Five collections unite in Mosby’s June 8 Toy & Advert. Auction

1930's Bartlett Miami ‘digger’ used by traveling carnival, in working order. Mosby & Co. image.

1930's Bartlett Miami ‘digger’ used by traveling carnival, in working order. Mosby & Co. image.

1930’s Bartlett Miami ‘digger’ used by traveling carnival, in working order. Mosby & Co. image.

FREDERICK, Md. – Elements of five outstanding but very different collections add diversity and fun to the 700-lot lineup in Mosby & Co.’s June 8 Toy & Advertising Auction. The event will commence at 10 a.m. Eastern time, and those who cannot attend are encouraged to leave an absentee bid, sign up for a phone line, or bid live via the Internet through LiveAuctioneers.

“Collectors like a good mix. It heightens the curiosity factor and often leads to the discovery of great cross-over items,” said Mosby & Co.’s owner, Keith Spurgeon. “This is probably one of the most widely varied auctions we’ve produced to date. There are lots of toys and a tremendous selection of antique advertising, from early Coca-Cola to seven very desirable Stan Lee comic book signs made to display at Comic Con.”

The auction will open with country store and advertising, led by a fine collection of approximately 30 early Coca-Cola items. Among the Coke highlights are a beautiful 1903 serving tray, a 1901 calendar, and two rarities from the 1930s: a double-sided porcelain fountain service sign and a new/old stock embossed tin sign with in its original Coca-Cola shipping crate.

Two very rare promotional items issued by the Pure Oil Company (USA) date to the 1930s. “One is a figural radio shaped like an English cottage, which is what the Pure Oil gas stations looked like during that period. The other item is a figural cottage-shape birdhouse, wood with an enameled tin roof,” Spurgeon said.

Next up will be five Buddy Lee advertising dolls, which the manufacturer customized with advertising for the companies that commissioned them. The dolls are all original and complete. The rarest dolls in the group are the one advertising Coca-Cola and the doll dressed in Lee coveralls with a railroad conductor’s cap, made for Chesapeake & Ohio (C&O) Railroad.

Several European tin and porcelain signs are among the fascinating items in a steamship collection to be offered by Mosby & Co. Also included in the grouping are two circa-1900 reverse-on-glass promotional items for North German Lloyd steamship line – a thermometer and a barometer.

One of the finest signs in the sale is a colorful and profusely detailed tin sign advertising Thomas’ Inks and Mucilage. Its busy embossed image depicts a cat tipping over a jar of red ink. “These signs, for some reason, usually have extensive flaking, and most that I’ve seen were in very poor condition,” said Spurgeon. “This is the nicest one I’ve come across personally.”

A lineup of early gumball machines includes a number of book examples from Bill Enes’ respected reference titled “Silent Salesmen Too.” Among the rarities are a very nice Rex machine and a Digesto vendor. The same collection was the source for a Watling Twin Jackpot penny slot machine, which is entered in the sale, as well.

A wealth of desirable advertising smalls will be offered within the country store section of the sale. There are numerous peanut butter tins, cooking range-related items and several toys and other pieces pertaining to C.D. Kenny grocery store chain.

Toy buyers can bid to their hearts’ content in this auction, as the choices will be varied and plentiful. The headliner is a single-owner collection of 12 gas-powered tether or rail cars from California, including several types very seldom encountered at auction. The cars are from the acknowledged “golden age” of the 1930s-1950s, by manufacturers such as Dooling, McCoy, C&R and others. Some measure 17-20 inches long, and their estimates are generally in the $1,000-$4,000 range.

Several pressed steel automotive toys will be offered, as will a rare 1934 Buddy ‘L’ pressed-steel Golfer. Ex Dick Keats/Buddy ‘L’ Archive collection, it is the only known Golfer that retains its original box.

The toy parade continues with celluloid toys, scores of tin wind-ups including a mint-boxed Eberl Topsy Turvy Tom toy, and an appealing TootsieToy Speedway set. Additional toy highlights include a Converse private-label horse-drawn wagon produced for a dairy in the Charlottesville, Va., area; 5-6 rocking horses, and a Eureka Bugatti tourist model pedal car with fenders and opening door and trunk.

A mixed selection of bisque- and china-head dolls is joined by children’s crockery and ABC plates. Also featured in the nursery section are four lithographed-tin high chair trays, American and dating to the 1870s. Each tray is decorated with a charming scene typical of its period of production. One of the trays depicts elegantly gowned young girls dancing around a maypole. Another has a vibrant scene of children playing animatedly, with steamships and ocean liners on the water in the background.

“Within the scene, children are firing off a toy cannon and cap gun, and a boy has slipped firecrackers under a gentleman’s formal jacket as a prank. The artwork includes an American Flag and quite likely represents a holiday, perhaps the Fourth of July. This is an item that firecracker and holiday collectors might really like,” said Spurgeon.

The auction also includes part two of a ceramic bank collection, plus a few cast-iron mechanical banks. The top lot amongst the mechanicals is a superb short-sleeve version of the “Dinah” bank.

