Fancy dolls, fashions on parade at Frasher’s sale Oct. 20

French bebe. Frasher’s Doll Auctions image.

French bebe. Frasher’s Doll Auctions image.

French bebe. Frasher’s Doll Auctions image.

OAK GROVE, Mo. – Frasher’s Oct. 20 sale titled “From the Store Before – Fancy Dolls & Dry Goods” is just that: a trip down memory lane to the stores of yesterday laden with French and German bisque dolls and all manner of clothing and accessory items for the well-dressed doll.

LiveAuctioneers will provide Internet live bidding during the sale, which will begin at 10:30 a.m. CDT.

French bebes include an exquisite 30-inch blue-eyed Triste Jumeau bebe with pale complexion, a seldom-found petite size 2 Bru Jne in original dress and bonnet, an early 18-inch model of the Schmitt bebe, a seldom-found black model of the Circle Dot Bebe by Bru, plus additional bebes by Steiner, Jumeau and Gauthier.

Close on the heels of the popular bebes is a dainty 11 1/2-inch bisque poupee in original gown accompanied by larger models which include the exceedingly rare 21-inch celluloid smiling poupee by Leon Casimir Bru, and poupees by Jumeau, Simmone and Barrois.

Along with the fine offering of French dolls, there are numerous desirable German models including an all-original 20-inch model of Kestner’s Gibson Girl, appealing 20-inch Hilda toddler and a Hilda baby by Kestner, Gebruder Heubach pouty and laughing child, a 19-inch toddler model of Simon & Halbig 1488 and a fine S&H 1498 boy, a rare mold 700 by Armand Marseille, 15-inch JDK 239 character boy toddler, also dolly-face dolls, character babies, googly-eyed dolls and fine all-bisque models.

One of the important attractions at this auction is a marvelous circa 1905 Cinnamon/Ginger Steiff bear with provenance and pictured with original family member. Also a small collection of 1950s Steiff and other animals, toys and miniatures.

American dolls offered include four models by the Schoenhut firm, two with original wigs and shoes, several sizes of Dionne Quintuplet toddlers and babies by Alexander ranging from size 8 inches to 20 inches, a nice collection of hard plastic Terri & Jerri Lee dolls, plus a Barbie No. 3, Skipper and Scooter by Mattel.

Collectors of cloth dolls will note the three early primitive folk dolls, three Lencis including the rare Jackie Coogan character, small offering of R. John Wright cloth characters, a unique set of King Henry VIII & His Six Wives portrait dolls by Alice Smith, and a large pair of Steiff-type German caricature dolls.

Treasures abound in this auction that’s overflowing with luxurious to simple antique frocks, bonnets, shoes, wigs and all manner of doll ephemera.

The auction can also be viewed on LiveAuctioneers.com. This promises to be an exciting weekend for doll collectors plus an opportunity to view and acquire choice dolls and accessories, said Barbara Frasher of Frasher’s Doll Auctions.

For details phone 816-625-3786.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


French bebe. Frasher’s Doll Auctions image.

French bebe. Frasher’s Doll Auctions image.

Steiff mohair teddy bear, 1907. Frasher’s Doll Auctions image.

Steiff mohair teddy bear, 1907. Frasher’s Doll Auctions image.

Selection of antique and vintage doll clothing. Frasher’s Doll Auctions image.

Selection of antique and vintage doll clothing. Frasher’s Doll Auctions image.

Asia Week New York scheduled for March 15-23, 2013

Kitagawa Utamaro (Japanese, 1754-1806), 'Uwakimono; The Fancy-free Type [someone who is restless, likes to pose and floats on air], from the series 'Kyokun oya no mekagami; A Parent's Moralizing Spectacles,' circa 1802, signed woodblock print. Image courtesy of Joan B. Mirviss Ltd.
Kitagawa Utamaro (Japanese, 1754-1806), 'Uwakimono; The Fancy-free Type [someone who is restless, likes to pose and floats on air], from the series 'Kyokun oya no mekagami; A Parent's Moralizing Spectacles,' circa 1802, signed woodblock print. Image courtesy of Joan B. Mirviss Ltd.
Kitagawa Utamaro (Japanese, 1754-1806), ‘Uwakimono; The Fancy-free Type [someone who is restless, likes to pose and floats on air], from the series ‘Kyokun oya no mekagami; A Parent’s Moralizing Spectacles,’ circa 1802, signed woodblock print. Image courtesy of Joan B. Mirviss Ltd.

NEW YORK – The collaboration of a top-tier roster of international Asian art specialists, major auction houses, museums and Asian cultural institutions will take place throughout metropolitan New York from March 15-23, 2013, it was announced by Henry Howard-Sneyd, Chairman of Asia Week New York, and Sotheby’s Vice-Chairman Asian Art, Americas. A private, invitation-only reception at the Solomon R. Guggenheim Museum will kick-off Asia Week New York on March 15.

“As we head into our fifth year, it is extremely gratifying to see how important Asia Week New York has become for so many international collectors, curators, scholars and Asian Art enthusiasts,” said Howard-Sneyd. “And we are especially delighted that the Guggenheim Museum reception will set the stage for the exciting week of activities.”

