Kovels Antiques & Collecting: Week of May 4, 2015

Neal Auction Co. of New Orleans sold this Victorian Hunzinger chair in January for $7,768. Webbing was used instead of conventional upholstery, and the straight lines of the frame make it look like a piece of modern furniture.

Neal Auction Co. of New Orleans sold this Victorian Hunzinger chair in January for $7,768. Webbing was used instead of conventional upholstery, and the straight lines of the frame make it look like a piece of modern furniture.

Neal Auction Co. of New Orleans sold this Victorian Hunzinger chair in January for $7,768. Webbing was used instead of conventional upholstery, and the straight lines of the frame make it look like a piece of modern furniture.

 

BEACHWOOD, Ohio – In the 1870s, fashionable chairs were made with padded upholstery, elaborate mahogany carved frames and springs to make the seats more comfortable. But George Jacob Hunzinger (1835-1898), a German immigrant craftsman, had other ideas.

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Sterling Assoc. to auction estate-fresh modern, decorative art, May 13


Period openwork brass and iron telephone console with marble top, manner of Oscar Bach, est. $500-$1,000. Sterling Associates image

CLOSTER, N.J. – On Wednesday, May 13, New Jersey’s Sterling Associates will present a 368-lot Modern & Decorative Art Auction featuring some of the finest fresh-to-market pieces recently obtained from residences in the New York tri-state area. Absentee and Internet live bidding will be available through LiveAuctioneers.

Among the top highlights is a breathtaking Louis-Ernest Barrias (French, 1841-1905) seminude bronze titled Nature Unveiling Herself Before Science, which stands 17 inches tall and is signed “E. Barrias.” The work is a testament to detail, as witnessed in every tiny fold on the “cloth” that drapes the female figure. The bronze is also cold-stamped under the base with the foundry mark “SUSSE FRERES EDITEURS PARIS.” Its pre-auction estimate is $8,000-$16,000.




Also entered in the sale is an abstract modern sculpture on marble base by Dimitri Hadzi (American, 1921-2006). Signed and numbered on the lower-back portion of the bronze, this handsome piece stands 10 inches tall and has a broad estimate range of $600-$2,200.




An absolute showstopper, an 18-inch Le Verre Francais “Scarabees” vase exhibits a quintessential Art Deco motif of a large scarab beetle resting on vivid orange glass overlaid with purple glass. Designed by Charles Schneider, the vase is artist-signed and dates to around 1919-1922. It is estimated at $3,500-$5,000.




Another example of Art Deco glass artistry at its best, two matching Auguste Legras acid-cut vases feature a geometrical pattern on clear olive-green glass. Created around 1920-1925, the 17½ inch tapering vessels are entered in the auction with an $800-$1,600 estimate for the pair.




Borrowing from a classical theme, a Boch Freres (Belgian) late Art Deco charger by Raymond-Henri Chevallier depicts a partially obscured nude male holding a torch with plumed flames. Artist-signed, it is also stamped “Boch Freres la Louviere” and dated 1949. It measures 12 7/8 inches wide and is offered with a $1,200-$2,000 estimate.




In the manner of Oscar Bach, a period openwork brass and iron telephone console is stamped with the maker’s mark beneath the marble top. The front and side brass panels are decorated with repousse knights and nude females, each with a velvet background. The piece is elaborately detailed and stands 47 inches tall on paw feet. A most unusual design, it is estimated at $500-$1,000.




From an earlier design era, a Tiffany-style Art Nouveau lamp consists of a triangular base with three intertwined gilt-bronze supports for an inverted leaded and stained glass shade. The honey-colored shade, whose metal framework exhibits natural verdigris, is of a construction similar to Tiffany Studios’ belted turtleback pieces. Estimate: $2,000-$4,000.




Another Art Nouveau highlight is a signed and dated Josef Ekberg (Swedish) pottery vase with repeating floral and tree design, estimate $800-$1,600.




Fine art is led by a colorful and appealing oil-on-canvas painting, possibly by Kees van Dongen (Dutch, 1877-1968), that depicts smartly dressed men and woman at an outdoor event. On verso, a gallery stamp reads “Galerie Louis Carre, Paris.” Measuring 25½ by 21 inches (framed), its presale estimate is set at $3,000-$6,000.




