant-style 14K yellow gold necklace, est. $18,000-$36,000. Government Auction image.

7.90-carat cabochon ruby pendant-style 14K yellow gold necklace, est. $18,000-$36,000. Government Auction image.

Henry Ford Museum to roll out retooled auto dispay Jan. 29

This convertible was the first Mustang to roll off the Ford Motor Co. assembly line in 1964 and is in the collection of The Henry Ford Museum. Image courtesy of Wikimedia Commons.
This convertible was the first Mustang to roll off the Ford Motor Co. assembly line in 1964 and is in the collection of The Henry Ford Museum. Image courtesy of Wikimedia Commons.
This convertible was the first Mustang to roll off the Ford Motor Co. assembly line in 1964 and is in the collection of The Henry Ford Museum. Image courtesy of Wikimedia Commons.

DEARBORN, Mich. (AP) – The suburban Detroit museum founded by auto pioneer Henry Ford is revamping its automotive displays, offering a fresh look at its rich collection and showcasing the enormous influence of the automobile on culture and daily life in the United States.

“Driving America” opens to the public Jan. 29 following a year of construction at Henry Ford Museum in Dearborn. It features some of the most significant cars ever built, from early production vehicles to modern rides, and examines how automobiles shape the nation.

“It is an exhibition that resonates with us all and will challenge us to think differently about what we drive,” Patricia Mooradian, president of The Henry Ford, said in a statement.

The 80,000-square-foot permanent exhibit includes 130 vehicles and more than 60 cases of artifacts. Touchscreen displays will offer access to images, videos and oral histories, as well as allow visitors to explore parts of the museum’s collection that aren’t on display.

People will be able to create a custom collection that can be accessed later via a smart phone or computer.

“Driving America” replaces the museum’s old “Automobile in American Life” exhibit, which closed in early 2011 to make way for construction. It sits between Henry Ford Museum’s collection of trains and its “Heroes of the Sky” exhibit, which documents aviation’s early years.

Walking through the “Driving America” displays, visitors will see muscle cars, race cars, trucks, sport utility vehicles and luxury cars. Sections look at auto repair, design, safety and marketing, as well as auto-related offshoots such as the road trip.

It will offer a look at cars through the eyes of people who use them—and those who don’t, said Bob Casey, senior curator of transportation for The Henry Ford.

“Visitors will be asked to think about what attracted them to automobiles in the first place,” Casey said. “How have their definitions of style or luxury changed over time? How have their attitudes towards safety, or recreation or environmental costs changed?”

Lamy’s Diner, a piece of roadside history that previously was a popular stop at the museum, also is getting a makeover ahead of the “Driving America” debut. Those who stop by the 1946 diner now will get the chance to eat diner-style food inside, not just walk through.

The diner, built by the Worcester Lunch Car Co., operated for years as a restaurant in Massachusetts, according to a curator’s account of its history. The museum bought it in the 1980s, moved it to Michigan and spent years restoring it to its original appearance for display.

The cost of building “Driving America” hasn’t been released. Visiting the exhibit is included in museum admission.

Henry Ford Museum is part of The Henry Ford, a history attraction that includes Greenfield Village. A future exhibit also is in the works titled “Racing in America,” focusing on innovation in American auto racing and the behind-the-scenes culture of the sport.

Plans for “Racing in America” were announced in 2010 and fundraising continues. One section of “Driving America” will highlight the planned racing exhibit and include some cars from the museum’s collection that will be part of that eventual display.

___

Online:

http://www.thehenryford.org

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-18-11 0906GMT


ADDITIONAL IMAGE OF NOTE


This convertible was the first Mustang to roll off the Ford Motor Co. assembly line in 1964 and is in the collection of The Henry Ford Museum. Image courtesy of Wikimedia Commons.
This convertible was the first Mustang to roll off the Ford Motor Co. assembly line in 1964 and is in the collection of The Henry Ford Museum. Image courtesy of Wikimedia Commons.

