Archive Auctions to present major online auction Apr. 27

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

NEW YORK – Archive Auctions has scheduled a major online auction of collectibles, fine art and home decor items, to be held on April 27 beginning at 10 a.m. PDT (1 p.m. Eastern). LiveAuctioneers.com will provide Internet live bidding.

This auction features a remarkable selection of antiques and rare items, including movie memorabilia from The Sound of Music. There is also an outstanding collection of new chandeliers and lighting by Cyan Design, in which bids will be starting at 95 percent below retail.

Lot no. 2 is The Sound of Music neon marquee sign, circa 1962-1963. This was used during The Sound of Music’s run at the Mark Hellinger Theatre on Broadway, beginning Nov. 6, 1962. This is a genuine piece of movie memorabilia and a treasured collectible. The sign has bold, block uppercase letters, that are white enameled with interior light bulbs. Bid estimates are between $8,000 to $10,000.

Lot no. 14 is a beautiful Versailles Antoinette 18-light, two-tier crystal chandelier by Cyan Lighting. This item retails at $7,447, and has an antique silver finish, with Imperial crystal. Cyan Lighting has combined classic design with superb craftsmanship in a single work of art, creating a work of enduring beauty. This is a treasure which transcends the current fad or fashion, and is a unique possession for the fortunate owner, which can be appreciated for generations to come.

Lot no. 15 is Orca Mellenium, a limited edition Lucite and pewter sculpture by artist Robert Wyland, and is numbered and engraved with Wyland’s official signature. Its condition is rated as excellent. This piece was bought at the artist’s gallery in Key West, Fla. The 1999 production was limited to a 2,000-piece run to commemorate the new millennium. Its rarity and value are accentuated by the fact that it was the number 2 piece produced from the original mold that was destroyed.

Lot no. 17 is the Dancer of Kapurthala, by Demeter H. Chiparus (1886-1947). This incredible bronze and ivory figure was produced circa 1925, and belongs to the mature period of Chiparus’s oeuvre, and reflects the influence of the cabaret culture and aesthetic functionalism on figurative art. The title of the sculpture was taken from an Indian City, and is an example of the striking stage names adopted by dancers of the time. This item is valued at between $40,000 and $60,000. The Dancer of Kapurthala has been featured in art publications all over the world.

Over 275 lots are on auction, with some items starting at $15. Bidders will be delighted with the discovery of one-of-a-kind collectible items on the block. Art lovers and antique collectors are urged to visit the website to examine the items, register to bid, and enter their prebids prior to the date of the auction.

For details phone Archive Auctions Inc., 800-745-1107.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

Image courtesy of Archive Auctions.

 

Tiffany, Belter and Dufy poised for success at Quinn’s, Apr. 27

Tiffany & Co. sterling silver luncheon flatware service for 12, Hamilton pattern, with serving pieces. Estimate $4,000-$6,000. Quinn’s image.

Tiffany & Co. sterling silver luncheon flatware service for 12, Hamilton pattern, with serving pieces. Estimate $4,000-$6,000. Quinn’s image.

Tiffany & Co. sterling silver luncheon flatware service for 12, Hamilton pattern, with serving pieces. Estimate $4,000-$6,000. Quinn’s image.

FALLS CHURCH, Va. – Family-owned Quinn’s Auction Galleries has once again asked DC-area residents, “What’s in your attic?™” in preparing for their April 27 Catalog Auction, and the results have been gratifying. The upcoming 625-lot sale embodies the same impressive level of quality Quinn’s has encountered consistently over the years in its handling of diplomats’ and socially prominent Washingtonians’ estates.

The art selection is led by a Jean Dufy (French, 1884-1964) watercolor and gouache on paper of a Venetian water scene. Sailboats and a gondola with standing gondolier float peacefully in blue and green waters against a background of buildings similar to those flanking Venice’s Grand Canal. Signed and dated “Jean Dufy 26 Venezia,” the 18 x 12¼-in artwork retains an original label on verso and is expected to make $6,000-$8,000 on auction day.

Elegantly representing the Art Nouveau period, a Duffner & Kimberly table lamp features a domed, leaded-glass shade with four repeating shell-form panels spaced by green glass scrolls against a warm orange background. It is supported by an ornate, gilt-bronze base and stands 27 inches tall in total. The lamp is estimated at $8,000-$12,000.

