Lewis & Maese sale toasts modern/contemporary art Apr. 24

Marc Chagall (1887-1985), ‘Title Page From the Bible Verve,’ original lithograph in colors, 1956. Morurlot Freres: Paris, signed in the plate in mint condition. Height: 27 and 14 inches by width: 23 and 10 inches. Lewis & Maese image.
Marc Chagall (1887-1985), ‘Title Page From the Bible Verve,’ original lithograph in colors, 1956. Morurlot Freres: Paris, signed in the plate in  mint condition. Height: 27 and 14 inches by width: 23 and 10 inches. Lewis & Maese image.

Marc Chagall (1887-1985), ‘Title Page From the Bible Verve,’ original lithograph in colors, 1956. Morurlot Freres: Paris, signed in the plate in mint condition. Height: 27 and 14 inches by width: 23 and 10 inches. Lewis & Maese image.

HOUSTON – Lewis & Maese auction house is celebrating the clean lines, daring design and functionality of 20th century art and home furnishings during the month of April, culminating with a Modern and Contemporary auction Wednesday, April 24. On the block are two art modern art collections, mid-century leather and chrome furniture, wood, chrome and metal sculptures, lighting fixtures and rugs, as well as Asian porcelain and jade, African art, art books, collections, Baccarat crystal and decorative art.

LiveAuctioneers.com will provide Internet live bidding.

One of the highlights of the auction is an art chair created by the late Bert Long, a beloved Houston artist who died earlier this year. The auction proceeds from the chair will benefit local nonprofit art organizations. A sample of the artists to be sold April 24: Salvador Dali lithographs, Reuben Nakian sculptures, Picasso lithographs, David A. Haberman paintings, Jerry K. Deasy sculptures, Bill Keating’s wood sculpture, an Erté intaglio collagraph and a piece by Belgian sculptor Loet Vanderveen.

Examples of the modern and contemporary home furnishings are: mid-century style rosewood tables from the Keno Brothers’ studios, an exquisite Julian & Co. Gray Works Lucite and glass-top dining table (original price $20,000), three Baccarat crystal vases, table lamps, an Art Deco chandelier, glass and chrome occasional tables, leather ottomans, leather and chrome chairs and end tables, mid-century sectional sofa/chaise, Julia Cheshire occasional tables, Val St. Lambert crystal candlesticks, Asian porcelain and jade decorative art, a collection of rock and crystal skulls and a number of mirrors.

For more information, call 713-869-1335.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Marc Chagall (1887-1985), ‘Title Page From the Bible Verve,’ original lithograph in colors, 1956. Morurlot Freres: Paris, signed in the plate in  mint condition. Height: 27 and 14 inches by width: 23 and 10 inches. Lewis & Maese image.

Marc Chagall (1887-1985), ‘Title Page From the Bible Verve,’ original lithograph in colors, 1956. Morurlot Freres: Paris, signed in the plate in mint condition. Height: 27 and 14 inches by width: 23 and 10 inches. Lewis & Maese image.

Joan Miro ‘Pligrafa Xv Years,’ color lithograph on  guarro paper, 1979, signed in the plate. height: 26 and 14 inches by width: 22 1/2 and 10 1/2 inches. Lewis & Maese image.

Joan Miro ‘Pligrafa Xv Years,’ color lithograph on guarro paper, 1979, signed in the plate. height: 26 and 14 inches by width: 22 1/2 and 10 1/2 inches. Lewis & Maese image.

Bert Long (1940-2013), ‘Get Up and Get Moving,’ chair of plaster, found objects, mixed media. Lewis & Maese image.

Bert Long (1940-2013), ‘Get Up and Get Moving,’ chair of plaster, found objects, mixed media. Lewis & Maese image.

Steve Penley, (b. 1964), ‘Three Liberty Heads,’ acrylic paint and marker. Signed ‘Penley’ lower  right. mounted behind glass, matted and framed, height: 48 and 50 inches by width: 62 and 50 inches. Lewis & Maese image.

