Palm Beach Modern’s Nov. 22 auction a Who’s Who of design luminaries

Paul Evans 80in mixed-metal cabinet and dry bar with double doors and interior drawers, shelves and storage. Pictured ‘Paul Evans Designer & Sculptor’ by Jeffrey Head. Est. $20,000-$30,000. PBMA image
Paul Evans 80in mixed-metal cabinet and dry bar with double doors and interior drawers, shelves and storage. Pictured ‘Paul Evans Designer & Sculptor’ by Jeffrey Head. Est. $20,000-$30,000. PBMA image
Paul Evans 80in mixed-metal cabinet and dry bar with double doors and interior drawers, shelves and storage. Pictured ‘Paul Evans Designer & Sculptor’ by Jeffrey Head. Est. $20,000-$30,000. PBMA image

WEST PALM BEACH, Fla. – The team at Palm Beach Modern Auctions (PBMA) – south Florida’s leading specialists in modern and contemporary art and design – will welcome bidders and other interested guests to a Nov. 22 Modern Design auction of more than 400 carefully chosen lots. Internet live bidding will be available through LiveAuctioneers.

Auctioneer and co-owner Rico Baca, who follows the market for modern very closely, described the selection of uber-chic furniture and art as “the finest gathering of modern design we have offered at auction to date.”

“Modern design is so cool, but at the same time, it’s so hot. It’s what people want for their homes nowadays,” said Baca. “The same designs that were considered avant-garde in the mid-20th century are now acknowledged classics, and over the decades they’ve inspired many other design movements. We have found that our buyers want both – the best of the collectible early designs and the most interesting and cutting-edge designs of the past 25 years.”

The beauty of modern furniture, aside from its obvious aesthetic attributes, is that only a few well-chosen pieces can add instant personality to a room, Baca said, even if the backdrop is just four white walls, begging for attention.

“When you add an investment piece to a room, like a pair of Gio Ponti lounge chairs (Lot 665, estimate $20,000-$30,000) or a George Nakashima walnut and rosewood Minguren I coffee table (Lot 730, est. $25,000-$35,000), you immediately have your centerpiece, and in so doing, you’ve set the bar very high. Furniture with this type of pedigree will never go out of style.”

When it comes to seating, nothing can perk up a plain room as quickly as Lot 616, an Elizabeth Garouste and Mattia Bonetti upholstered “Aladdin” sofa made in France. Hands down, it’s a design “wow” with its irregularly black-spotted gold upholstery and turned-out brass feet, with a shape reminiscent of Aladdin’s slippers. The eye-catching sofa is expected to make $25,000-$35,000 at auction.

Lot 734, a pair of Sergio Rodrigues leather and chrome-plated steel “Vronka” lounge chairs resided in a private home in Rio de Janeiro before being acquired by the consignor. Rodrigues (1927-2014) was a pioneer in Brazilian modern design and founded the company Oca in 1956. “His designs were uncompromising, always of the very finest materials,” Baca said. “Sergio Rodrigues became world famous after Oscar Neimeyer and Lucio Costa chose his furniture for the décor in buildings they designed in the then-new capital city of Brasilia. The lounge chairs in our sale are for connoisseurs.” Estimate for the pair: $12,000-$15,000.

Offered consecutively as Lots 533 and 534 are two pairs of fabric and brass slipper chairs by William (Billy) Haines, a former actor turned interior designer whose clients included movie stars and the crème de la crème of American society. His slipper chairs were a modern interpretation of the Ancient Greek klismos chairs seen in bas-relief artworks from as early as the mid-5th century BC. Each pair of chairs is offered with a $4,000-$6,000 estimate.

Fancy a cocktail? PBMA has you covered with Lot 726, a quintessential Paul Evans mixed-metal cabinet and dry bar with two doors that open to reveal drawers, shelves and storage. The 80-inch-tall cabinet of brass, copper, bronze, aluminum and wood is pictured in the Jeffrey Head reference titled Paul Evans Designer & Sculptor. The cabinet is entered in the Nov. 22 auction with a presale estimate of $20,000-$30,000.