Another decorative-art highlight is the pair of gilt-bronze and ivory figures of dancing women by Peter or Paul Tereszczuk (Austrian, late 19th/early 20th century). The graceful dancers in flowing gowns stand on round, white marble bases, each figure having a total height of 11¾ inches. Offered as a pair, the sculptures are estimated at $3,000-$4,000.

The highest-estimated art object in the sale is a Chinese antique – a monumental, vertically presented ivory tusk carved in the form of the deity Shou-Lao holding a carved staff and a peach. Dating to the late 19th/early 20th-century, it measures 45½ inches tall by 6 inches wide on a 5¾-inch-tall base.

“The carving on this tusk is of a very high standard,” noted Quinn’s Senior Vice President Matthew Quinn. “We think the piece has a very good chance of reaching $25,000 to $35,000.”

A shapely 9-piece upholstered rosewood parlor suite attributed to John Henry Belter consists of a sofa, two meridiennes, two armchairs and four side chairs. Each of the mid-19th-century furniture designs incorporates scrolling lines, cabriole legs with carved knees and rounded backs with book-matched rosewood veneer. The group lot will be auctioned with a presale estimate of $3,000-$5,000.

The insatiable appetite collectors have shown in recent years for Tiffany silver will be well served by a Tiffany & Co. sterling luncheon flatware service for twelve in the Hamilton pattern. This particular pattern began production around 1938 and has remained a favorite because of its purity of design. “The Hamilton pattern adapts itself to any china service, from Sevres to contemporary,” said Quinn.

In all, the Tiffany service contains 88 pieces: luncheon knives and forks, teaspoons, dessert spoons, salad forks, cream soup spoons and eight butter spreaders. Additionally, several silver accessory utensils are included: a cold meat fork, ladle, butter knife, two pie servers and two serving spoons. The set’s total silver weight is 131.249 ozt, and it is expected to realize $4,000-$6,000 at auction.

Perhaps once an adornment in an executive’s study, a large amethyst geode boasts a deep, rich purple color that is hard to ignore. The hefty specimen originated at Minas Gerais, located in Rio Grande do Sul, southeastern Brazil. It measures 32in x 45in x 14in and has a flat bottom that makes it ideally suited for aesthetic display. Estimate: $1,800-$2,500.

Quinn’s Saturday, April 27, 2013 auction will commence at 10 a.m. Eastern Time, with Internet live bidding available through LiveAuctioneers.

For information on any item in the sale, call 703-532-5632 or e-mail info@quinnsauction.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Tiffany & Co. sterling silver luncheon flatware service for 12, Hamilton pattern, with serving pieces. Estimate $4,000-$6,000. Quinn’s image.
 

Tiffany & Co. sterling silver luncheon flatware service for 12, Hamilton pattern, with serving pieces. Estimate $4,000-$6,000. Quinn’s image.

Monumental Chinese carved ivory tusk in the form of deity Shou-Lao, late 19th/early 20th century. 45½in tall on 5¾in base. Estimate $25,000-$35,000. Quinn’s image.
 

Monumental Chinese carved ivory tusk in the form of deity Shou-Lao, late 19th/early 20th century. 45½in tall on 5¾in base. Estimate $25,000-$35,000. Quinn’s image.

Jean Dufy (French, 1884-1964), Venetian scene, watercolor and gouache on paper, signed and dated, 18 x 23¼ inches. Estimate $6,000-$8,000. Quinn’s image.
 

Jean Dufy (French, 1884-1964), Venetian scene, watercolor and gouache on paper, signed and dated, 18 x 23¼ inches. Estimate $6,000-$8,000. Quinn’s image.

Rosewood laminated 9-piece parlor set attributed to John Henry Belter, mid 19th century. Estimate $3,000-$5,000. Quinn’s image.
 

Rosewood laminated 9-piece parlor set attributed to John Henry Belter, mid 19th century. Estimate $3,000-$5,000. Quinn’s image.

Peter or Paul Tereszczuk (Austrian, late 19th/early 20th century) gilt bronze and ivory figures of dancing women, 11¾ inches tall inclusive of marble bases. Estimate $3,000-$4,000. Quinn’s image.
 

Peter or Paul Tereszczuk (Austrian, late 19th/early 20th century) gilt bronze and ivory figures of dancing women, 11¾ inches tall inclusive of marble bases. Estimate $3,000-$4,000. Quinn’s image.