Steve Penley, (b. 1964), ‘Three Liberty Heads,’ acrylic paint and marker. Signed ‘Penley’ lower right. mounted behind glass, matted and framed, height: 48 and 50 inches by width: 62 and 50 inches. Lewis & Maese image.

Salvador Dali (1904-1989), ‘The Twelve Apostles,’ color lithograph, edition number 240/350. After the ‘Knights of the Round Table,’ original gouache, pencil signed. Lewis & Maese image.

Salvador Dali (1904-1989), ‘The Twelve Apostles,’ color lithograph, edition number 240/350. After the ‘Knights of the Round Table,’ original gouache, pencil signed. Lewis & Maese image.

David Haberman, ‘Cancun Surf VI,’ acrylic on canvas, Cancun Series, 2001/2007. Height: 39 inches by width: 90 inches and numbered. Height: 37 and 19 inches by width: 31 and 18 in. Lewis & Maese image.

David Haberman, ‘Cancun Surf VI,’ acrylic on canvas, Cancun Series, 2001/2007. Height: 39 inches by width: 90 inches and numbered. Height: 37 and 19 inches by width: 31 and 18 in. Lewis & Maese image.

Fresh paintings bound for Barridoff auction Apr. 24

Anthony Thieme, ‘Dockside, o
il on canvas, 25 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Anthony Thieme, ‘Dockside, o
il on canvas, 25 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Anthony Thieme, ‘Dockside, o
il on canvas, 25 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

PORTLAND, Maine – Consignments received for the fine art auction at Barridoff Galleries on Wednesday, April 24, began with a large pastel 20 by 30 in. (50.8 × 76.2 cm) of the U.S. Capitol in the evening with figures in period dress out front, and the arrival of what appears to be a Model T Ford. It was painted by Colin Campbell Cooper in 1908, the same year the Model T was introduced to the public. It had been purchased by the consignors, a Connecticut couple, in the mid-’60s from Sloan-Roman Gallery in New York.

The Cooper was followed by a consignment from a friend of a friend of the artist John Grabach. She had been gifted three excellent examples of the artist by her and the artist’s mutual friend, Jan Stone, who had been a part of a tight-knit group that included the artist, Helena Rubinstein and Rosa Halpern, who is believed to have been Grabach’s student. The three oils are stunning views of New York and its harbor—an untouched canvas, framed simply for the auction, and in excellent condition, perhaps in need of a light surface cleaning.

According to gallery owner Annette Elowitch, a “terrific auction moment” came from a consignor from Southern Californian who wanted to consign three abstract images of mixed media by Consuelo Cloos. Who? “We loved the three paintings. The made us want to know more about the artist.”

Research found that Cloos had often painted in Maine and had been photographed photographer George Daniell, two images of whose work are also in the sale. (Daniell was known for his photographs of Hollywood movie stars Audrey Hepburn and Sophia Loren and the artist Georgia O’Keeffe as well as Cloos, whose portrait alone is enough want to know much more about her.

Two early works by Henry Ferguson, The Blacksmith Shop and Frontier Log Cabin, descended first to the artist’s nephew George Frederick Ferguson, who, in 1931, gave them to his friend Joseph Gokey, who ultimately left both to his wife, the current owner. These canvasses aren’t romanticized memories of what was still very much a frontier. Despite bright light outside the windows, the interior image is painted as Henry Ferguson undoubtedly saw it it—that is, without electricity—and it is all the more meaningful for that. He was there. This is documented history, albeit not of the gorgeous vistas of sunsets on the Hudson River. The artist was 22 when he painted these images that seem so close to his heart. He would later travel the world and develop a strong reputation for his detailed and romantic subject matter. But these two early canvasses are a treasure – fresh, personal and touching.

