Unique items in China Arts online auction Aug. 30

Lot 2700: rare handcrafted hardwood chair from the Imperial Qing Dynasty. China Arts Appraisal and Auction House image.

Lot 2700: rare handcrafted hardwood chair from the Imperial Qing Dynasty. China Arts Appraisal and Auction House image.

Lot 2700: rare handcrafted hardwood chair from the Imperial Qing Dynasty. China Arts Appraisal and Auction House image.

LOS ANGELES – Following its highly successful inaugural auction in June, China Arts Appraisal and Auction House of Southern California will present its late summer collection of decorative arts, unique collectibles, and fine art masterpieces on Friday Aug. 30, exclusively by online Internet live bidding through LiveAuctioneers.com.

China Arts Auction House brings together the positive collaboration of seasoned art appraiser and dealer Thomas with the multigenerational auction house from overseas. The auction house will offer a variety of Chinese arts and antiquities, stamp collections, precious stones, fine jewelry and rare furnishings at a one-day event. Auction items include a wide variety of porcelain works, jade and soapstone carvings, precious gemstones, scroll paintings, sculptures and museum-worthy furniture pieces.

“We are pleased to follow up on our inaugural auction with an array of lots that are just as varied and unique” said curator Lisal Ong.” We feel privileged to be making a number of lots available from the collections of a few discerning lifetime collectors.”

Headlining the auction is lot 2700, an exceptionally rare hardwood chair from the Imperial court of the Qing dynasty with intricately carved peonies and hand-painted auspicious foliate detailing and featuring a blue and white marble inlay in the backrest. The scenic landscape inlay contains calligraphy and the artist’s signature.

Also noteworthy, is a collection of YiXing clay teapots created and signed by a number of renowned artists (lots 2684-2686 and lot 2690). This assembly has been acquired by a well-known lifetime collector and tea aficionado from South Pasadena during the open trading period of Deng Xiao Ping’s China. Of particular interest is lot 2690 featuring a bamboo tree engraving and looped handle design signed by artist Ma Jian Shui.

Another cornerstone of the day’s offerings (lots 2823-2827) comprises a colorful array of Famille Rose vases primarily from the Republic Period, and featuring landscapes, wildlife and floral displays.

A must-see, dazzling piece in the watches and fine jewelry lots is a highly sought-after man’s Rolex WR -397 watch with a Daytona two-tone face and original diamond dial (lot 2752).

The proprietors of China Arts have married their mutually held passion for collectibles with decades of expert sales and acquisitions for their growing network of international clients. With promising first-year preparations in Southern California, they have plans in place for monthly in-house auctions. Many new clientele have come to know the burgeoning auction house through online catalogs posted on LiveAuctioneers.com.

The Friday, Aug. 30, online auction event will begin at 1 p.m. Pacific. Preauction viewing days are scheduled for Tuesday, Aug. 27; Wednesday, Aug. 28; and Thursday, Aug. 29; from 1-5 p.m. The gallery is located at 225 W. Valley Blvd., Suite #H128, San Gabriel, CA 91776.

For additional information Lisal Ong at 626-345-8668.

 

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

 


ADDITIONAL LOTS OF NOTE


Lot 2700: rare handcrafted hardwood chair from the Imperial Qing Dynasty. China Arts Appraisal and Auction House image.

Lot 2700: rare handcrafted hardwood chair from the Imperial Qing Dynasty. China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

China Arts Appraisal and Auction House image.

Replaced parts bring historic Wyo. gold mine back to life

Heavy equipment hauls the ball mill to the Carissa Mine in Wyoming. Image courtesy of South Pass City State Historic Site.
Heavy equipment hauls the ball mill to the Carissa Mine in Wyoming. Image courtesy of South Pass City State Historic Site.
Heavy equipment hauls the ball mill to the Carissa Mine in Wyoming. Image courtesy of South Pass City State Historic Site.

LANDER, Wyo. (AP) – After nearly a decade of reconstruction, the Carissa Gold Mine is coming back to life for all to see, with the grand opening scheduled for Sunday near the South Pass City State Historic Site south of Lander.

The tours are free and run from 10 a.m. to 3 p.m.