Sam Maloof meant business when he designed a 119-inch-wide conference/dining table of South American rosewood, which is cataloged as Lot 757. Boasting a beautiful, naturally patinated surface and flawlessly symmetrical base, the table comes with provenance from a Tampa, Florida private collection. A commanding statement piece, it has auction expectations of $50,000-$70,000. The wide selection of decorative accessories includes Lot 655, a pair of large Stilnovo brass and enameled-metal 5-arm sconces or ceiling lights with an “atomic” motif. Estimate: $10,000-$15,000.

A perfect choice for indoor or outdoor dining is Lot 670, a Rudi Bonzanini round, glass-top dining table with six lacquered fiberglass chairs in a pastel pistachio shade. The estimate for this stylish suite is $15,000-$25,000.

To light up the modern residence, one could not go wrong in choosing Lot 571, a pair of rare Tommi Parzinger floor lamps with pierced brass shades, estimate $6,000-$8,000. But for maximum impact, the chandelier of choice would be Lot 542A, a monumental Italian Sputnik/Starburst design with glass spikes on a brass sphere. Its estimate is $20,000-$25,000.

Other auction highlights include Lots 711 and 712, consecutive pairs of Erwine and Estelle Laverne “Daffodil” lounge chairs from the Invisible Group, est. $3,000-$5,000 per pair; Lot 779, a Walter Lamb chaise lounge, est. $2,500-$5,000; and Lot 843, a Warren Platner for Knoll suite consisting of a pair of bronze-framed, upholstered lounge chairs with matching occasional table, est. $5,000-$6,000. Additionally, there are a number of quality prints by such artists as Andy Warhol, Claes Oldenburg, Banksy, and Aya Takano.

PBMA’s Nov. 22, 2014 Modern Design Auction will commence at 12 noon Eastern Time at the company’s exhibition center and auction venue located at 417 Bunker Rd., West Palm Beach, FL 33405. Preview: Monday through Friday from 10 a.m. to 5 p.m. and on auction day starting at 9 a.m.

For additional information on any item in the auction, call 561-586-5500 or e-mail info@modernauctions.com.

View the fully illustrated auction catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