Asia Week New York continues to uphold its original commitment to shine a light on a different cultural institution each year with the announcement of the Guggenheim Museum as the 2013 location. Last year, the opening night reception was held at the Morgan Library and Museum, using the opportunity to share rarely seen Asian manuscripts and works of art from its collection. In prior years, receptions for Asia Week New York were held at the Rubin Museum and Asia Society, respectively. “The selection of these diverse cultural institutions reinforces just how important the Asian art field has become to New York’s art scene,” said Howard-Sneyd.

The week-long celebration is filled with a nonstop schedule of simultaneous gallery open houses, Asian art auctions as well as numerous museum exhibitions, lectures, and special events. Participants from England, France, Italy, Japan, Thailand, and the United States unveil an extraordinary array of treasures, which they set aside for their Asia Week New York debut. To help visitors easily navigate the week’s myriad activities, a comprehensive guide with maps will be available at the galleries, auction houses, and cultural institutions, starting February 2013 and online at www.AsiaWeekNewYork.com. For the first time this year, an abridged version of the website will be available in Chinese.

For more information visit www.AsiaWeekNewYork.com.

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ADDITIONAL IMAGE OF NOTE


Kitagawa Utamaro (Japanese, 1754-1806), 'Uwakimono; The Fancy-free Type [someone who is restless, likes to pose and floats on air], from the series 'Kyokun oya no mekagami; A Parent's Moralizing Spectacles,' circa 1802, signed woodblock print. Image courtesy of Joan B. Mirviss Ltd.
Kitagawa Utamaro (Japanese, 1754-1806), ‘Uwakimono; The Fancy-free Type [someone who is restless, likes to pose and floats on air], from the series ‘Kyokun oya no mekagami; A Parent’s Moralizing Spectacles,’ circa 1802, signed woodblock print. Image courtesy of Joan B. Mirviss Ltd.

Report: World contemporary art market resists economic slowdown

An untitled 1981 Jean-Michel Basquiat (1960-1988) acrylic, oilstick and spray paint on wood artwork sold for $16.3 million (est. $8 million to $12 million) at Phillips de Pury's May 10, 2012 Contemporary Art auction. Image courtesy of LiveAuctioneers.com Archive and Phillips de Pury & Co.
An untitled 1981 Jean-Michel Basquiat (1960-1988) acrylic, oilstick and spray paint on wood artwork sold for $16.3 million (est. $8 million to $12 million) at Phillips de Pury's May 10, 2012 Contemporary Art auction. Image courtesy of LiveAuctioneers.com Archive and Phillips de Pury & Co.
An untitled 1981 Jean-Michel Basquiat (1960-1988) acrylic, oilstick and spray paint on wood artwork sold for $16.3 million (est. $8 million to $12 million) at Phillips de Pury’s May 10, 2012 Contemporary Art auction. Image courtesy of LiveAuctioneers.com Archive and Phillips de Pury & Co.

PARIS (AFP) – The world contemporary art market is holding up despite a global economic slowdown, with 2011/2012 auctions returning the third biggest revenues in history, says a report obtained exclusively by AFP.

Receipts from auctions held between June 2011 and June 2012 declined six percent to 860 million euros ($1.1 billion) from a record a year ago of 915 million euros, according to a report from Artprice, which tracks the contemporary art market.

The drop is not alarming, as the overall result counts as the third best performance in history, said the report on public auctions of works by artists born after 1945.

Julian Ellison, CEO of LiveAuctioneers.com, the Manhattan-based provider of Internet live bidding to more than 1,300 auction houses worldwide, agrees.

“Fine art has weathered the ups and downs of the world economy with great agility,” Ellison said. “We are seeing continued interest and strong prices for contemporary and Asian art, in particular.”

Asia had the biggest appetite for contemporary art over the past year, comprising 43 percent of receipts, while Europe accounted for just under 30 percent.

Some 662 contemporary works sold for over 100,000 euros between July 2011 and June 2012 in Asia, compared to just 382 in the United States and 324 in Europe.

By country, China topped the list, accounting for 38.8 percent of auction revenues, up from third place a year ago.

The United States was the second biggest market with 26.1 percent of the total revenues, followed by Britain with 22.6 percent of the market.

France was at fourth place, but with just 2.5 percent of the world market.

For centuries the worldwide art market was dominated by a few European auction houses, but a new generation of collectors in Beijing and Shanghai has pushed China to the forefront in recent years.

The contemporary art market recorded its best annual sales in 2007-2008, when revenues cleared 977 million euros.

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Auction Central News International contributed to this report.


ADDITIONAL IMAGE OF NOTE


An untitled 1981 Jean-Michel Basquiat (1960-1988) acrylic, oilstick and spray paint on wood artwork sold for $16.3 million (est. $8 million to $12 million) at Phillips de Pury's May 10, 2012 Contemporary Art auction. Image courtesy of LiveAuctioneers.com Archive and Phillips de Pury & Co.
An untitled 1981 Jean-Michel Basquiat (1960-1988) acrylic, oilstick and spray paint on wood artwork sold for $16.3 million (est. $8 million to $12 million) at Phillips de Pury’s May 10, 2012 Contemporary Art auction. Image courtesy of LiveAuctioneers.com Archive and Phillips de Pury & Co.