All bidding in Sterling Associates’ auctions is conducted remotely, but the company is a brick-and-mortar establishment where anyone can inspect the goods. Internet live bidding is available through LiveAuctioneers.com. The Wednesday, May 13, 2015 auction will commence at 5 p.m. Eastern Time. The live gallery preview is from 11-3 on May 6-8 (inclusive) and May 11 and 12; or at later times by appointment. The gallery is located at 70 Herbert Ave., Closter, NJ 07624. For additional information on any item, call 201-768-1140 or e-mail sterlingauction@gmail.com. View the fully illustrated catalog online at www.LiveAuctioneers.com.


View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

John Moran realizes solid prices in decorative arts April 28

This polychrome glazed and knife-engraved pottery pichet à glace, designed by Pablo Picasso for Madoura, outstripped its $12,000-$18,000 estimate at Moran’s April 28 auction, bringing $36,000. John Moran Auctioneers images


This polychrome glazed and knife-engraved pottery pichet à glace, designed by Pablo Picasso for Madoura, outstripped its $12,000-$18,000 estimate at Moran’s April 28 auction, bringing $36,000. John Moran Auctioneers images

PASADENA, Calif. – John Moran Auctioneers’ April 28 Auction was stocked with great finds, including modern and contemporary prints, traditional Continental paintings, English silver, art glass, and French furniture. Online activity was animated, with a nearly 10 percent increase in online bidder registration from Moran’s last decorative art auction.

LiveAuctioneers.com provided Internet live bidding.

Contemporary and modern pieces were the clear winners, with works by Pablo Picasso, Rufino Tamayo, Angel Botello and Richard Pettibone earning stellar auction prices.

One of the most anticipated lots in Moran’s auction was the Pablo Picasso (1881-1973) for Madoura pottery ice pitcher, or pichet à glace (estimate: $12,000-$18,000). The ovoid pitcher featured a hand-painted abstracted face to one side and two spouts; one small and one large. With its unique form and intriguing knife-engraved polychrome exterior, the pitcher inspired raucous bidding, with the price shooting to $36,000 (price realized includes a 20 percent buyer’s premium).

Modern and contemporary fine art also proved quite popular, including a trio of female portrait oil paintings by Puerto Rican artist Angel Botello (1913-1986). Each brought prices within or above estimate, with the first work offered (below) bringing $10,800, well over the estimated $6,000-$8,000 price.




Richard H. Pettibone’s (b. 1938 American) diminutive silkscreen, Woman with Flowered Hat, 1963 (after Roy Lichtenstein), inspired by Lichtenstein’s copy of Picasso’s original portrait of Dora Maar, performed within estimate, realizing $9,412 and sold online.




Moran’s provided collectors the opportunity to acquire a number of exciting decorative gems, including a rare Swiss singing bird clock with a silver and enamel case attributed to celebrated maker Charles-Armand Marguerat and a movement possibly by E. Flajoulot (below). After restorations were completed by Antique Music Box Restoration in nearby Costa Mesa, Calif., the piece was assigned an estimate of $6,000 to $9,000. The clock found a new home with a private collector for $14,400.




A dramatic Lalique Hokkaido art glass veilluse lamp, designed in 1990 by Marie-Claude Lalique and also accompanied by its original fitted box was assigned an estimate of $3,000-$4,000. The piece sold to an online buyer for bit over the high estimate, at $4,305.




For additional information regarding consignment or upcoming auctions, contact John Moran Auctioneers via phone: 626-793-1833 or email: info@johnmoran.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.

Magritte print, Warhol sculpture led Roseberys sale

'Poire et Rose,' a Rene Magritte etching with aquatint, sold for 4,182 pounds. Roseberys images


'Poire et Rose,' a Rene Magritte etching with aquatint, sold for 4,182 pounds. Roseberys images

LONDON – A surrealist print by René Magritte emerged as the highlight of Roseberys auction of modern and contemporary prints, multiples and editions on April 25. LiveAuctioneers.com provided Internet live bidding.