#   #   #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Paul Evans 80in mixed-metal cabinet and dry bar with double doors and interior drawers, shelves and storage. Pictured ‘Paul Evans Designer & Sculptor’ by Jeffrey Head. Est. $20,000-$30,000. PBMA image
Paul Evans 80in mixed-metal cabinet and dry bar with double doors and interior drawers, shelves and storage. Pictured ‘Paul Evans Designer & Sculptor’ by Jeffrey Head. Est. $20,000-$30,000. PBMA image
One of two pairs of Billy Haines slipper chairs to be auctioned in consecutive lots, design inspired by Ancient Greek klismos chairs. Estimate for pair: $4,000-$6,000. PBMA image
One of two pairs of Billy Haines slipper chairs to be auctioned in consecutive lots, design inspired by Ancient Greek klismos chairs. Estimate for pair: $4,000-$6,000. PBMA image
Pair of Tommi Parzinger floor lamps with pierced brass shades, est. $6,000-$8,000. PBMA image
Pair of Tommi Parzinger floor lamps with pierced brass shades, est. $6,000-$8,000. PBMA image
Elizabeth Garouste and Mattia Bonetti upholstered “Aladdin” sofa with turned-out brass feet, French, est. $25,000-$35,000. PBMA image
Elizabeth Garouste and Mattia Bonetti upholstered “Aladdin” sofa with turned-out brass feet, French, est. $25,000-$35,000. PBMA image
Pair of large Stilnovo brass and enameled-metal 5-arm sconces or ceiling lights with ‘atomic’ motif. Estimate: $10,000-$15,000. PBMA image
Pair of large Stilnovo brass and enameled-metal 5-arm sconces or ceiling lights with ‘atomic’ motif. Estimate: $10,000-$15,000. PBMA image
Pair of deep crimson Gio Ponti Model 12690 upholstered lounge chairs with brass feet, est. $20,000-$30,000. PBMA image
Pair of deep crimson Gio Ponti Model 12690 upholstered lounge chairs with brass feet, est. $20,000-$30,000. PBMA image
Rudi Bonzanini glass-top dining table with six lacquered fiberglass chairs, est. $15,000-$25,000. PBMA image
Rudi Bonzanini glass-top dining table with six lacquered fiberglass chairs, est. $15,000-$25,000. PBMA image
George Nakashima walnut and rosewood Minguren I coffee table, est. $25,000-$35,000. PBMA image
George Nakashima walnut and rosewood Minguren I coffee table, est. $25,000-$35,000. PBMA image
Pair of Sergio Rodrigues leather and chrome-plated steel “Vronka” lounge chairs, originally in Rio de Janeiro residence, then a Palm Beach private collection. Est. $12,000-$15,000. PBMA image
Pair of Sergio Rodrigues leather and chrome-plated steel “Vronka” lounge chairs, originally in Rio de Janeiro residence, then a Palm Beach private collection. Est. $12,000-$15,000. PBMA image
Sam Maloof conference/dining table, South American rosewood, 119in wide, formerly in Tampa, Florida private collection. Est. $50,000-$70,000. PBMA image
Sam Maloof conference/dining table, South American rosewood, 119in wide, formerly in Tampa, Florida private collection. Est. $50,000-$70,000. PBMA image
Warren Platner for Knoll suite consisting of pair of bronze-framed, upholstered lounge chairs with matching occasional table, est. $5,000-$6,000. PBMA image
Warren Platner for Knoll suite consisting of pair of bronze-framed, upholstered lounge chairs with matching occasional table, est. $5,000-$6,000. PBMA image

Chinese jadeite carvings highlight I.M. Chait auction Nov. 23

Fine Chinese lavender jadeite Guanyin group, 18 3/4 inches high. Estimate: $15,000–$25,000. I.M. Chait Gallery / Auctioneers image.

Fine Chinese lavender jadeite Guanyin group, 18 3/4 inches high. Estimate: $15,000–$25,000. I.M. Chait Gallery / Auctioneers image.

Fine Chinese lavender jadeite Guanyin group, 18 3/4 inches high. Estimate: $15,000–$25,000. I.M. Chait Gallery / Auctioneers image.

BEVERLY HILLS, Calif. – A large collection of fine Chinese jadeite carvings from the estate of Los Angeles developer Charles H. Lundquist is one of the many highlights of an I.M. Chait Gallery / Auctioneers’s sale on Sunday, Nov. 23. Internet live bidding will be provided by LiveAuctioneers.com.

Also featured in the auction will be:

– A collection of important huanghuali wood furniture including tables, chairs and cabinets from a prominent local collection;

– Carved jade jewelry; and numerous Antique Chinese jade toggles from Pennsylvania and Los Angeles collections;

– Fine calligraphy scrolls from estate of Irving Groupp;

– A group of hand-colored lithographs from a Palos Verdes, Calif., estate;

– Fine gemstone carvings including works by lapidary masters Luis Alberto Quispe Aparicio and Peter Müller;

– Massive Chinese bronzes and carved stone statues from an East Coast collection;

– Fine precious gem jewelry and snuff bottles from a Beverly Hills collection

– Chinese dynastic pottery from the collections of Andrew and Karen Goldstein, and Thomas Williams;

– Large Chinese cloisonné pieces from the collection of Dr. Gerald and Christina Sugarman.

For details phone I.M. Chait Gallery / Auctioneers at 310-285-0182 or email chait@chait.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Fine Chinese lavender jadeite Guanyin group, 18 3/4 inches high. Estimate: $15,000–$25,000. I.M. Chait Gallery / Auctioneers image.

