Dino tracks lead to fantastic Mars rock in May 6 Chait auction

Skull of Ankylosaurid (“dragon”), Cretaceous, Maastrichtian stage, 15½ in. wide, 12 in. high overall, est. $30,000-$40,000. I.M. Chait image.
Skull of Ankylosaurid (“dragon”), Cretaceous, Maastrichtian stage, 15½ in. wide, 12 in. high overall, est. $30,000-$40,000. I.M. Chait image.

Skull of Ankylosaurid (“dragon”), Cretaceous, Maastrichtian stage, 15½ in. wide, 12 in. high overall, est. $30,000-$40,000. I.M. Chait image.

BEVERLY HILLS, Calif. – I.M. Chait’s industry-leading Natural History sales are a showcase for once-in-a-lifetime specimens, like the spectacular meteorite from Mars that headlines the company’s May 6 auction. Extraordinarily rare, the fist-size rock that landed in an African desert last July 18 probably took hundreds of millions of years to travel from Mars to earth.

It is known as the Tissint Meteorite – a reference to the name of the Moroccan town nearest to where nomads in the Oued Drâa valley found the fusion-crusted stone after it made its dramatic landing. According to eyewitnesses, a yellow fireball streaked across the sky, turned a bright green color, then split into two parts as two loud sonic booms were emitted. Experts would later determine – amid much excitement – that the specimens found near Tissint had originated on Mars.

“Less than 0.1% of all known meteorites are recorded as Martian in origin, and since this was the first Martian meteorite fall to be observed since 1962, it is most likely the only such fall that will be observed in most current earth inhabitants’ lifetimes,” said Chait’s natural history director, Jake Chait.

The entire Tissint fall is thought to comprise little more than 10kg (approx. 22 lbs.) of material. London’s Natural History Museum holds a Tissint specimen weighing 1.1kg (approx. 2.4 lbs.) and considers it the most important meteorite of the last 100 years.

One quality that makes the Tissint Meteorite so significant is its freshness. Unlike meteorites that lay undiscovered for years – in some cases, thousands of years – it has not been contaminated by the earth’s soil, water or bacteria, and therefore is a very fresh and valuable resource for the study of its home planet’s geology. Tiny air bubbles trapped in the rock may even provide insight as to the atmosphere of the Red Planet. A truly superb specimen that weighs in at 10.5 oz. (298 grams), the Tissint Meteorite is expected to make $200,000-$300,000 at auction.

During the prehistoric period that the Tissint Meteor(ite) is likely to have departed Mars, the earth was inhabited by early dinosaurs and other exotic reptiles. Now animal and mineral specimens of that fascinating era will come together on the same planet in the same place, at I.M. Chait’s May 6 auction.

One of the sale’s top zoological lots is the skull of a baby (10-12 years old) triceratops found at the Hell Creek Formation in Montana, a site that produced many highly important fossils. The triceratops skull is one of very few of its type in existence. Its consignor acquired the specimen from the person who actually excavated it from the Hell Creek field. It will be offered with a $60,000-$80,000 estimate.

A jointed leg from a fearsome Tarbosaurus bataar (Tyrannosaurus) is more than 6½ feet tall and is presented on a custom metal armature. The leg dates to the end of the Cretaceous period, approximately 70 to 65 million years ago, and is in an exemplary state of preservation, from its warmly patinated surface to its wickedly curving, well-delineated claws. It could make $20,000-$25,000 on auction day.

Appropriately for the Year of the Dragon, I.M. Chait will auction a fossilized skull of a creature now known as an Ankylosaurid but originally thought to have been a dragon – and it’s easy to see why people of ancient times might have thought as such. The long snout, large spikes and cranial protrusions on the broad, flat-topped skull certainly suggest a dragon-like physiognomy. Very few Ankylosaurid remains have ever been found, more than warranting a $30,000-$40,000 presale estimate.

A fine and complete dinosaur skeleton measuring 39 inches long would be the ultimate prize on any CEO’s desk. The specimen is a remarkably well-preserved, fully articulated skeleton of a Psittacosaurus, a primitive member of the Ceratopsia, or horned dinosaurs. In a forward-crouching mode, this beautifully presented skeleton has a large parrot-beaked skull with distinctive jaws that once grabbed and shredded leaves with ease. It has a presale expectation of $10,000-$12,000.

In addition to their bones, dinosaurs left behind other evidence that they existed, like fossilized dung known in geological terms as “coprolites.” Two consecutive lots of coprolite fossils, cross cut and polished to reveal its inner coloration, are cataloged in the sale. A hefty 8-¼-inch wide multicolored specimen from the Morrison Formation in Utah is estimated at $800-$1,000; while a group lot of five coprolites, quite likely from ancient turtles, carries a $2,500-$3,500 estimate. Such specimens are very popular with collectors and always garner media interest. “Even the Wall Street Journal featured a coprolite from one of our past auctions on its front page,” said Jake Chait.

Dinosaur eggs of various types and species also will be available, ranging in size from 3 to 4 inches in diameter all the way to 16 inches for an Asiatic Gigantaraptor egg. The latter is estimated at $3,000-$4,000.

