Furniture Specific: Family relations

The ultimate combination of the chiffonier, the wardrobe and the secretary is achieved in this chifforobe/secretary which has a drop-front desk installed on the right side.
The ultimate combination of the chiffonier, the wardrobe and the secretary is achieved in this chifforobe/secretary which has a drop-front desk installed on the right side.
The ultimate combination of the chiffonier, the wardrobe and the secretary is achieved in this chifforobe/secretary which has a drop-front desk installed on the right side.

While we tend to think of furniture at the least as just inanimate objects or as functional art at best, we have to admit that as forms evolve they do have a tendency to create related families. One unique creation inspires the creation of another similar and related but still somehow different form. Sounds familiar, doesn’t it? Especially if you have children. In this edition of Furniture Specific I will take a look at some of the related family members of different groups, looking at similarities and differences.

CHEST OF DRAWERS

The chest of drawers began merely as a box with a lid, a chest if you will, sitting on the floor, a convenient place to stash most of a family’s belongings and small enough to be moved quickly when the need arose. That was an admirable attribute in the unsettled Middle Ages. As times settled down so did the populace and mobility was not quite as necessary as before. Convenience came to play a role in household furnishings and one box that held everything was not exactly the height of modern convenience, especially when you had to unload the entire chest to find the item on the bottom. In the 17th century a new invention called the drawer added a new dimension to the chest providing a specialized compartment for storage of important or frequently used items.

Drawer technology rapidly improved and the addition of drawers to the family chest abounded, as additions to either the top or bottom of a chest. Eventually the top of the chest disappeared and what was left was a standing chest of drawers.

One style chest popular in the time of Louis XVI was the semainier, a tall chest with seven drawers, one for a person’s linen and clothing for each day of the week. Such tall slender chests were also called a chiffonier and that opened up an entire new family of chests.

One of the more useful offspring of the chiffonier was developed late in the 19th century. It was a large standing chest with a tall slender storage space on one side fitted with hardware for hanging clothes and concealed by a full-length door, often mirrored. On the other side of the cabinet was a vertical stack of drawers, perhaps with a mirror above. This uniquely American concoction combined the attributes of the chest of drawers, the chiffonier, with the convenience of the freestanding closet, the wardrobe. The combined piece was called a combination of the two words that came out as chifforobe.

During the Depression era of the late 1920s and 1930s, another relative of the chest evolved. It was designed as part of a bedroom suite for use specifically by men. This cabinet had long drawers below with smaller drawers above, crowned by a section with doors. The doors opened to reveal a series of open sliding drawers for storage of folded shirts and stiff collars. This arrangement with the doors on top was called a chifforette.

SECRETARY

Another family line of furniture that has come a long way is that of the secretary, a form that began as simply a place to transcribe the written word. In ancient Egypt and China it was simply a box that contained simple writing tools and a medium that could easily could be stored and moved as the source of the spoken word moved. In the Middle Ages the boxes were called scriptorium and the slanted tops were hinged for quick access to materials. Then the box was eventually placed on a table and you know what happened next. Like Topsy in Uncle Tom’s Cabin, it “just growed.”

A drawer was added here and another there and before long what had been a box on a table became a desk on a frame that supported a network of drawers. By then portability was no longer an issue and like the chest of drawers, convenience became primary and what could be more convenient than having reference books at our fingertips? With a shelf added above the desk for books the new from was called the secretary, a word derived from the Latin scriptorium and scrutoire.

Eventually the word secretary came to be used to describe any closed desk with or without bookshelves and with or without drawers below the main desk. An early example was the 16th century Spanish vargueno, a portable chest-type desk on a stand, usually with no drawers and no bookshelves. In the early 18th century the secretary settled pretty much into the familiar form of the slant-front desk, either as a complete cabinet or as a desk on frame. But about the same time a new version was being developed that had a complete cabinet-type bookcase with doors on top of the basic secretary. This form was the bookcase/secretary that is still in vogue today in so many styles from so many periods.

But the idea of a closed desk was so attractive that it was bound to morph into other forms and one 19th century form cleverly combined the chest of drawers with the closed desk. It appeared to be simply a chest but the top drawer was in fact a drop-front desk hidden behind the drawer facade that folded down. Then the desk unit pulled out halfway to provide writing room. This version of the secretary became popularly known as the butler desk, since the height of the desk surface when extracted from the cabinet did not require the butler to sit to use the desk unit.