Fine Chinese lavender jadeite Guanyin group, 18 3/4 inches high. Estimate: $15,000–$25,000. I.M. Chait Gallery / Auctioneers image.

Pair of Chinese gilt bronze Guanyin figures, 49 1/2 inches each. Estimates: $15,000–$20,000. I.M. Chait Gallery / Auctioneers image.

Pair of Chinese gilt bronze Guanyin figures, 49 1/2 inches each. Estimates: $15,000–$20,000. I.M. Chait Gallery / Auctioneers image.

Oil portrait painting by Lee Man Fong (Indonesian-Chinese 1913-1988), oil on board, 23 1/2 in. x 17 1/2 in., framed. Estimate: $25,000–$35,000. I.M. Chait Gallery / Auctioneers image.

Oil portrait painting by Lee Man Fong (Indonesian-Chinese 1913-1988), oil on board, 23 1/2 in. x 17 1/2 in., framed. Estimate: $25,000–$35,000. I.M. Chait Gallery / Auctioneers image.

Study by Franz Kline (American, 1910–1962), untitled 1956 ink on paper, 9 3/4 in. x 12 3/4 in., framed. Estimate: $30,000–$50,000. I.M. Chait Gallery / Auctioneers image.

Study by Franz Kline (American, 1910–1962), untitled 1956 ink on paper, 9 3/4 in. x 12 3/4 in., framed. Estimate: $30,000–$50,000. I.M. Chait Gallery / Auctioneers image.

Tanzanian ruby Ferrari F1 scale model by Luis Alberto Quispe Aparicio, with Russian obsidian (tires, chassis and engine), rock crystal from Madagascar (base and windshield) and gold vermeil (all metalwork). Estimate: $250,000–$350,000. I.M. Chait Gallery / Auctioneers image.

Tanzanian ruby Ferrari F1 scale model by Luis Alberto Quispe Aparicio, with Russian obsidian (tires, chassis and engine), rock crystal from Madagascar (base and windshield) and gold vermeil (all metalwork). Estimate: $250,000–$350,000. I.M. Chait Gallery / Auctioneers image.

A. Lange & Söhne watch could wind up at $250,000 in Heritage sale

Heritage Auctions anticipates this A. Lange & Söhne Glashütte ref. 701.005 platinum Tourbillon

Heritage Auctions anticipates this A. Lange & Söhne Glashütte ref. 701.005 platinum Tourbillon
Heritage Auctions anticipates this A. Lange & Söhne Glashütte ref. 701.005 platinum Tourbillon
NEW YORK – A fine and rare A. Lange & Söhne Glashütte Ref. 701.005 platinum Tourbillon “Pour le Mérite” wristwatch, No. 42 of a limited edition of 50 examples made in 1996, is expected to bring $250,000 or more when it crosses the block as the top lot in Heritage Auctions’ Watches & Fine Timepieces Signature® Auction, Nov. 20. The watch is being offered for the first time at auction and has been consigned by its original owner.

“This tourbillon chronometer is without exception the most prestigious of all wristwatches produced by A. Lange & Söhne,” said Jim Wolf, director of watches and fine timepieces at Heritage. “It represents the culmination of more than 150 years of experience in the production of high quality precision timepieces and is among the most sought-after timepieces in the world.”

A Rolex Ref. 6062 gold “Star” dial automatic triple calendar wristwatch with moon phases, circa 1952 – a vintage Rolex watch that is also rare – is already drawing considerable collector attention in the lead-up to the auction, with its unusual dial and $100,000-plus estimate. The reference 6062 was launched in 1950, during the so called “Rolex Festival,” marking the 70th birthday of the founder, Hans Wildorf, the 25th year of the Oyster case, and 20th year of the Auto Rotor.

A superlative, historically important prototype Franck Muller gold minute repeating wristwatch with perpetual calendar and moon phases, circa 1986, is expected to bring $70,000-plus when it crosses the block, while a classic Rolex ref. 6542 Oyster perpetual GMT-Master with a Bakelite bezel, circa 1956, is expected to bring $60,000-plus and a fine Patek Philippe Ref. 5140G-001 sealed white gold perpetual calendar with moon phases, leap year and 24 hour indication is expected to realized a final price in the same $60,000-plus range.