Pop culture fans will immediately appreciate the desirability of a set of seven different 5-by-3ft foam core signs made specifically to display at Comic Con 2010. The main sign, which includes Stan Lee’s face within the artwork, is flat, while the other six were created in relief. All promote “Stan Lee’s Super Seven” comic book, which never saw the light of day. “The comic book project was shelved because of a copyright issue. The idea may be revived at some point in time, but if it is, it will be released under the title ‘Mighty Seven’ and not ‘Super Seven,’” Spurgeon explained.

Mosby & Co.’s Saturday, June 8, 2013 Toy & Advertising auction will commence at 10 a.m. Eastern Time at the company’s gallery at 5714-A Industry Lane, Frederick, MD 21704. Preview hours are 4-7 p.m. on Friday, June 7; 8-10 a.m. on auction day, and by appointment during the week prior to the sale. Catered food service will be available.

For additional information on any item in the auction, call 240-629-8139 or e-mail keith@mosbyauctions.com. Visit Mosby & Co. online at www.mosbyauctions.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


1930's Bartlett Miami ‘digger’ used by traveling carnival, in working order. Mosby & Co. image.

1930’s Bartlett Miami ‘digger’ used by traveling carnival, in working order. Mosby & Co. image.

Embossed and chromolithographed 1901 Coca-Cola calendar featuring model Hilda Clark. Mosby & Co. image.

Embossed and chromolithographed 1901 Coca-Cola calendar featuring model Hilda Clark. Mosby & Co. image.

Extraordinarily rare radio and birdhouse replicating Pure Oil gas stations of the 1930s. Mosby & Co. image.

Extraordinarily rare radio and birdhouse replicating Pure Oil gas stations of the 1930s. Mosby & Co. image.

Scarce Thomas' Inks embossed tin sign. Mosby & Co. image.

Scarce Thomas’ Inks embossed tin sign. Mosby & Co. image.

Large ‘Stan Lee's Super Seven’ comic book display made for Comic Con 2010, one of seven different displays, each unique, to be auctioned. Mosby & Co. image.

Large ‘Stan Lee’s Super Seven’ comic book display made for Comic Con 2010, one of seven different displays, each unique, to be auctioned. Mosby & Co. image.

1947 P3 gas rail car by Al Papina, 17in long, one of more than a dozen gas-powered cars in the sale. Mosby & Co. image.

1947 P3 gas rail car by Al Papina, 17in long, one of more than a dozen gas-powered cars in the sale. Mosby & Co. image.

Rare Digesto Gum vendor, book example Bill Enes’ reference book ‘Silent Salesmen Too.’ Mosby & Co. image.

Rare Digesto Gum vendor, book example Bill Enes’ reference book ‘Silent Salesmen Too.’ Mosby & Co. image.

Converse private-label milk wagon manufactured for Orange County Dairy in the Charlottesville, Va., area. Mosby & Co. image.

Converse private-label milk wagon manufactured for Orange County Dairy in the Charlottesville, Va., area. Mosby & Co. image.

Original Terrance Lindall (American, b. 1944-) sci-fi painting used as cover art for Rod Serling’s ‘Best from the Twilight Zone’ magazine and the novel ‘Watchstar.’ Mosby & Co. image.

Original Terrance Lindall (American, b. 1944-) sci-fi painting used as cover art for Rod Serling’s ‘Best from the Twilight Zone’ magazine and the novel ‘Watchstar.’ Mosby & Co. image.

Kedem sale May 21 rich in Jewish history, culture

Book published by Verve – original lithographs by Chagall, Matisse and others. Kedem Auction House Ltd. image.
Book published by Verve – original lithographs by Chagall, Matisse and others. Kedem Auction House Ltd. image.

Book published by Verve – original lithographs by Chagall, Matisse and others. Kedem Auction House Ltd. image.

JERUSALEM – Kedem Auction House Ltd. will conduct its auction no. 31—Jewish and Israeli History and Culture—on Tuesday, May 21, at 17:00 Israel time, 7 a.m. Pacific. LiveAuctioneers.com will provide the Internet live bidding.

This auction will include an impressive variety of important items and collections in the fields of Zionism and early Eretz Israel settlement, Israeli Art, Hebrew and Yiddish poetry and literature, Jewish culture, research and bibliography.

Highlights include an important collection of early illustrated Hebrew children’s books; a unique archive of items belonging to the poet Leah Goldberg, including personal letters, drawings by her and a manuscript notebook of poems in her handwriting.

For more information email Kedem Auctions: kedem.ltd@gmail.com or phone 972-77-5140223.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Book published by Verve – original lithographs by Chagall, Matisse and others. Kedem Auction House Ltd. image.

Book published by Verve – original lithographs by Chagall, Matisse and others. Kedem Auction House Ltd. image.

Two historic documents – letters sent to the Governor of Safed, 1840-1841. Kedem Auction House Ltd. image.

Two historic documents – letters sent to the Governor of Safed, 1840-1841. Kedem Auction House Ltd. image.

‘Souvenir from the East’ album – 100 photographs by Felix Bonfils, 1878. Kedem Auction House Ltd. image.