Titled Poire et Rose, the print was from an edition of 150 of the 1969 suite of four etchings titled Le Lien de Paille. The picture captures the playfulness that dominates the surrealist style, and makes Magritte’s work so sought after. It sold for 4,182 pounds ($6,324) to a buyer in room.

As one of the most fascinating and mysterious artists from the surrealist movement, Magritte sought to use ordinary objects in an extraordinary way. He challenged the viewers’ perception of reality by forcing them to look at the world from a different perspective, and give new meaning to everyday objects through his complex relationship with surrealism.

“My painting is visible images which conceal nothing … they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question ‘What does that mean’? It does not mean anything, because mystery means nothing either, it is unknowable,” Magritte once said.

An iconic multiple by one of the world’s most famous artists, Andy Warhol came in the form of the late 1970s mixed media sculpture Brillo Box. The Brillo Boxes were his first sculptural works and were exhibited in 1964 at Stable Gallery in New York.The sculptures were intended to raise questions about society’s accepted ideas about, and definitions of, “high art” using deadpan humor and pop culture imagery. They were initially met with confusion and uncertainty by the public, but the use of an everyday object challenged the historical idea of art as an aesthetically pleasing medium.

He appropriated a consumer-minded product (the cardboard boxes with real Brillo pads still inside) and elevated them into the realm of fine art sculpture. Warhol’s Brillo Boxes took the mundane and transformed it into something thought-provoking, encouraging viewers to reassess the aesthetics found in commercialism, as well as re-evaluate their own ideas about the definition of art. The sculpture was the property of a private Italian Warhol collector and it sold to a buyer in the room for 2,952 pounds.




A linocut in color by the Swiss artist Lill Tschudi also performed well, selling to an absentee bidder for 2,829 pounds. Having established an interest in printmaking from a young age Tschudi later developed a lifelong interest in linocut as a preferred medium, producing over 300 during her career. A former student of the Grosvenor School of Modern Art, her work was exhibited in the Museum of Fine Arts, Boston and the Metropolitan Museum of Art, as well as the Osborne Samuel Gallery in London. The linocut titled Im Hafen or, “In the Port” was signed and numbered 5/50 in pencil.

Prices quoted include the buyer’s premium of 23 percent.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.

Signed photos in all-star lineup at MBA/Seattle Auction House, May 16

A photograph of Babe Ruth, autographed by the New York Yankees slugger, is estimated at $4,000-$6,000. MBA/Seattle Auction House images.


A photograph of Babe Ruth, autographed by the New York Yankees slugger, is estimated at $4,000-$6,000. MBA/Seattle Auction House images.

RENTON, Wash – An impressive collection of rare 1900s autographed baseball photos stored for decades in safety deposit box going up for auction on Saturday, May 16, at MBA/Seattle Auction House. The sports, entertainment and historical memorabilia auction is highlighted by Dr. Clarence G. “Doc” Steen’s collection of important signed baseball photos.

LiveAuctioneers.com will provide absentee and Internet live bidding.

In 1910 Steen, a dentist from Scottsbluff, Neb., began collecting photographs of the baseball stars of the era. In 1930 he began writing the players and requesting they autograph the pictures that he mailed to them. These photos consisted mainly of Sporting News M101-2’s and Baseball Magazine M-114 premiums.

Most of the players replied, returning the photographs with nice, bold signatures and since these were handled carefully, the condition of the signatures is outstanding.

Steen continued his hobby until the late 1940s. In a newspaper article published in the Scottsbluff Star-Herald, January 1954,  Steen said that he quit collecting about six years before and had 165 signed baseball photos that he considered the gems of his collection. Included in this collection are signed photos of Babe Ruth, Cy Young, Tris Speaker, Honus Wagner, Walter Johnson, Grover Cleveland, Mordecai Brown, Frank “Home Run” Baker, Zach Wheat, John Evers, Eddie Collins, Ed Walsh just to name a few.

Also included in this exciting sale is a photo (Sporting News M101-2) signed by Ty Cobb (below) estimated at $1,500-$2,500.




A warm-up jacket worn by players of the fictional New York Knights in the movie The Natural is expected to hit $500 to $1,000.