Further highlights include:

– Lange & Söhne ref. 310.025 platinum Langematik Perpetual: estimate $50,000-plus.

– Jaeger LeCoultre ref. 146.2.34.S rose gold one minute Tourbillon Regulator, 24 hour indication, special date function: estimate $35,000-plus.

– Jaeger-LeCoultre, Swiss Triple Flying Tourbillon prototype clock, ref. no. 3-215-006: circa 1980, estimate: $30,000-plus.

– Chopard Haute Joaillerie diamond and sapphire women’s gold wristwatch, circa 2014, estimate: $20,000-plus.


ADDITIONAL IMAGE OF NOTE


Heritage Auctions anticipates this A. Lange & Söhne Glashütte ref. 701.005 platinum Tourbillon
Heritage Auctions anticipates this A. Lange & Söhne Glashütte ref. 701.005 platinum Tourbillon

Hockney biographer publishes illuminating second volume

'David Hockney: The Biography, 1975-2012' by Christopher Simon Sykes. Image courtesy of Nan A. Talese/Doubleday

'David Hockney: The Biography, 1975-2012' by Christopher Simon Sykes. Image courtesy of  Nan A. Talese/Doubleday
‘David Hockney: The Biography, 1975-2012’ by Christopher Simon Sykes. Image courtesy of Nan A. Talese/Doubleday
NEW YORK (AP) – David Hockney: The Biography, 1975-2012 (Nan A. Talese/Doubleday), by Christopher Simon Sykes

More than halfway through the second volume of his vivid, intimate biography of British artist David Hockney, Christopher Simon Sykes describes the moment in the 1980s when Hockney discovers the creative possibilities of the photocopy machine.

A natural talent who drew from the moment he could pick up a pencil, Hockney falls deeply in love with the density of copier inks – “the most beautiful black I had ever seen on paper,” he says. “It seemed to have no reflection whatsoever, giving it a richness and mystery almost like a void.”

Sykes, who wrote the book with Hockney’s cooperation, picks up the story of this astonishing artist in 1975, when the working-class boy from the north of England has already won widespread acclaim for his paintings depicting the bright light, azure skies and swimming pools of his adopted city of Los Angeles.

Even greater success lay ahead, including a major retrospective at the Los Angeles County Museum of Art in 1988 and a blockbuster show in 2012 at the Royal Academy in London of landscapes he made after moving back to Yorkshire in his late ’60s.

Chapter by chapter, the book unfolds as a series of love affairs, in which the workaholic artist falls madly in love with a new art-making medium – fax machines, Polaroids and iPads, to name a few – puzzles over its problems and potential, masters it and moves on. Always, he returns to painting and drawing.

“If everybody is asleep,” Henry Geldzahler, a former Metropolitan Museum curator, observed, “he draws them sleeping, and if he’s alone he draws his luggage lying on the floor. He’ll work until he drops.”

Given his prodigious talent, it’s instructive to see his reaction to the work of other greats such as Picasso and Vermeer: like that of an awe-struck schoolboy. A Monet exhibition in Chicago “made me look everywhere intensely,” he says. “That little shadow on Michigan Avenue, the light hitting the leaf. I thought: ‘My God, now I’ve seen that. He’s made me see it.’”

Sykes has an engaging style and an enviable ability to write clearly about art – including Hockney’s struggle to capture what he once called “our own bodily presence in the world.” But he ought to have given the manuscript another look – to eliminate cliches, repetitive language and the trivial details that bog down otherwise illuminating diary passages he uses to tell the story of this remarkable man.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-10-14 1520GMT


ADDITIONAL IMAGE OF NOTE


'David Hockney: The Biography, 1975-2012' by Christopher Simon Sykes. Image courtesy of  Nan A. Talese/Doubleday
‘David Hockney: The Biography, 1975-2012’ by Christopher Simon Sykes. Image courtesy of Nan A. Talese/Doubleday

WWI poppy memorial draws huge crowds to Tower of London

'Blood Swept Lands and Seas of Red,' an installation consisting of ceramic poppies planted in the Tower of London moat, commemorating the centenary of the outbreak of World War I. Image by Yuval Weitzen. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.