Duffner & Kimberly early 10th century leaded glass lamp with domed shade. Estimate $8,000-$12,000. Quinn’s image.

Duffner & Kimberly early 10th century leaded glass lamp with domed shade. Estimate $8,000-$12,000. Quinn’s image.

Amethyst geode in deep, rich purple color, 32in x 45in x 14in deep. Origin: Minas Gerais, Rio Grande do Sul, southeastern Brazil. Estimate $1,800-$2,500. Quinn’s image.
 

Amethyst geode in deep, rich purple color, 32in x 45in x 14in deep. Origin: Minas Gerais, Rio Grande do Sul, southeastern Brazil. Estimate $1,800-$2,500. Quinn’s image.

Tradewinds Antiques to hold trademark cane auction Apr. 27

Beautifully carved cane of Bacchus, the Greek god of wine, merrymaking, theater and ecstasy. Tradewinds Antiques image.
Beautifully carved cane of Bacchus, the Greek god of wine, merrymaking, theater and ecstasy. Tradewinds Antiques image.

Beautifully carved cane of Bacchus, the Greek god of wine, merrymaking, theater and ecstasy. Tradewinds Antiques image.

MANCHESTER-BY-THE-SEA, Mass. – Tradewinds Antiques, the world’s leading auction house of fine antique walking sticks, will host its annual Spring Antique Cane Auction on Saturday, April 27, at the Boston Marriot Peabody in Peabody, Mass. LiveAuctioneers.com will provide Internet live bidding.

The sale will feature a large 239-lot offering of carefully selected examples from all categories of the field of antique walking sticks including carved ivory, nautical, decorative, gadget, folk art and historical canes. Included in event are items from the collections of Dr. Lawrence Pinkner, Leo Delluchi, Dr. Byron Evans, and the esteemed Vertical Art Collection, with many other additions from around the world.

“We are very excited to present the offering we have assembled,” said Henry Taron, Tradewinds’ co-founder and owner. “There are wonderful examples in every cane category and there is something for every level of collector.”

The sale’s many highlights include an array of lovely carved ivory canes. A noted example is a superb ivory cane depicting Bacchus, the Greek god of wine and merriment ($4,000-$5,000). Other exquisite carved ivory canes include a great ivory memento mori cane of Jesus Christ ($3,500-$4,500), fine ivory American Indian ($2,500-$3,500), a breathtaking full-bodied ivory horse ($3,500-$4,500), a fine ivory erotic woman cane ($4,500-$6,500).

The sale also features many gadget or systems cane examples. Star lots include a fine painter’s gadget cane ($2,000-$3,000), a wonderful Masonic folding ball ($3,000-$4,000), an elegant pink gold watch cane ($2,500-$3,500), a historical beheading cane depicting a black man ($3,500-$4,500), and a scarce Ronson lighter cane ($3,000-$4,000). In the area of weapons curios, highlights include a great cased English air-gun curio ($2,500-$3,500), a rare “La Diabolique” weapon curio ($4,500-$6,500) that features barbs that emerge from the shaft upon pulling the handle, and many other gun, sword and “flick-stick” curios.

Other noted lots include a great narwhal and silver cane ($4,500-$6,500), a splendid turkshead knot on carved whalebone ($2,500-$3,500), a great all whalebone cane with inlay ($3,000-$4,000) a superb 1696 ivory pique ($5,000-$7,000), a wonderful famous midget’s gold cane with a related book ($2,500-$3,500), a wood anti-Semitic Dreyfus cane ($2,500-$3,500) and two gold quartz canes ($4,000-$6,000).

“There are many exciting and important pieces in this sale,” said Taron. “There will be opportunities for collectors to add significant new pieces to their collections, and we are always proud to be a trusted part of that process.”

Tradewinds Antiques, based in Manchester-by-the-Sea, Mass., is in its 21st year of conducting all-cane auctions, with this sale being their 42st offering in this specialty area. In 1993, Tradewinds conducted the first all-cane auction ever to be held in America at the first International Cane Collectors Conference in Rockport, Maine. The company holds two auctions dedicated to this field in April and September of each year.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

A fully illustrated printed catalog may be purchased by calling 978-526-4085.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Beautifully carved cane of Bacchus, the Greek god of wine, merrymaking, theater and ecstasy. Tradewinds Antiques image.