Recently discovered Frith painting nets $782,680

Photograph of William Powell Frith (1819-1909), English Royal Academy painter. Image courtesy of Wikimedia Commons.
Photograph of William Powell Frith (1819-1909), English Royal Academy painter. Image courtesy of Wikimedia Commons.
Photograph of William Powell Frith (1819-1909), English Royal Academy painter. Image courtesy of Wikimedia Commons.

LONDON (AP) – A long-lost Victorian painting by William Powell Frith sold for 505,250 pounds ($782,680) at a London auction, Christie’s auction house said Thursday.

The Derby Day is an early version of one of the era’s most famous pictures—Frith’s teeming, picaresque image of the crowds at an 1850s horse race, from a rich family in their carriage to gamblers, acrobats and prostitutes.

The finished painting hangs in the Tate Britain gallery in London. The 15-by-35 inch oil-on-canvas sketch sold by Christie’s is Frith’s first complete version of the scene.

Christie’s said the sale—to an anonymous bidder over the phone—set a world record price for Frith at auction.

The painting had been expected to fetch between 300,000 and 500,000 pounds, Christie’s added.

The piece had been hanging in a modest New England beach house for decades before a friend of the owner suggested it might be worth something.

Peter Brown, Christie’s director of Victorian pictures, had said before the sale that the vendor, who is in his 60s and wished to remain anonymous, believes his parents bought the painting some time before World War II, when Victorian art was often dismissed as garish and sentimental.

Since the 1970s, critical opinion has changed, and works by the best Victorian artists are coveted by collectors.

Frith, one of the era’s most successful painters, specialized in busy scenes of daily life, and his subjects ranged from beachgoers to railway stations to royal weddings.

The Derby Day was so popular when first exhibited in 1858 that a special rail was installed at the Royal Academy in London to hold back the crowds.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-15-11 1927GMT


ADDITIONAL IMAGE OF NOTE


Photograph of William Powell Frith (1819-1909), English Royal Academy painter. Image courtesy of Wikimedia Commons.
Photograph of William Powell Frith (1819-1909), English Royal Academy painter. Image courtesy of Wikimedia Commons.

Flood opens window into N.Y. fort’s historic past

Mohawk leader Joseph Brant was painted in London by leading court painter George Romney. Image courtesy of Wikimedia Commons.
Mohawk leader Joseph Brant was painted in London by leading court painter George Romney. Image courtesy of Wikimedia Commons.
Mohawk leader Joseph Brant was painted in London by leading court painter George Romney. Image courtesy of Wikimedia Commons.

FORT HUNTER, N.Y. (AP) – Jane Fonda’s ancestors traded with Mohawk Indians here. One of the most powerful men in North America had his own elevated pews in the chapel. And the Mohawk dubbed “the Monster Brant” by his American foes showed that he wasn’t so monstrous after all.

Fort Hunter, built in the Mohawk Valley by the British 300 years ago, was a center of commercial, social and military activity for much of the 18th century before falling into disrepair and leaving behind few visible signs of its existence. This week, a team of state archaeologists is wrapping up a three-month excavation made possible by one of the region’s worst natural disasters in decades.

Severe flooding caused by the torrential rain from Tropical Storm Irene in late August sent the Schoharie Creek surging over its banks, scouring away the soil underneath the parking lot at the creekside Schoharie Crossing State Historic Site, located in this rural Montgomery County hamlet 35 miles northwest of Albany.

The floodwaters tore up large chunks of blacktop and concrete and left them scattered about the site, but they also uncovered some of the long-buried remnants of Fort Hunter, built by the English in 1712 near a Mohawk village.

When the waters receded and the archaeologists started digging in September, they found plenty of 18th-century artifacts littering the area, including musket balls, pipe stems, ceramic pottery and glass bottle fragments, and coins. One British coin with a square hole punched in the middle likely decorated a Mohawk’s clothing, Roets said.