This variation was very much in keeping with the popular idea that a secretary drawer could be installed almost anywhere. That led to the clever concealment of secretary units in almost anything that had a top drawer including the often massive breakfront, producing the breakfront/secretary.

Before the turn of the 20th century another member joined the bookcase secretary. This new upstart had the nerve to place the bookcase on the ground attached to the desk unit rather than above it. Revolutionary! Now the user of the desk didn’t even have to arise from his seat to get a reference book. It was right there at eye level or below.

And finally, to complete the circle came the unit that combined the chiffonier, the wardrobe and the secretary, the chifferobe/secretary, a unit often found in Depression era bedroom furnishings that had a drop-front desk, similar to a secretaire abattant, installed in the drawer section.

 

Send your comments, questions and pictures to Fred Taylor at P.O. Box 215, Crystal River, FL 34423 or email them to him at info@furnituredetective.com.

Visit Fred’s website at www.furnituredetective.com. His book How To Be a Furniture Detective is available for $18.95 plus $3 shipping. Send check or money order for $21.95 to Fred Taylor, P.O. Box 215, Crystal Fiver, FL, 34423.

Fred and Gail Taylor’s DVD, Identification of Older & Antique Furniture ($17 + $3 S&H) is also available at the same address. For more information call 800-387-6377, fax 352-563-2916, or info@furnituredetective.com. All items are also available directly from his website.


ADDITIONAL IMAGES OF NOTE


The ultimate combination of the chiffonier, the wardrobe and the secretary is achieved in this chifforobe/secretary which has a drop-front desk installed on the right side.
The ultimate combination of the chiffonier, the wardrobe and the secretary is achieved in this chifforobe/secretary which has a drop-front desk installed on the right side.
A descendant of the simple chest, this slender chest of drawers was called a chiffonier in France.
A descendant of the simple chest, this slender chest of drawers was called a chiffonier in France.
The combination of a chiffonier with an armoire or wardrobe resulted in a new form called the chifforobe.
The combination of a chiffonier with an armoire or wardrobe resulted in a new form called the chifforobe.
A final step in the evolution of the chiffonier was the chifforette with the placement of the doors on top of a chest that opened to reveal sliding trays similar those of a linen press.
A final step in the evolution of the chiffonier was the chifforette with the placement of the doors on top of a chest that opened to reveal sliding trays similar those of a linen press.
After a long and tedious journey, the original scribe’s box became the slant-front secretary.
After a long and tedious journey, the original scribe’s box became the slant-front secretary.
By adding storage for books above the desk, the bookcase/secretary was created.
By adding storage for books above the desk, the bookcase/secretary was created.
A later variation of the bookcase/secretary was the placement of the bookcase alongside the desk resulting in the side-by-side bookcase/secretary.
A later variation of the bookcase/secretary was the placement of the bookcase alongside the desk resulting in the side-by-side bookcase/secretary.
The idea of a secretarial space with a fitted interior was so appealing it wound up in lots of places like the top drawer of a breakfront.
The idea of a secretarial space with a fitted interior was so appealing it wound up in lots of places like the top drawer of a breakfront.
In this case the secretarial space was placed in the top drawer of chest creating the butler’s desk.
In this case the secretarial space was placed in the top drawer of chest creating the butler’s desk.

Great outdoors and more at Blanchard’s Adirondack sale Aug. 10

‘The Adirondacks from Ferrisburg, Vt.,’ by J.B. Bristol, overall size 41 3/4 x 61 3/4 inches in the original frame. Estimate: $50,000-$75,000. Blanchard’s Auction Service image.

‘The Adirondacks from Ferrisburg, Vt.,’ by J.B. Bristol, overall size 41 3/4 x 61 3/4 inches in the original frame. Estimate: $50,000-$75,000. Blanchard’s Auction Service image.

‘The Adirondacks from Ferrisburg, Vt.,’ by J.B. Bristol, overall size 41 3/4 x 61 3/4 inches in the original frame. Estimate: $50,000-$75,000. Blanchard’s Auction Service image.