Beautifully carved cane of Bacchus, the Greek god of wine, merrymaking, theater and ecstasy. Tradewinds Antiques image.

Elegant gold watch cane. Tradewinds Antiques image.

Elegant gold watch cane. Tradewinds Antiques image.

Breathtaking carved ivory horse cane. Tradewinds Antiques image.

Breathtaking carved ivory horse cane. Tradewinds Antiques image.

Beheading gadget cane depicting a black man. Tradewinds Antiques image.

Beheading gadget cane depicting a black man. Tradewinds Antiques image.

Wonderful folding Masonic ball cane. Tradewinds Antiques image.

Wonderful folding Masonic ball cane. Tradewinds Antiques image.

Scarce and important Ronson lighter cane. Tradewinds Antiques image.

Scarce and important Ronson lighter cane. Tradewinds Antiques image.

Leslie Hindman jewelry and timepieces auction hits $4.89M

Fancy vivid yellow color diamond ring, 7.85 carats. Price realized $542,500. Leslie Hindman Auctioneers image.

Fancy vivid yellow color diamond ring, 7.85 carats. Price realized $542,500. Leslie Hindman Auctioneers image.

Fancy vivid yellow color diamond ring, 7.85 carats. Price realized $542,500. Leslie Hindman Auctioneers image.

CHICAGO – Leslie Hindman Auctioneers’ spring auctions of fine jewelry and timepieces achieved a record total of $4.89 million. Hundreds of bidders participated in the salesroom, on the telephones and via the Internet in the auction sessions held April 7-8. LiveAuctioneers.com provided Internet live bidding.

Several exceptional fancy colored diamonds and colored stones elicited spirited interest from private collectors and dealers worldwide. A highlight of the fine jewelry sale was an impressive 7.85-carat diamond ring of fancy vivid yellow color. The rare combination of the color saturation and the antique cushion cut enabled the lot to surpass the estimate of $150,000-$200,000 to ultimately realize $542,500. Another highlight from the sale included a 10.99 carat fancy yellow oval brilliant cut diamond ring, which held a presale estimate of $100,000-$150,000 and realized $170,500.

The fine jewelry auction clearly indicated that the market for pink diamonds is strong. The demand from investors from around the globe continues to rise as pink diamonds become increasingly scarce. Highlights include an 18K rose gold and fancy purple pink diamond ring that sold for $302,500 and a fancy deep pink diamond that realized $266,500.

Hindman’s highly anticipated fine timepieces sale, held Monday evening, also generated strong interest and prices realized. Contemporary wristwatches by important makers such as Patek Philippe and Rolex as well as collectible antique timepieces in fine condition with desirable complications, proved to be highlights of the sale.

Leslie Hindman Auctioneers’ next fine jewelry and timepieces auction will be held Sept. 8-9. Consignments are welcome through July 12.

Inquiries should phone 312-280-1212.

View the fully illustrated catalog for Leslie Hindman Auctioneers’ spring fine jewelry and timepieces auction April 7-8, complete with prices realized, at www.LiveAuctioneers.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Fancy vivid yellow color diamond ring, 7.85 carats. Price realized $542,500. Leslie Hindman Auctioneers image.

Fancy vivid yellow color diamond ring, 7.85 carats. Price realized $542,500. Leslie Hindman Auctioneers image.

Fancy yellow oval brilliant cut diamond ring, 10.99 carats. Price realized $170,500. Leslie Hindman Auctioneers image.

Fancy yellow oval brilliant cut diamond ring, 10.99 carats. Price realized $170,500. Leslie Hindman Auctioneers image.

This 18K rose gold and fancy purple pink diamond ring sold for $302,500. Leslie Hindman Auctioneers image.

This 18K rose gold and fancy purple pink diamond ring sold for $302,500. Leslie Hindman Auctioneers image.

Art Deco platinum, emerald, diamond and enamel necklace, 28.20 carats. Price realized: $40,000. Leslie Hindman Auctioneers image.

Art Deco platinum, emerald, diamond and enamel necklace, 28.20 carats. Price realized: $40,000. Leslie Hindman Auctioneers image.

Abu Dhabi Louvre displays first art collection

The Abu Dhabi skyline. Image by FritzDaCat. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Abu Dhabi skyline. Image by FritzDaCat. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Abu Dhabi skyline. Image by FritzDaCat. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

ABU DHABI, United Arab Emirates (AFP) – The The Louvre Abu Dhabi gallery on Tuesday unveiled more than 130 artworks from the museum’s first permanent collection, ranging from paintings by Picasso and Mondrian to Islamic miniatures.