Archaeological excavations conducted in 1987 ahead of the parking lot’s construction uncovered some evidence of the fort’s foundations, but the current work has revealed far more evidence of the site’s storied past, officials said.

“This is the first time we’ve pinned down exactly where the fort was located,” said Michael Roets, an archaeologist for the state Office of Parks, Recreation and Historic Preservation, which operates the Schoharie Crossing Historic Site.

An unusually mild stretch of weather allowed the archaeologists to excavate the site late into the fall.

“We’ve been very, very lucky,” state archaeologist Kristin O’Connell said on a recent sunny, 40-degree day as she scraped muddy soil from a hole alongside a row of large, flat stones.

The archaeologists believe the stones and others uncovered a few feet away were used as the foundation for rebuilding one of the fort’s walls and blockhouses in the 1740s. The rebuilt fort’s layout is believed to have roughly traced the original’s, which featured two-story blockhouses placed at each of four corners. They were connected by log walls about 150 feet long and 12 feet high, with a chapel erected in the open middle ground of the fort, Roets said.

Built along the east bank of the Schoharie Creek a couple hundred yards south of where it flows into the Mohawk River, Fort Hunter was England’s westernmost military outpost in a valley controlled by the formidable Mohawk tribe of the Iroquois Confederacy. The fort was home to English fur traders, British soldiers and Anglican missionaries sent to minister to converted Mohawks living nearby.

The fort, named for the British colonial governor who authorized its construction, went through periods of neglect by the English. It was rebuilt at least twice, including in the 1750s, when Sir William Johnson ordered its repair during the French and Indian War.

Johnson, one of the most influential men in Colonial America, had established his fortified homestead a few miles away, on the Mohawk River’s northern bank. He contributed to the upkeep of the stone chapel built inside the fort in the 1740s, and during services his family occupied special elevated pews, compared with the moveable benches provided for other members of the congregation, according to Montgomery County historian Kelly Farquahr.

The fort was a bustling trading post by the mid-18th century. Ancestors of the famous Fonda acting clan—Henry, Jane and Peter—settled the nearby village that bears the family’s name. Historians say those earlier Fondas were known to frequent Fort Hunter, where Indians brought beaver pelts and other furs to trade for muskets, gunpowder and manufactured goods.

A frontier melting pot grew up around the outpost, with Dutch, English, German, Irish and Scottish settlers living alongside Mohawks and Indians displaced from other regions. After the French and Indian War ended in 1763, the fort again fell into disuse. During the Revolutionary War, the stone chapel was fortified by American troops battling British loyalists and Iroquois warriors conducting bloody raids across the region.

According to Farquahr, one account tells of the day an Indian arrived at the fort carrying a baby and a letter from Joseph Brant, Johnson’s protégé and a well-known Mohawk warrior. “The Monster Brant” nickname was bestowed by American foes who blamed him for wartime atrocities that historians say were actually committed by other Indians.

Brant’s letter to the fort’s commander said the baby had been captured by someone in his raiding force the day before, and he was returning the child because he didn’t condone waging war on women and children. According to the American general who witnessed the event, the child’s mother had sought safety at the fort and was reunited with her baby.

The fort eventually fell into ruin, and in the 1820s, the stone chapel was torn down to make way for the Erie Canal. One of the few existing original sections of the canal is located at the state historic site, just a few yards from where the fort stood.

After the dig finishes this week, the exposed stone walls will be covered with sand and landscaping fabric to protect them from the elements, in the hope that future excavations can be conducted, Roets said.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-17-11 1850GMT


ADDITIONAL IMAGE OF NOTE


Mohawk leader Joseph Brant was painted in London by leading court painter George Romney. Image courtesy of Wikimedia Commons.
Mohawk leader Joseph Brant was painted in London by leading court painter George Romney. Image courtesy of Wikimedia Commons.