Bertoia’s Mar. 23-24 auction led by toys from Van Dexter collection

Fallows 22½-inch hand-painted tin fire pumper. Estimate $4,000-$6,000. Bertoia Auctions image.

Fallows 22½-inch hand-painted tin fire pumper. Estimate $4,000-$6,000. Bertoia Auctions image.

Fallows 22½-inch hand-painted tin fire pumper. Estimate $4,000-$6,000. Bertoia Auctions image.

VINELAND, N.J. – You never know what will come through the doors of Bertoia Auctions’ spacious, fully showcased New Jersey gallery. Sometimes a toy is brought in that can be slotted into the next appropriate sale without delay. Other times, a consignor is better served by letting the toy wait to be included in a future sale with other toys of a related category. But when enough toys are waiting in the wings for their well-deserved turn at auction, Bertoia’s will organize one of their popular mixed sales, like the one planned for March 23-24, 2012, with Internet live bidding through LiveAuctioneers.com.

“Collectors really enjoy our all-inclusive sales because there’s such an element of surprise. Every imaginable type of toy can be found in these sales,” said Bertoia Auctions associate Rich Bertoia. “Our March event, which we’re calling our ‘Made to Be Played’ auction, contains 1,400 toy lots of great diversity and quality, with a special highlight – the European toy collection of Grover Van Dexter. Grover established one of America’s earliest antique toyshops, Second Childhood in New York’s Greenwich Village. Without a doubt, he knows what’s genuinely rare and special.”

The auction includes a spectacular array of cast-iron automotive toys – autos, busses, trucks and motorcycles – many of them coming from the same collection that was featured in Bertoia’s November sale.

“Collectors are going to love this grouping. Most of the toys are in excellent or better condition, and there are many hard-to-find pieces,” said Bertoia. The top-drawer offering includes a U.S. Co. White van made by Arcade, and several outstanding Vindex toys: a P&H steam shovel, various sedans and coupes with Donald Kaufman provenance, and more. Horse-drawn highlights include a Tally Ho, Shimer fire vehicles, and a one of a kind Kenton four-horse caisson with three seated figures. The weighty Kenton production measures approximately 3ft. long.

Among the approximately 75-80 mechanical banks are many very nice choices for both dealers and collectors, including a Darktown Battery, Lion and Monkey, Calamity, and Eagle and Eaglets. There are also two elusive Mama Katzenjammer banks – one being a first casting; the other, a second casting. The mechanicals will be followed by 80-85 still banks, with standouts being a fine example of Cupola Building with belfry, a desirable Old South Church, and a series of Kenton banks replicating safes.

Another knockout selection of cast-iron doorstops – part II of the Chuck and Barbara Cook collection – fills three display cases at Bertoia’s. Within the more than 100 figural novelties are seven different Art Deco designs by Fish, including Bathing Beauties, Bellhop, Tango Dancers, Footman and Maid. Additionally, there are some fabulous florals, a Lobster, and a Rhumba Dancer. A series of Taylor & Cook doorstops is led by examples of the company’s Monkey, Penguin, Elephant and Parrot.

Any active collector of the past two generations would know about Grover Van Dexter’s legendary Second Childhood, a gem of a shop that, for nearly 40 years, was the most famous antique toy emporium in America. It closed its doors in 2009 and all store stock was sent off to auction. Now Bertoia’s will have the privilege of auctioning Van Dexter’s private collection, which includes scores of rare Lehmann and Martin tin wind-ups.

“Grover was so ahead of his time in collecting European toys that he was able to gather up some of the nicest – and rarest – examples I’ve seen in many years,” said Bertoia. The list of French-made Martins includes a Parisian Woman in exquisite condition, one of a few such toys known in France; a Prussian Soldier with rifle, an obscure flywheel locomotive, boxed White Bear, Safari Hunter, and a superb Organ Grinder.