Maine crafts group seeks special ‘artsy’ license plate

The Maine Crafts Association hopes a special license plate for arts and crafts can help generate funds for scholarships, similarly to the way in which the University of Maine black bear plate does. Photo credit: Maine Bureau of Motor Vehicles.
The Maine Crafts Association hopes a special license plate for arts and crafts can help generate funds for scholarships, similarly to the way in which the University of Maine black bear plate does. Photo credit: Maine Bureau of Motor Vehicles.
The Maine Crafts Association hopes a special license plate for arts and crafts can help generate funds for scholarships, similarly to the way in which the University of Maine black bear plate does. Photo credit: Maine Bureau of Motor Vehicles.

AUGUSTA, Maine (AP) – The Maine Crafts Association wants to have a new specialty license plate in support of crafts, art and creativity.

The group is soliciting submissions for possible designs for the plate, from which a winning design will be selected. The submission deadline is Oct. 12.

Organizers say once the plate design is chosen, they will begin collecting 2,000 signatures, each with a $25 contribution, as required by the Office of the Secretary of State.

If the association meets its goal, the plate would be available to the public beginning in 2014. A portion of the plate’s cost would go to the Maine Crafts Association in support of programming, marketing and scholarships.

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Online: http://mainecrafts.org/

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ADDITIONAL IMAGE OF NOTE


The Maine Crafts Association hopes a special license plate for arts and crafts can help generate funds for scholarships, similarly to the way in which the University of Maine black bear plate does. Photo credit: Maine Bureau of Motor Vehicles.
The Maine Crafts Association hopes a special license plate for arts and crafts can help generate funds for scholarships, similarly to the way in which the University of Maine black bear plate does. Photo credit: Maine Bureau of Motor Vehicles.

Cost delays planned NW Iowa archaeological dig

The Mini-Wakan State Park shelter house, shown here in an unfinished state, was restored rather than being pulled down, thanks in part to the efforts of the Spirit Lake Protective Association. The new design restored the structure, added a galley kitchen consistent with the building's original design, a picnic shelter, restrooms and a tent pad for large gatherings. Photo credit: Spirit Lake Protective Association, http://miniwakan.theslpa.org.
The Mini-Wakan State Park shelter house, shown here in an unfinished state, was restored rather than being pulled down, thanks in part to the efforts of the Spirit Lake Protective Association. The new design restored the structure, added a galley kitchen consistent with the building's original design, a picnic shelter, restrooms and a tent pad for large gatherings. Photo credit: Spirit Lake Protective Association, http://miniwakan.theslpa.org.
The Mini-Wakan State Park shelter house, shown here in an unfinished state, was restored rather than being pulled down, thanks in part to the efforts of the Spirit Lake Protective Association. The new design restored the structure, added a galley kitchen consistent with the building’s original design, a picnic shelter, restrooms and a tent pad for large gatherings. Photo credit: Spirit Lake Protective Association, http://miniwakan.theslpa.org.

SPIRIT LAKE, Iowa (AP) – Plans for an archaeological dig have been delayed at the Mini-Wakan State Park on Spirit Lake due to a hefty price tag.

Officials just finished rehabbing the park’s lodge and plan to put in a parking lot next fall. However, surveys by the Office of the State Archaeologist suggest the site for the lot might hold well-preserved remnants of prehistoric villages.

A dig could unearth information about life in Iowa more than 2,000 years ago: what people ate, whether they cultivated crops and what their homes were like. But the roughly $240,000 bill led Iowa Department of Natural Resources officials to put plans on hold.

The site dates back to the Woodland Period and spans from 800 B.C. to 1000 A.D.

“It’s the late end of the prehistoric period. We start to see people who are gardening and staying put longer. We see ceramic vessels for the first time. It’s a dynamic period with a lot of changes going on,” said Melody Pope, of the Office of the State Archaeologist.

Although sites from the period have been found in Minnesota, Pope said, a well-preserved site in Iowa is rare.

“This site is almost pristine. The kinds of information that you can get from that sort of site, maybe finding remnants of houses or work areas, would help fill the gaps in our history,” she said.

State officials found the previously unrecorded site during routine surveys that are required every time there is major construction on state property.

Officials dug small holes into the earth throughout the proposed construction site and came up with shards of pottery and carbonized plant materials, even pieces of animal bone, indicating the site once held significant populations, Pope said.

That opened the door for a small dig at the site to recover materials and information.

Plans were on to start the dig in September, but were delayed when the estimated price tag came in at nearly a quarter million dollars.

“That kind of put us back on our heels a little bit. Typically, we would simply build around the site, but the park is so small that all of the options risk damaging the archaeological site,” said Kevin Szcodronski, chief of the Iowa Department of Natural Resources State Parks Bureau.

He said the dig might still take place in the spring or summer.

While a few other sites from the period have been studied, Dan Higginbottom, an archaeologist with the State Historic Preservation Office, said those digs were all in the ’70s and ’80s. Much more can be revealed with today’s technology.

“We have made great advances in genetics and understanding DNA sequences. We can’t say for certain right now who the Woodland People were or who they are connected to ancestrally, but in the future that may be a possibility,” he said.

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Information from: Sioux City Journal, http://www.siouxcityjournal.com

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ADDITIONAL IMAGE OF NOTE


The Mini-Wakan State Park shelter house, shown here in an unfinished state, was restored rather than being pulled down, thanks in part to the efforts of the Spirit Lake Protective Association. The new design restored the structure, added a galley kitchen consistent with the building's original design, a picnic shelter, restrooms and a tent pad for large gatherings. Photo credit: Spirit Lake Protective Association, http://miniwakan.theslpa.org.
The Mini-Wakan State Park shelter house, shown here in an unfinished state, was restored rather than being pulled down, thanks in part to the efforts of the Spirit Lake Protective Association. The new design restored the structure, added a galley kitchen consistent with the building’s original design, a picnic shelter, restrooms and a tent pad for large gatherings. Photo credit: Spirit Lake Protective Association, http://miniwakan.theslpa.org.