Equally intriguing are two oils in the sale by Anthony Thieme. When the galleries was approached by a Minneapolis family to handle an estate painting by Anthony Thieme, it seemed appropriate for an oil by the North Shore of Boston artist to come east. But it was one of the artist’s rare Bahamas subjects and, although one image very similar sold by the galleries once produced the second-highest auction record ever for a Thieme, this one is, perhaps, better, though estimated at half the sold price of the previous one at $96,000. But in some even more more intriguing, another Thieme faces the Nassau image in the catalog. From the image, it appears to be handsome, if a typical Thieme view of a fishing boat at dockside.

But it isn’t at all typical. The paint is applied with great but controlled skill. It is as though Thieme was a Modernist with the paint as his subject more so than the fishing boat. It is not merely surprising, but something much more.

An important drawing by George Grosz, circa 1920, adds to the mix of newly discov- ered or recently rediscovered works of art in the auction. It was consigned by a Maine gentleman, Carl Schmalz, a professor of art at Harvard, Amherst and Bowdoin College prior to retirement. Schmalz consigned the Grosz drawing and a beautiful watercolor he had purchased by Fairfield Porter when both were at Amherst College where Porter was in residence.

Schmalz also consigned an Old Master oil from the School of Bassano and several fine small Old Master drawings, all purchased during the mid 20th century, and now to be offered on April 24 by his wife. Schmalz recently.

Among the many other features of the auction are a stunning Dutch 17th centu
ry canvas, a very fine view in oil of one of Fairfeld Porter’s favored views near the artist’s home in Maine, a stunning, probably long-lost watercolor of The Pirate by Howard Pyle, and two truly extraordinary and surprising oils by Grau Sala, both of which come from private sources with no known previous history.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

For details contact 207-772-5011 or email fineart@barridoff.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Anthony Thieme, ‘Dockside, o
il on canvas, 25 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Anthony Thieme, ‘Dockside, o
il on canvas, 25 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Colin Campbell Cooper, ‘The Capitol at Washington (Night),’ pastel
, 20 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Colin Campbell Cooper, ‘The Capitol at Washington (Night),’ pastel
, 20 × 30 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

John Grabach
, ‘View from Under the Brooklyn Bridge,’ oil on canvas, 18 × 24 inches. Estimate: $ 9,000–$12,000. Barridoff Galleries image.

John Grabach
, ‘View from Under the Brooklyn Bridge,’ oil on canvas, 18 × 24 inches. Estimate: $ 9,000–$12,000. Barridoff Galleries image.

Dutch School
, ‘The Farmyard
,’ oil on canvas mounted on board 25 × 21 1⁄2 inches. Estiomate: $6,000–$9,000. Barridoff Galleries image.

Dutch School
, ‘The Farmyard
,’ oil on canvas mounted on board 25 × 21 1⁄2 inches. Estiomate: $6,000–$9,000. Barridoff Galleries image.

Anthony Thieme, ‘In the Bahamas
,’ oil on canvas, 30 x 36 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Anthony Thieme, ‘In the Bahamas
,’ oil on canvas, 30 x 36 inches. Estimate: $30,000–$50,000. Barridoff Galleries image.

Henry A. Ferguson, ‘Frontier Log Cabin, oil on canvas 8 3/4 × 12 inches. Estimate: $1,500–$2,500. Barridoff Galleries image.

Henry A. Ferguson, ‘Frontier Log Cabin, oil on canvas 8 3/4 × 12 inches. Estimate: $1,500–$2,500. Barridoff Galleries image.

George Grosz, ‘Street Scene,’ ink on paper, 22 3/4 × 17 1/4 inches. Estimate: $9,000– $12,000. Barridoff Galleries image.

George Grosz, ‘Street Scene,’ ink on paper, 22 3/4 × 17 1/4 inches. Estimate: $9,000– $12,000. Barridoff Galleries image.

Emilio Grau Sala, ‘Champs Elysee,’ oil on canvas, 38 × 29 inches. Estimate: $25,000–$35,000. Barridoff Galleries image.

Emilio Grau Sala, ‘Champs Elysee,’ oil on canvas, 38 × 29 inches. Estimate: $25,000–$35,000. Barridoff Galleries image.