Chait’s sale includes the only fossil of an Indarctos zdanskyi (predecessor to the panda) ever to be offered at auction. “There may be one in a museum somewhere, but if so, its existence is not commonly known,” said Chait. “We don’t even know of a private collection that contains an Indarctos zdanskyi.”

The 16-inch-long “panda” skull is around 2 million years old. Like the “dragon” in the auction, it was found in central Asia. Mounted with jaws agape, the skull displays outstanding three-dimensionality, fine bone texture and coloration. Estimate: $65,000-$80,000.

A number of insects and taxidermied animals will be auctioned. Of particular note is a pair of large mosquitoes captured in amber resin while in the act of mating. Described in Chait’s catalog as “a perfect snapshot of prehistoric life,” the 2¼-inch-long golden-orange specimen of Baltic origin could realize $500-$700.

The Archaeological and Tribal Artifacts section of the sale includes an authenticated Egytian mummified human hand with a considerable amount of cloth wrapping still intact. It is at least 2,000 years old, putting it somewhere between the New Kingdom and Ptolemaic Eras. Estimate: $5,000-$6,000.

Other lots of interest include an attractive glass-encased display containing both hair and a tusk section from a Mammathus primigenius (woolly mammoth elephant), $1,200-$2,500); group lots of ancient arrow and spear points from North Africa, certified gemstones, and many other mineral specimens – from earth and beyond.

I.M. Chait’s Sunday, May 6 Important Natural History auction will commence at 11 a.m. Pacific Time at the company’s gallery located at 9330 Civic Center Dr., Beverly Hills, CA 90210. For additional information, call 1-800-775-5020 or 310-285-0182; or e-mail joey@chait.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Skull of Ankylosaurid (“dragon”), Cretaceous, Maastrichtian stage, 15½ in. wide, 12 in. high overall, est. $30,000-$40,000. I.M. Chait image.
 

Skull of Ankylosaurid (“dragon”), Cretaceous, Maastrichtian stage, 15½ in. wide, 12 in. high overall, est. $30,000-$40,000. I.M. Chait image.

Tissint Martian meteorite that fell to earth July 18, 2011; believed to have solidified from lava 400-500 million years ago, extraordinarily rare, est. $200,000-$300,000. I.M. Chait image.

Tissint Martian meteorite that fell to earth July 18, 2011; believed to have solidified from lava 400-500 million years ago, extraordinarily rare, est. $200,000-$300,000. I.M. Chait image.

Authentic Egyptian mummy hand at least 2,000 years old (between New Kingdom and Ptolemaic Eras), estimate: $5,000-$6,000. I.M. Chait image.

Authentic Egyptian mummy hand at least 2,000 years old (between New Kingdom and Ptolemaic Eras), estimate: $5,000-$6,000. I.M. Chait image.

Mating mosquite pair captured in amber, Upper Oligocene Epoch/Paleogene Period, est. $500-$700. I.M. Chait image.

Mating mosquite pair captured in amber, Upper Oligocene Epoch/Paleogene Period, est. $500-$700. I.M. Chait image.

Skull of Indarctos zdanskyi, predecessor to panda bear, approximately 5 million years old, est. $65,000-$80,000. I.M. Chait image.

Skull of Indarctos zdanskyi, predecessor to panda bear, approximately 5 million years old, est. $65,000-$80,000. I.M. Chait image.

Sliced coprolite fossil from Sauropod, Jurassic, Tithonian stage, from Morrison Formation in Utah, est. $800-$1,000. I.M. Chait image.

Sliced coprolite fossil from Sauropod, Jurassic, Tithonian stage, from Morrison Formation in Utah, est. $800-$1,000. I.M. Chait image.

Fine and complete dinosaur skeleton, Psittacosaurus sp., Cretaceous, Central Asia, 39 in. long, est. $10,000-$12,000. I.M. Chait image.

Fine and complete dinosaur skeleton, Psittacosaurus sp., Cretaceous, Central Asia, 39 in. long, est. $10,000-$12,000. I.M. Chait image.

Leg from Tarbosaurus bataar (relative to the Tyrannosaurus), approx. 70 to 65 million years old, 79¾ in. long, est. $20,000-$25,000. I.M. Chait image.

Leg from Tarbosaurus bataar (relative to the Tyrannosaurus), approx. 70 to 65 million years old, 79¾ in. long, est. $20,000-$25,000. I.M. Chait image.

Baby Triceratops prorsus skull – “Samantha” – approx. 68-65 million years old, found at Hell Creek Formation, Montana; skull measuring 36 in. long, 22 in. wide, est. $60,000-$80,000. I.M. Chait image.

Baby Triceratops prorsus skull – “Samantha” – approx. 68-65 million years old, found at Hell Creek Formation, Montana; skull measuring 36 in. long, 22 in. wide, est. $60,000-$80,000. I.M. Chait image.

Mosby & Co. to auction rare early posters, artworks Apr. 28

1899 original Alphonse Mucha poster of Sarah Bernhardt in La Tosca, untouched condition. Mosby & Co. image.

1899 original Alphonse Mucha poster of Sarah Bernhardt in La Tosca, untouched condition. Mosby & Co. image.