‘Souvenir from the East’ album – 100 photographs by Felix Bonfils, 1878. Kedem Auction House Ltd. image.

The Jewish Brigade, 1945 – designed by Brothers Shamir. Kedem Auction House Ltd. image.

The Jewish Brigade, 1945 – designed by Brothers Shamir. Kedem Auction House Ltd. image.

HaAvaza veEfrocheyha – Heilperin and Kravtzov – Jerusalem, 1925. Kedem Auction House Ltd. image.

HaAvaza veEfrocheyha – Heilperin and Kravtzov – Jerusalem, 1925. Kedem Auction House Ltd. image.

Archive of Leah Goldberg's letters. Kedem Auction House Ltd. image.

Archive of Leah Goldberg’s letters. Kedem Auction House Ltd. image.

Manuscript on parchment concerning rights of Jews in Ferrara, 1550. Kedem Auction House Ltd. image.

Manuscript on parchment concerning rights of Jews in Ferrara, 1550. Kedem Auction House Ltd. image.

Antiquities Saleroom showcases Asian art in May 17 auction

Royal Persian Dagger, Safavid Dynasty, Ca. 1502–1736 CE. Estimate $15,000 - $20,000. Antiquities Saleroom image.
Royal Persian Dagger, Safavid Dynasty, Ca. 1502–1736 CE. Estimate $15,000 - $20,000. Antiquities Saleroom image.

Royal Persian Dagger, Safavid Dynasty, Ca. 1502–1736 CE. Estimate $15,000 – $20,000. Antiquities Saleroom image.

BOULDER COUNTY, Colo. – Antiquities-Saleroom.com unveiled details of its May 17 absentee and online auction this week. Titled ‘Asian Art Through the Ages, ‘ it is the fourth in a series of specialized auctions planned for 2013 and will be conducted through LiveAuctioneers.com.

The sale features two lifelong snuff bottle and netsuke collections from well-known collectors in San Francisco and Scottsdale, Arizona. Over 100 snuff bottles are featured, including many published examples, signed bottles from noted artists and some very unique and beautiful examples created from exotic stones. Also included are important and extremely detailed ivory and ox-bone netsuke from world-class artisans.

“Even if you do not specialize in Asian art, you can’t help but be taken by the beauty of the art of this enigmatic and complex region,” said Teresa Dodge, executive director and co-founder of Antiquities Saleroom.

With more than 415 lots, Asian Art through the Ages will appeal to a wide variety of tastes and interests, Dodge said. The auction begins with exquisite ancient Asian art pieces, created long before the immense and powerful Chinese dynasties took the world stage. The first 12 lots include Neolithic stone and pottery objects, dating back more than 4500 years. Each piece has been carefully curated by private collectors from across the United States and is a fine example of the period and form it represents.

The auction continues with an array of Chinese, Southeast Asian and Persian art created under dynastic rulers whose immense power impacted Asia and the world beyond. These pieces include a series of beautiful royal daggers and sabers bearing the maker’s mark of Asad-O-lah, a royal sword maker of 16th century Persia.

A group of incredible Chinese snuff bottles and Japanese netsuke from two prominent collectors will bring the auction into the modern era. These pieces are truly museum quality, and several of them have been featured in museum collections. The collectors have spent decades refining their collections and are now sharing them for the first time.

Antiquities Saleroom invites those who appreciate the art of ancient cultures to peruse the stellar offerings in the Friday, May 17 auction, which begins at 12 noon Eastern Time. Bids may be placed absentee prior to the sale or live on auction day through LiveAuctioneers.com.

For additional information about any item in the auction, please call Teresa Dodge directly at 720-502-5289 or email antiquitiessaleroom@gmail.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet as the sale is taking place at www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Royal Persian Dagger, Safavid Dynasty, Ca. 1502–1736 CE. Estimate $15,000 - $20,000. Antiquities Saleroom image.
Royal Persian Dagger, Safavid Dynasty, Ca. 1502–1736 CE. Estimate $15,000 – $20,000. Antiquities Saleroom image.

Large Chinese Jade Bi-Disc, Liangzhu Culture, Ca. 3400 - 2250 BCE. Estimate $10,000 - $15,000. Antiquities Saleroom image.
Large Chinese Jade Bi-Disc, Liangzhu Culture, Ca. 3400 – 2250 BCE. Estimate $10,000 – $15,000. Antiquities Saleroom image.

Rare Chinese Export Platter, Blue Fitzhugh Pattern, 18th Century. Estimate $10,000 - $15,000. Antiquities Saleroom image.
Rare Chinese Export Platter, Blue Fitzhugh Pattern, 18th Century. Estimate $10,000 – $15,000. Antiquities Saleroom image.

Rare Chinese Blue & White Moonflask, Bianhu, End 18th / Beginning 19th Centuries CE.  Estimate $20,000-$35,000. Antiquities Saleroom image.
Rare Chinese Blue & White Moonflask, Bianhu, End 18th / Beginning 19th Centuries CE. Estimate $20,000-$35,000. Antiquities Saleroom image.

