Despite funding cuts, Fort Knox’s iconic status endures

The U.S. Gold Bullion Depository at Fort Knox. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
The U.S. Gold Bullion Depository at Fort Knox. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
The U.S. Gold Bullion Depository at Fort Knox. This file is licensed under the Creative Commons Attribution 2.0 Generic license.

FORT KNOX, Ky. (AP) – Few military posts have a place in pop culture as rock solid as Kentucky’s Fort Knox, thanks to its mysterious gold vault.

The name of the historic base is practically synonymous with impenetrability. In addition to housing the Treasury Department’s U.S. Bullion Depository and its stacks of gold, the Army’s tank training school was started at Fort Knox. And the sprawling central Kentucky Army post has been the setting for blockbuster Hollywood films.

But Knox’s days as a war-fighting post may be over with the Pentagon’s decision last week to strip its only combat brigade, which follows the loss of its famed armor school and thousands of tank personnel just a few years ago. The base will remain the site of the gold vault, but otherwise it could be destined to function less as a tip-of-the-spear military facility and more as a home to office and support workers.

Many of those workers file into a nearly million-square-foot structure on post that was completed a few years ago, but the massive building doesn’t seem destined to unseat the vault as the symbol of Fort Knox.

“It is kind of an icon. Most people when they see the outline of the depository, they know what it is,” said Harry Berry, a retired Army lieutenant colonel who is now judge-executive in Hardin County. “When you think about Fort Knox, if you don’t have a military background, you instantly think about gold or Goldfinger,  the 1960s James Bond film.

The Pentagon announced last week that it was eliminating Knox’s 3rd Brigade Combat Team, 1st Infantry Division as part of a major restructuring that will reduce the Army’s active duty combat brigades to 33 from 45. The cuts will reduce the size of the Army from about 570,000 in the midst of the Iraq war down to 490,000, which includes personnel in units that support the brigades.

For some posts, that means the loss of a few hundred soldiers, but in Knox’s case it’s a cut of more than 40 percent to its active duty force and nearly a total elimination of its fighting personnel. Kentucky Gov. Steve Beshear puts the figure at about 10,000 lost troops and their families leaving Knox and the surrounding area.

Gen. Ray Odierno, Army chief of staff, said the military was not moving toward closing Knox: He pointed out that the Army’s recruiting and human resource commands have relocated there since a major Army realignment almost a decade ago.

Baldy Carder, who owns a tattoo parlor in nearby Radcliff, said he’s not worried about the post closing—a “because of the gold reserve.” But he said his business could take a hit since about half his customers come from the post.

“When you’re talking about 10,000 people leaving, that’s quite a chunk of change that we’re going to be losing,” he said.

Fort Knox’s own estimates project that its annual economic impact will shrink from about $2.8 billion a year to $2.62 billion upon the brigade’s departure, said Ryan Brus with the post’s public affairs office. That’s a decrease of more than 6 percent.

Much of Knox’s future is invested in the home for the Army’s Human Resources Command, which opened in 2010. The gleaming structure is the largest office building in Kentucky and one of the biggest in the military.

The work going on inside is a far cry from the military post’s heyday when tanks and infantrymen roamed the grassy hills. Knox was known as the home of the Army’s tank and armored vehicle training for more than seven decades, before the Pentagon completed the move of the school to Fort Benning, Ga., in 2011.

Lonnie Davis hated to see the tanks go. Aside from the lost business for his Radcliff barber shop, the Kut Zone, he had a 20-year career in the Armored Division at Knox.

“That’s why I went into Armor, to stay close to home,” Davis said.

Today, the Gen. George S. Patton Museum and a scattering of aging tanks and armored vehicles sprinkled around the post are only remnants of that past.

Inside the museum, which just finished a $5 million renovation, visitors learn about the post’s history, and tucked away in a small corner is a tribute to its Hollywood past. That started with The Tanks Are Coming, a 1951 film about a tank crew fighting its way into German territory. Bill Murray’s comedy Stripes was released in 1981, with Knox doubling as the fictional Fort Arnold where Murray goes through basic training.

But the most iconic film shot at the post was 1964’s Goldfinger, with Sean Connery in the role as 007, tasked to stop a madman from destroying the country’s gold reserves.

The movie helped spur curiosity about Knox’s gold vault, which opened in 1937. Its seemingly impregnable walls ushered Fort Knox into the American lexicon as a way to describe a safe and secure location.

During World War II, the gray stone fortress housed documents including the U.S. Constitution and the Declaration of Independence. The U.S. Treasury Department says on its website that there are now 147 million ounces of gold inside, with an estimated worth of more than $160 billion at today’s prices.

But the gold stays inside, and the bullion depository is not a tourist attraction: No visitors are allowed in.

Berry and Davis said Knox’s future success could depend on adding staff to Human Resources Command along with other administrative-oriented missions. The post’s total workforce now is about 20,000, including active duty and civilians.