1899 original Alphonse Mucha poster of Sarah Bernhardt in La Tosca, untouched condition. Mosby & Co. image.

FREDERICK, Md. – Ask any regular who attends auctions conducted by Mosby & Co., and they’ll tell you what the Maryland-based company is best known for: everything. Owner Keith Spurgeon makes a point of personally selecting only the most interesting, best-quality pieces from dozens of collecting categories for his well-attended sales.

Spurgeon’s April 28 Spring Antiques Auction, which will be held at the Mosby & Co. gallery in the Washington suburb of Frederick, Md., features 550 lots that range from sculptures, clocks and an old collection of Chinese soapstone to toys, historic Americana and a spectacular assortment of 19th- and early 20th-century posters. Internet live bidding will be available through LiveAuctioneers.com.

The approximately 100 pieces of soapstone, to be apportioned into 30 lots, are from a single-owner collection that was started 60 years ago. “It’s a completely unpicked collection. It hasn’t been touched in 30 years,” said Spurgeon, who regards the contents as a buying opportunity for dealers or those who may be seeking a way to get into the Asian art market.

Sculptures from multiple consignors represent both European and American artists. Among them are three Frank Polk Western bronzes, including one of a cowboy and horse titled “Two Old Timers.” A bronze depicting a male archer is signed “Schwatenberg, Germany,” likely referring to Spiro Schwatenberg (1898-1922). Another noteworthy sculpture was created from wood by the Lithuanian artist Romas Kvintas.

The auction features several paintings and prints by listed artists, including a late 18th-century French religious genre painting of the Holy Family and John the Baptist; and a Dutch oil on canvas depicting a man praying before a meal. A small collection of mantel and wall clocks, mostly American in origin, are entered in the sale, as are a dozen pieces of fine porcelain, including a large Rosenthal nude with horse.

Around 110 lots are reserved for toys. The lineup includes Easter Parade toys (new/old stock), a turn of the 20th-century Buster Brown and Tige cast-iron pull toy by Watrous, a near-mint/boxed Popeye Express with circling airplane, and an Effanbee Charlie McCarthy ventriloquist doll that is part of a small collection of McCarthy toys, including automotive types. Also in the mix are a Lionel 2271 train set with GG1 locomotive, and a collection of Punch and Judy toys, books, inkwells and cap guns, including an American-made figural example by Ives. A collection of toys simulating insects includes examples from as early as the 1890s.

A full set of 12 carved wood folk art figures, probably from the 1970s, portrays the cast of characters from the Popeye cartoons. They include some of the more offbeat characters, such as Sea Hag, Alice the Goon, and The Three Birds, with the largest figure standing 89 inches tall.

More than 50 original animation cels will be offered. Most originated at Warner Bros. Studios, and some date to the 1940s.

The highlight section of the sale is the posters. Among the top lots is an untouched 1899 Alphonse Mucha poster of Sarah Bernhardt in La Tosca. The consignor, a Hollywood producer, purchased the poster in Paris in the 1950s and has owned it ever since.

A complete set of Richard Avedon Beatles posters published in 1967 by the German magazine Stern will be offered as one lot. Each of the now-famous, vibrantly hued psychedelic posters measures 19 x 27 inches.

A tremendous variety of posters will be auctioned: circa-1890 Buffalo Bill Wild West Show promos from the showman’s French tour, a circa-1895 La Marque Georges Richard poster with artwork by “PAL” of both a bicycle and early auto, and many others with a circus, magic or transportation theme. An 1896 two-sheet panoramic published by Strobridge for Barnum & Bailey is a scrupulously detailed and colorful depiction advertising a traveling Indian village whose home life and occupations are “revealed to Christian eyes in living groups of strange and curious people.”

Among the best of the magic posters is an 1870s three-sheet that came from a Florida collection. The woodblock print advertising Samri S. Baldwin, a k a “The White Mahatma,” measures 81 x 42 inches.

Lithographed by Friedlander, a 1910 Wheel of Death motorbike-racing poster presents a bizarre scene of a skeleton holding a wood-slatted velodrome with three riders going full throttle around its inner sides.

The sale also includes a large selection of black Americana, including slave collars and shackles; a 19th-century faro gambling set, complete with a Moore’s patented Derringer; and a Virginia Confederate ballot for the election of Jefferson Davis. An Indy 500 “Pacemaker” medallion awarded to driver Paul Russo will be auctioned, as well. These medallions are presented exclusively to drivers who have led laps at the famous car race, and it is known that Russo qualified for the award both in 1956 and ’57.

Mosby & Co.’s Spring Antiques Auction will be held on Saturday, April 28, 2012 commencing at 10 a.m. Eastern Time at the company’s gallery at 5714-A Industry Lane, Frederick, MD 21704. For additional information, call 240-629-8139 or e-mail keith@mosbyauctions.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet through www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


1899 original Alphonse Mucha poster of Sarah Bernhardt in La Tosca, untouched condition. Mosby & Co. image.
 

1899 original Alphonse Mucha poster of Sarah Bernhardt in La Tosca, untouched condition. Mosby & Co. image.

Circa-1895 linen mounted poster for La Marque Georges Richard Automobiles and Bicycles, 58 x 42 inches. Mosby & Co. image.