Antique Chinese Ivory Figural Group, Ex-Sotheby's, Estimate $6,000 - $9,000. Antiquities Saleroom image.
Antique Chinese Ivory Figural Group, Ex-Sotheby’s, Estimate $6,000 – $9,000. Antiquities Saleroom image.

Antique Burmese Silver Bowl, 960 Grams, 19th Century. Estimate  $5,500 - $7,500. Antiquities Saleroom image.
Antique Burmese Silver Bowl, 960 Grams, 19th Century. Estimate $5,500 – $7,500. Antiquities Saleroom image.

Rare Japanese Iron Kusshin Jizai Okimono Model, Hawk, Meijii Period, 1880s. Estimate  $5,000 - $7,500. Antiquities Saleroom image.
Rare Japanese Iron Kusshin Jizai Okimono Model, Hawk, Meijii Period, 1880s. Estimate $5,000 – $7,500. Antiquities Saleroom image.

Poland seeks return of art seized by Soviet Russia in 1945

'Madonna and Child' by Lucas Cranach the Elder (1472-1553), circa 1520, is one of the paintings Poland wants returned. It is now at the Pushkin Museum of Fine Art, Moscow. Image courtesy of Wikimedia Commons.
'Madonna and Child' by Lucas Cranach the Elder (1472-1553), circa 1520, is one of the paintings Poland wants returned. It is now at the Pushkin Museum of Fine Art, Moscow. Image courtesy of Wikimedia Commons.
‘Madonna and Child’ by Lucas Cranach the Elder (1472-1553), circa 1520, is one of the paintings Poland wants returned. It is now at the Pushkin Museum of Fine Art, Moscow. Image courtesy of Wikimedia Commons.

WARSAW, Poland (AFP) – Poland’s culture minister said Wednesday that Russia has yet to return several paintings seized by the Soviet Red Army at the end of World War II, including one by Flemish artist Brueghel.

“Of 31 official restitution requests by Poland, 18 concern works located in Russia,” Culture Minister Bogdan Zdrojewski told reporters.

Most are paintings, including some several centuries old, such as works by the Baroque-era Jan Brueghel the Elder and German Renaissance painter Lucas Cranach the Elder.

The landscape by Brueghel, Cranach’s Madonna and Child, and a painting of a merchant by German painter Hans Holbein the Younger are currently at Moscow’s Pushkin Museum of Fine Arts, the minister said.

Other requested items include coins of the Order of the Teutonic Knights, warrior-monks who wielded power along the Baltic coast from the 13th century.

In most cases, Germany was first to seize the works after invading Poland in 1939, before the Soviet Union’s Red Army claimed them in 1945 as war spoils.

Poland’s borders were redrawn following the war, muddying the question of restitution.

But Zdrojewski noted “progress” in Poland’s dealings with Moscow regarding the claims, most of which it filed in 2004 and 2012.

“Only a few years ago, our restitution claims were dismissed as unfounded. Today, our requests are no longer called into question.”


ADDITIONAL IMAGE OF NOTE


'Madonna and Child' by Lucas Cranach the Elder (1472-1553), circa 1520, is one of the paintings Poland wants returned. It is now at the Pushkin Museum of Fine Art, Moscow. Image courtesy of Wikimedia Commons.
‘Madonna and Child’ by Lucas Cranach the Elder (1472-1553), circa 1520, is one of the paintings Poland wants returned. It is now at the Pushkin Museum of Fine Art, Moscow. Image courtesy of Wikimedia Commons.

Chippendale pie-crust table tops Kaminski sale at $11,000

18th century Chippendale tilt-top table with pie-crust edge. Price realized: $11,000. Kaminski Auctions image.

18th century Chippendale tilt-top table with pie-crust edge. Price realized: $11,000. Kaminski Auctions image.

18th century Chippendale tilt-top table with pie-crust edge. Price realized: $11,000. Kaminski Auctions image.

BEVERLY, Mass. – Kaminski’s latest monthly estate auction, held May 5, brought a diverse set of surprising and valuable items to the podium. LiveAuctioneers.com provided Internet live bidding.

The top lot of the sale was an 18th century Chippendale tilt-top pie-crust table. The finely carved table featured a beautiful spiral turned urn and shaft, carved knees, and sculptural ball and claw feet.

Tables of similar attributes and quality are listed among the “better” and “superior” examples in Albert Sack’s The New Finer Points of Furniture. The spiral turned and subtly tapered shaft, however, set this particular table apart from more typical examples listed in the book. Despite recent market trends predicting the contrary, this elegant table performed well at the podium, bringing in an $11,000 hammer price.

A 19th century Victorian revival walnut cabinet of exceptional quality also found a receptive market at Kaminski. Offered as Lot 7129, the piece featured fine inlays, bronze oval panels and an original circular hand-painted central porcelain medallion. The quality piece met its high estimate, selling for $5,500.