The sale’s 50 Lehmanns came from both Van Dexter’s and one other private collection. This grouping includes a Ski Rolf, three different motorcycles – a Halloh and two color variations of the Echo – plus a Boxer Rebellion and CoCo Climbing the Palm Tree.

Van Dexter’s collection includes both hand-painted and lithographed European toys. Rarities include a skin diver with a wind-up propeller between its legs [maker unknown], a Topolino in Car, early Gunthermanns, including three clowns on a park bench; and girls playing ring around the rosie. His sub-collection of 20 Charlie Chaplin toys includes Hippodrome Parisien and a ball-toss game – each believed to be the only known survivor.

The revered collection was the source of numerous European walking novelty figures, several tin buses, e.g., Bamberger’s, Strawbridge & Clothier, etc., and many of the 75-80 penny toys to be offered in the March sale. The European tin section also includes Ferris wheels and luxury clockwork tin limos from Van Dexter and other consignors.

Another colorful helping of vintage comic character toys from the Ron and Sandy Rosen lifetime collection will cross the auction block on March 23-24. Many classics are included: Hi-Way Henry, Joe Penner and His Duck, Charlie McCarthy, Dagwood, Pinocchio, the Merry Makers Band, Popeye, and Maggie and Jiggs. A few robots are to be sold, as well.

Listen for the whistle to blow as a small grouping of American standard gauge and European O and 1 gauge trains comes rolling down the track. Top lots include two Marklin trains: an EE 1021 and a PRR [Pennsylvania Railroad] set.

Early American tin, which has never lost its staunch core of followers amongst toy collectors, will be led by two large Fallows fire pumpers and a George Brown clockwork fire engine made to emulate the primitive, real-life Lee & Larnard model.

The auction also features a collection of fine steam toys that belonged to the late Klaus Grutzka, a German-born Pennsylvanian whose history included working as a mechanic on a German undersea “U-boat.” Grutzka was also a gifted artist who taught art at the prestigious Hill School in Pottstown, Pa. “Everyone liked Klaus. He was a real gentleman and extremely knowledgeable,” said Bertoia. “You could ask him any question and get an encyclopedia for an answer. His rare combination of mechanical and artistic talent is reflected in the steam toys he collected.”

The auction mix is rounded out with 50-60 Schoenhut toys, including a rare Wolf and Hyena; mechanical music boxes and vending/slot machines; figural cast-iron amusement park targets, and several salesmen’s samples and patent models.

Not to be overlooked is the antique advertising section, whose highlights include a rare 43-inch-tall cast-iron Baker’s Cocoa sign, a figural cast-iron glove factory sign shaped as a hand, and others.

“We know everyone’s going to have a wonderful time at this auction,” said Bertoia Auctions’ owner, Jeanne Bertoia. “There are so many toy categories represented in the sale, every collector will have a chance to take home something wonderful.”

For additional information on any lot in the sale, call 856-692-1881 or e-mail toys@bertoiaauctions.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Fallows 22½-inch hand-painted tin fire pumper. Estimate $4,000-$6,000. Bertoia Auctions image.
 

Fallows 22½-inch hand-painted tin fire pumper. Estimate $4,000-$6,000. Bertoia Auctions image.

Circa-1911 Carette lithographed-tin limousine. Estimate $3,000-$3,500. Bertoia Auctions image.

Circa-1911 Carette lithographed-tin limousine. Estimate $3,000-$3,500. Bertoia Auctions image.

Hubley cast-iron Popeye on motorcycle. Estimate $10,000-$12,000. Bertoia Auctions image.

Hubley cast-iron Popeye on motorcycle. Estimate $10,000-$12,000. Bertoia Auctions image.

Rare and desirable Lehmann (German) Boxer Rebellion tinplate windup toy, made in 1900, inspired by the Chinese secret society of 1898-1901. Estimate $10,000-$13,000. Bertoia Auctions image.