POTSDAM, N.Y. – Blanchard’s Auction Service will present their annual Adirondack Auction on Friday, Aug. 10, starting at 11 a.m. EDT at Mount Pisgah Lodge in Saranac Lake, N.Y. LiveAuctioneers.com will provide Internet live bidding.

This year’s auction will feature a great selection of fine oil paintings by several well-known listed artists; over a dozen high-quality duck decoys; fine Tiffany Studios lighting; Gustav Stickley and L. & J.G. Stickley furniture; numerous great camp furnishings; Navaho and Oriental rugs; Old Hickory furniture; variety of antique wooden boats and boating accessories; antique firearms; many great pack baskets, creels and snowshoes; wide range of taxidermy and antler furniture; sporting prints; Barney Bellinger furniture; art pottery; wicker; fishing and hunting collectibles; Indian items; Arts & Crafts accessories and furnishings; country and early American furniture; Black Forest carvings; Handel reverse-painted lamps; advertising items; Adirondack and sporting books; a mechanical bank collection;  antique wooden powerboats and numerous one of a kind pieces.

The Adirondacks from Ferrisburg, Vt., an oil painting by J.B. Bristol (American, 1826-1909) epitomizes the spirit of Blanchard’s Adirondack Auction. The large work (23 1/2 by 43 1/2 inches) is estimated at $50,000-$75,000.

Estate jewelry includes an early 1900s 18-karat yellow gold and diamond pendant from Tiffany & Co. that is expected to sell for $10,000-$20,000.

An example of the antique firearms is a Civil War-era .50-caliber rifle by Poultney and Trimble, which is estimated at $1,500-$3,000. The rifle is all correct including markings on both the metal and stock and the action is tight.

For more information contact Blanchard’s Auction Service at 315-265-5070.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


‘The Adirondacks from Ferrisburg, Vt.,’ by J.B. Bristol, overall size 41 3/4 x 61 3/4 inches in the original frame. Estimate: $50,000-$75,000. Blanchard’s Auction Service image.

‘The Adirondacks from Ferrisburg, Vt.,’ by J.B. Bristol, overall size 41 3/4 x 61 3/4 inches in the original frame. Estimate: $50,000-$75,000. Blanchard’s Auction Service image.

Cartier, Paris, Art Deco-style clock, serial no. 00326, 4 inches wide x 3 1/2 inches tall. Estimate: $400-$800. Blanchard’s Auction Service image.

Cartier, Paris, Art Deco-style clock, serial no. 00326, 4 inches wide x 3 1/2 inches tall. Estimate: $400-$800. Blanchard’s Auction Service image.

Tiffany & Co. 18-karat gold and diamond sunburst pendant/pin, early 20th century. Estimate $10,000-$20,000. Blanchard’s Auction Service image.

Tiffany & Co. 18-karat gold and diamond sunburst pendant/pin, early 20th century. Estimate $10,000-$20,000. Blanchard’s Auction Service image.

Signed Tiffany Studios Acorn table lamp, 16-inch shade with a signed bronze stick base and bronze heat cap. Estimate: $10,000-$20,000. Blanchard’s Auction Service image.

Signed Tiffany Studios Acorn table lamp, 16-inch shade with a signed bronze stick base and bronze heat cap. Estimate: $10,000-$20,000. Blanchard’s Auction Service image.

Poultney and Trimble Civil War-era .50-caliber rifle, all correct markings. Estimate:1,500-$3,000. Blanchard’s Auction Service image.

Poultney and Trimble Civil War-era .50-caliber rifle, all correct markings. Estimate:1,500-$3,000. Blanchard’s Auction Service image.

Kovels – Antiques & Collecting: Week of Aug. 6, 2012

This 13-inch-high bronze bell sold for $823 at a Garth's auction in Delaware, Ohio. Its presale estimate was $1,500 to $3,000. The name ‘Vanduzen and Tift’ and the date ‘1864’ are cast into the bell.
This 13-inch-high bronze bell sold for $823 at a Garth's auction in Delaware, Ohio. Its presale estimate was $1,500 to $3,000. The name ‘Vanduzen and Tift’ and the date ‘1864’ are cast into the bell.
This 13-inch-high bronze bell sold for $823 at a Garth’s auction in Delaware, Ohio. Its presale estimate was $1,500 to $3,000. The name ‘Vanduzen and Tift’ and the date ‘1864’ are cast into the bell.