“In this exhibition, we have the chance to demonstrate the universal aspect by putting in parallel sculptures or paintings from different civilizations from a similar period of time,” senior project manager Celine Hullo Pouyat.

Ancient sections of the holy Muslim book, the Koran, stand alongside a 16th century statue of Christ Showing His Wounds and a Torah at the exhibition which will open to the public on April 22.

“There are no red lines in this exhibition,” said Olivier Gabet, deputy head of the curatorial department in charge of decorative arts at the Agence France-Museums.

Among the famous pieces is Picasso’s Portrait of a Lady, Edouard Manet’s The Gypsy and works by Paul Gauguin, Rene Magritte, Cy Twombly and Paul Klee.

Oil-rich Gulf emirate Abu Dhabi has paid around $1.3 billion to use the Louvre name for 30 years and to tap the renowned Paris museum for artworks and expertise during this period.

The deal stirred a debate in the French art world, with critics saying the Louvre is selling its soul as they questioned Abu Dhabi’s treatment of dissidents and immigrant workers employed in the construction of the project.

The Abu Dhabi Louvre building was designed by French architect Jean Nouvel.

Abu Dhabi has launched an ambitious development plan, Abu Dhabi 2030, aimed at modernizing the emirate and diversifying its economy.

Despite the global financial crisis and its severe impact on neighboring Dubai, construction has continued in Abu Dhabi, although at a much slower pace than planned.

The opening of the Louvre Abu Dhabi was delayed by three years.


ADDITIONAL IMAGE OF NOTE


The Abu Dhabi skyline. Image by FritzDaCat. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Abu Dhabi skyline. Image by FritzDaCat. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Appalachian Trail enthusiasts to meet at conference July 19-26

The Appalachian Trail at Newfound Gap in the Great Smoky Muntains National Park. Image by Billy Hathorn. This file is licensed under the Creative Commons Attribution 3.0 Unported license.
The Appalachian Trail at Newfound Gap in the Great Smoky Muntains National Park. Image by Billy Hathorn. This file is licensed under the Creative Commons Attribution 3.0 Unported license.
The Appalachian Trail at Newfound Gap in the Great Smoky Muntains National Park. Image by Billy Hathorn. This file is licensed under the Creative Commons Attribution 3.0 Unported license.

ASHEVILLE, N.C. – Registration is now open for the 2013 Appalachian Trail Conservancy (ATC) Biennial conference, scheduled for July 19-26, at Western Carolina University in Cullowhee, N.C. The event is hosted by the five southern Appalachian Trail maintaining clubs and convenes Trail managers, hikers and fans to celebrate and conserve the iconic National Scenic Trail.

The program includes 137 organized hikes, 70 workshops, live music, dancing and trips to some of the region’s best activities.

Hikes are planned on the A.T. and other regional trails. Workshop topics cover hiking, trail maintenance, natural wonders, cultural history and volunteer leadership development. Activities include rafting, zip-lining, touring Asheville’s booming art scene, and visiting the Carl Sandburg Home and the Biltmore Estate.

“This event is only held in the Southeast once every eight years, so the Appalachian Trail Conservancy is excited to bring this informative and entertaining event to North Carolina to showcase the Appalachian Trail and the surrounding beauty,” Morgan Sommerville, regional director of the ATC.

Organizers expect 1,000 participants of all ages for the celebration of the A.T. The Biennial also serves as the general business meeting of the ATC’s membership; this meeting will take place on Saturday evening, July 20.

Contra dancing, music from Southern Exposure and Buncombe Turnpike, presentations about hiking long trails, and a Cherokee storyteller make up the rest of the evening entertainment scheduled Sunday through Thursday. Evening activities are open to the public with a $7 nightly ticket.

The ATC was founded in 1925 by volunteers and federal officials working to build a continuous footpath along the Appalachian Mountains. The A.T. is a unit of the National Park System, stretching from Georgia to Maine, at approximately 2,180 miles in length. It is the longest hiking-only footpath in the world. Volunteers typically donate more than 220,000 hours of their time doing trail-related work each year, and about 2 to 3 million visitors walk a portion of the A.T. each year.

