Antique gambling machines pay off at Morphy’s $3.7M Vegas auction

Caille Peerless 5-cent floor roulette slot machine, $300,000, new world record for a slot machine sold at auction. Morphy Auctions image

Caille Peerless 5-cent floor roulette slot machine, $300,000, new world record for a slot machine sold at auction. Morphy Auctions image

Caille Peerless 5-cent floor roulette slot machine, $300,000, new world record for a slot machine sold at auction. Morphy Auctions image
 

LAS VEGAS – Morphy’s hit the jackpot over the weekend of May 1-3 in Las Vegas, with a $3.7 million auction of antique coin-ops, gambling machines and advertising. LiveAuctioneers provided Internet live-bidding services for the sale.

Leading the parade of beautifully preserved gaming rarities was a Caille Peerless 5-cent floor roulette slot machine in spectacular original condition. Described as “one of, if not the best example known,” the richly embellished nickel-on-oak device set a new world auction record for a slot machine when it cashed out at $300,000, well above its pre-auction estimate of $200,000-$250,000. All prices quoted include 20% buyer’s premium. Continue reading

Nearly 350 lots of cut glass comprise Woody auction, May 23

A cut glass decanter in the Chrusanthemm pattern by Hawkes comes with an underplate and eight matching wine glasses. Woody Auction images
A cut glass decanter in the Chrusanthemm pattern by Hawkes comes with an underplate and eight matching wine glasses. Woody Auction images

ST. CHARLES, Mo. – The astounding lifetime collection of nearly 350 pieces of American Brilliant Cut Glass accumulated by William and Barbara Meek of Naples, Fla., will be sold at an auction Saturday, May 23, at the St. Charles Convention Center starting at 9:30 a.m. Central time. The auction will be conducted by Woody Auction, based in Douglass, Kan.

LiveAuctioneers.com will provide absentee and Internet live bidding.

“The Meeks began collecting with two – to strive to fill their collection with the best of the best, and to buy items in pristine condition as often as possible,” said Jason Woody of Woody Auction. “Once bidders lay eyes on these fine pieces, they will realize the Meeks achieved both goals.”

Woody added, “This collection surpasses many similar auctions we’ve held in the past, with regard to the quality and condition of the items up for bid. Lovers and collectors of American Brilliant Cut Glass will recognize many treasures that are seldom seen and rarely come up for bid.”

Two signed pieces from the Libbey glassware factory in Ohio, both in the Ellsmere pattern, are certain to draw interest. One is a three-part epergne (below left) in the highest quality pattern cut, with a large scalloped hobstar foot and bulbous pattern cut stem. Another is a five-part banquet lamp, 37 inches tall, marked “Bradley & Hubbard Metal Works” with a fully patterned cut glove and cut front (below right).

Another epergne to watch is a five-piece example in a fully Harvard cut pattern (below left), having a flared base topped with a large ball-shaped cover supporting a rolled rim bowl over a base with a tall center lily. Must-see vases will include a 30-inch Gladiola vase (below right) in a hobstar, vesica, strawberry diamond, nailhead diamond and fan motif, similar to Dorflinger’s Pattern #4 and boasting a crystal clear blank and magnificent cutting.

A three-handled hanging vase (below), 11 inches by 7 inches, in a hobstar, vesica, cane, zipper strawberry diamond and fan motif with superb blank, has an $800-$1,600 estimate.

For more information call Woody Auction at 316-747-2694 or email info@woodyauction.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Famille Rose tea bowls set the pace at Jeffrey Evans auction


This set of 12 Chinese Famille Rose porcelain months of the year tea bowls sold for  $21,850. All prices include the 15 percent buyer’s premium. Jeffrey S. Evans & Associates images

MT. CRAWFORD, Va. – In a sign of continued growth, Jeffrey S. Evans and his staff decided at the beginning of the year to add two fine and decorative arts auctions to their schedule. The change would allow the auction company to place their consignments of European and Asian material, along with late 19th and 20th century silver, Arts and Crafts and other 20th century design articles, 19th and 20th century porcelain and glass, and jewelry into specific auctions separate from their traditional June and November Americana sales. The move to the new categorization was a direct result of more diverse consignments coming into the auction house, in greater numbers.

