Civil War re-enactors gearing up for Gettysburg anniversary

Confederate re-enactors fire their rifles during a re-enactment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Confederate re-enactors fire their rifles during a re-enactment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Confederate re-enactors fire their rifles during a re-enactment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

GETTYSBURG, Pa. (AP) – The switchboard lit up at the Quality Inn Motor Lodge as soon as the motel started accepting reservations.

“There was a feeding frenzy,” said Paul Witt, the general manager.

Within hours on the July morning, all 109 of the inn’s rooms were gone – and calls kept coming as more history-lovers sought lodging during next year’s 150th anniversary re-enactment of the Battle of Gettysburg.

At Witt’s America’s Best Value Inn across the street, it was the same story. Seventy-six rooms gone in no time.

Ten months before the July 3-7 commemoration of the Civil War’s bloodiest battle, many of the accommodations within a 20-minute drive have been snagged in anticipation of the $1 million event, which promises to be one of the biggest and most authentic ever.

Tens of thousands of people from the United States, Australia, Britain, Germany, and elsewhere plan to visit as participants and spectators, organizers say.

The number of re-enactors may be cut off because only so many soldiers, artillery pieces, and horses can fit, they say.

“This is our Olympic moment,” said Randy L. Phiel, chairman of the Adams County commissioners and the re-enactment’s operations manager.

“Every (anniversary) that ends in a zero or a five becomes a national and international event,” Phiel said. “The re-enactment community looks at the 150th as the pinnacle.”

The Woodstock-like spectacle – to be held on the Redding and Entwhistle farms north of town – will portray the fighting of July 1-3, 1863, including Pickett’s Charge, the climactic, unsuccessful Southern attack that ended the battle. Admission is $35 for a day, $90 for four days.

The sesquicentennial event’s scale is remarkable: up to 15,000 blue- and gray-clad soldiers, 100 cannons, hundreds of horses, and an expected 60,000 spectators who will browse Civil War-related wares, attend music performances, see period balls, and visit Yankee and rebel camps spread over 800 acres.

Organizers have spent hundreds of thousands of dollars to lay gravel roads to re-enactor camps on the leased farms. And they will install about 1,000 feet of five-rail fencing like the kind the rebels’ gray ranks met when they tried to cross Emmitsburg Pike in Pickett’s Charge.

They have built a stone wall to mimic one that shielded Union forces on July 3, and they plan to re-create the famous copse of trees that was the target of Confederate Gen. Robert E. Lee’s main attack on the third day.

Spectator stands, mountains of mulch, and dozens of watering troughs for horses have been acquired.

The event is being held by the Gettysburg Anniversary Committee: Phiel, 61, a retired National Park Service law enforcement ranger and Gettysburg native; Tony Strickland, 60, another native, who has four gift shops in Gettysburg; and George H. Lomas, 70, who attended Philadelphia’s Germantown High School, has shops in town, and helps organize Civil War re-enactments, including the Battle of Antietam’s sesquicentennial at Sharpsburg, Md., this month.

About 400 workers – nearly 300 more than at smaller Gettysburg reenactments the organizers have held since 1995 – will help manage the gates, sell merchandise, shuttle the handicapped, and take water and hay to horses.

The smaller re-enactments usually cost about $300,000 to put on, Phiel said. This one will run more than three times that. It’s funded by re-enactor registration fees, ticket and merchandise sales, and private capital.

A 125th anniversary re-enactment, organized by out-of-towners, “fell short when it came to resources, parking, and sanitation,” Phiel said.

“We are local community members and have to walk down the street on Monday morning” after the event, he said. “We thought we could do it as well as anyone.”

Businesses hope to cash in. Some motels and hotels are asking for more than $300 a night, double the normal rate. Visitors have sought lodging as far as Hagerstown, Md., 40 minutes away. The planners hope to provide rooms for their own staff at the Lutheran Theological Seminary in Gettysburg.