Venetian paintings reunited at Newport’s The Elms

1969 photo of the grand interior staircase and entrance hall of 'The Elms,' Edward J. Berwind Mansion, Bellevue Avenue, Newport, R.I., built 1899-1901. Photo by Jack E. Boucher (1931-2012). Courtesy of Library of Congress, Prints & Photographs Division, RI, 3-NEWP, 60-19.
1969 photo of the grand interior staircase and entrance hall of 'The Elms,' Edward J. Berwind Mansion, Bellevue Avenue, Newport, R.I., built 1899-1901. Photo by Jack E. Boucher (1931-2012). Courtesy of Library of Congress, Prints & Photographs Division, RI, 3-NEWP, 60-19.
1969 photo of the grand interior staircase and entrance hall of ‘The Elms,’ Edward J. Berwind Mansion, Bellevue Avenue, Newport, R.I., built 1899-1901. Photo by Jack E. Boucher (1931-2012). Courtesy of Library of Congress, Prints & Photographs Division, RI, 3-NEWP, 60-19.

NEWPORT, R.I. (AP) – The dining room of one of Newport’s best-loved mansions, The Elms, has been restored to its original appearance as a series of early 18th-century Venetian paintings that were the basis for the room’s design have been reunited for the first time in 50 years.

The 10 paintings were commissioned by the Corners, a prominent Venice family. They depict scenes from the life of the Roman General Scipio Africanus, from whom they claimed ancestry, as well as scenes depicting the Corner family’s deeds in service of Venice. The collection is the most complete series of Venetian history painting outside of Venice, said John Tschirch, director of museum affairs at the Preservation Society of Newport County, which runs The Elms and several of Newport’s other famed mansions.

Six artists are believed to be represented, including Sebastiano Ricci, Antonio Molinari and Giovanni Antonio Pellegrini.

The Elms sits on Bellevue Avenue, the tree-lined artery that runs past many of the city’s most splendid Gilded Age homes. It was built in the late 19th and early 20th century at a cost of $1.4 million by Philadelphia architect Horace Trumbauer as a summer residence for Edward Julius Berwind, a coal magnate, and his wife. The interior was designed by Allard of Allard and Sons of Paris, which obtained the Venetian paintings for the house. They designed the dining room around eight of the paintings, while two were hung in the mansion’s front entryway.

Some of the paintings were almost lost in the 1960s when a relative who inherited the home decided to sell it, said Trudy Coxe, executive director of the preservation society. The four largest paintings, two in the entry hall and two in the dining room, each around 12 feet by 12 feet, were sealed to the walls with white lead and so could not be removed without being destroyed.

The house was sold to a developer and the contents were sold at auction in June 1962, including the six Venetian paintings that could be removed.

“Ever since that fateful June day, we have been trying to get those paintings back,” Coxe said.

The sale mobilized a group of concerned citizens who did not want to see The Elms bulldozed and replaced by a shopping mall. They raised $100,000 to buy it and opened it to the public. In 1996, it became a National Historic Landmark.

Over the years, the society was able to reacquire many of the treasures and furnishings from the mansion, including the dining room table, which was being used by Brown University as a conference table. In 2004, the society struck a deal with the New York art dealers Wildenstein & Company to purchase four of the paintings for $250,000 total.

But two, both done by Ricci and considered the finest, remained at Wildenstein. The pair together were valued at more than $1 million, too much for the society to afford.

Finally, this year, thanks to a small group of donors, they were able to strike a deal for the two: $650,000, the largest purchase the society has ever made.

The return of the final two paintings, and their installation over two doors in August, returned the room to its original splendor.

Before their return, “it would have been a pretty room,” Coxe said. “Now, it’s magnificent.”

Many of the room’s elements were designed with a nod to Venice and the Ca’ Corner, the mansion where the paintings originally hung. Those details include the cast plaster ceiling complete with the winged lion of St. Mark’s, geometric patterning on the doors, finely crafted sideboards and a marble mantelpiece.

Now that the paintings are together in the same place, art experts can begin to study them in full. It’s not definitively known who painted some of the works, and reuniting them makes answering that and other questions possible, Tschirch said.

“It rarely happens, the reuniting of art on this scale,” Tschirch said. “Once you reunite a series of historical paintings, you can do a critical appraisal. This is what’s fascinating the art world.”

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Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


ADDITIONAL IMAGE OF NOTE


1969 photo of the grand interior staircase and entrance hall of 'The Elms,' Edward J. Berwind Mansion, Bellevue Avenue, Newport, R.I., built 1899-1901. Photo by Jack E. Boucher (1931-2012). Courtesy of Library of Congress, Prints & Photographs Division, RI, 3-NEWP, 60-19.
1969 photo of the grand interior staircase and entrance hall of ‘The Elms,’ Edward J. Berwind Mansion, Bellevue Avenue, Newport, R.I., built 1899-1901. Photo by Jack E. Boucher (1931-2012). Courtesy of Library of Congress, Prints & Photographs Division, RI, 3-NEWP, 60-19.