'Blood Swept Lands and Seas of Red,' an installation consisting of ceramic poppies planted in the Tower of London moat, commemorating the centenary of the outbreak of World War I. Image by Yuval Weitzen. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.
‘Blood Swept Lands and Seas of Red,’ an installation consisting of ceramic poppies planted in the Tower of London moat, commemorating the centenary of the outbreak of World War I. Image by Yuval Weitzen. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.
LONDON (AP) – Parts of a display of almost a million ceramic poppies that have filled the Tower of London moat to mark the centenary of World War I will be preserved and go on tour, organizers said.

The temporary installation, titled Blood Swept Lands and Seas of Red, has generated intense interest, with thousands lining up daily to look since it opened in August. Each of the 888,246 poppies represents a service member from Britain or its empire killed in the Great War.

Organizers estimate 4 million people will have visited the display by Tuesday, which is Armistice Day, the anniversary of the end of World War I on Nov. 11, 1918.

The poppies are due to be removed starting the next day, and sent to people who have bought them in return for donations to military charities.

But there have been calls from politicians and members of the public to keep the installation open longer.

Prime Minister David Cameron visited the site Saturday, saying it had become a “much loved and respected monument.”

Cameron said parts of the display, including a “wave” of poppies rising beside an entrance to the centuries-old Tower, would remain until the end of the month before going on a national tour. They eventually will be preserved in the Imperial War Museum.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-10-14 1410GMT


ADDITIONAL IMAGE OF NOTE


'Blood Swept Lands and Seas of Red,' an installation consisting of ceramic poppies planted in the Tower of London moat, commemorating the centenary of the outbreak of World War I. Image by Yuval Weitzen. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.
‘Blood Swept Lands and Seas of Red,’ an installation consisting of ceramic poppies planted in the Tower of London moat, commemorating the centenary of the outbreak of World War I. Image by Yuval Weitzen. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.

Buddy Holly’s motorcycle back in his hometown

Buddy Holly’s original 1958 Ariel Cyclone motorcycle was a gift to Waylon Jennings. Guernsey’s image.

Buddy Holly’s original 1958 Ariel Cyclone motorcycle was a gift to Waylon Jennings. Guernsey’s image.
Buddy Holly’s original 1958 Ariel Cyclone motorcycle was a gift to Waylon Jennings. Guernsey’s image.
LUBBOCK, Texas (AP) – Waylon Jennings was stunned speechless to receive Buddy Holly’s motorcycle as a 42nd birthday gift, the country music outlaw’s widow said.

During a presentation of the bike this week at the Buddy Holly Center in Lubbock, singer Jessi Colter described the gratitude her husband felt toward the Crickets band members for the gift in 1979. Lubbock native Holly purchased the bike in May 1958 at Ray Miller’s Triumph Motorcycle Sales in Dallas, then died in a plane crash some nine months later.

Jennings would never forget his close friend and rock ‘n’ roll inspiration, Colter said.

“This motorcycle so represented a time to Waylon when he was most hurt by life’s circumstances,” she told the Lubbock Avalanche-Journal.

The bike – a limited-edition 1958 Ariel Cyclone model – is now on long-term loan at the museum that bears Holly’s name. Museum staff shares the appreciation that Jennings, a Littlefield native, felt 35 years ago.

“This is a dream for us. We’re thrilled,” said Brooke Witcher, managing director.

Colter, who lives in Scottsdale, Ariz., said she rejected “a million offers” for the motorcycle before she finally released it to George McMahan at a “Remembering Waylon” auction last month. The bid by McMahan, a Lubbock resident, wasn’t the highest she was ever offered, she said, but his intention for its use was among the most admirable.

