Dreweatts to auction newly discovered Asian treasures May 19


An important work of art is this bronze model of a tiger from Warring States-Western Han style. A symbol of peace, the tiger is one of the oldest and most revered animals in Chinese history.  This big cat, 5 1/4 inches long, has an estimate of 3,000-5,000 pounds. Dreweatts & Bloomsbury images

NEWBURY, UK – Dreweatts will present the company’s first Chinese ceramics and Asian works of art sale of 2015 on Tuesday, May 19. Featuring 170 lots from Yuan through Ming, Qing and the other Imperial dynasties to 20th century, the auction features textiles, ceramics, works of art and artworks from a number of private collections. The auction will be held at Dreweatts’ Donnington Priory.

LiveAuctioneers.com will provide absentee and Internet live bidding.

“With works spanning eight centuries of Asian art history the auction appeals to buyers of all tastes,” said Mark Newstead, Dreweatts’ head of Asian and European ceramics and works of art.

The jewel from one family’s private collection and leading the works of art lots is a large pair of cloisonné enamel double crane censers measuring 60 inches high. As birds with a long life span, cranes are associated with longevity, immortality and wisdom in Chinese tradition, particularly following the rise of Daoism from the Han dynasty. The pair has been in a family collection for a number of generations and is estimated to achieve 6,000-8,000 pounds ($9,034-$12,045).




A 19th century rare embroidered Imperial apricot ground, twelve symbols dragon robe leads the textile works in the sale. Imperial dragon robes were worn during festive holidays by the emperor and as such were adorned with the twelve symbols of Imperial sovereignty arranged in groups; the sun, the moon, the stars, the dragon, and the flowery fowl, which are depicted on the upper garment, the temple-cup, the aquatic grass, the flames, the grain of rice, the hatchet, and the symbol of distinction, which are embroidered on the lower garment (estimate: 8,000-10,000 pounds).




Bridging the gap from textiles to artworks is a 17th–18th century rare Tibetan thangka (painting on cotton or silk) of Shantirakshita, the Guardian of Peace, a renowned eighth century Indian Buddhist Brahim and abbot of Nalanda (estimate: 2,000-3,000 pounds).




Already attracting attention in the ceramics section of the sale is a Republican Period vase amusingly painted, with a figure hiding and peeking out from inside a pagoda and a seated dog at the entrance to a palace garden estimated at 800-1,200 pounds.




A good 19th century porcelain screen depicting a walled garden and mounted in a hardwood frame stands about 37 inches high (estimate: 800-1,200 pounds).






View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Gray’s modern & contemporary sale explodes with color May 6

Roy Lichtenstein’s oil, 'Alice in Wonderland' is from 1947 when he was completing his master’s degree at Ohio State University. Gray's Auctioneers images


Roy Lichtenstein’s oil, 'Alice in Wonderland' is from 1947 when he was completing his master’s degree at Ohio State University. Gray's Auctioneers images

CLEVELAND – Op-art masters, upstart renegades, Pop geniuses and postmodernists all demand attention at Gray’s Auctioneers’ dynamic sale May 6. LiveAuctioneers.com will provide absentee and Internet live bidding.

With only 146 lots Gray’s Spring Modern and Contemporary Auction bursts onto the block with Lot 1, Clarence Van Duzer’s Green, Orange, Blue, circa 1965. Playfully merging a kinetic sculptural sunburst of brass rays hovering above a geometric field of complementary colors, the work (below) is a classic Op-art doctrine of color and pattern.




Van Duzer was a close friend and contemporary of Richard Anuszkiewicz, Julian Stanczak and Edwin Mieczkowski, all of whom are included in the auction. Anuszkiewicz’s monumental acrylic on masonite, Untitled, from The Portal Series (below), 1971, dominates the early part of the sale at Lot 5. He was a member of the Anonima Group, a group of artists teaching in Ohio and exhibiting together in the early 1960s.




They were all were deeply interested in the psychology of perception which allows a viewer to “see” spatial dimension on a two dimensional surface. Ed Mieczkowski breaks out of the two-dimensional constricts with his magnificent assemblages and sculptures, which play with planes, colors, shapes and shadows creating the illusion of two dimensions in robustly constructed three-dimensional artworks. Lots 6 through 10 are all by Mieczkowski. Lot 8, Untitled, is pictured below.




The auction is a veritable feast of artists connected with Cleveland and Northeast Ohio. Joseph O’Sickey, whose artist-wife Algesa O’Sickey was director of the Ten-Thirty Gallery in Cleveland, where Roy Lichtenstein first exhibited his works, is represented in the auction by Horses in a Cornfield #6 (below.)