Rare and desirable Lehmann (German) Boxer Rebellion tinplate windup toy, made in 1900, inspired by the Chinese secret society of 1898-1901. Estimate $10,000-$13,000. Bertoia Auctions image.

Marklin gauge 1 passenger train set. Estimate $2,500-$3,500. Bertoia Auctions image.

Marklin gauge 1 passenger train set. Estimate $2,500-$3,500. Bertoia Auctions image.

Circa-1929 Arcade cast-iron ‘White’ moving van toy. Estimate $14,000-$18,000. Bertoia Auctions image.

Circa-1929 Arcade cast-iron ‘White’ moving van toy. Estimate $14,000-$18,000. Bertoia Auctions image.

Littco Products cast-iron doorstop depicting flamenco guitarist. Estimate $1,800-$2,500. Bertoia Auctions image.

Littco Products cast-iron doorstop depicting flamenco guitarist. Estimate $1,800-$2,500. Bertoia Auctions image.

Kenton oversize cast-iron caisson prototype, original figures, regarded as unique. Estimate $8,000-$10,000. Bertoia Auctions image.

Kenton oversize cast-iron caisson prototype, original figures, regarded as unique. Estimate $8,000-$10,000. Bertoia Auctions image.

Mid-Hudson to auction important J.F. Cropsey oil, March 24

Jasper Francis Cropsey (American, 1823-1900), 'Head of the Lake,' 30 x 22 in., est. $150,000-$200,000. Mid-Hudson Auction Galleries image.
Jasper Francis Cropsey (American, 1823-1900), 'Head of the Lake,' 30 x 22 in., est. $150,000-$200,000. Mid-Hudson Auction Galleries image.

Jasper Francis Cropsey (American, 1823-1900), ‘Head of the Lake,’ 30 x 22 in., est. $150,000-$200,000. Mid-Hudson Auction Galleries image.

CORNWALL-ON-HUDSON, N.Y. – Mid-Hudson Auction Galleries has announced details of their March 24 sale featuring an important and recently “discovered” Jasper Francis Cropsey oil painting. Internet live bidding will be provided by LiveAuctioneers.com.

Joanne Grant, owner of Mid-Hudson, flew to San Francisco to examine the Cropsey painting after receiving an e-mail from a couple inquiring whether or not their painting was suitable for auction.

The New York autumn scene titled Head of the Lake has been consigned by the direct heirs of Walter and Nancy Hattich, El Cerrito, Calif., and has been kept in the same family since 1930. It has never before been offered for sale. This luminescent work is a quintessential Cropsey, incorporating figures, a fly fisherman and a stunning waterfall within its theme. The 30 x 22-inch painting has a presale estimate of $150,000-$200,000.

The Cropsey is one of several fine American and European paintings being offered in the sale. Also included is an E. Remy Maes 1924 oil depiction of a barnyard with chicks ($8,000-$12,000 ); two Harry Roseland paintings, The Fortune Teller ($6,000-$8,000) and The Flapper ($3,000-$4,000); an F. R. Wilton picnic scene ($8,000-$12,000), works by Henri Van Seben ($6,000-$8,000), E. Shirley Borden ($6,000-$8,000) and Charles Hoffbauer ($4,000-$6,000); and more than a dozen other paintings of note.

An extensive collection of Chinese antiquities removed from The Woolworth Building in New York City will cross the auction block in the same sale. More than 500 lots of porcelain, pottery, jade, ivory, hardstone and coral span a timeline from Ming Dynasty through the Republic Period. There is an array of Chinese artwork and scrolls by noted artists and a significant collection of stone and wood temple sculpture.

Good-quality smalls round out the sale and include a collection of George III to 19th century English lap-top desks, a tea caddy and boxes; several marble sculptures, Tiffany Studios bronze candlesticks, 19th-century and other American and European bronzes; a Durand art glass vase, sterling silver smalls including an Unger Indian decorated moustache cup and jewelry.