Brett Beldock designs vibrant room setting for NY show

Brett Beldock of Brett Design Inc. Spring Show NYC image.
Brett Beldock of Brett Design Inc. Spring Show NYC image.
Brett Beldock of Brett Design Inc. Spring Show NYC image.

NEW YORK – Art enthusiasts, antiques collectors and taste-makers can all look forward to feasting their winter-weary orbs on a vibrant room setting that features the Spring Show NYC Collection. Ochestrated by Brett Beldock, and in tribute to the ASPCA® (The American Society for the Prevention of Cruelty to Animals), the Spring Show NYC opening-night beneficiary, the special installation incorporates numerous works of art and decorative objects with animal-motifs that the renowned designer gathered from the participating dealers. A donation of $25 will be made to the ASPCA® for any item purchased from Beldock’s installation.

“I am very excited to collaborate with the Spring Show NYC dealers in order to raise additional funds for the ASPCA,” says Beldock. Her room blends modern and traditional objects. Among them are gilt-gesso armchairs, circa 1790, from Clinton Howell Antiques, and a pair of Regency satin-wood spoon chairs from Hyde Park Antiques. Among the others contributing to the eclectic decor are Milord Antiques, Lillian Nassau, Yew Tree House Antiques, Phoenix Ancient Art, Leo Kaplan, L’Antiquaire & The Connoisseur, Alexander’s Antiques, Linda Bernell Gallery, Jeffrey Tillou Antiques, Bernard Goldberg Fine Arts and Jeff Bridgman American Antiques.

To infuse her signature contemporary look into the room, Beldock will also use wallpapers she designed: One features crocodiles and the other wood grain. Both motifs are overetched silver. “The introduction of these wallpapers and a few pieces of contemporary furniture of my own design for Profiles really make the glorious antiques sing,” said Beldock.

Over the years, Beldock has also whipped up memorable rooms for the Kips Bay Decorator Showcase, Design on a Dime for Housing Works, and Holiday House for Cancer Research, as well as several other decorator showcases.

An adjunct professor of design at NYU, a one-time fashion designer, and a color forecaster for products developed by Samsung of Korea, Beldock and her company, Brett Design Inc. have won notable coverage in The New York Times, New York Post, House Beautiful, Interior Design, Forbes, Elle Décor and Connecticut Cottages & Gardens, as well as in many other shelter books and publications.

Beldock’s specially designed room for Spring Show NYC Collection will be on public view from May 2 to May 5 at the Park Avenue Armory, Park Avenue and 67th Street.


ADDITIONAL IMAGE OF NOTE


Brett Beldock of Brett Design Inc. Spring Show NYC image.
Brett Beldock of Brett Design Inc. Spring Show NYC image.

Police remove WWI-era grenade from Pa. auction

German Model 24 stick grenade. Image by Quickload at en.wikipedia.
German Model 24 stick grenade. Image by Quickload at en.wikipedia.
German Model 24 stick grenade. Image by Quickload at en.wikipedia.

EXPORT, Pa. (AP) – An auctioneer says state police removed a device labeled a World War I-era hand grenade from a western Pennsylvania auction due to safety concerns.

The owner of Bill Evans Auction Service of Murrysville said a trooper took the cylinder-shaped hand grenade from Saturday morning’s auction at the Export Fire Hall.

Bill Evans told The Pittsburgh Tribune-Review that it appeared to be a “potato masher” style used by German soldiers during both world wars.

Evans said he didn’t know whether the device was live or not. He said the trigger was secured with plastic ties.

The grenade was part of a Harrison City man’s estate. The auction attracted about 100 people.

Police and Allegheny County officials declined comment. A Westmoreland County official said state police handled the matter.

___

Information from: Pittsburgh Tribune-Review, http://pghtrib.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-21-13 1342GMT


ADDITIONAL IMAGE OF NOTE


German Model 24 stick grenade. Image by Quickload at en.wikipedia.
German Model 24 stick grenade. Image by Quickload at en.wikipedia.