A rare 1743 first edition of Thomas Mathison’s The Goff, considered to be the first publication dedicated to the game of golf, is estimated at $80,000-$120,000.






View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Nepal’s historic sites heavily damaged by earthquake

Swayambunath stupa and prayer flags in Kathmandu, Nepal. Image by Nancy Collins. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Swayambunath stupa and prayer flags in Kathmandu, Nepal. Image by Nancy Collins. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

KATHMANDU, Nepal (AP) – Perched on a hilltop, the blue-rimmed eyes of Kathmandu’s gold-spired Swayambhunath stupa have long stared silently across this sprawling city nestled in the Himalayan foothills.

But since Nepal was shattered by a mammoth earthquake a week ago, those eyes have gazed upon a nation in mourning – and on a microcosm of its despair inside the ancient temple itself.

Here, monkeys scurry across the demolished ruins of a pair of precious bullet-shaped edifices built by King Pratap Malla in the 1600s. Saffron-robed monks haul golden relics and carpets out of a ruined monastery. The temple now has its own population of displaced – priests and vendors huddle under tents, after their own homes in the complex crumbled.

Swayambhunath, which dates back to the fifth century, is one of at least 68 cultural heritage sites in Nepal that were damaged by the tremor, according to Nipuna Shrestha of the UNESCO, the U.N. cultural heritage organization, citing preliminary figures from the Department of Archaeology. That’s nearly 80 percent of historic landmarks in seven monument zones that have been declared World Heritage Sites in the Kathmandu Valley alone.

Few would compare the loss of Nepal’s historic treasures to the massive human misery wrought by the magnitude-7.8 quake, which claimed more than 7,000 lives, damaged more than a million homes and displaced nearly 3 million people.

And yet, “it’s hard to describe how painful this is,” Shrestha said. “These are not just monuments, they are part of our daily life. It feels like losing part of your family.”

Shrestha said at least 18 other monuments are known to have been damaged elsewhere, but information has been incomplete because phone networks have been disrupted and roads severed by avalanches. The sites most heavily affected were made of brick and wood.

Terrifying footage posted on YouTube of the moment the quake hit one temple complex in Bhaktapur, just east of the capital, shows chunks falling from the top of a crumbling temple as it is enshrouded in a cloud of brown dust. Tourists can be heard screaming as some struggle to stand and others try to run as buildings disintegrate around them. Speaking earlier this past week, Prime Minister Sushil Koirala said the government’s first priority was relief and rescue for all those affected. But he also vowed to rebuild “all structures of historical, religious and archaeological significance.”

In an impoverished country already struggling to help the living, though, it is unclear when that will happen, or how.

Among the landmarks destroyed in the capital was the iconic, nine-story Dharahara Tower, which was topped by a statue of Shiva – the god of destruction in Hinduism, the predominant religion among Nepal’s 28 million people. The second-biggest religion is Buddhism.

Police say at least 60 bodies were recovered, most of whom were inside the tower’s 213-step spiral staircase at the time. Built in 1832, Dharahara was partially destroyed during a 1934 quake, and like many sites that were toppled across the country, eventually rebuilt.

The tower once offered panoramic views of the city. All that remains now is its base, the rest having smashed into the ground surrounding it.

Amrit Sharma, an Indian national who grew up in Kathmandu and has spent much of his life here, said the tower was like “our Washington Monument, our Empire State building.”

“The damage to these sites is not just a huge loss for Nepal, it’s a huge loss for humanity,” Sharma said. “People come from all over the world to see these. But they’re not just tourist attractions to us. If we lose them, we lose a sense of our past.”

Among the worst hit sites was Kathmandu’s historic center, Basantapur Durbar Square. Built between the 12th and 18th centuries, it is a place where kings have been coronated and religious festivals are held. The Nepal Archaeology Department website calls it “an open museum of Nepalese culture, art and architecture.”

Steps that once led to a pair of pagoda-style Hindu temples with multi-tiered roofs now lead nowhere, resembling giant anthills. One of them, Kasthamandap, was built five centuries ago and is believed to have been constructed from the timber of a single tree. Elsewhere, a 17th century statue of Garuda, a bird-like deity in Hinduism ridden by the god Vishnu, lies at the bottom of a tall stone pillar it once adorned. Other temples have been leveled completely.