Also a surprise to many bidders was an 1818 broadside reproduction of the Declaration of Independence, penned by Benjamin Owen Tyler, and engraved by Peter Maverick. The fine, accurate and detailed penmanship along with Maverick’s skilled engraving made this a particularly desirable version of the 1818 copies of the Declaration of Independence from the years preceding the nation’s 50th anniversary. Originally expected to sell for between $1,000 and $2,000, the price of the broadside climbed to $7,500.

Also featured in the auction was an authentic 18K gold Presidential Rolex watch brought in at a local free appraisal event. The gold watch attracted significant preauction attention, with many interested parties requesting condition reports and additional images. The original box and paperwork, along with extra links, were also offered with the watch, which succeeded in fetching $6,000.

Of the many decorative paintings included in the sale, one watercolor caught the attention of bidders most. Many in the audience and online competed to own a scenic and sunlit watercolor of a wooded path signed W.M.T. Richards, 1868. The framed watercolor ultimately fetched $5,500.

From exceptional furniture to historic documents and paintings, the May estate sale brought an impressive variety of items to the auctioneer’s podium at Kaminski.

View the fully illustrated catalog for the Kaminski estate auction on May 5, complete with prices realized, at www.LiveAuctioneers.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


18th century Chippendale tilt-top table with pie-crust edge. Price realized: $11,000. Kaminski Auctions image.

18th century Chippendale tilt-top table with pie-crust edge. Price realized: $11,000. Kaminski Auctions image.

Watercolor, signed W.M.T. Richards. Price realized: $5,500. Kaminski Auctions image.

Watercolor, signed W.M.T. Richards. Price realized: $5,500. Kaminski Auctions image.

Broadside engraving of the Declaration of Independence. Price realized: $7,500. Kaminski Auctions image.

Broadside engraving of the Declaration of Independence. Price realized: $7,500. Kaminski Auctions image.

Victorian Revival walnut cabinet attributed Poitier and Stymus. Price realized: $5,500. Kaminski Auctions image.

Victorian Revival walnut cabinet attributed Poitier and Stymus. Price realized: $5,500. Kaminski Auctions image.

National Portrait Gallery launches into chorus

Gregory Batsleer will direct the National Portrait Gallery choir. Image courtesy National Portrait Gallery, London.
Gregory Batsleer will direct the National Portrait Gallery choir. Image courtesy National Portrait Gallery, London.
Gregory Batsleer will direct the National Portrait Gallery choir. Image courtesy National Portrait Gallery, London.

LONDON – The first choir in residence program at any museum or gallery in Britain has been developed by the National Portrait Gallery, London, it was announced today.

Spanning music from all periods, the Portrait Choir, will be in residence at the National Portrait Gallery at least five times a year, over the next three years, to perform a wide repertoire of choral works in gallery spaces that relate to portrait themes, the collection and the exhibitions program. While performances by the Portrait Choir will be at the core of the residency the choir will also invite visitors, gallery staff and members of the public to take part in community singing and youth singing days, alongside other collaborations outside the gallery.

A chamber choir of up to 22 members, the Portrait Choir will be led by Artistic Director Gregory Batsleer. Many of its members have either recently finished, or will just be completing, their studies at some of Britain’s most prestigious music conservatoires. The choir will be mentored by four experienced professional singers.

The Portrait Choir will commission and perform one new work each year and there are plans for up to two opera productions over the next three years as well as engagements outside the Gallery.

The Portrait Choir will give its inaugural concert on Friday, June 28, as part of the gallery’s popular Late Shift Friday evening program, followed by two daytime concerts on Saturday June 29. These free performances will include music inspired by the gallery’s portraits of composers and performers including Byrd, Elgar, Vaughan Williams and Thomas Adès, and a new commissioned work by composer Ben Parry.

Manchester-born Gregory Batsleer, 24, is currently chorus master with the Scottish Chamber Orchestra He has previously held choral conducting positions at the Hallé, RNCM, Princeton University and with the Amadeus Orchestra. He has recently worked as guest conductor with the National Youth Choir, Brandenburg Sinfonia, Rodolfus Choir and the Hallé Orchestra.

The Portrait Choir will be at the center of a new three-year choral initiative which Batsleer says “is an exciting new venture for choral music in the UK. The choir in residence program aims to provide our visitors with new ways of appreciating portraiture and music and our hope is that it becomes an integral part of the National Portrait Gallery’s work.”


ADDITIONAL IMAGE OF NOTE


Gregory Batsleer will direct the National Portrait Gallery choir. Image courtesy National Portrait Gallery, London.
Gregory Batsleer will direct the National Portrait Gallery choir. Image courtesy National Portrait Gallery, London.