Though tours of the Carissa have been offered in the past, Sunday marks the public’s first chance to see the mine’s newly installed, fully functional equipment—50 tons of steel that wasn’t there before—in action, operating at an ear-splitting 100 to 130 decibels.

“The period of restoration we’re looking at is post-World War II,” site curator Jon Lane said. “1946 through 1949 is the era where the mine and mill last ran three eight-hour shifts round the clock.”

Around that time, the Carissa was said to be capable of processing 100 tons of ore daily, though it probably milled closer to 60 tons per day—producing around 16 ounces of gold, Lane said. An estimated 50,000 to 180,000 ounces of gold came out of the Carissa before it closed permanently in 1954.

When the Carissa closed, four essential pieces of equipment, the ball mill, spiral classifier, mineral jig and whiffling table, were sold.

“When you close, you generally liquidate your property to pay your bills, to pay your employees,” Lane said.

In 2009, the Wyoming Legislature provided funding to replace the missing pieces.

Equipment was sourced from vendors of outdated or antique equipment throughout the Rocky Mountain West, Lane said. The crew even managed to locate the same whiffling table that was removed from the mine half a century ago.

But the installation of that machinery represents only the final touch in an ongoing process. Working with the federal Abandoned Mine Lands project and the Wyoming Historic Mine Trail initiative, the South Pass Historic Site began a series of renovations and restorations after the state’s purchase of the Carissa in 2003.

The challenge since then has been to balance the goal of maintaining the site’s historical integrity with the practical concerns associated with taking the public into an almost 150-year-old excavation containing working heavy machinery.

“The work that began about 10 years ago, right after the purchase, was looking at the mine hazards—open shafts—you know, where there’s a giant hole in the ground and you throw the pebble and you never hear it hit the bottom,” Lane said.

Open shafts either were fenced off or sealed with removable foam. Structural stabilization followed, along with precautionary measures to ensure that chemical hazards would be contained.

The water and other materials run through the mill will be recirculated and self-contained.

“We’re not discharging or releasing anything into the environment,” Lane said. “We’re keeping everything within that building.”

The development of the plumbing and electrical systems required some creativity. Modeled after 1946 systems, these systems needed to comply with modern safety standards.

“We’re not dealing with 1946 construction codes or electrical codes,” Lane said.

This meant implementing some “hybrid systems,” he said, “armored electrical cable, for example, as opposed to the two live wires stapled to the surface of the wood.

“You’ve got your full functionality and safety of the modern 21st century, but it blends in or is camouflaged well within the architecture of the building and the design of the systems themselves,” Lane said.

Lights came on in the Carissa last year for the first time since the mine’s closure.

Another safety measure was the addition of stair rails, which were not present when the mine was in use.

“We know historically they were open stairways, because the people who we had a chance to interview that worked there said their number-one and number-two issues were electrocution because of bad wiring in 1946, and then falling down stairs because there weren’t any railings,” Lane said.

Although the interior resembles the mine’s 1946 appearance, the exterior and layout resemble that of 1929.

After Sunday’s grand opening, the mine will be open for public tours Saturday and Sunday afternoons beginning Aug. 24, lasting into the fall and winter as weather permits. The later tours will cost $2 per person for Wyoming residents and $4 for nonresidents. Admission for children under 18 is free. Group size is capped at about 25 people per tour.

Tours are also provided for free to educational groups. Touring the Carissa requires the navigation moderately narrow staircases

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Information from: The (Riverton, Wyo.) Ranger, http://www.dailyranger.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-15-13 1634GMT


ADDITIONAL IMAGES OF NOTE


Heavy equipment hauls the ball mill to the Carissa Mine in Wyoming. Image courtesy of South Pass City State Historic Site.
Heavy equipment hauls the ball mill to the Carissa Mine in Wyoming. Image courtesy of South Pass City State Historic Site.
W.H. Jackson photograph of South Pass City, Wyo., 1870. Gold was discovered there three years earlier. Image courtesy of Wikimedia Commons.
W.H. Jackson photograph of South Pass City, Wyo., 1870. Gold was discovered there three years earlier. Image courtesy of Wikimedia Commons.
A building at the Carissa Mine. Image by Anna-Katharina Stöcklin. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
A building at the Carissa Mine. Image by Anna-Katharina Stöcklin. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Rago open house Sept. 17 to present appraisal finds

Tiffany & Co. Billiard Clock. Rago Arts and Auction Center image.
Tiffany & Co. Billiard Clock. Rago Arts and Auction Center image.
Tiffany & Co. Billiard Clock. Rago Arts and Auction Center image.