From town, the crowds will travel about three miles to the rolling fields of the Redding and Entwhistle farms, which were unaffected by fighting in 1863.

Quiet and serene, the land slopes on either side of Table Rock Road toward picturesque farmhouses and barns – the perfect setting for a battle to include cavalry clashes, long lines of soldiers, musket volleys and explosions.

“I’ve been re-enacting for 50 years, since I was 18 at the 100th anniversary of the Battle of Manassas,” Lomas said. “This is going to be a great experience for re-enactors.

“I can’t describe it in words,” he said. “It gives you chills it’s so awesome.”

On a recent tour of the Entwhistle farm, Lomas and Strickland imagined the woods and fields covered with Confederate tents and soldiers.

“You won’t find any Pepsi cans here,” Strickland said. “We don’t let anybody on the field who will disrupt the authenticity.”

One re-enactor will be Terry Jones, a sculptor who created a battlefield monument to Union Gen. John Gibbon, a Philadelphian who commanded troops at the so-called Angle, the target of Pickett’s Charge. He is one of only four living artists with a monument on the field.

Jones has created a 150th commemorative Battle of Gettysburg sculpture, to be sold at the event and in town. At the event, he plans to portray artist Alfred Waud, whose battle sketches were turned into woodcuts and appeared in newspapers of the day.

“This is beautiful,” said Jones, 65, of Newtown Square, as he looked over the field. He has created dozens of major sculptures in Philadelphia and across the country, including the Angel of Marye’s Heights monument outside the National Civil War Museum in Harrisburg.

“The re-enactors are going to love this,” he said.

Jones, Strickland, and Lomas crossed Table Rock Road and gazed across the sprawling field where Pickett’s Charge will be. More than 150,000 took part in the three-day battle, at least 10 times the number of re-enactors expected. About 50,000 were listed as killed, wounded, captured, or missing in 1863.

“There will be a half-hour cannon barrage before the charge,” Lomas said. The Confederates will stream “past the barn and house (at Entwhistle), past the cannons.

“The battle is choreographed so each unit knows where it will be …,” he said. “Safety will be a big factor. Every (weapon) is checked before each battle.”

Pyrotechnic ground explosions will go off as the Southerners disassemble the fence along Table Rock Road – representing Emmitsburg Pike – for the final charge toward federal troops along the stone wall, Phiel said.

“Not many will make the wall,” he said. “When the cannon go off, entire units will fall. …

“In the real battle, (scores of) cannon were filled with canister – metal balls – and many units were actually vaporized,” Phiel said. “Can you imagine marching straight into the cannon in Napoleonic fashion, side by side, rank upon rank?”

Confederate and Union forces will engage “in hand-to-hand combat,” pushing the federals back until reserves pour in to end the attack.

“At that point in the real Pickett’s Charge, the Confederates retreated back across the field,” Phiel said. “But in the re-enactment, everything will stop. You will hear Taps played (and) everybody will come to attention.

“It will be a very poignant moment, a moving, once-in-a-lifetime experience,” he said. “When that is over, hats will be thrown in the air and there will be shaking of hands across the wall. …

“We make dusty, old history books come alive.”

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Online:

http://bit.ly/S7UUu3

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Information from: The Philadelphia Inquirer, http://www.philly.com

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-09-11-12 1617GMT


ADDITIONAL IMAGE OF NOTE


Confederate re-enactors fire their rifles during a re-enactment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Confederate re-enactors fire their rifles during a re-enactment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Mid-Atlantic mega merger: Quinn’s, Ken Farmer acquire Harlowe-Powell

Ken Farmer (left) and Paul Quinn, partners in the new Charlottesville, Va.-based business known as Farmer & Quinn Auctions.
Ken Farmer (left) and Paul Quinn, partners in the new Charlottesville, Va.-based business known as Farmer & Quinn Auctions.
Ken Farmer (left) and Paul Quinn, partners in the new Charlottesville, Va.-based business known as Farmer & Quinn Auctions.