Furniture Specific: Household pests

The damage to this 18th century New England tiger maple tilt-top was done by dry wood termites after it was moved south and placed in unprotected storage.
The damage to this 18th century New England tiger maple tilt-top was done by dry wood termites after it was moved south and placed in unprotected storage.
The damage to this 18th century New England tiger maple tilt-top was done by dry wood termites after it was moved south and placed in unprotected storage.

Part of the adventure of antique furniture is studying to learn more about it. Then you get to look around and decide what you like. Then all you have to do is acquire it, get it home safely and live happily ever after. Right?

I don’t think so. After you get it home the second half of the project begins. That second half, in addition to care and maintenance, involves defense. Believe it or not there is an entire category of creatures out there, or more correctly in your home, who, as they go about their daily business, either accidentally or on purpose attack, injure or destroy your furniture.

Those creatures can loosely be grouped together in the category of “furniture pests” and can be broken down further into classes with the names Insects, Pets and Humans.

 

INSECTS

Insects are the most devious because they are small, work out of sight and have evolved over millions of years to be invisible and indestructible. If left to work undisturbed they can, over a long period of time, destroy a valuable antique and anything else that stands still for that long.

Destructive insects fall into two categories, beetles and termites. The most commonly known beetles are the so-called “powder post” beetles. Their ability to render the insides of a nice piece of wood furniture into a substance the consistency of baby powder is the reason for their name. These little beasties are brownish, dry wood-eating insects ranging in size from one-twelfth to one-fifth inch long. You won’t know you have them until they are gone because the main evidence is the exit hole as they leave the furniture. The adults mate and the female lays her eggs in cracks, crevices or old exit holes where they hatch into larvae and eat their way through the yummy cellulose before they pupate and emerge as beetles to start over again. You can treat the area with insecticide, but you are better off asking a professional exterminator for help.

Another pesky beetle is the carpet beetle, small, oval-shaped beetles about one-eighth inch long, usually shiny black in the most common form. Here too the destructive phase is in the larvae, which may grow to one-half inch long. They have a voracious appetite for any substance that contains keratin, a principal protein found in animal hair and feathers. Upholstery and carpet are the main targets, especially those that contain wool and horsehair. Vigilance and cleanliness are the best routes for detection and disposal.

In southern regions of the country dry wood termites, known in the 19th century as “furniture termites” because of their propensity to eat furniture regularly, can be a constant problem. The only solution is fumigation by an exterminator.

So much for the wild critters. Now let’s look at some of the invited domestic pests.

 

PETS

As destructive as the insect pests can be, the next category of pests, while generally loveable, can also do some serious damage. We all love our pets, otherwise we wouldn’t have them. Besides what harm can they do?

Dogs are the primary, but certainly not the only, culprits. Dogs just have this desire to gnaw – and gnaw – and gnaw. They start as puppies with needle-sharp teeth and continue through life gnawing on bones, real or rawhide, toys, sticks, shoes, houses (my brother’s two boxers ate off the corner of his house), woodwork and sometimes furniture. Sometimes I think they just gnaw out of boredom. Good behavior is highly prized in house dogs but even the best of them get bored occasionally and chew on the footboard. I once repaired a king-size bed that belonged to a police officer. His German shepherd basically just ate the blanket rail on the bed one day. No reason. I fixed it nicely and that was that. Until two years later. The same cop brought back the same footboard with the same blanket rail chewed in all the areas that had not been patched with filler earlier. I asked him why he had not trained that dog better in the past two years. Turns out it wasn’t the original dog this time. It was the dog’s son, born after I did the first fix. Maybe it was genetic.

Upholstery can also take a beating from pets. Sometimes it’s just too much to ask that they not tear up the pillow or take the occasional nap on the couch. And cats just love to stretch their claws on rough fabric. It’s good exercise, you know.

Dogs, and sometimes even cats, do have “outdoor” accidents inside and unless you discover the faux pas right away you could end up with an unpleasant smell at best and or even stained and faded furniture and accessories to accompany that odor.

One of the hardest refinish jobs I ever took was a mahogany dining table that was the territory of the owner’s cat. The cat spent hours each day on that table, doing whatever it is that cats do. One day, in keeping with time-honored tradition, a new maid “polished” the table with that greasy kid stuff I have spoken about. The cat didn’t know though and when he next jumped up on the tabletop he started to skid to the other end. Naturally in a panic he put on the brakes, all claws to maximum extension. It saved the cat from a slight fall but it sure did mess up that nice table. I told the owner I would be happy to fix the table but if the cat ever did that again she must not call me to fix it again. I worked hard on that table and got all the cat marks to disappear. It was tricky. I delivered the table, she was pleased and I got paid. The next week she called. The cat had done it again. I sure hope she got it fixed – the cat –not the table.

Dogs and cats can do some damage on occasion but what’s the harm in a bird? It depends on the bird. I had a customer who had a large parrot she had raised almost from birth. He was her darling and they carried on regular conversations. He never saw a door closed on his cage and he never caused any damage until he got bored or tired or mad one day. Then while the boss was at work he attacked the mirror in the bedroom. Or rather he attacked the wood frame. He gnawed (pecked?) that frame as thoroughly as the shepherd worked on the blanket rail. She managed to save some of the slivers but I told her it was a wasted effort. Get a new frame and a lock for the birdcage.