The first of these new auctions of fine art and decorative objects was held April 25, and by all measures, the format was met with great enthusiasm. LiveAuctioneers.com provided Internet live bidding.

The top price of the day was paid for a set of 12 Chinese Export fine porcelain Famille Rose Ming-style “months” tea bowls on wooden stands, which sold for $21,850 against an estimate of $1,000-$1,500. Dating to the Republic period, each tea bowl was painted with a unique floral specimen and inscribed with a calligraphic inscription.

Another sleeper, a carved “huali” or “huanghuali” wood vanity with a cast bronze mirror, possibly from the Qing Dynasty, soared above its $200-$300 estimate, realizing $9,200.




European porcelain realized strong prices in this auction as well. A set of 11 Royal Worcester Orchid plates in mint condition, painted by Frank Roberts, sold for $6,900, against an $800-$1,200 estimate.




A pair of Sevres-style porcelain plaques inset into gilt-bronze lighting sconces, realized $4,312.50 despite having losses to their candle arms. Japanese porcelain also performed well, with a rare survivor of the period between the wars, a 57-item hand-painted floral Kutani porcelain dinnerware service, realizing $4,600.

The sale included a selection of 20th century design objects including a leaded art glass globular Periwinkle pattern hanging hall lamp attributed to the Unique Art Glass & Metal Co., which sold for $5,750.




Among the luxury offerings of jewelry, purses and luggage, a Goyard trunk dating to the turn of the 20th century, lead the way at $4,600.




After the auction President Jeff Evans expressed his pleasure with how well the auction was received. “We were able to put together over 950 lots in a diverse range of categories and offer all with no reserves. This, combined with the fact that most of the material was fresh to the market, accounted for the strong bidding and robust results that we achieved.”

Evans also noted that bidders from more than 40 countries signed up for the auction and that nearly 50 percent of the sales by lot sold on the Internet.

For further information email info@jeffreysevans.com or call 504-434-3939.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.

Kovels Antiques & Collecting: Week of May. 11, 2015

The gilt Ceres, goddess of agriculture, holds a suspended clock that appears to be running without any power source. She is 28 inches high. The clock, made about 1890 in France, was sold by Skinner Auctions of Boston for $5,843.

The gilt Ceres, goddess of agriculture, holds a suspended clock that appears to be running without any power source. She is 28 inches high. The clock, made about 1890 in France, was sold by Skinner Auctions of Boston for $5,843.

The gilt Ceres, goddess of agriculture, holds a suspended clock that appears to be running without any power source. She is 28 inches high. The clock, made about 1890 in France, was sold by Skinner Auctions of Boston for $5,843.

 

BEACHWOOD, Ohio – What is a mystery clock? How does it work? Magicians never tell the secrets of their trade. But the secret of the mystery clock, first made in the 1860s, has been exposed.

Continue reading

Cleveland museum returns looted statue to Cambodia

The Cleveland Museum of Art has returned the 10th century sandstone statue of the Hindu monkey god Hanuman to Cambodia. It is nearly 45 1/2 inches high. Image courtesy of the Cleveland Museum of Art.

The Cleveland Museum of Art has returned the 10th century sandstone statue of the Hindu monkey god Hanuman to Cambodia. It is nearly 45 1/2 inches high. Image courtesy of the Cleveland Museum of Art.The Cleveland Museum of Art has returned the 10th century sandstone statue of the Hindu monkey god Hanuman to Cambodia. It is nearly 45 1/2 inches high. Image courtesy of the Cleveland Museum of Art.