BEACHWOOD, Ohio – Often when restoring a historic church or school, a large bronze bell is needed for the bell tower. The bells are difficult to find because many have been sold as scrap and melted, and others are too heavy to be moved for a reasonable price. But a vintage bell often is less expensive than a new one.

A bronze bell that sold a few years ago had the name “Vanduzen and Tift” molded into the metal. It identifies a Cincinnati maker, a partnership founded in 1837. The partners made top-quality bells during the 19th century. The bell that sold also was molded with a date, which was worn but appeared to be 1864. A four-digit number on a cast-bronze bell indicates the year of the casting. The mold for a cast bell can be used only once. The mold is broken to get the bell out after it cools.

If a small bell is marked with a date, it probably is a design patent, because the mold can be reused. Vintage bells of all sizes often need to be cleaned or restored. A cast-bronze bell should not be painted. Once it’s cleaned, it should be left to develop its natural patina.

Q: I have a Windsor chair that my parents bought in the early 1930s. It is 44 inches high and has a fan back with nine straight spindles and two brace spindles. The chair is black with gilt striping. On the bottom there is a metal medallion that reads “The Simonds Furniture Co., Syracuse.” Can you tell me more about my chair?

A: Elgin A. Simonds was a business partner of Gustav Stickley in the late 1890s in Syracuse. In 1898 Stickley bought out Simonds, who then bought the Hayden & Couch Chair Manufacturing Co. of Rochester, N.Y., and formed the Brown & Simonds Co. That company was renamed the Elgin A. Simonds Co. in 1901 and became part of a consortium of furniture manufacturers. The Simonds company made faithful reproductions of traditional furniture. Windsor chairs made by Simonds sell for $100 to $350.

Q: The white sailboats on my cobalt-blue tumblers are discolored. Is there any way I can clean them without losing the sailboats? I also have some tumblers with white windmills that have the same problem.

A: Your tumblers are part of the Sportsman Series, made by the Hazel Atlas Glass Co. in the 1940s. Designs featured sailboats, golf, hunting, angelfish and windmills. The pattern was made in amethyst, cobalt blue and clear glass, with fired-on decorations. The sailboats and windmills are being removed by the very hot water and detergents used in a dishwasher. Wash the tumblers by hand.

Q: I have an old Cuff ‘n’ Collar Maker with original patterns and attachments. It was made by Wheeler & Wilson of Bridgeport, Conn., and lists patent dates in 1850, 1851, 1852 and 1865. It is not a regular sewing machine. No one I talk to knows what it is.

A: Wheeler, Wilson & Co. was founded by Allen B. Wilson and Nathaniel Wheeler in Watertown, Mass., in about 1851. Wilson was a cabinetmaker who patented his first sewing machine in 1850. The company became Wheeler & Wilson Manufacturing Co. in 1853 and moved to Bridgeport in 1856. At one point, it was the largest manufacturer of sewing machines in the world. The detachable collar was invented in 1827, and detachable cuffs in about 1845. Wheeler & Wilson designed a sewing machine to make collars and cuffs as well as shirts, and claimed that an operator could make “80 to 100 dozen collars” in a day by using its machines instead of sewing the collars by hand. The company also made several other special sewing machines, including machines for buttonholes, corsets and boots. Wheeler & Wilson was taken over by Singer Corp. in 1905, but sewing machines under the Wheeler & Wilson name continued to be made until 1913.

Q: I have an autographed photo of Satchel Paige in a baseball uniform. What is its value?

A: Leroy Robert “Satchel” Paige (1906-1982) was a professional pitcher who played for many different teams during his long career. A black player, he had to pitch in the Negro leagues before the major leagues were integrated. In 1948 Paige debuted in the majors with the Cleveland Indians at the age of 42, making him both the oldest player ever to debut in MLB and the seventh to integrate it. Paige pitched for the Indians, St. Louis Browns and Kansas City Athletics before ending his career in 1966. In 1971 Paige became the first player to be elected to the Baseball Hall of Fame as a Negro leagues player. An autographed photo of Paige in his Browns uniform recently sold for $253 at auction.

Q: I have an old hand-cranked candy-making machine. It has several attachments to make lozenges and other hard candies. The label on it reads “Thos. Mills & Bro. Inc., Confectioners & Bakers Tolls, Philadelphia.” What is it worth?