The auction will commence at 12 noon on Saturday, March 24. For additional information on any item in the auction, contact Joanne Grant by calling 914-882-7356, or John Paul, 914-213-0425. Alternatively, inquiries may be e-mailed to mag2715jag@aol.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL IMAGE OF NOTE


Jasper Francis Cropsey (American, 1823-1900), 'Head of the Lake,' 30 x 22 in., est. $150,000-$200,000. Mid-Hudson Auction Galleries image.
 

Jasper Francis Cropsey (American, 1823-1900), ‘Head of the Lake,’ 30 x 22 in., est. $150,000-$200,000. Mid-Hudson Auction Galleries image.

Google aligns with Belgian paper equivalent

The Mundaneum records center in Mons, Belgium. Image by Jean-Pol GRANDMONT, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Mundaneum records center in Mons, Belgium. Image by Jean-Pol GRANDMONT, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Mundaneum records center in Mons, Belgium. Image by Jean-Pol GRANDMONT, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

BRUSSELS (AFP) – Google linked up Tuesday with the Belgian museum, the Mundaneum, which was set up as a 19th-century paper equivalent of the U.S. Internet search giant.

“We want to honor and promote the important European pioneers of computing and the Internet,” said Google Belgium’s chief Thierry Geerts. “For Google, this mission sounds eerily and pleasantly familiar.”

Google is to partner an upcoming exhibition on the Mundaneum, titled “Knowledge One Click Away,” at Mundaneum headquarters in Mons.

More than a century before the creation of the Web, Belgians Paul Otlet, the 1913 Nobel peace laureate, and Henri La Fontaine envisaged a paper archival system of the world’s information and built a giant documentation center called Mundaneum.

Aiming to preserve peace by assembling knowledge and making it accessible, the Mundaneum grew to 16 million cards after the pair invented the modern library Universal Decimal classification system.

World War II and the death of both founders slowed the project but archives have been kept, and the Mundaneum turned into an international archives center.

The project comes as the European Commission investigates complaints against Google for abusing its dominant position to eliminate any competition.


ADDITIONAL IMAGE OF NOTE


The Mundaneum records center in Mons, Belgium. Image by Jean-Pol GRANDMONT, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Mundaneum records center in Mons, Belgium. Image by Jean-Pol GRANDMONT, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Architect David Ling creates ‘Big Bang’ atmosphere for SOFA 2012

Architect David Ling
Architect David Ling
Architect David Ling

NEW YORK – In celebration of the 15th anniversary of the International Sculpture Objects & Functional Art Fair: SOFA: NEW YORK, renowned New York architect David Ling will transform the Park Avenue Armory into a veritable work of art for an event that itself is overflowing with top-tier contemporary and modern arts and design.

SOFA:NEW YORK visitors will experience Ling’s creativity as soon as they step into the Armory. “You will immediately undertake a time-machine-like procession,” said the architect/designer. “This procession will lead visitors from the stately, Victoria-era foyer of the Armory through a long, narrow tunnel, tantalizing them with the prospect of an unknown but exciting journey.” The destination: The Armory’s exhibition hall, modernized by Ling’s cutting-edge design, which will hover above the exhibition stands of the 55 participating  international art galleries.

“Floating high over the exhibitions will be a huge cube of light, out of which smaller blocks of light explode, traveling to all points within the hall like newly formed stars,” said Ling. “I based the concept on the Big Bang Theory. There’s nothing more exciting in the history of the universe than the Big Bang, so I thought why not use it as an inspiration for a modernist constellation to light this year’s SOFA: NEW YORK.  And with its universe of offerings,” added Ling, “I thought my concept was a fitting one.”

Of the architect’s attention-grabbing design, SOFA:NEW YORK Director Donna Davies, says, “We are thrilled with Mr. Ling’s bold scheme to integrate up-to-the-minute art within the Armory’s historical 19th-century architecture, especially since it so expressively spans the range of offerings displayed by the exhibitors —one that is better presented than ever.”