Pat Adams was a visiting artist at Kent State University in 1980 when she completed Lot 13, her masterful canvas titled, Clearing (below), which was exhibited at the Berkshire Museum in 1988. Pat Adams, 86, is one of the most awarded female artists still living and working in North America. Clearing is a rich evocation of texture and shape, abstracting themes owned by an earlier generation of artists including Alexander Calder and Lichtenstein.




Calder’s 1969 gouache on paper titled Sea Creatures (below), a wonderfully dramatic interplay of shape and color, is estimated at $50,000-$70,000.




For more information contact Serena Harragin at 216-458-7695.


View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Art Institute of Chicago receives largest gift in its history


Andy Warhol. 'Self-Portrait,' 1966. The Art Institute of Chicago, Gift of Edlis/Neeson Collection.


Andy Warhol. 'Self-Portrait,' 1966. The Art Institute of Chicago, Gift of Edlis/Neeson Collection.

CHICAGO (AP) – The Art Institute of Chicago is receiving a major gift of contemporary art, including works by Andy Warhol, Roy Lichtenstein, Jasper Johns and Jeff Koons.

The museum said Wednesday that it is receiving 42 pieces from Chicago-based philanthropists Stefan T. Edlis and Gael Neeson. The institution called it the largest gift of art in its 136-year history.

The Chicago Tribune reports the collection has an estimated value of $400 million.

Edlis says he chose the Art Institute because the museum “proposed keeping the works on permanent view for 50 years.”

Art Institute officials said all 42 pieces will be installed in early 2016 in the contemporary galleries in the museum’s Modern Wing. Highlights of the donation include two Warhol self-portraits and Warhol works depicting Jacqueline Kennedy Onassis and Elizabeth Taylor.

Another modern masterpiece in the collection is Jasper Johns’ Target, 1961 (below). (The Art Institute of Chicago, Gift of Edlis/Neeson Collection)




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Timex cites flagging attendance in closing museum

Timexpo, which will close in September, is located in the Brass Mill Commons shopping center. Its location is marked by a 40-foot-high replica of an Easter Island Moai statue, which connects with the museum's archaeology exhibit. Image by Dtgriffith. This file is licensed under the Creative Commons Attribution 3.0 Unported license.


Timexpo, which will close in September, is located in the Brass Mill Commons shopping center. Its location is marked by a 40-foot-high replica of an Easter Island Moai statue, which connects with the museum's archaeology exhibit. Image by Dtgriffith. This file is licensed under the Creative Commons Attribution 3.0 Unported license.

WATERBURY, Conn. (AP) – Watchmaker Timex says it’s time to close its museum in Waterbury, Connecticut.

The company says Timexpo, which opened in May, 2001, will close on Sept. 30, a result of poor attendance.

Waterbury Mayor Neil O’Leary tells the Republican-American newspaper that Timex officials are working with the city’s Mattatuck Museum to preserve some of the museum’s artifacts.

Timexpo focused on the history of Timex and its beginnings as the Waterbury Clock Co.

It also exhibits the work of Norwegian anthropologist Thor Heyerdahl of Kon-Tiki expedition fame, who had connections to Timex’s Norwegian owners.

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Information from: Republican-American, http://www.rep-am.com

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Replacing carpet at Jerusalem shrine underlines religious rift

The Dome of the Rock on the Temple Mount in the Old City of Jerusalem. Image by Godot13. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.


The Dome of the Rock on the Temple Mount in the Old City of Jerusalem. Image by Godot13. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

JERUSALEM (AP) – It began as a routine remodeling project: Muslim authorities replacing an old carpet worn thin by masses of worshippers at the Dome of the Rock, the iconic, gold-topped shrine that overlooks the Old City of Jerusalem.

But there is no such thing as routine remodeling when it comes to the most contested piece of real estate in Jerusalem, where the presence of a mere screwdriver can threaten to ignite religious tensions.

The carpet has sparked a verbal holy war over the hilltop compound, which is revered by Jews and Muslims whose competing claims often spill over into violence.

Israeli archaeological authorities say the repairs were carried out behind their backs, and an Israeli government minister urged an immediate halt to the work, claiming it might cause irreparable damage. Frustrated Israeli researchers say previously undocumented ancient floor designs were discovered when the old carpets were peeled off, but they didn’t get a chance to document the designs before workmen covered them up with the new carpet.

And some researchers claim the Bible’s deepest secrets may lie beneath some of the newly exposed floor designs.

“Something is there. I don’t know what. But something is hidden there,” said Israeli archaeologist Zachi Dvira, who studies the site.

Officials with the Waqf, the Muslim authority that administers the Al Aqsa Mosque compound, which includes the Dome of the Rock, reject the Israeli accusations.

Sheikh Azzam Tamimi, the head of the Waqf, said the work is long overdue and has defiantly proclaimed that he was forbidding any Israeli involvement.

