Ryan O’Neal wins appeals ruling in defamation case

Farrah Fawcett and Craig Nevius in 2008. Image by Windmill Entertainment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Farrah Fawcett and Craig Nevius in 2008. Image by Windmill Entertainment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Farrah Fawcett and Craig Nevius in 2008. Image by Windmill Entertainment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

LOS ANGELES (AP) – Ryan O’Neal may have enough evidence to show that he was defamed by a man who claimed the actor stole a valuable portrait of the late Farrah Fawcett, an appeals court ruled Thursday.

A divided panel of the 2nd District Court of Appeal ruled that O’Neal’s case against Craig Nevius, a former Fawcett associate, should be allowed to proceed and that the actor may be able to win some damages. One justice disagreed and wrote that the case should be dismissed.

O’Neal sued in July 2011, claiming he was defamed by Nevius’ comments that the actor had stolen a Fawcett portrait created by Andy Warhol. The painting is the subject of a separate lawsuit between O’Neal and the University of Texas, which claims Fawcett left the artwork to the school after her 2009 death.

Nevius’ attorney, Lincoln Bandlow, said he would appeal the ruling to the California Supreme Court. He had appealed a lower court’s ruling allowing the case to go forward.

O’Neal’s attorney Todd Eagan wrote in a statement that he and O’Neal were pleased with the ruling. “We look forward to a complete victory against Mr. Nevius at trial,” he wrote.

O’Neal’s suit seeks more than $1 million in damages. He claimed in the case that Warhol gave him the portrait and he intends to bequeath it to his only son from his longtime relationship with Fawcett, Redmond O’Neal.

Nevius’ comments that O’Neal stole the artwork were made in interviews with Star magazine and Good Morning America, and he cooperated with UT investigators searching for the portrait.

Although Nevius initially denied he accused O’Neal of stealing the painting, he acknowledged in a later court filing that he made the claim to university investigators.

“The inferences reasonably drawn from the evidence here would support a jury’s finding that Nevius harbored strong ill-feelings toward O’Neal,” the justices siding with O’Neal wrote. The dissent argues that Nevius’ comments were constitutionally protected speech and the case should have been dismissed.

O’Neal’s fight with UT over the portrait returns to court Feb. 27.

The actor and Nevius have battled in court for years.

Nevius collaborated on a documentary of Fawcett’s fight with cancer but sued the actor claiming he interfered in the project and removed him from it shortly before Fawcett’s death. The case was dismissed before trial.

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Anthony McCartney can be reached at http://twitter.com/mccartneyAP .

Copyright 2013 Associated Press. All rights reserved. This material may no be published, broadcast, rewritten, or redistributed.

AP-WF-02-15-13 0332GMT

ADDITIONAL IMAGE OF NOTE

Farrah Fawcett and Craig Nevius in 2008. Image by Windmill Entertainment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Farrah Fawcett and Craig Nevius in 2008. Image by Windmill Entertainment. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Indianapolis museum aims to boost attendance, cut costs

Clowes Pavilion at Indianapolis Museum of Art. Image by Daderot, courtesy of Wikimedia Commons.
Clowes Pavilion at Indianapolis Museum of Art. Image by Daderot, courtesy of Wikimedia Commons.
Clowes Pavilion at Indianapolis Museum of Art. Image by Daderot, courtesy of Wikimedia Commons.

INDIANAPOLIS (AP) – The Indianapolis Museum of Art is taking steps to cut costs and increase attendance in hopes of reducing reliance on its endowment to cover expenses.

The museum has a $326 million endowment, which director Charles Venable says is “a nice endowment.” It’s rebounded since tumbling from $393 million before the recession to $266 million, but Venable says the strategy is designed to help it grow back to its pre-recession level.

“I do want to make sure we get back as soon as possible to taking a conservative amount from our endowment,” Venable told the Indianapolis Business Journal.

Venable wants the museum to reduce its dependency on the fund to 5 percent, ideally reaching the 4 percent range.

The first step is to reduce the institution’s $22 million annual budget. Venable has already merged seven departments into five and eliminated the job of its chief operating officer. More of the museum’s 250 jobs could follow.

Venable also hopes to double the number of annual visitors from the current 400,000, which is well below the 1 million annual visitors the museum can accommodate.

“I need more customers in the buildings,” he said. “Then you will get a higher number of people who will actually buy lunch and buy cups of coffee and buy from the gift shop and buy tickets to exhibitions.”

Venable blamed the attendance numbers on a lack of major special exhibits.

He hopes to change that with a three-month Henri Matisse exhibit that opens in October.

Museum officials say the exhibit could draw 80,000 to 100,000 people. Though the exhibit will cost more than $1 million, Venable said he is confident the IMA will come out ahead.

“We have to get over a certain threshold where we gamble that we can get that many people,” he said.

If the Matisse exhibit does well, Venable hopes to feature three or four world-renowned artists a year, compared with the current one or two.

“Certain artists just have followings. What you have to do is balance those kinds of things – hit-it-out-of-the-ballpark artists – with local artists, emerging artists. You just can’t spend $1 million” bringing in lesser-known works, he said.

Venable acknowledged that bringing in more people alone won’t improve the bottom line right now because general admission, excluding special exhibits, is free. When attendance increases, the IMA has to hire more staff to handle the influx.

“If you just do the straight math and say it’s all about the bottom line, the more people we have in this building, the more it will cost us,” Venable said.

He hopes to take a page from the Virginia Museum of Fine Arts in Richmond.

Paid annual memberships at the museum have grown from a 2009 low of 6,900 to 37,000. In contrast, the IMA has 6,400 paid memberships.

Memberships at both museums cover admission to special exhibits and parking, as well as discounts at gift shops and restaurants.

The Virginia Museum, which also offers free general admission, became more aggressive about staging high-profile exhibits after a $200 million renovation in May 2010. Shows since the reopening have featured Pablo Picasso paintings and Faberge decorative objects.

Director Alex Nyerges said the exhibits helped bring in new members who generated several million dollars in annual revenue, allowing the museum to increase its budget from less than $17 million a year to $32 million.

“To boost attendance and boost membership, they go hand in hand,” Nyerges said.

Venable said drawing more visitors each year could pave the way for the IMA to start charging for general admission.

He notes that The Children’s Museum of Indianapolis offered free admission before 1991 but now charges $18.50 for adult general admission.

“This year, they’re doing 1.2 million visitors, which is, what, three times the people (as the IMA)? And it’s $18 just to get in the door,” he said.

The IMA tried charging $7 for general admission following a renovation in 2005 but eliminated the fee less than two years later to increase attendance.

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Information from: Indianapolis Business Journal, http://www.ibj.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-02-16-13 1518GMT

ADDITIONAL IMAGE OF NOTE

Clowes Pavilion at Indianapolis Museum of Art. Image by Daderot, courtesy of Wikimedia Commons.
Clowes Pavilion at Indianapolis Museum of Art. Image by Daderot, courtesy of Wikimedia Commons.