Ling also designed an inventive new exhibition layout for the 50 art gallery dealers.

“Mr. Ling’s innovative floor-plan demonstrates how the fair is always evolving through fresh thought,” said Douglas Heller of New York’s Heller Gallery, a participant  since its inception in 1993. “To remain relevant in the arts, dealers must constantly reinvent, and SOFA:New York is always right in step with them through the presentation of the exhibitions.”

Heller Gallery is demonstrating its enthusiasm for this year’s edition by expanding its exhibition space. “Our belief is that that this year’s milestone is just as much a celebration of an illustrious past as it is an assured expression of the show’s future, and that future is epitomized by this year’s design by Mr. Ling,” said Heller.

In 1992, David Ling, a former associate with Richard Meier, I.M. Pei, and Emilio Ambasz, established David Ling Architects, an internationally recognized practice that has completed projects all around the United States, Europe and Asia. “The artistic integration of space, form, light and function: each enriched by materiality”—that is how Ling describes the essence of his award-winning designs for exhibitions, high-end retail stores, offices and residences. SOFA NEW YORK 2012, venue for Ling’s latest work, will open April 20 and run through April 23 at New York City’s Park Avenue Armory, Park Avenue at 67th Street.

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ADDITIONAL IMAGE OF NOTE


Floating blocks Courtyard, architectural rendering by David Ling
Floating blocks Courtyard, architectural rendering by David Ling

Communists object to razing ‘Lenin’ bathhouse

A statue of Lenin still stands in front of the Finlyandsky Rail Terminal in St. Petersburg, Russia. Image courtesy Wikipedia Commons.
A statue of Lenin still stands in front of the Finlyandsky Rail Terminal in St. Petersburg, Russia. Image courtesy Wikipedia Commons.
A statue of Lenin still stands in front of the Finlyandsky Rail Terminal in St. Petersburg, Russia. Image courtesy Wikipedia Commons.

ST. PETERSBURG, Russia (AFP) – Communists mourned Tuesday as developers moved in to demolish a bathhouse in which Lenin is said to have frequented.

The Communists of Petersburg and the Leningrad Region called for an investigation after developers bulldozed the 19th-century Udelniye bathhouse where the Bolshevik leader soaped up on the eve of the 1917 revolution.

“The building of the public baths dating from 1834 was demolished without any discussions, even despite a veto from the previous governor,” complained Sergei Malinkovich of the Communists of Petersburg and the Leningrad region.

“Vladimir Ilyich Lenin washed here just before going to Finland in August 1917,” he told AFP, calling the building “historic.”

The leader of the Communist group, which is not part of the official Russian Communist party, said they would appeal to the regional governor over the demolition.

Lenin fled Russia for exile in Finland, returning in triumph months later after Bolsheviks seized the Winter Palace in a virtually bloodless revolution.

The city was renamed Leningrad after his death.

Local television showed an excavator reducing the brick building to a pile of rubble.

Many Russians regularly attend public baths, or banyas, where people roast themselves in piping hot steam rooms and flog each other with birch twigs to open up pores and cleanse the skin.

Former regional governor Valentina Matviyenko, now speaker of the Russian Senate, said two years ago that the building would be closed for reconstruction but vowed it would not be demolished.

“With all respect for Vladimir Ilyich Lenin washing there, this bathhouse dates back to 1834,” she told local television, saying the building was in a dangerous condition.


ADDITIONAL IMAGE OF NOTE


A statue of Lenin still stands in front of the Finlyandsky Rail Terminal in St. Petersburg, Russia. Image courtesy Wikipedia Commons.
A statue of Lenin still stands in front of the Finlyandsky Rail Terminal in St. Petersburg, Russia. Image courtesy Wikipedia Commons.