FALLS CHURCH, Va. – In a move that will solidify the Virginia/DC auction landscape, Quinn’s Auction Galleries of Falls Church, Va., is aligning with Ken Farmer Auctions & Appraisals of Radford, Va., to purchase another of the state’s leading auction businesses – the venerable Harlowe-Powell Auction Gallery in Charlottesville. The new firm, which will operate under the banner of “Farmer & Quinn Auctions,” will officially launch on Oct. 1.

Although Ken Farmer will continue to operate Ken Farmer Auctions in Radford, he plans to relocate to Charlottesville, where he will serve as president of the newly minted Farmer & Quinn. Paul Quinn, founder and chairman of Quinn’s Auction Galleries, will assume the role of executive vice president and manager of Farmer & Quinn but will remain at Quinn’s Falls Church location, just outside Washington, DC. All Harlowe-Powell staff are expected to stay on in their present positions.

The current principals at Harlowe-Powell are Norman Dill and Vernon “Pat” Powell, who will continue to be associated as required to ensure a smooth transition, but in a different, non-employee role as referral agents.

“This merger has all the right pieces in place for success,” said Paul Quinn. “Ken brings his years of developed expertise and celebrity in the world of antiques and fine art, and Quinn’s is known as a dynamic inside-the-beltway company that’s growing by leaps and bounds. Harlowe-Powell is an old, respected auction house in the well-to-do Charlottesville area, with massive growth opportunity. We felt strongly that Harlowe-Powell would have enormous potential if you added Ken Farmer and Quinn’s to the equation.”

The idea of an auction-house mega merger was first discussed around 13 months ago at Tulsa International Airport, as Ken Farmer and Quinn’s Executive Vice President Matthew Quinn (Paul Quinn’s son) were waiting for their delayed flights to be called. The two men knew each other through their roles as on-air appraisers on PBS’s “Antiques Roadshow.”

“We started talking about the auction business, of course, and Ken said there were things about his location that frustrated him, while I said that I was happy with our location,” Matthew recalled. “As the conversation developed, we both realized that there might be an opportunity for our companies to do something together. I said, ‘Ken, whatever you decide to do, call me before you do it.’”

As months passed, Farmer continued to mull over the idea of a collaboration with Quinn’s. There was some talk of Farmer moving to the DC area or even relocating his business headquarters to exclusive Charlottesville. At the same time, Paul Quinn was eager to “go south” with his own rapidly growing company that had become a favorite with Washington’s affluent yuppies, federal government workers and military. The glue that pulled all of their thoughts together into one cohesive strategy was the availability of Harlowe-Powell, which was quietly for sale.

“The only problem was, the price was more than we wanted to pay,” Paul said. “I felt we could start up a new auction house for less than they were asking.”

Fortunately for all involved, discussions led to an amicable meeting of the minds, and a mutually agreeable selling price was settled upon in mid August.

Farmer said the synergy of having three auction houses working in partnership – each with its own distinct following and areas of expertise – will add great versatility to the way in which the companies are able to serve consignors in the Mid-Atlantic region.

“We’ll be able to send merchandise wherever we think it will make the most money,” said Farmer. “For instance, higher-quality merchandise from Radford will be sent to the Charlottesville location. Very recently an important Pulaski County clock was consigned to me. It’s similar to an 1820 clock that Colonial Williamsburg bought for $209,000 at Harlowe-Powell some 15 years ago. This ‘brother’ clock will be sent to Charlottesville as the lead item in Farmer & Quinn’s November 3rd sale.”

Farmer said the same “best-fit” policy will apply to antiques and artworks that are consigned to Farmer & Quinn and Quinn’s Auction Galleries. “We will have trucks constantly running to and from all three locations, picking up and dropping off goods,” he said. “We’re also developing a plan whereby any buyer who has purchased an item at one of our auction-house locations can request its delivery, free of charge, to either of the other two locations within our group of companies.”