Circa-1895 linen mounted poster for La Marque Georges Richard Automobiles and Bicycles, 58 x 42 inches. Mosby & Co. image.

Circa-1910 linen mounted poster of skeleton holding ‘Wheel of Death’ velodrome with three riders on early motorbikes, printed by Adolph Friedlander for English market, 37½ x 28 inches. Mosby & Co. image.

Circa-1910 linen mounted poster of skeleton holding ‘Wheel of Death’ velodrome with three riders on early motorbikes, printed by Adolph Friedlander for English market, 37½ x 28 inches. Mosby & Co. image.

Cast-iron Buster Brown and Tige pull toy by Watrous (American). Mosby & Co. image.

Cast-iron Buster Brown and Tige pull toy by Watrous (American). Mosby & Co. image.

Eighteenth-century Continental painting, possibly Dutch. Mosby & Co. image.

Eighteenth-century Continental painting, possibly Dutch. Mosby & Co. image.

‘Two Old Timers,’ Western bronze by Frank Polk, one of eight bronzes in the sale. Mosby & Co. image.

‘Two Old Timers,’ Western bronze by Frank Polk, one of eight bronzes in the sale. Mosby & Co. image.

Cased circa-1870 faro set, includes engraved Moore’s patent Derringer. Mosby & Co. image.

Cased circa-1870 faro set, includes engraved Moore’s patent Derringer. Mosby & Co. image.

Indy 500 ‘Pacemaker’ medallion presented to racecar driver Paul Russo, 1956 or 1957. Mosby & Co. image.

Indy 500 ‘Pacemaker’ medallion presented to racecar driver Paul Russo, 1956 or 1957. Mosby & Co. image.

Complete set of Richard Avedon Beatles photo posters originally issued by German magazine Stern in 1967. Mosby & Co. image.

Complete set of Richard Avedon Beatles photo posters originally issued by German magazine Stern in 1967. Mosby & Co. image.

1896 Barnum & Bailey poster advertising their ‘Indian Village’ attraction. Mosby & Co. image.

1896 Barnum & Bailey poster advertising their ‘Indian Village’ attraction. Mosby & Co. image.

Demers Auctions to sell fine art, advertising Apr. 21

French porcelain advertising sign. Image courtesy Demers Auctions.
French porcelain advertising sign. Image courtesy Demers Auctions.

French porcelain advertising sign. Image courtesy Demers Auctions.

HOLLISTON, Mass. – Steven Demers, president of Demers Auctions, will sell several Old Master paintings at his Spring Auction to be held on Saturday, April 21 at 2 p.m. Eastern. The auction and will be featured on Liveauctioneers.com and will include live Internet, absentee and limited telephone bidding.

Among the Old Master paintings included in the sale is a 16th century oil on panel painting attributed to Jan I Brueghel of figures and animals on a path in a vast landscape. Other highlights in the art department include works by Jules Pascin, Orientalist Charles Wida, Jean Pougny, Jules R. Herve, an etching by Henri Matisse and a litho by Georges Braque, as well as French, Italian, Russian and American School oils.

The vintage advertising portion of the sale is a single collector grouping of highly desirable porcelain enameled French bistro-style trade signs. The collection also includes many rare counter display chalkware items.

Highlighting the furniture category is an American Renaissance Revival gueridon with a game top attributed to Kilian Brothers. For the mid-century fans are a pair of Jens Risom armchairs from the Rison Studios, New York, circa 1950, and a Man Ray Les Grand Trans Parents mirror by Simon International 1971.

Preview for the event will be by appointment only at Demers’ warehouse located in Ashland Mass. To arrange viewing call the gallery: 508-245-9186.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


French porcelain advertising sign. Image courtesy Demers Auctions.

French porcelain advertising sign. Image courtesy Demers Auctions.

Old Master attributed to Brueghel. Image courtesy Demers Auctions.

Old Master attributed to Brueghel. Image courtesy Demers Auctions.

Jules Rene Herve painting. Image courtesy Demers Auctions.

Jules Rene Herve painting. Image courtesy Demers Auctions.

Carved French trade sign. Image courtesy Demers Auctions.
 

Carved French trade sign. Image courtesy Demers Auctions.

Eugene Isabey oil on canvas. Image courtesy Demers Auctions.

Eugene Isabey oil on canvas. Image courtesy Demers Auctions.

Renaissance Revival gueridon attributed to Kilian. Image courtesy Demers Auctions.

Renaissance Revival gueridon attributed to Kilian. Image courtesy Demers Auctions.

Estates, collections combined at Pook & Pook, Apr. 20-21

One of the fine pieces of decorated stoneware from a Pennsylvania collector, this Cowden and Wilcox piece carries the rare design of a dog holding a basket. Estimate: $25,000-$35,000. Image courtesy Pook & Pook Inc.
One of the fine pieces of decorated stoneware from a Pennsylvania collector, this Cowden and Wilcox piece carries the rare design of a dog holding a basket. Estimate: $25,000-$35,000. Image courtesy Pook & Pook Inc.
One of the fine pieces of decorated stoneware from a Pennsylvania collector, this Cowden and Wilcox piece carries the rare design of a dog holding a basket. Estimate: $25,000-$35,000. Image courtesy Pook & Pook Inc.