LAMBERTVILLE, N.J. – Rago Arts and Auction Center hosts an open house on Tuesday, Sept. 17 at 6 p.m. Eastern, featuring a panel presentation titled “The Stories Things Carry.” Featuring Rago specialists and staff, the presentation takes place during the preview week for the Rago Estates and Unreserved auctions to be held on Sept. 20-22.

Rago personnel review scores of consignment inquiries daily, many on Rago’s free walk-in appraisal Mondays. Inevitably, an object that finds its way through the doors takes hold of a staff member’s attention. It may be the provenance of the object or its maker, its aesthetic, its singularity. Whatever the reason, it drives a desire to know the piece before it leaves the auction house and moves on.

“The Stories Things Carry” will introduce guests to a few of the compelling objects to sell in the Sept. 20-22 auctions. These include a historically significant—and politically incorrect—silver statuette, which was presented to filmmaker D.W. Griffith, to be discussed by Rago partner Miriam Tucker; a Tiffany & Co. billiard clock to be discussed by Tom Martin, who directs the Great Estate auctions; and a rare Mino School Katana sword to be discussed by Chris Wise, who handles militaria, coins and historical documents for the Great Estate auctions.

The auction house opens on Tuesday, Sept. 17, at noon. A reception begins at 5 p.m. The presentation will begin at 6 p.m. Please RSVP to raac@ragoarts.com or 609-397-9374 ext. 119. If unable to RSVP, please attend anyway. All are welcome.


ADDITIONAL IMAGE OF NOTE


Tiffany & Co. Billiard Clock. Rago Arts and Auction Center image.
Tiffany & Co. Billiard Clock. Rago Arts and Auction Center image.

Museum theft of Civil War items leads to tighter security

A Union belt plate similar to this was stolen from the Cape Fear Museum in Wilmington, N.C. Image courtesy of LiveAuctioneers.com Archive.
A Union belt plate similar to this was stolen from the Cape Fear Museum in Wilmington, N.C. Image courtesy of LiveAuctioneers.com Archive.
A Union belt plate similar to this was stolen from the Cape Fear Museum in Wilmington, N.C. Image courtesy of LiveAuctioneers.com Archive.

WILMINGTON, N.C. (AP) – The Cape Fear Museum is increasing security after the recent theft of some Civil War artifacts.

The StarNews of Wilmington reports an oval brass belt buckle and four buttons from Civil War uniforms were taken from the museum last month. The objects were taken from a display cabinet with a broken lock.

Museum spokeswoman Amy Kilgore Mangus says since the theft, the museum is installing new locks on display cases and is getting estimates on more security cameras.

Mangus says the items were apparently taken when the museum was open so no motion-activated alarms were tripped.

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Information from: The StarNews, http://starnewsonline.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-15-13 1333GMT


ADDITIONAL IMAGE OF NOTE


A Union belt plate similar to this was stolen from the Cape Fear Museum in Wilmington, N.C. Image courtesy of LiveAuctioneers.com Archive.
A Union belt plate similar to this was stolen from the Cape Fear Museum in Wilmington, N.C. Image courtesy of LiveAuctioneers.com Archive.

Mock ‘sale’ signs posted on Detroit public art

'Spirit of Detroit' sculpture by Marshall Fredericks outside the Coleman A. Young Municipal Center. This work has been released into the public domain by its author, Zirotti, at the wikipedia project.
'Spirit of Detroit' sculpture by Marshall Fredericks outside the Coleman A. Young Municipal Center. This work has been released into the public domain by its author, Zirotti, at the wikipedia project.
‘Spirit of Detroit’ sculpture by Marshall Fredericks outside the Coleman A. Young Municipal Center. This work has been released into the public domain by its author, Zirotti, at the wikipedia project.

DETROIT (AP) – A mock “sale” sign was attached for a short time on Rodin’s The Thinker at the Detroit Institute of Arts, while others were left on prominent statues downtown at a time when the city tries to place a value on its assets following the largest municipal bankruptcy filing in U.S. history.