 

HUMANS

But pets are no match for the most destructive of all furniture pests, humans. Human furniture pests can be identified in three groups – kids, maids and jerks. Kids don’t usually, at least intentionally, set out to damage a piece of furniture. It’s just that they have a different set of priorities than most adults have and their lack of experience is awe-inspiring. Crayons and fingernail polish don’t seem like destructive devices to most folks but in combination with kids and an antique finish the results can be devastating. Toy tractors, race cars and the like can have an equally disappointing result on coffee table tops and end tables. Most adhesives, even school glue, are a danger in the wrong hands around nice old furniture. Even passive activities that involve computer games require a surface to hold some of the equipment and that can be costly in the wrong situation.

The maze created by the legs of the tables and chairs in the dining room is a must for every active crawler. What could possibly be wrong with chasing a friend through that maze? And if the friend happens to be your dog that’s even better. I once had a marble-top server from the mid 19th century in my dining room. One day I happened to notice the top was tilted and the 4-foot slab of marble was in danger of taking a tumble. One of the back legs apparently had given way under the weight. I repaired it with no harm done. It was only years later when my son went to college that he admitted he and his sister were playing chase with the Labrador retriever in the dining room and somebody hit the leg.

But at least kids have some excuse. They are young. Most domestic maids do not have that disadvantage. While there are certainly many competent and caring maids, there are just as many who are not and their care, or lack of it, can have serious consequences for antique furniture. One objective of many maids is to justify their existence. If the furniture looks good from their efforts their job is secure. But at what cost to the furniture? Sometimes what makes a piece look great in a very short time is not the right thing for the piece in the long run, but by then it may be too late. And why bother to pick up a table to move it to vacuum under it when it’s just as easy to drag it out of the way? Besides, nobody will ever know. The same with chairs. But enough about that.

The next category of human pest is perhaps the worst. That’s the jerk, the person who just doesn’t care or doesn’t bother to think about whether his/her actions will harm a piece of furniture. One symptom of this affliction is the propensity to lean a chair back on the rear legs. Chairs usually have four legs that are each designed to carry one fourth of the load. To double that up can cause long-term damage to the chair, the floor and the leaner, if he falls backward. But perhaps the worst offender is the one who chooses a piece of furniture that is not appropriate for his/her size. Have you ever noticed that delicate chairs attract large people? Do you know some furniture jerks?

Send comments, questions and pictures to Fred Taylor at P.O. Box 215, Crystal River, FL 34423 or email them to him at info@furnituredetective.com.

Visit Fred’s website at www.furnituredetective.com. His book How To Be a Furniture Detective is available for $18.95 plus $3 shipping. Send check or money order for $21.95 to Fred Taylor, P.O. Box 215, Crystal Fiver, FL, 34423.

Fred and Gail Taylor’s DVD, Identification of Older & Antique Furniture ($17 + $3 S&H) is also available at the same address. For more information call 800-387-6377, fax 352-563-2916, or info@furnituredetective.com. All items are also available directly from his website.


ADDITIONAL IMAGES OF NOTE


The damage to this 18th century New England tiger maple tilt-top was done by dry wood termites after it was moved south and placed in unprotected storage.
The damage to this 18th century New England tiger maple tilt-top was done by dry wood termites after it was moved south and placed in unprotected storage.
Undetected and untreated termites destroyed the pedestal and legs of the table.
Undetected and untreated termites destroyed the pedestal and legs of the table.

Chinese artist Ai Weiwei’s company faces shutdown

Ai Weiwei in a June 2007 photo by Benutzer. Licensed under the Creative Commons Attribution-Share Alike 2.0 Germany license.
Ai Weiwei in a June 2007 photo by Benutzer. Licensed under the Creative Commons Attribution-Share Alike 2.0 Germany license.
Ai Weiwei in a June 2007 photo by Benutzer. Licensed under the Creative Commons Attribution-Share Alike 2.0 Germany license.

BEIJING AFP) – Chinese authorities will shut down the company founded by Ai Weiwei, his lawyer said Tuesday, in the latest step in what the dissident artist has called a campaign of persecution to silence his activism.

Ai’s lawyer Liu Xiaoyuan said the business license of the company, Fake Cultural Development, would be revoked for failing to follow annual registration requirements.

The burly, wispy-bearded Ai, 55, has been under pressure over government allegations of tax evasion by the company, resulting in a $2.4 million fine by the Beijing tax bureau last year.

The internationally renowned avant-garde artist, who denies the allegations, has emerged as a fierce government critic, often through his prolific use of the Internet and social media.

Liu said it was not immediately clear when the closure would take place or how it would affect the tax penalty.

Another lawyer advising Ai said the shutdown would not impact his art career, as he could undertake projects in his own name, while the company had already ceased operations.

“The company practically speaking doesn’t exist anymore,” said Du Yanlin.

Supporters helped Ai raise $1.3 million to pay the bond required to contest the charge, but the balance of the fine remains to be paid.

A Beijing court rejected his final appeal last week.

“If the company has already been been revoked and no longer exists, and there remains more than six million (yuan) in fines, who is supposed to pay it?” said Liu, adding that they had requested a hearing on the matter.

Ai’s outspoken criticism of China’s leaders and involvement in sensitive social campaigns have made him a thorn in the government’s side.

He is known for tallying the number of schoolchildren killed in a 2008 earthquake, a taboo subject because many schools collapsed while other buildings did not, fuelling suspicion that corruption led to poor construction.