Renovation of Rock of Hall of Fame nearly complete

The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Image courtesy Wikimedia Commons.
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Image courtesy Wikimedia Commons.
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Image courtesy Wikimedia Commons.

CLEVELAND (AP) – The Rock and Roll Hall of Fame and Museum in Cleveland has nearly finished its multimillion-dollar renovation project, a month ahead of this year’s induction ceremony.

The carpet, signs and entry leading to the Hall of Fame are now red, a change from the former white exterior that some visitors previously overlooked. The institution’s president, Terry Stewart, tells The Plain Dealer that exhibits have been realigned more chronologically. There are also new interactive displays.

All that remains to be added are some new signs and a film in the Rolling Stones exhibit.

The rock hall aimed to finish the nearly $7 million redesign before the April 14 induction ceremony at Cleveland’s Public Auditorium. The inductees include Guns N’ Roses, the Beastie Boys and the Red Hot Chili Peppers.

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Information from: The Plain Dealer, http://www.cleveland.com

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-03-12-12 0500GMT


ADDITIONAL IMAGE OF NOTE


The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Image courtesy Wikimedia Commons.
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Image courtesy Wikimedia Commons.

Connoisseur accused of passing counterfeit wines

A genuine bottle of 1994 Chateau Margaux, Premier Grand Cru Classe, a highly desirable First Growth from the Bordeaux region of France. Image licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
A genuine bottle of 1994 Chateau Margaux, Premier Grand Cru Classe, a highly desirable First Growth from the Bordeaux region of France. Image licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
A genuine bottle of 1994 Chateau Margaux, Premier Grand Cru Classe, a highly desirable First Growth from the Bordeaux region of France. Image licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

NEW YORK (AP) – An Indonesian millionaire who was once known as one of the world’s up-and-coming collectors and dealers of rare wines was arrested Thursday and accused of trying to trick other wealthy buyers with more than $1.3 million worth of counterfeit bottles.

Rudy Kurniawan, 35, was arrested in Los Angeles, where he has lived in luxury for years despite a longstanding deportation order, U.S. prosecutors said. He is charged in New York with repeatedly trying to sell sophisticated fakes of vintages that can trade for thousands of dollars per bottle.con

The criminal charges follow years of increasing suspicions about Kurniawan among top wine connoisseurs. Some of his wines were pulled from a sale in 2007 after an auction house declared them to be fakes. The billionaire entrepreneur and wine investor William Koch sued Kurniawan in 2009, claiming that several bottles he’d purchased from him were phony.

Federal prosecutors in New York accused Kurniawan of engaging in “multiple fraudulent schemes” related to his wine business, including trying to sell 84 bottles of counterfeit Domaine Ponsot wine at an auction in 2008 and 78 bottles of bogus Burgundy wine from Domaine de la Romanee-Conti at an auction last February.

Prosecutors said Kurniawan also fraudulently obtained millions of dollars in loans to finance his playboy lifestyle.

“Mr. Kurniawan’s days of wine and wealth are over,” the U.S. attorney for Manhattan, Preet Bharara, said in a statement.

One of Kurniawan’s lawyers, Henry Weissmann, didn’t immediately return a phone message Thursday.

In a 2006 profile in the Los Angeles Times, Kurniawan boasted of buying nearly $35 million in wine that year, sometimes dropping $75,000 on a single case, and he talked of his own skill at sniffing out forgeries.