“We see Charlottesville as a great opportunity – a new frontier,” Farmer continued. “I’ve consulted with some key customers whose judgment I trust about this, and every person I’ve talked to has said they think it’s a great idea and predict that in a year I’ll wish I had done it five years ago.”

Meanwhile, Harlowe-Powell’s Pat Powell said he is “very excited” about the prospect of a new company coming into Charlottesville. “It will create a more dynamic marketplace. We’re proud of what we’ve done so far, but all of Virginia will benefit tremendously from the joint venture of Farmer & Quinn’s.”

To contact Farmer & Quinn, call Ken Farmer at 540-639-0939 or e-mail info@kfauctions.com. To contact Quinn’s Auction Galleries, call Matthew Quinn at 703-532-5632 or e-mail info@quinnsauction.com.

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ADDITIONAL IMAGE OF NOTE


Ken Farmer (left) and Paul Quinn, partners in the new Charlottesville, Va.-based business known as Farmer & Quinn Auctions.
Ken Farmer (left) and Paul Quinn, partners in the new Charlottesville, Va.-based business known as Farmer & Quinn Auctions.

Paris Tableau show returns to celebrate old master paintings

Studio of William Scrots (fl. 1537 - 1553), King Edward VI (1537 – 1553), oil on panel, 17 5/8 x 12 inches, painted c.1547-1549. Exhibited by The Weiss Gallery.
Studio of William Scrots (fl. 1537 - 1553), King Edward VI (1537 – 1553), oil on panel, 17 5/8 x 12 inches, painted c.1547-1549. Exhibited by The Weiss Gallery.
Studio of William Scrots (fl. 1537 – 1553), King Edward VI (1537 – 1553), oil on panel, 17 5/8 x 12 inches, painted c.1547-1549. Exhibited by The Weiss Gallery.

PARIS – Building on the success of its first edition in 2011, Paris Tableau 2012 will again open its doors at the Palais de la Bourse from Nov. 7-12. Paris Tableau attracted over 6,000 serious collectors and sold 60 major paintings within just five days in last year and the 10 dealer/organizers look forward again to sharing their passion for old master paintings with international connoisseurs and enthusiasts in 2012.

The work on display at Paris Tableau ranges from the Middle Ages to the Second Empire.

The 10 dealers responsible for the creation of the fair – Maurizio Canesso, Hervé Aaron, Eric Coatalem, Bertrand Gautier, Bob Haboldt, Jean-François Heim, Georges de Jonckheere, Jacques Leegenhoek, Giovanni Sarti and Claude Vittet – share a common desire to communicate their passion for and knowledge of old master painting. In view of the great number of general fairs, exhibitions and auctions all over the world, it became clear to the 10 internationally renowned French dealers that a fair dedicated to the specialism of old master paintings was not only necessary, but greatly desired by collectors, museum curators and enthusiasts.

Last year’s loan exhibition from the National Institute of Art History “The Other Side of the Painting (L’Envers du Tableau)” was very well received.

In 2012 Paris Tableau will welcome Le Mobilier National, which will show “Hidden Treasures of the Gobelins.” Curated by Arnauld Brejon de Lavergnée, former director of collections at Le Mobilier National, the Gobelins exhibition will illustrate the unique process which starts with the painted cartoon and ends with the woven textile intended for interior use, using paintings and painted cartoons unearthed from the museum’s reserve collection.

Being an old masters dealer has, at the heart of each business, three vital aspects: discovering the work, understanding the work (and often, giving it its identity), and advising; drawing a private collector’s attention to a particular painting, sharing discoveries and building up private or museum collections. It is for all these reasons, and the wish to share this knowledge and connoisseurship that Paris Tableau came into being.

In total, this year Paris Tableau will have 21 exhibitors and two frame dealers: Galerie Montanari (Paris) and Enrico Ceci (Formigine).