“We’ll gain from that as opposed to the green-suit side, if you will,” Berry said.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-06-30-13 1519GMT


ADDITIONAL IMAGE OF NOTE


The U.S. Gold Bullion Depository at Fort Knox. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
The U.S. Gold Bullion Depository at Fort Knox. This file is licensed under the Creative Commons Attribution 2.0 Generic license.

6 bidders remain in historic Brandon Plantation auction

Brandon Plantation was listed on the National Register of Historic Places in 1969, and was declared a U.S. Historic Landmark in 1985.
Brandon Plantation was listed on the National Register of Historic Places in 1969, and was declared a U.S. Historic Landmark in 1985.
Brandon Plantation was listed on the National Register of Historic Places in 1969, and was declared a U.S. Historic Landmark in 1985.

RICHMOND, Va. (AP) – Six bidders remain in the running for the historic Brandon Plantation in Prince George County.

The Richmond Times-Dispatch reports that the six highest bidders who moved on to the second round of the auction have until July 10 to name their best offer. Should all six come in before then, owner Linda Daniel can go ahead and choose the highest one.

The nearly 5,000-acre property along the James River includes a nearly 7,800-square-foot, seven-bedroom main house with two wings, including the one built around 1765. The original owner was Capt. John Martin, one of the settlers of Jamestown. The property has 11 other houses and 14 farm structures.

Los Angeles-based Premiere Estates declined to release information about bidders, the total number of bidders or the prices offered. The new owner will not be announced until after the transaction closes in August.

“The Daniel family and all the selling parties are very pleased with the interest level that has been generated and the interest level moving into the next round,” said Todd Wohl, a partner at Premiere Estates.

The first round of the auction, or the qualification round, lasted nearly nine weeks and ended Wednesday. Only bidders in the top 33 percent were allowed to move on to the second round.

___

Information from: Richmond Times-Dispatch, http://www.timesdispatch.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-06-28-13 1951GMT


ADDITIONAL IMAGE OF NOTE


Brandon Plantation was listed on the National Register of Historic Places in 1969, and was declared a U.S. Historic Landmark in 1985.
Brandon Plantation was listed on the National Register of Historic Places in 1969, and was declared a U.S. Historic Landmark in 1985.

Kovels Antiques & Collecting: Week of July 1, 2013

These urns were thought to be Chinese export pieces made in the 1700s, but they were made by Jacob Petit in France. Raised white lines are found on his 19th-century pieces.
These urns were thought to be Chinese export pieces made in the 1700s, but they were made by Jacob Petit in France. Raised white lines are found on his 19th-century pieces.
These urns were thought to be Chinese export pieces made in the 1700s, but they were made by Jacob Petit in France. Raised white lines are found on his 19th-century pieces.

BEACHWOOD, Ohio – The names of antiques sometimes change as research corrects old errors. In the 1930s, an auction house sold a pair of what were called “Lowestoft” vases that were large enough to put on a fireplace mantel. They were named after the English town where they were thought to have been made in the 18th century. The vases had a traditional Chinese shape and were made of bluish-white porcelain decorated with a blue, green and orange coat of arms and slightly raised white scrolls.

When the same vases were sold again in the 1950s, they were described as “Chinese export porcelain” because experts had learned that in the mid-1700s the Lowestoft factory was making early blue-and-white English Delft souvenirs of regional interest, not porcelain like the vases. Researchers also had learned that porcelain made in China in the 18th century was being exported to England and that some had made its way to Lowestoft. But the Chinese porcelain exported to the West back then, although very good, was not the top-quality porcelain made in China for wealthy Chinese families.

Some of the export pieces were plain, Chinese porcelain with added new decorations like coats-of-arms or pictures of ships. But there were also other problems with the pair of vases. The vases were not Chinese at all; they actually were copies made by Jacob Petit (1796-1868), who opened a shop in Paris in 1863. Painted raised white scrolls are the clue to identifying Petit’s copies of Chinese export porcelain. Petit also made copies of Sevres, Meissen, English dinnerware and more.

So be careful when looking for information about Chinese export or Lowestoft porcelain. Information in old books is not accurate. And often, information online is from old books. Present-day auction-house descriptions and information in recent publications usually is accurate. Jacob Petit copies of Chinese export porcelain are collected today. A single one of his vases is worth about $800.

Q: My mother would like to know what her bound volume of Frank Leslie’s Illustrated Newspaper is worth. The spine is marked “Vol. 1,” and the book includes issues dated from Dec. 15, 1855, to May 31, 1856. The newspaper pages are large, about 12 by 16 inches.