Although soldiers and police guard the sites, hundreds of residents freely clambered over the top of some ruins, as well as piles of brick and intricately carved wood. Many were helping in a preliminary effort to clean up the site.

Laxmi Rimal, 18, had slept on a wooden pallet under a blue tent in the square since the earthquake. “Our house was completely destroyed, it looks like that,” she said, gesturing toward the crumbling white plaster edifice of Gaddi Durbar, which was built in 1908.

At the Swayambhunath stupa, a Buddhist site also venerated by Hindus and known to tourists as “the monkey temple” for its resident population of primates, police wave visitors away. The 365 stone steps leading up to it, each representing a day of the year, are blocked off with debris.

Inside, shopkeepers and monks were shaking dirt from books, Buddha statues and relics they had dug out of the rubble of a monastery that had partially collapsed onto a shop. Supendra Buddhacharya, who sold tourist curios there, lamented what he predicted would a major drop in tourism nationwide if the sites are not rebuilt swiftly.

“If we don’t have heritage here, what will people come to Kathmandu to see?” he asked.

Legend has it that a sage sowed a lotus seed in a beautiful lake that existed where the stupa now stands. The seed blossomed with thousand petals, and from that flower a dark-blue flame emanated, which came to be known as Swayambhu joti, or “self-originated flame,” which gave the site its name.

On Wednesday, Lama Zoba, a Buddhist monk, stood before the temple’s white dome. The eyes painted on the gold spire above it – symbolizing the omniscient, all-seeing nature of Buddha – peered in four directions across the valley. The view is stunning and peaceful, but it belies the tragic fact that bodies are still being dug out of the rubble below.

“You can’t compare this loss to the loss of human life. But you can’t bring back the dead, they are gone,” Zoba said. The temple, though, “will be rebuilt. And we will use it to pray for their next lives.”

Copyright 2015 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-03-15 0413GMT

Mardi Gras memorabilia missing from Tulane collection


The Zulu Social Aid and Pleasure Club emerged in 1909 as New Orleans' first African-American Carnival parade organization. Desiree Glapion-Rogers wore this glittering costume in the 2000 parade as the queen of group. The costume is not one of the missing Mardi Gras items. Courtesy Louisiana State Museum, New Orleans.
The Zulu Social Aid and Pleasure Club emerged in 1909 as New Orleans' first African-American Carnival parade organization. Desiree Glapion-Rogers wore this glittering costume in the 2000 parade as the queen of group. The costume is not one of the missing Mardi Gras items. Courtesy Louisiana State Museum, New Orleans.

NEW ORLEANS (AP) – Hundreds of vintage Mardi Gras badges, invitations and other memorabilia are missing from a Tulane University collection, says a collector and dealer who has seen a list of items that disappeared.

Rafael Monzon told Nola.com/The Times-Picayune the items, as a group, could be worth $250,000 or more.

Monzon learned about the missing items through his membership in the Mardi Gras Memorabilia Society. Tulane police attended the group’s meeting last Tuesday and asked members to help in an investigation. Officers provided a list, more than 40 pages long, of missing pieces. Monzon said he missed the meeting, but members briefed him about it later.

Tulane spokesman Michael Strecker said the university does not comment on investigations.

Among the missing items is an invitation and admittance card from the Mistick Krewe of Comus’ 1858 ball, its second ever and one of the first in New Orleans.

Also missing are a turn-of-the-century dance card from the now defunct Falstaffians; pins from 19th century Elves of Oberon; programs from the High Priests of Mithras; two dozen medals from Rex.

Monzon said entire folders of material are gone, including the 1887 file from Krewe of Proteus, creator of the city’s second oldest parade.

The invitations and other paper goods were particularly hard hit, he said. Spectacular invitations with intricate folds or die cuts were common. One might fold to reveal alternate imagery, another recombined into sculpture, like a small building, Monzon said.

Monzon said the world of Mardi Gras memorabilia collectors is small, and vintage pieces can sell for hundreds of dollars.

Copyright 2015 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-02-15 1644GMT