DOWNINGTOWN, Pa. – The spring auction season will open up at Pook & Pook Inc. with a two-day sale, April 20 and 21. This 1,200-lot auction will showcase items from a number of estates and collections, beginning at 4 p.m. Eastern on Friday for the first 500 lots and continuing on Saturday at 9 a.m. for the second session. LiveAuctioneers.com will provide Internet live bidding.

The Friday evening selection includes items for the Margaret Schiffer of West Chester, Pa., the estate of Virginia Whitely Thornton of York, Pa., the Heritage Center of Lancaster, Pa., and a southeastern Pennsylvania collection. The Saturday session will include the estates of Stuart J. Horn III of Wilmington, Carol Schoettle of Haverford and the collection of Charlene Sussel. Saturday will end with the collection of Mr. & Mrs. George Wolfe, which is highlighted by one of the premier American pewter collections in the country.

One of the furniture highlights is an excellent set of eight five-slat ladderback dining chairs from the Delaware Valley, Pennsylvania. In their original finish, the chairs have an $8,000-$12,000 estimate.

A desirable piece from the Schiffer Collection is a Philadelphia William & Mary walnut gateleg table. This early table, circa 1700, carries a brass plaque inscribed “George Deeble married 4-17-1669 to Dorothea Thorne.” It has a $10,000-$20,000 estimate.

A Pennsylvania tall-case clock from the Thornton estate is one of the highlights of the sale. The case has a detailed bonnet with carved flame finials, rosettes and central sunflower surrounded by c-scrolls and flowerets. The eight-day brass face works are signed “John Scott Conochochague.” It is pictured in James’ Pennsylvania Clockmakers, Watchmakers and Allied Crafts, figure 25, 26. It is expected to sell for $30,000-$50,000.

A garden fountain decorated in relief with turtles, frogs and lily pads was manufactured by J.W. Fiske & Co. of New York City. Fiske was the most prominent American manufacturer of decorated cast iron and cast zinc in the second half of the 19th century. The fountain has a $4,000-$6,000 estimate.

A Pennsylvania historical society has consigned of 38 stove plates, which have been deaccessioned. These plates were manufactured by a number of southeastern Pennsylvania furnaces.

A Feraghan carpet, circa 1910, from the Thornton estate measures 20 feet by 13 feet 5 inches. It has a &15,000-$18,000 estimate.

One of two fanciful illustrations by Irish artist Harry Clarke, who specialized in book illustrations and stained glass windows has a $10,000-$15,000 estimate.

Asian antiques include a massive Chinese ivory tusk, carved with a procession of warriors and dignitaries. It carries a $20,000-$30,000 estimate.

A vibrant set of six Pennsylvania chairs from the Wolfe collection is expected to raise $4,000-$7,000.

For more information go to www.pookandpook.com or call 610-269-4040.

View the fully illustrated catalogs and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Micah Williams was one of New Jersey’s most distinctive painters of naïve portraits in pastel on paper in the early 19th century. This a vibrant example of his work comes from the collection of Margaret Schiffer. Estimate: $20,000-$30,000. Image courtesy Pook & Pook Inc.
Micah Williams was one of New Jersey’s most distinctive painters of naïve portraits in pastel on paper in the early 19th century. This a vibrant example of his work comes from the collection of Margaret Schiffer. Estimate: $20,000-$30,000. Image courtesy Pook & Pook Inc.
This form of furniture with its removable Spanish feet is unique to the Octorara Valley in Chester County, Pa. It was constructed of walnut in the mid-18th century. Estimate: $8,000-$10,000. Image courtesy Pook & Pook Inc.
This form of furniture with its removable Spanish feet is unique to the Octorara Valley in Chester County, Pa. It was constructed of walnut in the mid-18th century. Estimate: $8,000-$10,000. Image courtesy Pook & Pook Inc.
This Pennsylvania tall-case clock from the Thornton estate is one of the highlights of the sale. Estimate: $30,000-$50,000. Image courtesy Pook & Pook Inc.
This Pennsylvania tall-case clock from the Thornton estate is one of the highlights of the sale. Estimate: $30,000-$50,000. Image courtesy Pook & Pook Inc.
A rare pair of Philadelphia Queen Anne walnut footstools, circa 1735. This is likely the only pair currently in private hands. Estimate: $50,000-$100,000. Image courtesy Pook & Pook Inc.
A rare pair of Philadelphia Queen Anne walnut footstools, circa 1735. This is likely the only pair currently in private hands. Estimate: $50,000-$100,000. Image courtesy Pook & Pook Inc.
These French walnut ship’s quarter gallery figures are from the Cigna Firefighting and Maritime collection from the Smithsonian Museum of American History. Estimate: $30,000-$50,000. Image courtesy Pook & Pook Inc.
These French walnut ship’s quarter gallery figures are from the Cigna Firefighting and Maritime collection from the Smithsonian Museum of American History. Estimate: $30,000-$50,000. Image courtesy Pook & Pook Inc.
A beautiful Bethlehem star album quilt with applique and trappunto designs. Estimate: $5,000-$10,000. Image courtesy Pook & Pook Inc.
A beautiful Bethlehem star album quilt with applique and trappunto designs. Estimate: $5,000-$10,000. Image courtesy Pook & Pook Inc.
Lancaster sugar bowl by Johann Christoph Heyne. Estimate: $20,000-$40,000. Image courtesy Pook & Pook Inc.
Lancaster sugar bowl by Johann Christoph Heyne. Estimate: $20,000-$40,000. Image courtesy Pook & Pook Inc.