Investigators said in court papers that Kurniawan made some simple mistakes that led to his discovery. One of those bottles of Domaine Ponsot he tried to sell at auction in 2008 was passed off as having been made in 1929, even though the winemaker didn’t begin estate bottling until 1934.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-03-09-12 0048GMT


ADDITIONAL IMAGE OF NOTE


A genuine bottle of 1994 Chateau Margaux, Premier Grand Cru Classe, a highly desirable First Growth from the Bordeaux region of France. Image licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
A genuine bottle of 1994 Chateau Margaux, Premier Grand Cru Classe, a highly desirable First Growth from the Bordeaux region of France. Image licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Impressionism exhibit makes lone US stop in Texas

Pierre-Auguste Renoir, 'A Box at the Theater (At the Concert),' 1880. Image courtesy Wikipaintings.org.
Pierre-Auguste Renoir, 'A Box at the Theater (At the Concert),' 1880. Image courtesy Wikipaintings.org.
Pierre-Auguste Renoir, ‘A Box at the Theater (At the Concert),’ 1880. Image courtesy Wikipaintings.org.

FORT WORTH, Texas (AP) – An oil painting by Pierre-Auguste Renoir depicting two elegantly dressed women sitting in a theater box—one woman’s head resting on her white-gloved hand, the other gazing down at a bouquet of red and pink flowers—is among the masterpieces by French impressionists in an exhibit making its only U.S. stop at a Fort Worth museum.

The work, A Box at the Theater (At the Concert), from 1880 is “a beautiful evocation of Paris, of Parisian life at that time,” said Richard Rand, senior curator of the Sterling and Francine Clark Art Institute in Williamstown, Mass., which has put 72 of its works on a worldwide tour after an expansion and renovation project limited the number of works it could display.

The show opens Sunday at the Kimbell Art Museum and also features works from Claude Monet, Camille Pissarro and Edgar Degas. But it is the 21 Renoirs that George T.M. Shackelford, deputy director of the Kimbell, calls the “great palpitating heart.”

“They have sent to us really quite magnificent works by Renoir,” Shackelford said.

Other works by Renoir range from self-portraits to dreamy scenes from a trip to Italy, including a view of Mount Vesuvius rising behind a scene of the Bay of Naples as well as a view of Venice’s shining waters.

“The Age of Impressionism: Great French Paintings from the Clark” runs through June 17 in Fort Worth. The tour, which started last year, will then continue on to London, Montreal and Japan.

The Clark collection was amassed by Sterling Clark, an heir to the Singer sewing machine fortune, and his wife. Sterling Clark, born in 1877 in New York City, moved to Paris in his early 1930s. He married Francine, a French actress, in 1919.

Rand said that much of the impressionists’ work reflect the life the Clarks enjoyed in Paris, which included taking walks along the grand boulevards and picnics in the picturesque city.

“They loved beautiful paintings of very high quality that they would like to live with—so, sunny landscapes and beautiful young women and wonderfully painted scenes of daily life in Paris,” said Rand, who added that the couple kept their Paris apartment even after moving to New York City.

Shackelford said impressionist paintings have maintained their popularity because of their heart-warming nature, the almost nostalgic quality of the scenes, the use of color and a viewer’s sense that they are seeing what the artist’s eye viewed.

“There’s a feeling that you’re there too,” he said.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-03-09-12 2357GMT


ADDITIONAL IMAGE OF NOTE


Pierre-Auguste Renoir, 'A Box at the Theater (At the Concert),' 1880. Image courtesy Wikipaintings.org.
Pierre-Auguste Renoir, ‘A Box at the Theater (At the Concert),’ 1880. Image courtesy Wikipaintings.org.

Oscar Howe’s artwork extends beyond the reservation

Oscar Howe (Yanktonais Sioux, 1915-1983) 'Man on White Horse.' Image courtesy LiveAuctioneers.com Archive and Cowan's Auctions Inc.
Oscar Howe (Yanktonais Sioux, 1915-1983) 'Man on White Horse.' Image courtesy LiveAuctioneers.com Archive and Cowan's Auctions Inc.
Oscar Howe (Yanktonais Sioux, 1915-1983) ‘Man on White Horse.’ Image courtesy LiveAuctioneers.com Archive and Cowan’s Auctions Inc.

SIOUX FALLS, S.D. (AP) – Once told his artwork did not fit the definitions of a traditional Native American painting, Yanktonai Indian artist Oscar Howe is credited with leading the way for other Native American artists to free themselves from the constraints of stereotypes.