None of the landmarks are being sold—yet. The tongue-in-cheek signs were the idea of artist Jerry Vile and a group of his friends.

“The situation’s sad,” Vile told the Detroit Free Press. “You might as well laugh at it.”

State-appointed emergency manager Kevyn Orr has said some city creditors have asked for the value of city-owned assets.

The DIA is considered one of the top art museums in the country and is home to hundreds of paintings and sculptures by Van Gogh, Bruegel the Elder, Renoir and other masters. The city purchased many of the pieces in the collection years ago during more prosperous times.

They could be considered assets in a bankruptcy, a possibility that Orr warned DIA officials about earlier this year. Orr filed for bankruptcy on July 18.

DIA Director Graham Beal told The Detroit News the art museum will sue to block any potential sale of works.

Orr has said the city is insolvent and can’t pay its bills. Detroit has a budget deficit of about $380 million. Long-term debt could be as much as $20 billion.

He has contracted with International auction house Christie’s to appraise some DIA pieces. Christie’s also will assist and advise on valuing the artwork while leaving the pieces in the city’s ownership.

“We are currently in the process of scheduling a meeting with Christie’s to determine how they want to handle this,” museum Executive Vice President Annmarie Erickson told The Associated Press on Wednesday.

On Wednesday morning, grounds maintenance workers saw the sign on The Thinker outside the art institute’s main entrance. Another “sale” sign was posted outside another part of the building. Both were quickly removed, said DIA spokeswoman Pam Marcil.

“Sale” signs also were left on statues of former mayors Hazen Pingree and William Maybury, a fountain on Detroit’s Belle Isle island park and a trash can in downtown’s Hart Plaza.

“The reports I heard is that as soon as they went up, they came off,” Vile told the Free Press.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-14-13 2332GMT


ADDITIONAL IMAGE OF NOTE


'Spirit of Detroit' sculpture by Marshall Fredericks outside the Coleman A. Young Municipal Center. This work has been released into the public domain by its author, Zirotti, at the wikipedia project.
‘Spirit of Detroit’ sculpture by Marshall Fredericks outside the Coleman A. Young Municipal Center. This work has been released into the public domain by its author, Zirotti, at the wikipedia project.

From ashes of Pa. foundry, a town is revitalized

The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.
The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.
The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.

PHOENIXVILLE, Pa. (AP) – The Phoenix of Egyptian and Greek mythology was a magnificent bird that was reborn from its own ashes.

The Phoenix of Phoenixville and Chester County reality was an iron works from which arms for armies, rails for railroads, backbones for bridges, and myriad more products for industrial and domestic uses were crafted.

The Phoenix Iron Works went cold a half-century ago. But from its ashes is a gem of a park and heritage center that is symbolic of the renaissance of the town around it.

Phoenixville’s lively main street is lined with an ever-increasing roster of shops and restaurants. And just off that street is a lasting memorial and lovely monument to the natural and man-made qualities that contributed to its growth.

The Phoenixville Foundry is a conference, reception and event space within the restored walls of a circa 1882 Phoenix Iron and Steel Co. building.

It has been configured to reveal original truss work beneath a 60-foot-high ceiling of the main ballroom. A staircase winds up to the Cupola Mezzanine, and the layout is decorated with artifacts, murals and photographs from the days when the foundry was in full blast.

The largest of those artifacts is the massive, restored Wooden Jib Crane. It is believed to be the last piece of equipment of its kind in the country. It was one of four cranes that off-loaded massive forms that were sent to build railroads, buildings and bridges.

For “A Day Away” purposes, the attraction of The Foundry is its fascinating “Schuylkill River Heritage Center” in the foyer of the event spaces.

After the steel mill closed in 1987, most of the buildings on the 130 acres it consumed were demolished. The Foundry Building survived a decade of decay—just barely.

It was eventually deemed to be one of the “most endangered buildings in Pennsylvania.” And former Gov. Tom Ridge said it should be restored and house a museum that would pay tribute to the industrial history of the Schuylkill River Valley.

Chester County allocated $5.2 million that would ensure that the building would be a part of the county’s heritage and the town’s revival.