For more information about the Biennial Conference or to register, visit www.appalachiantrail.org/2013biennial.


ADDITIONAL IMAGE OF NOTE


The Appalachian Trail at Newfound Gap in the Great Smoky Muntains National Park. Image by Billy Hathorn. This file is licensed under the Creative Commons Attribution 3.0 Unported license.
The Appalachian Trail at Newfound Gap in the Great Smoky Muntains National Park. Image by Billy Hathorn. This file is licensed under the Creative Commons Attribution 3.0 Unported license.

Rembrandt’s dark genius shines in new graphic novel

Rembrandt self-portrait, etching 1630. Image courtesy Wilimedia Commons.
Rembrandt self-portrait, etching 1630. Image courtesy Wilimedia Commons.
Rembrandt self-portrait, etching 1630. Image courtesy Wilimedia Commons.

THE HAGUE (AFP) – A new no-holds-barred graphic novel biography of Rembrandt strives to fill in the often dark, drunken and erotic gaps in the tragic life of one of the most famous of Dutch artists.

Rembrandt by comic book artist Typex shows the painter as you’ve never seen him before: cantankerous, obsessive and unfaithful.

Rembrandt’s life, 1606-1669, spanned the height of the Golden Age, when the Netherlands was awash with bourgeois and aristocratic money, much of it spent on acquiring art, and the book is both sociological and historical.

“High quality art is a sound investment,” dealer Hendrick van Uylenburgh, who helped launch Rembrandt’s career, tells the young artist in the book. “It gives status and prestige.”

“Rembrandt” is being published as his most famous painting, The Night Watch, is moved back into Amsterdam’s revamped Rijksmuseum, which commissioned the book during its 10-year renovation.

The book features characters from Rembrandt’s life and art, including the main figure in the center of The Night Watch: black-clad, red-sashed militia leader Capt. Frans Banning Cocq.

Banning Cocq at one point questions Rembrandt about an 18-year-old Danish girl the artist slept with the night before, who ended up killing her employer with an ax.

Typex, 50, described by Australian singer Nick Cave as “the second greatest Dutch artist” after Rembrandt, wrote and illustrated the book by “squeezing five years into two-and-a-half years,” with 14-hour workdays, a tempo the obsessive Rembrandt would likely have respected.

“I read a bookcase of books about Rembrandt, made a lot of notes, put all the books to one side and got to work,” Typex told AFP.

“A lot is not known about Rembrandt. What’s known are the official papers, the property contracts, marriage and death records. That’s known, and here and there (there is) a small commentary,” Typex said.

As a result, much of the book is based on anecdotes, but hung on a historically accurate framework of names and dates.

The book illuminates the art record of Rembrandt’s life, which literally fades into the obscurity of his increasingly dark self-portraits.

“You never do paid work any more,” laments Rembrandt’s long-term lover Hendrickje Stoffels, his former maid. “Just one self portrait after another. I’m really worried.”

Rembrandt’s wife, his lovers, children and even artistic competitors die, and the artist grows steadily more quarrelsome.

“He had a lot of tragedy, everyone around him died, that’s how it was in those days,” said Typex. “But I didn’t want to make just a sad book.

Typex notably takes a novel approach to the death of Rembrandt’s common-law wife Stoffels.

“I told it all from the perspective of the rat that brings the plague—it’s not at all a sad event for the rat, he gets food and is having the time of his life,” Typex said.

Friend and rival painter Jan Lievens keeps popping up, apparently more commercially successful than Rembrandt in the roaring 1660s.

“These are the ’60s,” social climber Lievens tells Rembrandt. “People are spoilt. The customer is king. So he thinks.”

Rembrandt is shown admiring and then signing in his own name a painting by one of his most gifted students, Carel Fabritius.

Fabritius thanks Rembrandt for having signed the painting in his name, a tradition behind much 21st century confusion about which Rembrandts are really his.

Florentine grand duke Cosimo de’ Medici is shown arriving in Amsterdam, trying to track down Rembrandt.

“Stupid tourists,” Rembrandt’s daughter Cornelia says at the sight of the grand duke trying to pick up Dutch girls in a scene reminiscent of Amsterdam today.

“Tell him that for paintings with pretty girls and bright colours he should look to the print dealer on the corner, not me!” a virtually destitute Rembrandt tells the grand duke.