A: Bound volumes of Frank Leslie’s illustrated weekly, the first one published in the United States, often show up at shows and can be found for sale online. Leslie (1821-1880) was born in England and immigrated to the United States in 1848. He was an engraver and illustrator before he became a publisher, and his many publications are wanted by collectors not only for their historical value, but also for their wood engravings and early photographs. The price your volume could sell for depends on condition of the binding and of the newspapers themselves. We have seen early volumes sell for $50 to $200.

Q: I have had an old table cigarette lighter for about 30 years. It was old when I got it. It appears to be silver plate, but it’s heavy. It’s in the shape of a cornucopia, with the lighter at the top of the basket. There’s no mark on it. Can you identify and price it?

A: The Evans Case Co. of North Attleborough, Mass., made an unmarked silver-plated cornucopia table lighter like the one you describe. Evans was in business from 1922 to 1960, but table lighters were at their height of popularity in the 1930s and ’40s. That’s probably when yours was made. Other silver-tone cornucopia table lighters were made in Japan after World War II, but they’re marked “Made in Occupied Japan.” The irony is that both the Evans and Occupied Japan lighters sell for about $50 today.

Q: My grandmother gave me her antique water basin, a very large pitcher and a smaller, matching water pitcher. She said the smaller pitcher was for hot water. The wash-basin set was given to her as a wedding gift in 1907. All three pieces are plain white. On the bottom, each piece is marked “Yale” in gold on a banner. Since this set is a family heirloom, it will not be sold, but I would like to know the history of the company.

A: Wash sets like yours were used in the days before indoor plumbing. The large pitcher was used to pour water into the basin for washing, and the smaller pitcher was used when brushing teeth. The “Yale” mark was one of several marks used between 1882 and 1925 by the Potters Co-Operative Co. of East Liverpool, Ohio. The company made hotel ware, white ware and some decorated ware. The name of the company became Dresden Pottery Co. in 1925. It went out of business in 1927. Your set was made between 1882 and 1907.

Q: I have a pitcher marked “Lefton China, Hand Painted, Reg. U.S. Pat. Off.” The number “1773” is hand-painted on the bottom. It’s 10 inches high and decorated with applied pink roses, pale blue forget-me-nots and green leaves. Is it old and valuable?

A: George Zoltan Lefton emigrated from Hungary in 1939 and founded Lefton Co. in Chicago in 1941. The company imported pottery, porcelain, glass and other wares. George Lefton died in 1996, and the company was sold in 2001. The mark on your pitcher was used from 1949 until about 1955. The number 1773 may indicate that the pitcher was part of a limited edition. Value of your pitcher: about $20 to $25.

Tip: If you have stored a quilt, take it out twice a year and refold it – in half, if you had it in thirds before. This practice will prevent crease lines.

Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or email addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, Auction Central News, King Features Syndicate, 300 W. 57th St., New York, NY 10019.

CURRENT PRICES

Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.

  • Piggy bank, sitting, cast iron, c. 1910, 5 x 34 inches, $25.
  • Hummel figurine, no. 53/2, Joyful, 4 inches, $30.
  • Roseville water lily vase, handles, marked, 7 1/4 inches, $40.
  • Garden figure, dog, seating, flower basket in mouth, painted, concrete, 22 inches, $160.
  • Barrel back chair, mahogany, closed arms, serpentine seat rail, porcelain casters, c. 1890, 35 inches, $245.
  • Sewing basket, double lid, handle, Pa., c. 1890, 6 1/2 x 8 1/2 inches, $505.
  • Wooden barber pole, red, white and blue stripes, canonball finial, turned base, iron ring stand c. 1910, 67 inches, $590.
  • Shooting gallery target game, kicking mule, hind leg moves, painted cast iron, A.J. Smith, c. 1810, 18 x 21 inches, $1,645.
  • Egyptian Revival Paris plate, gilt bands, marbleized borders, crossed swords mark, c. 1800, 9 1/4 in., pair, $5,080.
  • Satsuma vase, figural scenes, gilt and moriage highlights, oval body, dragon and ring handles, c. 1890, 41 inches, $7,070.

Special offer. Free gift bag when you buy The Label Made Me Buy It by Ralph and Terry Kovel. It’s a picture history of labels that once decorated products from cigar boxes to orange crates. The 320 full-color labels picture Indians, famous people, buildings and symbols. Learn how to identify and date labels or just enjoy the rare pictured labels (hardcover, 224 pages). Out-of-print but available at KovelsOnlineStore.com. By mail, send $40 plus $5.95 shipping to Kovels, Box 22900, Beachwood, OH 44122. Or call 800-303-1996.

© 2013 by Cowles Syndicate Inc.


ADDITIONAL IMAGE OF NOTE


These urns were thought to be Chinese export pieces made in the 1700s, but they were made by Jacob Petit in France. Raised white lines are found on his 19th-century pieces.
These urns were thought to be Chinese export pieces made in the 1700s, but they were made by Jacob Petit in France. Raised white lines are found on his 19th-century pieces.