New Stax Museum exhibit pays homage to ‘Mr R&B’

Among the rare Studio A photographs in the Jonas Bernholm exhibit currently on view at the Stax Museum of American Soul Music is this one that includes several legendary Memphis musicians: James Alexander (shown from behind) on bass, Steve Cropper on guitar, Al Jackson Jr on drums, then-unknown singer/songwriter Eddie Floyd (standing) and Booker T Jones on keyboard. Photo courtesy of Stax Museum of American Soul Music.
Among the rare Studio A photographs in the Jonas Bernholm exhibit currently on view at the Stax Museum of American Soul Music is this one that includes several legendary Memphis musicians: James Alexander (shown from behind) on bass, Steve Cropper on guitar, Al Jackson Jr on drums, then-unknown singer/songwriter Eddie Floyd (standing) and Booker T Jones on keyboard. Photo courtesy of Stax Museum of American Soul Music.
Among the rare Studio A photographs in the Jonas Bernholm exhibit currently on view at the Stax Museum of American Soul Music is this one that includes several legendary Memphis musicians: James Alexander (shown from behind) on bass, Steve Cropper on guitar, Al Jackson Jr on drums, then-unknown singer/songwriter Eddie Floyd (standing) and Booker T Jones on keyboard. Photo courtesy of Stax Museum of American Soul Music.

MEMPHIS, Tenn. – Through Aug. 1, 2013, the Stax Museum of American Soul Music will shine the spotlight on a remarkable collection of historical music ephemera amassed decades ago by a Swedish fan with a passion for American rhythm and blues. The back story behind the museum’s new exhibit — which is presented in conjunction with the Memphis in May International Festival, this year honoring the nation of Sweden — is almost as fascinating as the archive itself.

In 1968, a young man from Sweden by the name of Jonas Bernholm made a soul music pilgrimage to the United States visiting studios, clubs, and other sites related to the American R&B and soul music he loved so much. A music researcher/record label owner — later better known as “Mr. R&B” — Bernholm made it his mission to build a collection of records and memorabilia documenting the Memphis sound and the musicians who formed the nucleus of the uniquely American music he loved. Bernholm’s vast collection of original records was purchased by the Smithsonian Institute in the 1990s, because of the contents’ cultural significance to American R&B and rock and roll music.

The Stax Museum exhibit features documents, album covers, posters, and other items, including rare photographs that were taken inside Stax Records’ famed Studio A, which Bernholm visited during his 1968 trip. Undoubtedly, one of the highlights of Bernholm’s odyssey to Memphis was being able to spend the day with Stax Records’ Estelle Axton, who was co-owner of the label at that time with her brother Jim Stewart.

The exhibit is accompanied by a continuously looping 11-minute mini documentary about Bernholm, which was researched by Jan Kotschack (currently writing Bernholm’s biography) and edited by Enrico Barile.

The Stax Museum of American Soul Music is located at 926 E. McLemore Ave., Memphis, TN 38106.

For additional information on the exhibit and to learn more about the Stax Museum of American Soul Music, visit www.staxmuseum.com. Tel. 901-942-SOUL (7685).

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ADDITIONAL IMAGE OF NOTE


Among the rare Studio A photographs in the Jonas Bernholm exhibit currently on view at the Stax Museum of American Soul Music is this one that includes several legendary Memphis musicians: James Alexander (shown from behind) on bass, Steve Cropper on guitar, Al Jackson Jr on drums, then-unknown singer/songwriter Eddie Floyd (standing) and Booker T Jones on keyboard. Photo courtesy of Stax Museum of American Soul Music.
Among the rare Studio A photographs in the Jonas Bernholm exhibit currently on view at the Stax Museum of American Soul Music is this one that includes several legendary Memphis musicians: James Alexander (shown from behind) on bass, Steve Cropper on guitar, Al Jackson Jr on drums, then-unknown singer/songwriter Eddie Floyd (standing) and Booker T Jones on keyboard. Photo courtesy of Stax Museum of American Soul Music.

Patek Philippe watch may top $250,000 at Heritage, May 21

Rare and important Patek Philippe Ref. 5004P platinum wristwatch with split-seconds chronograph, registers, perpetual calendar and moon phases. Estimate: $250,000-$300,000. Heritage Auctions image.
Rare and important Patek Philippe Ref. 5004P platinum wristwatch with split-seconds chronograph, registers, perpetual calendar and moon phases. Estimate: $250,000-$300,000. Heritage Auctions image.

Rare and important Patek Philippe Ref. 5004P platinum wristwatch with split-seconds chronograph, registers, perpetual calendar and moon phases. Estimate: $250,000-$300,000. Heritage Auctions image.

NEW YORK – A pristine, rare and important Patek Philippe Ref. 5004P platinum wristwatch is expected to realize more than $250,000 on Tuesday, May 21, in New York as the centerpiece of Heritage Auctions’ 361-lot Watches and Fine Timepieces Signature® Auction, taking place at the company’s new expanded space at 445 Park Ave. LiveAuctioneers.com will provide Internet live bidding.

“This is definitely an auction for Patek Philippe aficionados,” said Jim Wolf, director of watches and fine timepieces at Heritage. “They’ll have a tough time choosing between all the top examples in this impressive collection.”

Highlights from the famed watchmaker include a rare, important and never before offered Patek Philippe Ref. 1463 very fine 18K yellow gold men’s chronograph, circa 1949 (estimate: $120,000-plus), a very fine and rare Patek Philippe Ref. 5146P-001 platinum annual calendar with moon phases and power reserve indication (estimate: $50,000-plus), an important Patek Philippe minute repeater with split seconds chronograph and register for Tiffany & Co., circa 1903 (estimate: $30,000-plus) and new, very fine Patek Philippe Single Sealed Ref. 5130R-001 rose gold World Time wristwatch (estimate: $27,500-plus).