“Our work in Al Aqsa is transparent,” he told The Associated Press. “We are only putting down carpet and felt. Nothing more, nothing less.”

The work quietly began more than a month ago, and Israel facilitated the renovation project, said Jamal Al Quda, a member of a group of Jordanian carpet layers who received Israeli visas for the job.

A packing list dated March 11 from an Egyptian carpet company to the Jordanian Embassy in Tel Aviv lists 80 bales of carpeting for the Marwani prayer area located at the compound, and the prayer area encircling the rock slab inside the dome.

Jordan’s King Abdullah II financed the project, according to Waqf. Israel captured Jerusalem’s Old City from Jordan in the 1967 Mideast war, but under a longstanding agreement, Jordan remains the custodian of the area’s Muslim holy sites.

On a recent afternoon in a small cave underneath the shrine’s rock, Al Quda dribbled Israeli all-purpose glue from a large tin onto an intricate stone tile decoration on the cave’s marble floor. He said it was necessary to affix the base layer of thin dark felt before rolling out the carpet above it.

Some Israeli archaeologists are alarmed about the glue used but Al Quda said the glue wouldn’t damage the floor.

“It comes off my hand,” he said, rubbing his fingers.

The cryptic geometric designs have sparked the imagination of some researchers about what secrets may lay beneath.

Ancient Jewish traditions say the gold-cased Ark of the Covenant, which contained the Ten Commandments, may have been hidden away in a chamber when the First Jewish Temple was destroyed some 2,500 years ago. It’s an Indiana Jones-type mystery that touches upon a holy grail for biblical enthusiasts.

While Jerusalem may be the most excavated city in the world, the Dome of the Rock and its hilltop plaza are an archaeological gold mine that has never been properly dug because of the political sensitivities surrounding the site, which is considered Judaism’s holiest spot and Islam’s third holiest.

The Dome of the Rock enshrines the large rock slab where Muslim tradition says the Prophet Muhammad ascended to heaven. Jews believe the rock may be where the holiest part of the two ancient Temples stood as early as about 3,000 years ago – and where religious Jews pray a third Temple will one day be built. The adjacent Western Wall, believed to be one of the last remnants of the Temple complex, is the holiest site where Jews can pray. Palestinian officials reject Jewish historical ties to the site.

The competing claims have spilled over into violence.

In 1999, the Muslim authorities who administer the site dug an enormous hole 40 feet deep as part of construction for an underground prayer area, dumping 10,000 tons of earth in a nearby valley and an east Jerusalem dump.

The director of the Israeli Antiquities Authority at the time called it an “archaeological crime.” For years, Dvira and veteran Israeli archaeologist Gabriel Barkay have been leading a team of archaeologists and volunteers in combing through the dirt for historical finds.

The initiative, called the Temple Mount Sifting Project, is conducted under the auspices of the Elad Foundation, a group that also purchases Arab homes in contested parts of East Jerusalem and helps move Jews in. Critics say this nationalist agenda should not mix with archaeology.

Israel’s state comptroller wrote a scathing report in 2010 about the Muslim authorities’ illicit work projects at the compound and Israel’s failure at enforcing supervision there. Israeli officials kept the report classified out of concern that its publication could harm the sensitive relationship with Jordan.

Tens of thousands of worshippers attend weekly Friday prayers, and the carpets have been replaced before – most recently 12 years ago, at a time of heightened violence when Israeli antiquities officials were granted limited access to the site.

Past renovation projects were done quietly behind the scenes. Leaked photos posted on social media sites – combined with the political influence of Israeli nationalists monitoring the site – drew extra attention and fueled the latest controversy.

Last week, Israel’s housing minister, Uri Ariel of the nationalist Jewish Home party, sent an alarmed letter to Israeli Prime Minister Benjamin Netanyahu about the carpeting project.

“There is no need to elaborate on how important this site is, where every modification, every excavation with heavy equipment can cause irreparable harm to the foundations of the Temple,” Ariel wrote.

Photos that were leaked to Facebook from the off-limits restoration site showed a number of geometric floor patterns never before documented by archaeologists, said Frankie Snyder, a researcher with the Temple Mount Sifting Project.

Some apparently date to when the Crusaders controlled the complex in the 12th century, she said.

“I’m worried about damage of the original floors,” said Barkay, the archaeologist. “The patterns were never properly documented.”

Israel Hasson, the director of the Israeli Antiquities Authority, said once the government body learned about the renovation, it made arrangements with the Waqf to send an archaeologist to document some of the floor patterns, but others already had been covered by the maroon and beige carpeting.

“We got to part of them. We didn’t get to it all. I won’t ask anyone to pull up the carpets to document it,” Hasson said. “We will wait for the next opportunity. We’re sure to be here over the next 2,000 years.”

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Follow Daniel Estrin on Twitter at www.twitter.com/danielestrin.

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