US philanthropist savors opening of Jewish museum

The newly built Museum of Polish Jews in Warsaw. Image by mamik/fotopolska.eu. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The newly built Museum of Polish Jews in Warsaw. Image by mamik/fotopolska.eu. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The newly built Museum of Polish Jews in Warsaw. Image by mamik/fotopolska.eu. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

WARSAW, Poland (AP) – As his train rolled across Germany in 1939, passing through small towns where swastikas fluttered from flagpoles, Tad Taube cowered in fear each time Nazi police entered his compartment and barked orders for his documents—papers that plainly identified him as an 8-year-old Jewish boy from Poland.

But the full terror of the war was still a few months off, and Taube got safely through Germany to France, and then by ship to the United States, making a narrow escape from the Holocaust and a passage into a bright American future of Hollywood, football, entrepreneurial success and philanthropy.

Now the 82-year-old Taube, who lives in California, is back in Poland, the land of his birth, to celebrate the partial opening of a new Polish Jewish history museum for which he has spent years raising funds.

The Museum of the History of Polish Jews opened its doors to the public for the first time Saturday, a milestone that comes with Taube’s help. He runs two philanthropies which together have committed about $16 million for the museum, the largest private donation to the project.

Though the museum, which celebrates the 1,000-year Jewish presence in Poland, does not yet have its permanent exhibition ready, officials were determined to at least have a small opening to coincide with the 70th anniversary of the Warsaw ghetto uprising, which was marked Friday in a state ceremony.

From now until sometime next year, when the core exhibition should be finished, the museum will host temporary exhibitions, films, lectures and other cultural events. This weekend, the museum is holding an open house, giving the public the first chance to explore a striking architectural creation that has been talked about for years. It is boxlike and glass on the outside, but inside the visitor enters a soaring foyer that looks like a deep curved canyon. With sand-colored walls, it symbolizes the parting of the Red Sea. A striking reconstruction of a painted wooden synagogue is already in place, though it wasn’t on view Saturday.

Taube expressed satisfaction at seeing the museum reach this stage after nearly 20 years of planning, explaining that it is part of his longer-term mission to ensure that Polish Jewish history is not forgotten.

“I am in awe,” Taube told The Associated Press in an interview from the museum. “As I go through and walk around all the nooks and crannies of this place and its unbelievable open spaces, these huge expanses of glass and these walls that are like a sculpture, and then seeing the wooden synagogue, it is a very remarkable experience.”

Regular visitors were also enchanted, with thousands showing up Saturday to tour it. One, Jagoda Stypulkowska, a 78-year-old Pole who lived just outside the Warsaw ghetto during World War II and whose earliest memories include seeing Jewish children sneak out to find food, welcomed the arrival of the museum. While she finds the architecture is “modern and beautiful,” she mainly welcomes the role it will play in educating Poles about Jewish history.

“This was really needed and I am hugely impressed,” she said.

Over the decades, Taube has grown concerned that the Holocaust, as important as it was, was crowding out knowledge of the previous centuries of Jewish learning and culture. That Jewish world was for many centuries centered in the Polish lands, where it grew to be the world’s largest Jewish community for a time, numbering 3.3 million on the eve of the Holocaust.

“I became very concerned that the Holocaust became more or less the beginning and end of Jewish history,” he said. “I felt that being victims was too much a part of Jewish life.”

So he began trying to promote historical remembrance of Jewish life in Poland, a cradle of “culture, history, language, art, theater and music fundamental to Western culture.”

Among his broader philanthropic mission, Taube made the Warsaw museum a priority. He is president of the Koret Foundation and chairman of the Taube Foundation for Jewish Life & Culture, California-based groups which contributed heavily toward developing the $40 million permanent exhibition.

There are other major donors and fundraisers, including a Polish-born Holocaust survivor, Sigmund Rolat. A Polish tycoon, Jan Kulczyk, who isn’t Jewish, gave 20 million Polish zlotys (about $6 million).