Howe, born on the Crow Creek Indian Reservation in South Dakota in 1915, used his Dakota heritage in his artwork. In 1958, when Howe submitted a piece to a national competition for American Indian artists, he was told his piece was too much of a departure from the institution’s rules for style. Howe refuted the limited definition of style and led the way in forcing museums to expand their views and allow a greater range of Native American styles and expressions.

“In my mind, (Howe) was a very radical person because he really said Native American art is built on expression, and if your expression means you paint in a different style, you’re still Native American. He argued and advocated for that,” said Alison Erazmus, director of the University Art Galleries at the University of South Dakota.

USD hosts the Oscar Howe Collection, the largest single collection of works by Howe, who was a USD faculty member for 25 years.

A new exhibit at the South Dakota Art Museum in Brookings, “Oscar Howe and Native American Games,” showcases paintings from the USD collection as well as artwork from the Howe family and the South Dakota State Historical Society. The paintings illustrate tribal people playing traditional games and are paired with game pieces from the early 1900 from the South Dakota State Historical Society in Pierre.

The exhibit runs through May 20.

One Howe piece, Feathered Bone Game, Woskate Paslo Hanpi, shows Native Americans sliding a piece that looks like an arrow between two parallel lines. Accompanying the painting is an actual game piece measuring 3 feet in length. The piece was made from a wooden shaft with a cow or buffalo horn tip.

Three paintings illustrate a game in which men readied for hunting by using wands to represent the antlers of an elk. The game was played before the men would leave for the hunt, said John Rychtarik, curator for the South Dakota Art Museum.

“They would toss up the hoop and try to catch it on this wand and keep it until it hit the ground, and then the person was considered the winner,” he said. “It looks like it would be a very physical and sometimes dangerous game.”

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If You Go…

SOUTH DAKOTA ART MUSEUM: 936 Medary Ave., Brookings; http://www.sdstate.edu/southdakotaartmuseum or 605-688-5423. “Oscar Howe and Native American Games,” through May 20. Open Monday-Friday, 10 a.m.-5 p.m., Saturday-Sunday, 12 p.m.-4 p.m.

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Follow Kristi Eaton on twitter at http://twitter.com/kristieaton.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-03-11-12 1853GMT


ADDITIONAL IMAGE OF NOTE


Oscar Howe (Yanktonais Sioux, 1915-1983) 'Man on White Horse.' Image courtesy LiveAuctioneers.com Archive and Cowan's Auctions Inc.
Oscar Howe (Yanktonais Sioux, 1915-1983) ‘Man on White Horse.’ Image courtesy LiveAuctioneers.com Archive and Cowan’s Auctions Inc.

Swatch snowboard trophy art competition closes March 27

TTR (Ticket to Ride) World Snowboard Tour Trophy. Image courtesy of Swatch.
TTR (Ticket to Ride) World Snowboard Tour Trophy. Image courtesy of Swatch.
TTR (Ticket to Ride) World Snowboard Tour Trophy. Image courtesy of Swatch.

BIEL, Switzerland – The 3rd Swatch TTR Art Rules design competition attracts many designers from all around the globe. It offers artists the chance of a lifetime to have their artwork featured on the 2012/13 TTR [Ticket to Ride] Snowboard World Tour Trophy and matching Swatch Tour Watch.

More than 2,000 participants from 90 countries have already registered and submitted a variety of designs. They can be viewed at the online design gallery www.artrules.swatch.com.

The TTR Trophy, which was sculpted by renowned “Coarse” designer Mark Landwehr, acts as a blank canvas for artists to get creative. One lucky winner will have the honor of their design being part of snowboarding history.

It is still possible to submit artwork until March 27, 2012. For full details surrounding the contest and for instructions on how to submit a design, visit www.artrules.swatch.com.

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