Los Angeles looks to revive mythic past with streetcars

Vintage Pacific Electric Railway 'Business Car.' Image courtesy Wikimedia Commons.

Vintage Pacific Electric Railway 'Business Car.' Image courtesy Wikimedia Commons.
Vintage Pacific Electric Railway ‘Business Car.’ Image courtesy Wikimedia Commons.
LOS ANGELES (AP) – Half a century after the last of the lost Pacific Electric Red Cars rumbled through Los Angeles, a move has begun to return streetcars to downtown LA.

With a route chosen by the city and an environmental review begun, the proposed four-mile Broadway-to-Figueroa loop is a modest project compared to the region’s subway extensions and freeway expansions, but would provide a link between the key spots of the downtown renaissance and a symbolic link with the city’s mythologized past.

Los Angeles once had a thousand miles of streetcar tracks.

Along them ran the Yellow Car Line and the more famed Red Cars, and since they gave way to freeways in the early 1960s they’ve become a symbol of the city’s lost intimacy and identity, celebrated by politicians looking to restore transit glory and by films like Who Framed Roger Rabbit?

While the streetcars of memory are invoked often—the city’s soon-to-open Expo light rail line has Red Car tickets etched into the concrete at its final stop and city leaders on a recent test run shared memories of riding it—the proposed downtown project would be a far more direct restoration, starting with the route itself.

“Virtually every bit of this alignment is on streets that have historically had Red or Yellow car lines,” said Robin Blair, director of planning for the Metropolitan Transit Authority.

While boosters are quick to point out that the new cars would be thoroughly modern, sleek and environmentally sound, nostalgia is their biggest emotional selling point.

“Everyone has a story about themselves or their parents or somebody riding these streetcars,” said City Councilman Jose Huizar, whose 2008 “Bringing Back Broadway” plan started the push.

Broadway was once the busiest and brightest street in the center of the city, then for decades became a symbol of downtown’s decay.

Huizar’s $36.5-million plan has sought to revive the movie theaters and nightspots that have sat in disrepair.

It appears to be working, and the streetcar line could make its restoration complete.

“It’s a beautiful corridor,” Huizar said. “It’s located in a perfect spot.”

The Ace Hotel, a hot hangout for the young and hip in Portland, Palm Springs and New York, shocked many city watchers in December when, for its LA location, it passed up more gentrified neighborhoods for a seedy stretch of Broadway. The hotel will make its home in the United Artists Theater and the office building above it.

The Ace will join other fashionable spots like the Los Angeles Brewery and Umamicatessen, where highbrow and lowbrow diners can get foie-gras doughnuts and french fries with pig brain aioli.

“It’s one of the bright parts of the region where people are actually still building stuff,” Blair said.

Similar streetcar systems can be found throughout Europe and in U.S. cities like Portland, Seattle and Pittsburgh, with a Washington, D.C. line set to open next year. And thanks to Tennessee Williams and Marlon Brando, they’re most associated with New Orleans and its “Streetcar Named Desire.”

Unlike the light rail more common in public transit, streetcars run low to the ground on shallow tracks with the regular flow of traffic.

Because there are few barriers and they mix so intimately with cars, bikes and pedestrians, they sometimes bring safety worries, but supporters say they are no more dangerous than buses, and if anything safer because they have predictable paths and stop patterns.

Portland’s streetcar has become a model for LA, and a visit there helped sell Huizar on the idea.

He was wary when he saw trains move so freely in traffic and come so close to the curb, but he was quickly won over when he stepped on and got a smooth ride in a packed car.

“It’s like a sidewalk escalator ride,” the councilman said, “and there weren’t a whole lot of seats.”

The proposed route would head south from First Street down Broadway, then turn around and head north past Staples Center and a possible National Football League stadium that remains in the planning and policy stages, before ending near the Museum of Contemporary Art.

“The idea when we set out on this was to connect every major destination point in downtown,” Huizar said.

Despite covering a short distance, the loop functions like a tour of every economic level of LA, from the Ritz-Carlton to Skid Row.

“Some of that line is highly dense, highly trafficked, and some of the route needs a good incentive for investors to come in,” said Paul Habibi, a professor of business at UCLA, who is acting as the project’s director.

The current environmental review is expected to take about a year, with groundbreaking projected for 2014 and completion for 2016.

The money, at a time when cities are fighting over every scrap, is the biggest potential stumbling block. Cost estimates have ranged from $110 million to $125 million.

Ten million dollars has already been raised through city sources. Of the remaining cost, supporters expect to get federal grants for half, but they must first pass a local tax on property owners near the route. It would require approval from two-thirds of some 7,000 registered voters.