“And now, all of you get out. Piss off out of my house. Capisce? Arrivederci,” a typically irritable Rembrandt cries.

“He was a difficult man, obsessed,” said Typex.

“He could have had it easier if he’d been less outspoken, fallen in with the tastes of rich people. But he just didn’t have the social capacity for that.”


ADDITIONAL IMAGE OF NOTE


Rembrandt self-portrait, etching 1630. Image courtesy Wilimedia Commons.
Rembrandt self-portrait, etching 1630. Image courtesy Wilimedia Commons.

Kahlo, Rivera exhibit opens at Kansas City museum June 1

Frida Kahlo (Mexican, 1907–1954). 'Diego en mi pensamiento' (Diego on My Mind), 1943. Oil on Masonite, 29 7/8 x 24 inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
Frida Kahlo (Mexican, 1907–1954). 'Diego en mi pensamiento' (Diego on My Mind), 1943. Oil on Masonite, 29 7/8 x 24 inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
Frida Kahlo (Mexican, 1907–1954). ‘Diego en mi pensamiento’ (Diego on My Mind), 1943. Oil on Masonite, 29 7/8 x 24 inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

KANSAS CITY, Mo. (AP) – The Nelson-Atkins Museum of Art in Kansas City is featuring an exhibit this summer on the works of husband-and-wife artists Frida Kahlo and Diego Rivera.

The exhibition, “Frida Kahlo, Diego Rivera and Masterpieces of Modern Mexico,” is from the private collection of Jacques and Natasha Gelman. The museum says in a release that the collection of more than 100 paintings, sculptures, photographs and drawings will be on display June 1 through Aug. 18.

Jacques Gelman, a Russian-born film production mogul, and his wife, Natasha, became Mexican citizens in 1942. Their collection spans 40 years and began in 1943 with Rivera’s portrait of Natasha Gelman.

Kahlo is widely known for her self-portraits. Rivera, her husband, painted large frescos depicting political and social themes.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-15-13 0905GMT


ADDITIONAL IMAGES OF NOTE


Frida Kahlo (Mexican, 1907–1954). 'Diego en mi pensamiento' (Diego on My Mind), 1943. Oil on Masonite, 29 7/8 x 24 inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
Frida Kahlo (Mexican, 1907–1954). ‘Diego en mi pensamiento’ (Diego on My Mind), 1943. Oil on Masonite, 29 7/8 x 24 inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
Diego Rivera (Mexican, 1886–1957). 'Retrato de la Señora Natasha Gelman' (Portrait of Mrs. Natasha Gelman), 1943. Oil on canvas, 45 ¼ x 60 ¼ inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
Diego Rivera (Mexican, 1886–1957). ‘Retrato de la Señora Natasha Gelman’ (Portrait of Mrs. Natasha Gelman), 1943. Oil on canvas, 45 ¼ x 60 ¼ inches. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. The Vergel Foundation. Conaculta/INBA. © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

Superhero museum acquires TV Batman costume

Adam West in his Batman costume. Image courtesy of LiveAuctioneers.com Archive and Wittlin & Serfer Auctioneers.
Adam West in his Batman costume. Image courtesy of LiveAuctioneers.com Archive and Wittlin & Serfer Auctioneers.
Adam West in his Batman costume. Image courtesy of LiveAuctioneers.com Archive and Wittlin & Serfer Auctioneers.

ELKHART, Ind. (AP) – Holy getup, Batman! A costume worn by Adam West who starred as the Caped Crusader on the 1960s TV show is on display at the Hall of Heroes Super Hero Museum in Elkhart.

Museum founder Allen Stewart tells the Elkhart Truth the costume valued at $75,000 was a partial donation. He says the museum paid $7,500 for the costume. He says the previous owner wanted the costume to go somewhere it would be appreciated.

The costume included the blue boots, the brass buckle on the yellow leather utility belt and comes with a certificate of authenticity and a letter signed by West warning the new owner that “wearing it in public can bring some strange looks and the chance of being permanently institutionalized.”

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Information from: The Elkhart Truth, http://www.etruth.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-15-13 0804GMT


ADDITIONAL IMAGE OF NOTE


Adam West in his Batman costume. Image courtesy of LiveAuctioneers.com Archive and Wittlin & Serfer Auctioneers.
Adam West in his Batman costume. Image courtesy of LiveAuctioneers.com Archive and Wittlin & Serfer Auctioneers.