Ai was detained for 81 days last year amid a roundup of activists during the Arab Spring popular uprisings and, upon release, accused of tax evasion and barred from leaving the country for one year.

Although the travel ban expired this June, Ai said he was still unable to travel abroad pending an investigation for alleged crimes including putting “pornography” on the Internet.

The restriction has prevented him from attending overseas exhibitions of his work, the value of which has shot up since his detention thrust him into the global spotlight.


ADDITIONAL IMAGE OF NOTE


Ai Weiwei in a June 2007 photo by Benutzer. Licensed under the Creative Commons Attribution-Share Alike 2.0 Germany license.
Ai Weiwei in a June 2007 photo by Benutzer. Licensed under the Creative Commons Attribution-Share Alike 2.0 Germany license.

Material Culture to rekindle ‘Spirits of Reincarnation’ with Oct. 14 auction

14th-16th century Tibetan Thangka scroll painting of Vajra Varahui (Sanskrit), Dorje Pakmo (Tibetan), 21 x 18½ inches. Provenance: Bill Liske. Est. $3,000-$4,000.

14th-16th century Tibetan Thangka scroll painting of Vajra Varahui (Sanskrit), Dorje Pakmo (Tibetan), 21 x 18½ inches. Provenance: Bill Liske. Est. $3,000-$4,000.

14th-16th century Tibetan Thangka scroll painting of Vajra Varahui (Sanskrit), Dorje Pakmo (Tibetan), 21 x 18½ inches. Provenance: Bill Liske. Est. $3,000-$4,000.

PHILA., Pa. – An important artwork by Prince Twins Seven-Seven (Nigerian, 1944-2011) not only co-headlines Material Culture’s 450-lot Oct. 14 auction, it also inspired the event’s title: “The Spirits of My Reincarnation Brothers and Sisters.”

Deeply mystical and immediately identifiable, the works of Prince Twins Seven-Seven have spurred a new level of interest in the marketplace since Material Culture offered several exciting multimedia paintings by the artist in their May 5 auction debut. The self-taught Prince Twins Seven-Seven expressed his boundless imagination in themes that blended esoteric imagery with a vibrant, traditional West African color palette. The 65 by 58-inch batik dye, watercolor, acrylic and oil-on-cloth painting featured in Material Culture’s Oct. 14 sale was purchased directly from the artist in 2007 and is one of seven of his works entered in the sale. It is expected to realize $5,000-$7,000.

Other self-taught artists represented in the October offering include Vojislav Jakic, Kwame Akoto a k a Almighty God, Purvis Young and Felipe Jesus Consalvos, a Cuban-American (1891-1960) who worked as a cigar roller but whose natural talent as an artist was not widely known until after his death. Consalvos created visually stunning modernist collages that incorporate cigar bands and cigar-box paper with photographs, postage stamps and magazine images. His mixed-media collage titled “Let Dreams Come True” was created around the second quarter of the 20th century. It measures 10 x 8 inches (15¾ x 13¾ inches framed) and comes with provenance from the Fleisher/Ollman Gallery. Estimate: $1,500-$2,000.

The auction — which will feature Internet live bidding through LiveAuctioneers.com — will showcase a selection of items from the Bill Liske collection of early Chinese and Tibetan textiles, carpets and ethnographic artworks. Material Culture’s first offering of articles from the Liske collection – auctioned on May 26 – was enthusiastically received, said owner George Jevremovic, a cultural arts dealer of 30+ years.

“The Liske collection is special because it reflects the impeccable eye of a collector who lived and worked as a mountaineering guide in the Himalayan region for three decades. Textile dealers in the area taught him how to identify pieces that were genuinely exceptional,” said Jevremovic.

Liske’s expertly chosen collection has appeared at the History Museum in Denver, the Krimsa Gallery in San Francisco, the Shaver-Ramsey Gallery in Denver, and in Hali magazine.

A premier artwork in the Liske collection is a powerfully rendered early Thangka scroll painting depicting the deific reincarnation known as Vajra Varahi in Sanskrit and Dorje Pakmo in Tibetan. Dating to 14th-16th century Tibet, it is valued at $3,000-$4,000.

Another auction highlight is the Michaelian Meshed (31 feet by 47 feet), a circa-1900 Persian carpet originally custom-woven for the prestigious Union League Club in New York City. It remained in the club for decades until its purchase in the 1950s by Frank Michaelian of Michaelian and Kohlberg. Suitable for a discriminating owner with a palatial space, it will be offered for sale publicly for the first time in its history on Oct. 14, with an auction estimate of $60,000-$90,000.

An outstanding 19th-century Syrian silk and gold judge’s tunic from the collection of Samy and Sara Rabinovic, Philadelphia, was the blue-ribbon exhibition winner at the 1996 International Conference on Oriental Carpets, and is expected to fetch $3,000-$4,000. Also up for auction is a rare pre-Columbian funerary headband made with a knotted-pile technique, valued at $1,000-$1,500; and a 19th-century Tibtetan or Bhutanese bull-headed Buddhist dance mask of meditational deity Yamantaka. The mask’s vivid red hue was achieved by applying pigment to a papier-mâché of laurel or mulberry. Estimate: $3,000-$4,000.