Streetcar organizers know they’ll need to work to prove to merchants and landlords that they’ll get a decent return on the investment, and they hope they’ll have a stronger economy when the issue comes up for a vote in 2013.

“We’ve been doing our homework to talk to the property owners,” Huizar said. “The momentum’s there and we want to take advantage.”

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-08-12 1733GMT


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Vintage Pacific Electric Railway 'Business Car.' Image courtesy Wikimedia Commons.
Vintage Pacific Electric Railway ‘Business Car.’ Image courtesy Wikimedia Commons.

Future unclear for WTC sphere that survived 9/11 attack

The Sphere by German artist Fritz Koenig stands 25 feet high. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

The Sphere by German artist Fritz Koenig stands 25 feet high. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Sphere by German artist Fritz Koenig stands 25 feet high. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
NEW YORK (AP) – The future is uncertain for a 45,000-pound sphere sculpture that emerged largely intact from the rubble of the World Trade Center following the Sept. 11, 2001 terrorist attacks.

Officials are preparing to remove The Sphere by the end of the month from the Manhattan park where it’s been on display for a decade. The move will make way for a renovation.

Some victims’ family members have gathered thousands of signatures online to petition officials to incorporate the sculpture into the 9/11 memorial.

The Port Authority of New York and New Jersey owns the sculpture.

Port Authority spokesman Ron Marsico says Battery Park was never intended as the sculpture’s permanent home. The work may be stowed away in an airport hangar until a permanent site is found.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-06-12 2135GMT

 


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The Sphere by German artist Fritz Koenig stands 25 feet high. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Sphere by German artist Fritz Koenig stands 25 feet high. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

VIDEO: Dublin artist opens shredded billion-euro house to public

Dublin artist Frank Buckley in his apartment made from bricks of shredded, compressed euros. Image copyright AFP.

Dublin artist Frank Buckley in his apartment made from bricks of shredded, compressed euros. Image copyright AFP.
Dublin artist Frank Buckley in his apartment made from bricks of shredded, compressed euros. Image copyright AFP.
DUBLIN (AFP) – An artist is welcoming tourists to his Dublin home — made from 1.4 billion euros ($1.8 billion) of shredded bank notes –to stimulate debate about Ireland’s ailing economy, he told AFP on Monday.

Frank Buckley built the three-roomed apartment-cum-gallery over three months, from bricks made of mulched, decommissioned notes provided by Ireland’s Central Bank.

With the help of some donated timber and a door and a window given by a friend, the total cost to the struggling artist was just 35 euros, spent on wallpaper paste.

Buckley, who finished the construction in January, said he hoped opening his home would boost sales of the “cash-on-canvas” collages which hang on the walls as part of his exhibition, titled “Expressions of Recession.”

“I won’t be charging for entry but will look for donations and I will have about 80 of my paintings that people can buy,” he told AFP.

Many of Dublin’s residents can relate to the idea of a house that has swallowed up over a billion euros yet is worthless as a property, and Buckley says it has proved popular since his grand opening on Thursday.

Ireland’s once-proud ‘Celtic Tiger’ economy, famed for its double-digit growth for a decade from the mid-1990s, contracted sharply in recent years, hit by a property market meltdown, soaring state debt and high unemployment.

In November 2010, the International Monetary Fund and the European Union mounted a rescue for Ireland worth 85 billion euros as the nation was crippled by massive sovereign debts.

Buckley fell victim to the downturn himself, slipping into negative equity and having his car towed away by Irish authorities. “I have had a hectic few years to say the least,” he said.

His billion-euro home is built in what was an empty office building whose owner was hit by the property market collapse — which worked out well for the artist, if not the developer.

“The developer just completed it as the bubble burst,” said Buckley, who eventually plans to dismantle the gallery and take it on tour around Ireland and abroad. “I went to him and he was delighted to give it to me.”

“It is a curiosity,” said the artist, who uses a local gym to wash and the cafe next door to eat. “People swing by after visiting other tourist attractions.”

He added: “I am delighted this is creating a debate about money and currency — who gets it, who gives it, who makes it, what do they do with it.

“There are a lot of schools coming in and they are actually now doing projects around currency and the value of money, which is brilliant. Even if it closed down tomorrow, it has worked,” he said.

Click to view an AFP video interview with artist Fred Buckley at his apartment made of shredded Irish money.

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VIDEO:


Chinese artifacts worth $3.2M stolen from UK museum

Durham Castle has housed University College, Durham since 1840. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Durham Castle has housed University College, Durham since 1840. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Durham Castle has housed University College, Durham since 1840. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
LONDON (AP) – Two Chinese artifacts with an estimated combined value of 2 million pounds ($3.2 million) have been stolen from a British museum, authorities said Saturday.

Two men and a woman from the West Midlands area have been arrested in connection with the Thursday night theft at Durham University’s Oriental Museum, but the items had not yet been recovered, police said.

The northern England-based university confirmed that two “priceless” artifacts were stolen when thieves broke into a ground-floor gallery at the museum: a large jade bowl with a Chinese poem written inside that dates back to 1769, and a Dehua porcelain sculpture.