PHNOM PENH, Cambodia (AFP) – An American museum has returned a
10th-century sandstone statue of the Hindu monkey god Hanuman to Cambodia,
 decades after it was looted from a jungle temple during the kingdom’s civil war.

The meter-high statue was stolen in the 1970s from the Koh Ker temple site
near the famed Angkor Wat complex.

The artwork, which had been in the possession of the Cleveland Museum of Art since 1982, was received by Cambodian officials late Sunday, an official said.
 Buddhist monks chanted blessings and scattered flowers over the statue upon its arrival at Phnom Penh International Airport, according to an AFP photographer. 
”We welcome back the statue of Hanuman from the Cleveland Museum of Art in the U.S.,” Chan Tani, Cambodian Secretary of State for the Cabinet Office, told
 reporters.

The museum agreed to return the artwork after negotiations, but Chan Tani did not say how the museum originally came into possession of the artifact.
Last year Cambodia received three ancient statues looted from the kingdom more than 40 years ago, including one – Duryodhana – retrieved after a long
legal battle in the U.S.

The statues, part of a nine-strong ensemble, depict warriors Duryodhana and Bhima locked in combat – as well as a bystander called Balarama.

In June 2013 two other 10th-century Khmer-era statues known as the Kneeling Attendants were returned. They were also looted in the 1970s from the Koh Ker temple site and were on show for 20 years at New York’s Metropolitan Museum of Art.
 The statues are considered pieces of extraordinary value to the Cambodian people and part of their cultural heritage.

Viking jewelry, Wars of the Roses dagger in Artemis Gallery May 21 sale


6th century BCE Corinithian pottery kylix with painted depictions of facing swans and (on verso) a walking panther, est. $3,000-$5,000. Artemis Gallery image

BOULDER, Colo. – Attention time travelers and antiquities collectors: No boarding pass is required for Artemis Gallery’s May 21 journey to past civilizations. All that’s required is an Internet connection to LiveAuctioneers and you’ll soon be browsing a fascinating auction catalog filled with more than 400 choice Classical, Near Eastern and Far Eastern antiquities; plus Pre-Columbian and ethnographic art.

As is the case with all of their sales, Artemis Gallery guarantees that everything they auction is authentic and legal to purchase. With respect to African tribal art, Artemis Gallery also guarantees that the objects were originally used in ceremonies or ritual events, as opposed to being contemporary pieces that were crafted for the tourist trade. A certificate of authenticity ships with each auction purchase.

Precious metals will be presented in a variety of forms, including decorative and monetary. Taking the spotlight in this category is a selection of beautiful Viking jewelry made in northern Europe in the 9th-12th centuries CE.

“Fine jewelry was worn by both men and women as a sign of status within the Viking culture,” noted Teresa Dodge, managing director of Artemis Gallery. “Viking craftsmen used high-carat gold and very pure silver that stood the test of time, as you can see from the items in our auction.”

A braided ring composed of two 22K gold wires twisted together, hammered and welded at the terminals exhibits traditional Viking techniques. Weighing 5.2 grams, the ring is estimated at $5,000-$7,000. A pair of high-karat gold hoop earrings adorned with inverted pyramids is similarly estimated at $5,000-$7,000, while an elegant twisted silver bracelet with coiled terminals (below) is expected to make $2,000-$3,000. All three items were discovered in Great Britain and have been held in private collections for decades.





Exhibiting extremely fine artistry and detail work, a circa-19th-century Russian icon depicting Saint Nicholas is stamped “BE” and “84” on its silver oklad (cover). It comes to Artemis Gallery from a Texas private collection and carries a $2,000-$3,000 estimate.





A historically important medieval dagger from the Battle of Towton (1461, English Wars of the Roses) is made from iron and bronze with a wood handle, and has retained all of its elements. The formidable 14½-inch-long battle weapon is estimated at $2,000-$3,000.