The museum is a public-private partnership, something new in Eastern Europe. The land the museum sits on, in the heart of the former Warsaw ghetto, was given by the city of Warsaw, with the building’s construction primarily paid for by the national government. The private funds are earmarked for the development of the core exhibition.

Taube’s engagement in Poland, which goes back to the fall of communism 23 years ago, is also shaped by happy memories of his early years in his native land. He remembers experiencing very little discrimination and in fact his family flourished thanks to the business acumen of his father, an exporter of ham and bacon.

His father’s business activities and a big dose of wisdom saved the immediate family from death in the Holocaust, sparing it the fate that befell other relatives.

Young Taube’s parents were on a business trip in New York in 1939 when they became alarmed by the news coming out of Europe. By then Germany had taken the Sudetenland in Czechoslovakia and annexed Austria. Reports in the U.S. made the situation seem much more dramatic than how it appeared from Poland, Taube said. So his parents arranged for a family friend to make the journey out with him.

Taube doesn’t remember the exact date, but it was certainly only a few months before Germany invaded Poland on Sept. 1, 1939, setting off the war.

The family settled in Los Angeles, where Taube’s father went into the fur business and young Taube had a brief Hollywood career playing Polish and German children. He went on to graduate from Stanford, serve in the Air Force, and to rise in business in the semi-conductor industry and real estate. For a time in the 1980s he was also involved in professional football as a co-founder of the United States Football League and president of a San Francisco Bay area football franchise, the Oakland Invaders.

Today, he is primarily focused on his philanthropic work, which has brought him to Poland occasionally as the museum has come to life. He is savoring the role it will play in keeping alive the memory of Polish Jewish life.

“I felt that story had to be told, and it wasn’t being told,” he said. “This museum tells that story.”

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-20-13 1555GMT


ADDITIONAL IMAGE OF NOTE


The newly built Museum of Polish Jews in Warsaw. Image by mamik/fotopolska.eu. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The newly built Museum of Polish Jews in Warsaw. Image by mamik/fotopolska.eu. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

‘You’re getting closer;’ codger says treasure is still out there

A treasure chest may be hidden in the mountains outside Santa Fe. Image courtesy of LiveAuctioneers.com Archive and Homestead Auctions.
A treasure chest may be hidden in the mountains outside Santa Fe. Image courtesy of LiveAuctioneers.com Archive and Homestead Auctions.
A treasure chest may be hidden in the mountains outside Santa Fe. Image courtesy of LiveAuctioneers.com Archive and Homestead Auctions.

ALBUQUERQUE, N.M. (AP) – An art and antiques dealer who claims he hid a chest of treasure somewhere in the southern Rocky Mountains north of Santa Fe says it’s still out there.

Forrest Fenn spoke to an audience of several hundred people at a Santa Fe bookstore on Wednesday.

According to the Albuquerque Journal, Fenn said two separate groups of treasure-hunters interpreted the first two clues correctly and came within 500 feet of the treasure.

But he said both groups ended up walking by the treasure without finding it.

Fenn has said he packed the chest with hundreds of rare gold coins and gold nuggets as well as pre-Columbian animal figures and other valuables such as antique jewelry with rubies and emeralds.

Next, Fenn self-published a memoir, The Thrill of the Chase, distilling the autobiography and, intriguingly, including a poem that he says offers clues to lead some clever – or lucky – treasure hunter to the bounty.

It wasn’t long before word of the hidden trove got out, and the publicity has caused a mini-gold rush in northern New Mexico.

But it has also set off a debate: Has Fenn truly hidden the treasure chest or was this, for the idiosyncratic, publicity-loving 82-year-old who loves to tell tales, just another way to have fun, a great caper to bolster his legacy.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-18-13 1403GMT


ADDITIONAL IMAGE OF NOTE


A treasure chest may be hidden in the mountains outside Santa Fe. Image courtesy of LiveAuctioneers.com Archive and Homestead Auctions.
A treasure chest may be hidden in the mountains outside Santa Fe. Image courtesy of LiveAuctioneers.com Archive and Homestead Auctions.