A visit to the Schuylkill River Heritage Center will begin with a walk through the Symbols of Steel Sculpture Garden. Those peculiar columns in the garden are “Phoenix Columns,” a type of bar that was widely used in construction projects here and abroad.

Inside the Heritage Center, visitors’ attention will be to the floor and an imaginative map of the Schuylkill River, its towns and tributaries. A similar map can be found on the back wall.

Several display cases hold historical items from the mill, its workers and the town of Phoenixville. And on one of the walls is an impressive, entertaining and educational array of photographs and postcards that depict bridges and structures built with Phoenix Columns.

Some of them remain, some are long gone:

  • The “Phenix Wheel” from the 1895 Atlanta Cotton Exposition. A ride inspired by George Ferris’s wheel in Chicago, Phenix Wheels were built at Coney Island and on the boardwalk in Asbury Park, N.J. The Asbury Park wheel is under restoration in Phoenixville.
  • The Cape May, N.J., Pier; the Heinz Pier in Atlantic City; and the Long Branch, N.J., pier—all victims of hurricanes.
  • Philadelphia Water Works: Phoenix Columns were used to support the machinery in the buildings that still stand at the foot of the Philadelphia Museum of Art.
  • The Washington Monument: The staircase and elevator shafts are supported by Phoenix Columns.
  • Strawberry Mansion Bridge: Built for trolleys in 1896, the 832-foot-long bridge now carries traffic over the Schuylkill River in Fairmount Park, Philadelphia.
  • Kinzua Viaduct: The original 2,052-foot long railroad bridge that soared more than 300 feet over the valley was the highest bridge in the world when it was built. It was removed and rebuilt in 1900.

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Online:

http://bit.ly/13CsW0v

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Information from: Reading Eagle, http://www.readingeagle.com/

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-15-13 1356GMT


ADDITIONAL IMAGES OF NOTE


The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.
The restored foundry building of the former Phoenix Iron Works. Note the row of Phoenix columns between the lamp posts and building.
The Strawberry Mansion Bridge, built 1896-97, is a steel arch bridge across the Schuylkill River in Fairmount Park in Philadelphia. Image by Davidt8, courtesy of Wikimedia Commons.
The Strawberry Mansion Bridge, built 1896-97, is a steel arch bridge across the Schuylkill River in Fairmount Park in Philadelphia. Image by Davidt8, courtesy of Wikimedia Commons.

Battle line forming over Gen. Robert E. Lee portrait

A portrait of Gen. Robert E. Lee painted by Edward Caledon Bruce, oil on canvas, 1865. Courtesy of the Virginia Historical Society, Richmond, Va., Wikimedia Commons.
A portrait of Gen. Robert E. Lee painted by Edward Caledon Bruce, oil on canvas, 1865. Courtesy of the Virginia Historical Society, Richmond, Va., Wikimedia Commons.
A portrait of Gen. Robert E. Lee painted by Edward Caledon Bruce, oil on canvas, 1865. Courtesy of the Virginia Historical Society, Richmond, Va., Wikimedia Commons.

FORT MYERS, Fla. (AP) – The Ku Klux Klan has weighed in on the NAACP’s request to remove a portrait of Gen. Robert E. Lee from a Florida county building.

Frank Ancona, a spokesman for the Traditionalist American Knights of the Ku Klux Klan, said that the group’s national leadership was notified recently by local members because the Lee County NAACP said it wants to hold demonstrations because the county refuses to take down Lee’s portrait that hangs in the county commission chambers.

The NAACP says the portrait of the Confederate general is a slap to the face for local minorities.

The Ku Klux Klan said the portrait is not racist and sent a three-page letter to Lee County Commissioners that included a brief biography of the general and a letter he wrote in 1856.

The News-Press reports that a half-dozen or so supporters of the portrait—mostly members of local Confederate historical groups—discussed the painting during a County Commission meeting Tuesday night.

A member of the local Sons of Confederate Veterans told commissioners the group strongly objects to attempts to remove the portrait.

Waymond Edmonson of Cape Coral told the commissioners: “If anyone can come up with a better representative for the county, I’ll help them hang the portrait.”