A: Thos. Mills & Bro. was founded in Philadelphia in about 1864 by Thomas and George Mills. The company made equipment for confectioners, bakers and ice-cream makers. It was best-known for its clear toy candy molds and other confectionary equipment. A Thos. Mills & Bro. candy press identical to yours with extra attachments recently sold for $529 at auction.

Tip: Do not put an alabaster figure or vase outside. Alabaster is softer than marble and will eventually fall apart if exposed to rain.

Need prices for collectibles? Find them at Kovels.com, our website for collectors. More than 84,000 prices and 5,000 color pictures have just been added. Now you can find more than 856,000 prices that can help you determine the value of your collectibles. Access to the prices is free at Kovels.com/priceguide.

Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or email addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, Auction Central News, King Features Syndicate, 300 W. 57th St., New York, NY 10019.

CURRENT PRICES

Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.

  • Michigan Steamboat cards, blue-and-white box, picture of steamboat, all are seven of spades except one three of hearts, 1920s, $45.
  • 1952 political souvenir mug, “Republican-Democratic Campaign, Palmer House, Chicago,” donkey handle, plastic, 3 x 5 1/4 inches, $75.
  • Buffalo Billy elf bank, painted cardboard body, wooden arms, legs and head, head bobs on spring, Buffalo Savings Bank, 1958 copyright, 5 x 7 1/2 inches, $75.
  • Silver-plated lily-pad napkin ring, engraved “June 7th 1884,” Meriden Britannia Co., 3 inches, $85.
  • World War I bonds poster, “2nd Liberty Loan of 1917,” patriotic image of two children holding flag, 20 x 29 3/4 inches, $100.
  • Cast-iron teakettle, domed and pointed lid with brass finial, gooseneck spout with split mouth, riveted ball handle, stationary bail handle, early 1800s, 7 1/2 x 9 inches, $225.
  • Captain Action doll, blue outfit and hat, decal on chest, original gun and sword, box, Ideal, 1966, 12 inches, $225.
  • Chenille bedspread, flower basket in center, bright pinks with red, green, yellow and purple on white, cotton, 1950s, 95 x 106 inches, $365.
  • Chevrolet sign, easel back, vinyl front, yellow 1949 Chevrolet Styleline De Luxe Convertible, Glassy Finish Process Co., New York, 14 1/2 x 22 1/2 inches, $450.
  • Ice-cream-parlor stools, red leather seats, floor-mounted cast-iron black bases, 1930s, 19 1/2 inches, set of five, $500.

Keep up with changes in the collectibles world. Send for a free sample issue of our 12-page, full-color newsletter, “Kovels on Antiques and Collectibles,” filled with prices, news, information and photos, plus major news about the world of collecting. To subscribe at a bargain $27 for 12 issues, write Kovels, P.O. Box 8534, Big Sandy, TX 75755; call 800-829-9158; or subscribe online at Kovelsonlinestore.com.

© 2012 by Cowles Syndicate Inc.

 


ADDITIONAL IMAGE OF NOTE


This 13-inch-high bronze bell sold for $823 at a Garth's auction in Delaware, Ohio. Its presale estimate was $1,500 to $3,000. The name ‘Vanduzen and Tift’ and the date ‘1864’ are cast into the bell.
This 13-inch-high bronze bell sold for $823 at a Garth’s auction in Delaware, Ohio. Its presale estimate was $1,500 to $3,000. The name ‘Vanduzen and Tift’ and the date ‘1864’ are cast into the bell.

Leslie Hindman to sell Trader Vic’s furnishings Aug. 22-23

Carved wood Easter Island-style tiki head. Estimate: $1,000-$2,000. Leslie Hindman Auctioneers image.

Carved wood Easter Island-style tiki head. Estimate: $1,000-$2,000. Leslie Hindman Auctioneers image.

Carved wood Easter Island-style tiki head. Estimate: $1,000-$2,000. Leslie Hindman Auctioneers image.

CHICAGO – On Aug. 22-23, 2012, Leslie Hindman Auctioneers will sell items from Trader Vic’s Chicago location. LiveAuctioneers.com will provide the Internet live bidding for the sale.