“We are extremely upset to have fallen victim to such a serious crime,” museum curator Craig Barclay said in a statement. “The two pieces are highly significant in that they are fine examples of artifacts from the Qing Dynasty.”

Police said they were still trying to locate “several outstanding suspects.” The museum will be closed until further notice, the university said.

The university said police and security guards were alerted immediately by alarms, but declined to comment further on its security systems.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-07-12 1816GMT


ADDITIONAL IMAGE OF NOTE


Durham Castle has housed University College, Durham since 1840. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Durham Castle has housed University College, Durham since 1840. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Judge: St. Louis Art Museum can keep mummy mask

Ka-Nefer-Nefer was discovered in 1952 in a tomb buried above the Step Pyramid of Djoser in the Saggara necropolis. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Ka-Nefer-Nefer was discovered in 1952  in a tomb buried above the Step Pyramid of Djoser in the Saggara necropolis. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Ka-Nefer-Nefer was discovered in 1952 in a tomb buried above the Step Pyramid of Djoser in the Saggara necropolis. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
ST. LOUIS (AP) – A 3,200-year-old Egyptian mummy’s mask can stay at a U.S. museum, a federal judge has ruled, saying the U.S. government failed to prove that the relic was ever stolen.

Prosecutors said the funeral mask of Lady Ka-Nefer-Nefer went missing from the Egyptian Museum in Cairo about 40 years ago and that it should be returned to Egypt. The St. Louis Art Museum said it researched the mask and legitimately bought it in 1998 from a New York art dealer.

U.S. District Judge Henry Autry in St. Louis sided with the museum.

The U.S. government “does not provide a factual statement of theft, smuggling or clandestine importation,” Autry wrote in the March 31 ruling.

A message left with Egypt’s Supreme Council of Antiquities was not returned.

The funeral mask was excavated from one of the Saqqara pyramids, just south of Cairo, in 1952. Ka-Nefer-Nefer was a noblewoman who lived from 1295 B.C. to 1186 B.C.

U.S. government investigators suspect the mask was stolen sometime between 1966, when it was shipped to Cairo for an exhibit, and 1973, when the Egyptian Museum discovered it was missing.

The art museum bought the mask in 1998 for $499,000.

U.S. Attorney Richard Callahan said a decision on whether to appeal has not been made.

Museum attorney David Linenbroker said the museum is confident the mask can remain permanently in St. Louis.

“We don’t have any interest in possessing a stolen object,” Linenbroker said. “We’re confident we’re the rightful owner.”

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-05-12 2324GMT


ADDITIONAL IMAGE OF NOTE


Ka-Nefer-Nefer was discovered in 1952  in a tomb buried above the Step Pyramid of Djoser in the Saggara necropolis. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Ka-Nefer-Nefer was discovered in 1952 in a tomb buried above the Step Pyramid of Djoser in the Saggara necropolis. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Coca-Cola collectors drawn to Springtime in Atlanta

This excellent 39 1/2-inch-tall version of the famous 'Betty' 1914 Coca-Cola calendar will be sold at a Dan Morphy auction on April 21. Image courtesy Dan Morphy Auctions.

This excellent 39 1/2-inch-tall version of the famous 'Betty' 1914 Coca-Cola calendar will be sold at a Dan Morphy auction on April 21. Image courtesy Dan Morphy Auctions.
This excellent 39 1/2-inch-tall version of the famous ‘Betty’ 1914 Coca-Cola calendar will be sold at a Dan Morphy auction on April 21. Image courtesy Dan Morphy Auctions.
DUNWOODY, Ga. (AP) – Coca-Cola memorabilia aficionados kicked off the country’s second largest meeting of collectors with an auction of rare advertising and merchandising materials of the iconic beverage brand.

The annual Springtime in Atlanta event drew more than 400 collectors to the Crowne Plaza Ravinia Hotel Thursday to bid on Coca-Cola Co. items ranging from vintage neon signs to a myriad of historical bottles, posters and promotional hardware.

Coca-Cola archivist Phil Moodey, who has searched for lost and unknown treasures for more than three decades, is surprised at what he finds at every show.

“If we do see something that fits into our collection—that enhances it in some way—then we’ll certainly try to acquire it,” Moodey said.

Oscar Segovia, a collector with an eye on the 1950’s era, missed out on some desired items at the Schmidt Museum of Coca-Cola Memorabilia in Elizabethtown, Ky. in March but was the winning bidder of some small metal signs.

“Most of my signs are bigger and I really wanted something very small and I figured I’d have a better opportunity here to pick up a couple of good items,” Sergovia said.

With prices ranging from less than a dollar to well into four figures, virtually every bidder could walk away with a desirable artifact.

After more than 30 years of collecting, vendor James McDonald has narrowed his real love of collecting and selling to the company’s paper advertising.

Standing with a $1500 “Betty” calendar from 1914 that stood almost five feet tall, McDonald summed up his love for Coke on a historical level.

“I started with a small bottle collection and decided that the bottles were not what I wanted then I got into the early stuff. Today, I guess, that’s ancient history.”

The event was open to the public from 10 a.m. to 1 p.m. Saturday only.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-06-12 2032GMT