Important pocket watches and marine chronometers from a superior estate collection will also be showcased, including an amazing Tiffany pocket watch attributed to Louis Audemars, circa 1873, expected to bring more than $40,000.

Further highlights include:

  • E. Howard & Co. important and rare gold fancy dial multicolor box hinge hunters case made for Maj. Gen. A.S. Roberts, presented by the Texas Volunteer Guard 1895: estimate $28,000-plus.
  • Rolex rare Ref. 6538 “James Bond” Big Crown Submariner, circa 1956: estimate $20,000-plus.
  • Vacheron Constantin Ref. 42005 very fine white gold Malte Dual Time Régulateur: estimate $15,000-plus.
  • Jules Jurgensen very fine gold minute repeater with patent bow setting, circa 1880s: Estimate $10,000-plus.

For more information about Heritage Auctions visit HA.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Rare and important Patek Philippe Ref. 5004P platinum wristwatch with split-seconds chronograph, registers, perpetual calendar and moon phases. Estimate: $250,000-$300,000. Heritage Auctions image.

Rare and important Patek Philippe Ref. 5004P platinum wristwatch with split-seconds chronograph, registers, perpetual calendar and moon phases. Estimate: $250,000-$300,000. Heritage Auctions image.

Patek Philippe Ref. 1463 very fine 18K yellow gold men’s chronograph, circa 1949. Estimate: $120,000-plus. Heritage Auctions image.

Patek Philippe Ref. 1463 very fine 18K yellow gold men’s chronograph, circa 1949. Estimate: $120,000-plus. Heritage Auctions image.

Patek Philippe Ref. 5146P-001 platinum annual calendar with moon phases and power reserve indication. Estimate: $50,000-plus. Heritage Auctions image.

Patek Philippe Ref. 5146P-001 platinum annual calendar with moon phases and power reserve indication. Estimate: $50,000-plus. Heritage Auctions image.

Patek Philippe rare and important minute repeater with split seconds chronograph and register for Tiffany & Co., circa 1903. Estimate: $30,000-plus. Heritage Auctions image.

Patek Philippe rare and important minute repeater with split seconds chronograph and register for Tiffany & Co., circa 1903. Estimate: $30,000-plus. Heritage Auctions image.

New Patek Philippe single sealed Ref. 5130R-001 rose gold World Time wristwatch. Estimate: $27,500-plus. Heritage Auctions image.

New Patek Philippe single sealed Ref. 5130R-001 rose gold World Time wristwatch. Estimate: $27,500-plus. Heritage Auctions image.

Tiffany & Co. minute repeating tandem wind pocket watch attributed to Louis Audemars, circa 1873. Estimate: $40,000-plus. Heritage Auctions image.

Tiffany & Co. minute repeating tandem wind pocket watch attributed to Louis Audemars, circa 1873. Estimate: $40,000-plus. Heritage Auctions image.

E. Howard & Co. rare gold fancy dial multicolor box hinge hunters case made for Maj. Gen. A.S. Roberts and presented by the Texas Volunteer Guard, 1895. Estimate: $28,000-plus. Heritage Auctions image.

E. Howard & Co. rare gold fancy dial multicolor box hinge hunters case made for Maj. Gen. A.S. Roberts and presented by the Texas Volunteer Guard, 1895. Estimate: $28,000-plus. Heritage Auctions image.

Rolex rare Ref. 6538 ‘James Bond’ Big Crown Submariner, circa 1956. Estimate: $20,000-plus. Heritage Auctions image.

Rolex rare Ref. 6538 ‘James Bond’ Big Crown Submariner, circa 1956. Estimate: $20,000-plus. Heritage Auctions image.

Hong Kong cries fowl as giant rubber duck deflates

'Rubber Duck' by Dutch artist Florentijn Hofman. Image taken on May 3, 2013 at Ocean Terminal, Hong Kong. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

'Rubber Duck' by Dutch artist Florentijn Hofman. Image taken on May 3, 2013 at Ocean Terminal, Hong Kong. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
‘Rubber Duck’ by Dutch artist Florentijn Hofman. Image taken on May 3, 2013 at Ocean Terminal, Hong Kong. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
HONG KONG (AFP) – The giant inflatable rubber duck which has attracted tens of thousands of visitors since it sailed into Hong Kong two weeks ago was reduced to a sad deflated disc Wednesday in the city’s harbor.

Duck mania has gripped Hong Kong since its arrival, with locals and tourists flocking to catch a glimpse of the 54-foot-tall artwork, conceived by Dutch artist Florentijn Hofman.

But those who made the trip to Victoria Harbor to see it on Wednesday morning were left disappointed as the wind had firmly been taken out of the duck’s sails leaving it looking like a floating fried egg.