The Polynesian-themed restaurant known for combining tropical drinks and elaborate South Pacific décor was a Chicago staple at the Palmer House Hilton from 1957 to 2005, later reopening in 2008-2011 at the Newberry Plaza.

Highlights of the sale are a variety of carved wood tiki totems including an Easter Island-style tiki head that stood at the entrance of Trader Vic’s at the Palmer House Hilton ($1,000-$2,000), a tortoise shell ($300-$500) and three Pacific giant clamshells ($800-$1,200).

The auction will take place at 10 a.m. CDT on Wednesday and Thursday, Aug. 22-23. For more information phone 312-280-1212.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Three Pacific giant clamshells. Estimate: $800-$1,200. Leslie Hindman Auctioneers image.

Three Pacific giant clamshells. Estimate: $800-$1,200. Leslie Hindman Auctioneers image.

Tortoiseshell. Estimate: $300-500. Leslie Hindman Auctioneers image.

Tortoiseshell. Estimate: $300-500. Leslie Hindman Auctioneers image.

Carved wood tiki totem. Estimate: $200-400. Leslie Hindman Auctioneers image.

Carved wood tiki totem. Estimate: $200-400. Leslie Hindman Auctioneers image.

Burlwood low table. Estimate: $800-$1,200. Leslie Hindman Auctioneers image.

Burlwood low table. Estimate: $800-$1,200. Leslie Hindman Auctioneers image.

National Gallery of Art unveils newest acquisitions

William Bailey, American, born 1930, 'Piano Scuro,' 2003, oil on linen, 38 1/8 x 51 inches, National Gallery of Art, Washington, Charina Endowment Fund. Image courtesy Betty Cuningham Gallery.
William Bailey, American, born 1930, 'Piano Scuro,' 2003, oil on linen, 38 1/8 x 51 inches, National Gallery of Art, Washington, Charina Endowment Fund. Image courtesy Betty Cuningham Gallery.
William Bailey, American, born 1930, ‘Piano Scuro,’ 2003, oil on linen, 38 1/8 x 51 inches, National Gallery of Art, Washington, Charina Endowment Fund. Image courtesy Betty Cuningham Gallery.

WASHINGTON – The National Gallery of Art has acquired an impressive number of new acquisitions, augmenting the collections of paintings, sculpture, works on paper and photographs. These new works included a collection of 169 photographs by Robert Adams hand-selected by the artist, the gallery’s first watercolor by Thomas Moran, its first paintings by Giorgio Vasari and Hendrik Willem Mesdag, a newly attributed portrait drawing by Michael Sweerts and a major sculpture by Barry Le Va.

“There are a good number of ‘firsts’ in this exciting round of acquisitions, ranging from Giorgio Vasari’s larger-than-life paintings of Saint Luke and Saint Mark and Thomas Moran’s extraordinary watercolor Mountain of the Holy Cross, to Barry Le Va’s postminimalist sculpture,” said Earl A. Powell III, director, National Gallery of Art. “We are also pleased to add an important group of gelatin silver prints of America’s changing landscape by Robert Adams, which joins the gallery’s major holdings of works by fellow luminaries of American photography such as Alfred Stieglitz, Robert Frank and Harry Callahan.”

The National Gallery of Art’s collection stands at nearly 127,000 works.

The department of photographs acquired 169 gelatin silver prints by Robert Adams (b. 1937), who has recorded America’s changing landscape for more than 40 years, revealing both its sublime beauty and its wanton destruction. This group of photographs was carefully selected by the artist himself to complement the 25 works by him that the gallery already holds and to represent his most important accomplishments.

The extraordinary watercolor Mountain of the Holy Cross (1890) by Thomas Moran (1837-1926) is the most important work by the artist to come to light in many years. It was unknown at the time of the gallery’s 1997 Moran retrospective and has never been exhibited publicly or published. Commissioned in 1890 by philanthropist Caroline Phelps Stokes, the painting remained with her descendants for more than 100 years.

Other works on paper acquired include one of the greatest pastels of Venice by James McNeill Whistler (1834–1903), White and Pink (The Palace) (1879/1880). The residence has been identified as the Palazzo da Mosta; the drawing is signed with the artist’s butterfly device and retains its original Whistler frame.