No one from the NAACP spoke at the meeting. Local President James Muwakkil on Monday said his group would meet with the state NAACP before moving ahead with demonstrations.

“Lee County proudly displays Gen. Robert E. Lee portrait in the Lee Commissioners Chambers. It is where all citizens gather to take care of official business,” Muwakkil’s email to the state and national NAACP said. “We now ask permission to engage in Direct Action in ways such as follow: a sit in within the County Commissioner chambers, permission to picket, permission to demonstrate, and to make signs calling voters to remove the four male commissioners who refused to second the only female on the Commission move to hold a public hearing on the portrait.”

Lee County is named after Lee, who commanded the Confederate army during the Civil War.

The Ku Klux Klan’s Ancona said that his group feels that the NAACP is “trying to erase a part of history.”

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Information from: The (Fort Myers, Fla.) News-Press, http://www.news-press.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-14-13 1836GMT


ADDITIONAL IMAGE OF NOTE


A portrait of Gen. Robert E. Lee painted by Edward Caledon Bruce, oil on canvas, 1865. Courtesy of the Virginia Historical Society, Richmond, Va., Wikimedia Commons.
A portrait of Gen. Robert E. Lee painted by Edward Caledon Bruce, oil on canvas, 1865. Courtesy of the Virginia Historical Society, Richmond, Va., Wikimedia Commons.

Hold the cheese: Metamora orders up early photography

A carte de visite of a photographer with his camera, palette and brushes. Image courtesy of LiveAuctioneers.com Archive and Cowan's Auctions Inc.
A carte de visite of a photographer with his camera, palette and brushes. Image courtesy of LiveAuctioneers.com Archive and Cowan's Auctions Inc.
A carte de visite of a photographer with his camera, palette and brushes. Image courtesy of LiveAuctioneers.com Archive and Cowan’s Auctions Inc.

METAMORA, Ill. (AP) – Striking a pose, grinning ear-to-ear and reluctantly murmuring “cheese” are formalities of being photographed that seem rooted in tradition since time immemorial.

But many photographs of yesteryear relate subjects that appear sullen and angry that their likeness will be captured in permanence. At the antique photography show currently on exhibit in the Metamora Courthouse, which displays photographs from the 1830s to the 1930s, finding a smile is a mostly fruitless endeavor.

“They would have to hold their position for one to two minutes because the exposure time was so long back then,” said Jean Myers, curator of the Metamora Courthouse. “If you moved at all, the picture would be blurry. That’s why there’s no smiles.”

The show—running through Sept. 14—features a range of photographic techniques and the stories of each photograph at the advent of the technology. Early photographers tried to print their image on everything, Myers said, which explains the breadth of processes used: daguerreotypes were weak print under glass, collodions only printed positives and not negatives and stereoscopic cards were precursors to three-dimensional View-Masters.

Some photographs contain color, an obvious red herring of the era. Color photography did not exist commercially until the 1940s, and the color seen in the exhibit’s photos were manually applied later.

“To make people look more lively,” Myers explained. “That would be very expensive back then.”

Since the photos were gathered by local collectors, many of them are family heirlooms or depictions of people and events from historic Woodford County communities. In this way, the show serves the dual purpose of curating local history and attempting to identify more of that history as over half of the photographs are unlabeled. Myers hopes some local families will see the exhibit and either identify an ancestor or start better photo habits.

“Even if it’s a digital photograph, write a date and label on it,” Myers said.

Jim Aceree, a 90-year-old man who recently moved to Eureka from Florida to be closer to family, came to the courthouse for the Abraham Lincoln artifacts and stayed for the antique photography. It’s one of the few things he has seen at his age that are older than him, picking a picture of a disgruntled little boy as his favorite.

“That little boy’s picture is a hoot,” Aceree said. “Photography has always amazed me, even the digital ones today.”

 

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Information from: Journal Star, http://pjstar.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-08-15-13 1033GMT


ADDITIONAL IMAGE OF NOTE


A carte de visite of a photographer with his camera, palette and brushes. Image courtesy of LiveAuctioneers.com Archive and Cowan's Auctions Inc.
A carte de visite of a photographer with his camera, palette and brushes. Image courtesy of LiveAuctioneers.com Archive and Cowan’s Auctions Inc.