McMahan said he’s happy to see the bike back in the area where Holly and Jennings grew up.

“It is a very iconic piece of history,” he said. “We’re all so proud to have this bike back on their home turf.”

The bike will be on display to the public beginning Nov. 18.

Arlan Ettinger, president of Guernsey’s Auctioneers & Brokers in New York City, said as a longtime Holly fan, he was honored to help bring the motorcycle to the museum. When he befriended Colter and learned about the bike, he could only describe it with a term collectors use for an item’s history.

“It had the best provenance,” he said. “When I heard about this motorcycle, I thought it was as good as it got.”

The bike has low mileage and it has hardly a scratch, he said.

“It was in beautiful condition,” he said. “This would be a dream to any collector.”

___

Information from: Lubbock Avalanche-Journal, http://www.lubbockonline.com

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-07-14 1558GMT


ADDITIONAL IMAGE OF NOTE


Buddy Holly’s original 1958 Ariel Cyclone motorcycle was a gift to Waylon Jennings. Guernsey’s image.
Buddy Holly’s original 1958 Ariel Cyclone motorcycle was a gift to Waylon Jennings. Guernsey’s image.

Stephenson’s to sell antiques, art from 18th C. farmhouse Nov 16

Sophie Marston Brannan, oil on canvas landscape, signed lower left, 20 x 23½in sight. Est. $500-$1,000. Stephenson’s image

Sophie Marston Brannan, oil on canvas landscape, signed lower left, 20 x 23½in sight. Est. $500-$1,000. Stephenson’s image

Sophie Marston Brannan, oil on canvas landscape, signed lower left, 20 x 23½in sight. Est. $500-$1,000. Stephenson’s image

PHILA., Pa. – Last month one of Hunterdon County, New Jersey’s most idyllic country properties, the 27-acre Paper Road Farm in Grafton, was sold at auction. Now Stephenson’s Auctioneers, estate specialists located in Bucks County, Pa., will take over the reins to auction the contents that furnished and decorated the picturesque stone farmhouse on the Delaware River. The November 16 auction will be held onsite at the property, but bidders can also participate live via the Internet through LiveAuctioneers.

“In keeping with the feel of the original 18th-century colonial structure, the owners in residence took great care to furnish the interior with period pieces. They did a wonderful job,” said Cindy Stephenson, owner of Stephenson’s Auctioneers.

Many artworks will be offered, including oil-on-canvas landscapes by Sophie Marston Brannan, Harry Horn, Bowen Aylesworth Haines and George F. Schultz. An E.L. Parmele oil-on-canvas winter landscape is dated 1850 and features cows and figures; while a Raymond W. Sims oil on board is a still life with fruit. There are numerous other watercolors, pastels, portraits and prints.

A true country mansion, the home contains a wealth of furniture in both country and formal styles. There’s a cherry cupboard, a 19th-century grain-painted chest, an 1869 Norwegian humpback paint-decorated trunk, a dovetailed dome-top blanket chest with original red paint, and another 19th-century painted blanket chest. A mahogany Federal-style dining table comes complete with two leaves and a set of six mahogany ribbon-back dining chairs. Other elegant furnishings include a mahogany Queen Anne-style highboy, a Chippendale slant-front desk, an inlaid mahogany demilune table and a Chippendale-style scroll-arm sofa. Hand-tied Persian rugs adorn the hardwood floors.

As the auction moves from room to room, bidders will be able to bid on a walnut Davenport desk, a Federal cherry drop-leaf table, a Shaker ladder-back rocker, Chippendale-style leather wing chair, walnut double-door bookcase and a mahogany tester bed converted to king size, with “hairy paw” feet. A reliable timekeeper in the home is the circa-1830 English inlaid tall-case clock that measures 89 inches in height. Outdoor and garden furniture will be auctioned, as well. Patio sets include a 7-piece teak ensemble by Kingsley-Bate and a five-piece iron set. There are many dozens of additional furnishings, including mirrors, lamps, mantel clocks, a glass-paneled tri-fold screen, and a wealth of decorative accessories.