The Gallery has also acquired a portrait in black chalk of Jan van den Enden (circa 1651), one of the most powerful portrait drawings made in mid-baroque Rome. Based on the stylistic evidence, gallery experts have formally attributed this work to Flemish artist Michael Sweerts (1618–1664), and it thus becomes the first drawing reasonably attributed to that important Flemish baroque painter.

For information call (202) 737-4215 or visit the Gallery’s Web site at www.nga.gov.


ADDITIONAL IMAGES OF NOTE


William Bailey, American, born 1930, 'Piano Scuro,' 2003, oil on linen, 38 1/8 x 51 inches, National Gallery of Art, Washington, Charina Endowment Fund. Image courtesy Betty Cuningham Gallery.
William Bailey, American, born 1930, ‘Piano Scuro,’ 2003, oil on linen, 38 1/8 x 51 inches, National Gallery of Art, Washington, Charina Endowment Fund. Image courtesy Betty Cuningham Gallery.
Robert Adams, American, born 1937, Kerstin enjoying the wind, East of Keota, Colorado,' 1969, gelatin silver print, 7 1/2 x 7 1/2 inches, National Gallery of Art, Washington, Pepita Milmore Memorial Fund and Gift of Robert and Kerstin Adams.
Robert Adams, American, born 1937, Kerstin enjoying the wind, East of Keota, Colorado,’ 1969, gelatin silver print, 7 1/2 x 7 1/2 inches, National Gallery of Art, Washington, Pepita Milmore Memorial Fund and Gift of Robert and Kerstin Adams.
Thomas Moran, American, 1837–1890, 'Mountain of the Holy Cross,' 1890, watercolor over graphite, 17 3/4 x 12 1/4 inches, National Gallery of Art, Washington, gift of the Avalon Foundation, Florian Carr, Jack Kay, Barbara B. Moore, and Max and Heidi Barry Funds.
Thomas Moran, American, 1837–1890, ‘Mountain of the Holy Cross,’ 1890, watercolor over graphite, 17 3/4 x 12 1/4 inches, National Gallery of Art, Washington, gift of the Avalon Foundation, Florian Carr, Jack Kay, Barbara B. Moore, and Max and Heidi Barry Funds.

Leak damages books at Kan. university art museum

LAWRENCE, Kan. (AP) – Officials at the University of Kansas say thousands of books have been damaged by a water leak at the Spencer Museum of Art.

The Lawrence Journal-World reports a break in a water line sent water into the building’s lower floors, which house the Murphy Art and Architecture Library. University spokesman Joe Monaco says there was no damage to the museum’s artwork, which is displayed on the upper floors.

Officials estimate 15,000 to 20,000 of the museum’s 170,000 volumes were damaged. Students and staff worked Wednesday night and Thursday morning to box the books and load them onto trailers. They’ll be taken to a Chicago facility for evaluation and repairs.

The library remains closed through indefinitely, while the museum will be closed at least through Monday.

Information from: Lawrence Journal-World, http://www.ljworld.com

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-02-12 2030GMT

 

 

 

Renovation allows 1800s clothing collection to be displayed

Nineteenth century child's gown. Image courtesy LiveAuctioneers.com Archive and Kaminski Auctions.
Nineteenth century child's gown. Image courtesy LiveAuctioneers.com Archive and Kaminski Auctions.
Nineteenth century child’s gown. Image courtesy LiveAuctioneers.com Archive and Kaminski Auctions.

MUMFORD, N.Y. (AP) – The Genesee Country Village & Museum outside Rochester has completed a $2.7 million renovation that will allow it to display a huge collection of 19th century clothing and accessories.

The museum acquired the Greene Costume Collection in 2010 and put it on display for the first time Sunday, following renovation of its John Wehle Gallery.

Karen Augusta, a historic textiles expert for PBS’ Antiques Roadshow, has called the collection one of the finest of its kind.

It includes men’s and women’s pieces. Experts say men’s clothing from the era is especially hard to find because it was typically cut down and used for quilts or rugs when no longer worn.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-04-12 1420GMT


ADDITIONAL IMAGE OF NOTE


Nineteenth century child's gown. Image courtesy LiveAuctioneers.com Archive and Kaminski Auctions.
Nineteenth century child’s gown. Image courtesy LiveAuctioneers.com Archive and Kaminski Auctions.