For more information, visit the website: www.paristableau.com


ADDITIONAL IMAGE OF NOTE


Studio of William Scrots (fl. 1537 - 1553), King Edward VI (1537 – 1553), oil on panel, 17 5/8 x 12 inches, painted c.1547-1549. Exhibited by The Weiss Gallery.
Studio of William Scrots (fl. 1537 – 1553), King Edward VI (1537 – 1553), oil on panel, 17 5/8 x 12 inches, painted c.1547-1549. Exhibited by The Weiss Gallery.

New owner intends to restore Ali’s childhood home

Muhammad Ali in a 1967 photograph. Image courtesy Wikimedia Commons.
Muhammad Ali in a 1967 photograph. Image courtesy Wikimedia Commons.
Muhammad Ali in a 1967 photograph. Image courtesy Wikimedia Commons.

LOUISVILLE, Ky. (AP) – A fan of Muhammad Ali has acquired an important piece of memorabilia: the boxing legend’s boyhood home.

Louisville Realtor Dave Lambrechts told The Associated Press on Tuesday that Las Vegas real estate investor Jared Weiss closed on the property the day before. He said Weiss paid $70,000 for the small white house with a sagging front porch overhang in a western Louisville neighborhood made up of mostly neat, modest homes.

“The guy’s a huge Ali fan, and that’s what kind of spurred this,” Lambrechts said.

The home already has a state historical marker out front recognizing the residence as the home of Ali when he was a boy named Cassius Clay. The marker says Ali lived in the mostly black neighborhood with his parents and brother and attended local public schools.

It was at the home where the future boxing champion’s “values were instilled,” the marker says.

“Ali’s childhood home is really symbolic for the area,” Lambrechts said.

Ali and his wife, Lonnie, have multiple residences but do not live in Louisville. However, they remain linked to the city by the Muhammad Ali Center, a downtown museum and education center that is one of the city’s prime tourist attractions. Ali came home for a 70th birthday bash in January.

Lambrechts says the new owner wants to restore the home to how it looked when Ali lived in it.

He said Weiss hasn’t finalized his plans but won’t use it as rental property. Among the options being considered are turning the home into a museum or using it for some charitable function.

The house had been under private ownership and was assessed at $23,260, according to the Jefferson County Property Value Administrator’s website. Former owner Steve Stephenson had said he was asking $50,000.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-09-11-12 1527GMT


ADDITIONAL IMAGE OF NOTE


Muhammad Ali in a 1967 photograph. Image courtesy Wikimedia Commons.
Muhammad Ali in a 1967 photograph. Image courtesy Wikimedia Commons.

Agreement reached for 9/11 museum completion

View of the National September 11 Memorial taken from the World Financial Center. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
View of the National September 11 Memorial taken from the World Financial Center. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
View of the National September 11 Memorial taken from the World Financial Center. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

NEW YORK (AP) – An agreement that paves the way for the completion of the Sept. 11 museum at ground zero was reached on the eve of the 11th anniversary of the terror attacks.

The memorandum of understanding between the Port Authority of New York and New Jersey and the foundation that controls the National September 11 Memorial & Museum was announced Monday.

The museum was supposed to open this month, but construction all but ceased a year ago because of a funding squabble between the foundation and the Port Authority, which owns the World Trade Center site.

Three powerful political figures became entangled in the dispute: The governors of New York and New Jersey control the Port Authority, while New York City Mayor Michael Bloomberg is the foundation’s chairman.

“By ensuring that no additional public funds are spent to complete the memorial and museum,” New York Gov. Andrew Cuomo said, “today’s agreement puts in place a critical and long overdue safeguard to finally protect toll payers and taxpayers from bearing further costs, and, at the same time, put the project on a path for completion.”

Bloomberg said the agreement “ensures that it will be restarted very soon and will not stop until the museum is completed.”

“The museum is important to the families of those who died on 9/11 – they’ve contributed photos and memories of their lost loved ones, who deserve a thoughtful tribute,” he said.