Other categories of artifacts include an outstanding group of 17th-18th century Mughal columns and arches from northern India, 16th- to 19th-century Ottoman, Central Asian, Asian, African, Continental and pre-Columbian textiles, 17th-19th century Oriental Carpets, African, Himalayan and Oceanic Tribal Arts, antiquities from the Near East, Americas and Asia; 18th- to 20th-century folk art from Europe, Asia, Africa and the Americas; and 100+ lots of vintage Navajo jewelry from a private Pennsylvania collection assembled in the 1970s.

“From the beginning it has been our goal to present pieces of diverse origin that would present collecting opportunities for every level of buyer, from beginners to advanced collectors and interior designers. In addition, we take the position that it is better to have around 400 items of very good to excellent quality – from consignors who have realistic expectations – than to create a more-specialized sale with a few stars and lots of filler,” said Jevremovic, explaining his company’s mission.

“This is an age in which corporate auction departments seek to maximize their bottom lines with million-plus-dollar items or high-profile sales that have more to do with celebrity and fashion than quality or connoisseurship. We believe some of the best collecting opportunities – particularly for younger buyers worldwide – exist in the areas we are presenting in our October 14th sale: self-taught, folk, ethnographic, decorative and traditional arts,” Jevremovic said.

Material Culture’s Sunday, Oct. 14, 2012 auction will commence at 11 a.m. Eastern Time. For additional information on any lot in the sale, email expert@materialculture.com or call 215-438-4700.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


14th-16th century Tibetan Thangka scroll painting of Vajra Varahui (Sanskrit), Dorje Pakmo (Tibetan), 21 x 18½ inches. Provenance: Bill Liske. Est. $3,000-$4,000.

14th-16th century Tibetan Thangka scroll painting of Vajra Varahui (Sanskrit), Dorje Pakmo (Tibetan), 21 x 18½ inches. Provenance: Bill Liske. Est. $3,000-$4,000.

Prince Twins Seven-Seven (Nigerian, 1944-2011), ‘The Spirits of my Reincarnation Brothers and Sisters #2,’ ink, watercolor, acrylic, and oil on cloth, stretcher; 2007, 65½ x 58 inches. Est. $5,000-$7,000. Material Culture image.

Prince Twins Seven-Seven (Nigerian, 1944-2011), ‘The Spirits of my Reincarnation Brothers and Sisters #2,’ ink, watercolor, acrylic, and oil on cloth, stretcher; 2007, 65½ x 58 inches. Est. $5,000-$7,000. Material Culture image.

Felipe Jesus Consalvos (Cuban-American, 1891-1960), ‘Let Dreams Come True,’ mixed-media collage, circa 1920-1950, 10 x 8 inches (sheet). Est. $1,500-$2,000. Material Culture image.

Felipe Jesus Consalvos (Cuban-American, 1891-1960), ‘Let Dreams Come True,’ mixed-media collage, circa 1920-1950, 10 x 8 inches (sheet). Est. $1,500-$2,000. Material Culture image.

Syrian judge's robe, Aleppo, 19th century, gold-embroidered silk, tapestry weave. Provenance: Samy and Sara Rabinovic. First-prize winner at 1996 ICOC Conference. Est. $3,000-$4,000. Material Culture image.

Syrian judge’s robe, Aleppo, 19th century, gold-embroidered silk, tapestry weave. Provenance: Samy and Sara Rabinovic. First-prize winner at 1996 ICOC Conference. Est. $3,000-$4,000. Material Culture image.

The monumental Michaelian Meshed Carpet, Persia, circa 1900, 31 x 47 feet, custom-woven for the Union League Club, New York City; purchased in 1950s by Frank Michaelian of Michaelian and Kohlberg. Est. $60,000-$90,000. Material Culture image.

The monumental Michaelian Meshed Carpet, Persia, circa 1900, 31 x 47 feet, custom-woven for the Union League Club, New York City; purchased in 1950s by Frank Michaelian of Michaelian and Kohlberg. Est. $60,000-$90,000. Material Culture image.

Japanese robot learns living artist’s brush strokes

Japanese karakuri automaton, circa 1800, that serves tea. Tokyo National Science Museum. Image by PHGCOM. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Japanese karakuri automaton, circa 1800, that serves tea. Tokyo National Science Museum. Image by PHGCOM. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Japanese karakuri automaton, circa 1800, that serves tea. Tokyo National Science Museum. Image by PHGCOM. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

MAKUHARI, Japan (AFP) – Robots that can mimic the exact brush strokes of master painters or calligraphers could recreate their work, a Japanese researcher said Tuesday.

“We have been able to teach this robot to successfully copy the brush strokes of a master of calligraphy,” said Seiichiro Katsura, an associate professor of system design engineering at Keio University.

A perfect copy of a work by long-dead artists such as Monet or Picasso is not possible, however, as the robot needs a living model to imitate, applying the same pressure and making the same gestures, Katsura said.

But the technology could be used in complex surgery or mechanics.

“In Japan, where the population is quickly ageing, there are fears that valuable skills may not be handed down to younger generations,” said Katsura.

The robot was on display at Asia’s biggest tech fair – the Combined Exhibition of Advanced Technologies (CEATEC) – which opened on Tuesday at Makuhari, near Tokyo.

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ADDITIONAL IMAGE OF NOTE


Japanese karakuri automaton, circa 1800, that serves tea. Tokyo National Science Museum. Image by PHGCOM. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Japanese karakuri automaton, circa 1800, that serves tea. Tokyo National Science Museum. Image by PHGCOM. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.