Organizers said that the duck had been deflated on Tuesday evening as part of scheduled maintenance work and that it would be towed to a shipyard on Wednesday for thorough checking.

“We scheduled a body check for these two days. If everything is fine we can inflate it as soon as possible and the public can appreciate it again,” said Andrew Yeung, advertising and promotions manager for waterfront shopping mall Harbor City, which is organizing the duck exhibit.

Yeung added that the deflation had been announced on the Harbor City Facebook page on Tuesday night and also on signs around the piers.

“I know people are disappointed but we need to do the checking the overall condition. We don’t want to upset everyone.”

Yeung said he did not know when the duck would be re-inflated.

On a gray morning in Hong Kong tearful 45-year-old clerk Mirinna Chan reflected the feelings of visitors to the pier.

“The sky looks like it is crying for me—I took time off from work just to see the duck, now it is just a blob,” she told AFP. “It’s really our childhood dream, because when we bathed as children, we would have one or two of the rubber ducks next to us.”

Hong Kong has taken the bright yellow inflatable bird to its heart since it arrived on May 2 to cheering crowds, with stalls and shops throughout the city selling replicas and restaurants creating special duck dishes.

“The duck represents happiness for us,” 30-year-old office assistant Lee Chun-shing told AFP.

“It was the highlight of this place, but now the highlight is deflated, of course everyone is disappointed,” he said.

One man commenting on the Harbour City Facebook page said: “Kids were crying when they deflate the duck.”

Most visitors resorted to having their pictures taken with smaller rubber ducks on show nearby.

Since 2007 the duck has traveled to 13 different cities in nine countries ranging from Brazil to Australia in its journey around the world.

Hofman said he hopes the duck, which is due to stay in Hong Kong until June 9, will act as a “catalyst” for connecting people to public art.


ADDITIONAL IMAGE OF NOTE


'Rubber Duck' by Dutch artist Florentijn Hofman. Image taken on May 3, 2013 at Ocean Terminal, Hong Kong. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
‘Rubber Duck’ by Dutch artist Florentijn Hofman. Image taken on May 3, 2013 at Ocean Terminal, Hong Kong. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Winterville Mounds in Miss. takes steps toward expansion

A map of the Winterville Site, a Mississsippian culture mound site near Greenville, Miss. Image by Herb Roe. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

A map of the Winterville Site, a Mississsippian culture mound site near Greenville, Miss. Image by Herb Roe. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
A map of the Winterville Site, a Mississsippian culture mound site near Greenville, Miss. Image by Herb Roe. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
GREENVILLE, Miss. (AP) – Historians, tourism officials and others are pushing to get started on a multimillion dollar facelift at Winterville Mounds State Park north of Greenville.

They hope to expand the site and transform the museum into a contemporary and interactive history of Native American heritage in the Mississippi Delta.

The Delta Democrat Times reports that various organizations met this past week to discuss the area’s future.

Winterville Mounds is the site of a prehistoric ceremonial center built by a Native American civilization that thrived from about A.D. 1000 to 1450. The mounds, part of the Winterville society’s religious system, were the site of sacred structures and ceremonies. Archaeologists say the Winterville people lived away from the mound center on family farms in scattered settlement districts throughout the Yazoo-Mississippi River Delta basin.

The ceremonial center originally contained at least 23 mounds. Some of the mounds located outside the park boundaries have been leveled by highway construction and farming. Twelve of the site’s largest mounds, including the 55-foot-high Temple Mound, are currently the focus of a long-range preservation plan.

With the increase in interest in Native American history in recent years, Mark Howell, director at Winterville Mounds, said it’s time to expand the interpretive capabilities of the museum.

“It served its purpose 40 years ago,” he said. “It’s inadequate for what we need here today. We need more space. We want a museum that tells about the Native Americans who call Mississippi home.”

The park is located on 42 acres and has been in the state’s hands since 2000.

“There is a whole lot to remind people about the history of the area and the culture and heritage of the Native Americans, and that’s a whole new audience we could attract,” said Hank Holmes, executive director of the Mississippi Department of Archives and History.

Representing the Chickasaw Nation at the meeting and serving as a consultant about the new museum, Brady Davis said the exhibits need to remind people that Native American Indians are still a “viable group of people today.”

“Our culture is not lost,” he said. “People need to understand, and some do, that these people are still alive. They aren’t coming to learn about a history or see people who are gone.”

Brady said the Chickasaw Indians’ ancestry homeland was in northern Mississippi, though the new homeland is in south-central Oklahoma.

“The story of Winterville—and all of Mississippi’s Native American history from pre-Columbian time to today—is an interesting and important one. It’s a common perception that American Indians are only in the past, but we want to remind them and make them aware that they are still here,” he said. “The connection from past to present is really important.”

___

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Information from: Delta Democrat Times, http://www.ddtonline.com


ADDITIONAL IMAGE OF NOTE


A map of the Winterville Site, a Mississsippian culture mound site near Greenville, Miss. Image by Herb Roe. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
A map of the Winterville Site, a Mississsippian culture mound site near Greenville, Miss. Image by Herb Roe. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.