Earlier Monday, before the agreement was announced, Bloomberg was asked if the museum could be finished by 2013 if construction started soon.

“We have to do it safely, and we want to do it with the quality of work that will stand up to time,” he said. “Whether it’s doable by then, I don’t know. … To me, the date is nowhere near as important as the other two things. Third, I would say you’ve got to do it within budget. You know, you can work 24 hours a day, with enormous overtime – in this day and age, there isn’t the money for that. The date will be great whenever we get it. And nobody’s going to remember whether it was one months or three months later.”

Mary Fetchet, who lost her son Brad Fetchet in the attacks and founded the support group Voices of Sept. 11, said she was “ecstatic” when she heard the news of the agreement.

“There’s been such an incredible response from people around the world visiting the memorial,” she said. “We feel that it’s really critical to open the museum, to tell the story of the lives of those that were lost.”

Michael Burke, whose older brother, Billy Burke, a firefighter, died while helping two people in the World Trade Center, said he was glad to hear the museum will be “completed eventually.”

“I hope this allows an admission price that’s affordable for the average family,” he said.

The price of an admission ticket to the museum has not been set, but the memorial president has suggested it could be up to $20.

The memorandum of understanding announced Monday addresses issues including coordination of the site and general financial terms but doesn’t go into detail on specific levels of financing. The agreement outlines that the memorial will have six months’ operating expenses on hand as net working capital and that it will give the Port Authority a security deposit equal to six months’ utility expenses, but it doesn’t say what those figures are.

It remains unclear how the foundation will cover the costs of running the museum, once it does open, although the agreement calls for the memorial and the Port Authority to work together to try for federal funding.

New Jersey Gov. Chris Christie said in a statement he was “gratified to be a part of a unified commitment and agreement with Governor Cuomo and Mayor Bloomberg to immediately resume around the clock construction at the 9/11 Museum.”

The underground museum is to house such artifacts as the staircase workers used to escape the attacks. Visitors also will be able to see portraits of the nearly 3,000 victims and hear oral histories of Sept. 11.

The memorial includes a plaza, where waterfalls fill the fallen towers’ footprints. Almost 4.5 million people have visited it since it opened last September.

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Follow Deepti Hajela at http://twitter.com/dhajela

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-09-11-12 0230GMT


ADDITIONAL IMAGE OF NOTE


View of the National September 11 Memorial taken from the World Financial Center. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
View of the National September 11 Memorial taken from the World Financial Center. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Famed ‘Electric Map’ of Gettysburg battlefield up for sale

'The Battle of Gettysburg, July 3, 1863,' by Currier and Ives. Image courtesy Wikimedia Commons.
'The Battle of Gettysburg, July 3, 1863,' by Currier and Ives. Image courtesy Wikimedia Commons.
‘The Battle of Gettysburg, July 3, 1863,’ by Currier and Ives. Image courtesy Wikimedia Commons.

GETTYSBURG, Pa. (AP) – A massive light-up map that illustrates the key moments of the Battle of Gettysburg is up for sale after years of squabbling over its fate.

The 30-by 30-foot Electric Map went up for auction on the General Services Administration site last week. It could be had for $5 as of Tuesday morning, with bidding to close Friday.

The auction description may call it “scrap” but the huge topographical map was a longstanding fixture at the battlefield museum. Blinking lights illustrating troop movement showed visitors how the defining battle of the Civil War unfolded.

Gettysburg National Historical Park pulled the plug on the map in 2008.

The map’s buyer will be responsible for transporting it and dealing with the friable asbestos plaster used to build it.

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Electric Map auction: http://gsaauctions.gov/gsaauctions/aucitdsc/

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-09-11-12 1153GMT


ADDITIONAL IMAGE OF NOTE


'The Battle of Gettysburg, July 3, 1863,' by Currier and Ives. Image courtesy Wikimedia Commons.
‘The Battle of Gettysburg, July 3, 1863,’ by Currier and Ives. Image courtesy Wikimedia Commons.