There are many collections in the residence: stoneware crocks and jugs, some with advertising; late-18th to early 19th-century pewter, equestrian-related items, copper cookware, linens, lace, and some silver, including a five-piece tea and coffee service.

As one would expect on a horse farm, the auction includes saddles. Among those to be offered to the highest bidder are a Flanagan 18in hunt seat, Mesace Medellin Industria Colombia 17½in hunt seat, G. Passier & Sons 17½in dressage, Beval 17in hunt seat, G. Passier & Sons 18in dressage, English 18in hunt seat, and a Crosby 18in hunt seat. There are two Western saddles: a 14in brown and 14½in black model.

In addition to residential contents, the sale includes farm equipment used in day-to-day work activities, starting with a John Deere 850 diesel tractor with turf tires. Also, there are wooden barrels, ladders, fencing and posts; yard tools, wheelbarrows, a diesel tank, an outside sink, four exterior parking lot lights on poles, and even cords of firewood.

“It isn’t often that we see an onsite auction of a country estate that is this complete and of such consistently high quality throughout,” said Stephenson. “I think that many bidders are going to be very happy with their purchases.”

The Nov. 16 auction will take place onsite at Paper Road Farm, 12 Grafton Rd., Stockton, N.J. beginning at 11 a.m. Eastern Time. For additional information on any lot in the sale, call Cindy Stephenson at 215-322-6182 or e-mail info@stephensonsauction.com.

Internet live bidding will be available through LiveAuctioneers.

View the fully illustrated online catalog and sign up to bid absentee or live via the Internet at www.liveauctioneers.com.

#   #   #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Sophie Marston Brannan, oil on canvas landscape, signed lower left, 20 x 23½in sight. Est. $500-$1,000. Stephenson’s image

Sophie Marston Brannan, oil on canvas landscape, signed lower left, 20 x 23½in sight. Est. $500-$1,000. Stephenson’s image

Vietnamese lacquer-on-panel artwork depicting figures and temples in landscape, signed lower right, 24 x 48in. Est. $60-$120. Stephenson’s image

Vietnamese lacquer-on-panel artwork depicting figures and temples in landscape, signed lower right, 24 x 48in. Est. $60-$120. Stephenson’s image

Harry Horn oil-on-canvas landscape painting, signed lower left, 19 x 23in sight. Est. $500-$1,000. Stephenson’s image

Harry Horn oil-on-canvas landscape painting, signed lower left, 19 x 23in sight. Est. $500-$1,000. Stephenson’s image

Burger Bros. Rochester cobalt-decorated, ovoid-form stoneware jug, 17in tall. Est. $200-$400. Stephenson’s image

Burger Bros. Rochester cobalt-decorated, ovoid-form stoneware jug, 17in tall. Est. $200-$400. Stephenson’s image

Face of circa-1830 English inlaid tall-case clock, 89in high. Est. $600-$1,000. Stephenson’s image

Face of circa-1830 English inlaid tall-case clock, 89in high. Est. $600-$1,000. Stephenson’s image

Norwegian painted dome-top trunk with lettering and date ‘1869’ on front. Est. $300-$500. Stephenson’s image

Norwegian painted dome-top trunk with lettering and date ‘1869’ on front. Est. $300-$500. Stephenson’s image

Brown leather Western saddle, 14in with stirrups and tack. Est. $120-$250. Stephenson’s image

Brown leather Western saddle, 14in with stirrups and tack. Est. $120-$250. Stephenson’s image

19th-century walnut tester bed with hairy paw feet, paneled headboard, reeded and carved bedposts, converted to king size. Est. $300-$600. Stephenson’s image

19th-century walnut tester bed with hairy paw feet, paneled headboard, reeded and carved bedposts, converted to king size. Est. $300-$600. Stephenson’s image