From an earlier era, a circa 158-150 BCE silver tetradrachm from Macedonia features the head of Artemis on obverse and monograms, a thunderbolt and a club with oak leaves on the reverse. Estimate: $700-$900.

A double-handled Corinthian (Greek) circa 6th century BCE pottery kylix is decorated with appealing red-figure images of facing swans on one side and a walking panther on the other. With provenance from an advanced private collection from Ketchum, Idaho, the vessel is entered in the sale with a $3,000-$5,000 estimate.





Many exceptional Asian antiquities will be offered, including a Chinese Qing Dynasty bronze bell, $4,000-$6,000; and a late 18th/early 19th century Tibetan thangka painted with the lineage tree for the Gelugpa sect, ex Sarkisian Gallery, $5,000-$7,000.





An extraordinary 1833 (Edo period) Sumiyoshi school Shunga scroll contains 19 unrelated depictions of sexual tableaux, e.g., seductions, couples and groups engaged in sexual activity, etc. The scroll is published in Erotic Aspects of Japanese Culture by L. Gichner, and is estimated at $5,000-$8,000.





A wonderfully varied selection of Pre-Columbian art is led by a Mayan apple-green jade adornment, circa 6th-9th century CE, with the carved visage of a Mayan ruler or lord wearing an ornamental headdress. Ex-Adeon Gallery, Chicago, the artwork is presented on a custom stand and has a pre-sale estimate of $4,000-$6,000.





A Xochipala (Mexican Central Highlands) terracotta sculpture of a seated baby girl with pierced ears, mouth and eyes measures 7½ inches high by 8½ inches wide. Previously auctioned at Sotheby’s on May 20, 1986, the endearing child figure is entered in Artemis Gallery’s auction with a $4,000-$5,000 estimate. A Colima (West Mexico) dog-shape pottery vessel is estimated at $1,500-$1,800.





Rare and unusual, two 48-inch-long Oceanic (New Guinea or Molucca Islands) animal-skin scrolls are both pictorial and narrative in nature. Both date to the 17th or 18th century and will be offered as one lot with a $10,000-$15,000 estimate.

Something new has been added to Artemis Gallery’s auctions: a Marketplace section containing individual items and group lots that have been discounted to sell – some starting as low as $75. All items are backed by Artemis Gallery’s money-back guarantee of authenticity. Making its debut in the May 21 auction, the Marketplace section will start at Lot 200.

The sale will begin at 11 a.m. Eastern Time. Absentee and Internet live bidding will be available through LiveAuctioneers. For additional information about any item in the auction, call Teresa Dodge at 720-502-5289 or email teresa@artemisgallery.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Obsolete barns vanishing in rural Delaware


Barn at the historic John Carney Agricultural Complex at Greenville, New Castle County, Delaware. The building is listed on the National Register of Historic Places. Image by Choess.


Barn at the historic John Carney Agricultural Complex at Greenville, New Castle County, Delaware. The building is listed on the National Register of Historic Places. Image by Choess.

SUSSEX, Del. (AP) – When a recent arson destroyed a historic barn in Lewes, the devastating blaze focused attention on Sussex County’s vanishing agricultural architecture.

And experts say that regardless of the reason for the demise of those old barns, it means the loss of important historic connections to the coastal region’s farming heritage.

“These barns represent a physical link to our rich agricultural past,” said Daniel Parsons, historic preservation planner and records manager for Sussex County. “Barns define our agricultural history,” said Danae Peckler of the National Barn Alliance. “And there is a lot of agricultural history out there to be seen.”

Though the loss of the historic Lewes barn off Gills Neck Road was the result of a criminal act, it is but one of many reasons why barns are disappearing from the southern Delaware landscape.

Others have succumbed to neglect, encroaching development and a gradual shift in farming practices.

“Today, barns are very specialized but, back then, barns were used for a multitude of functions,” said Parsons.

“Historic barns are threatened by many factors,” said Michael J. Auer of the National Park Service. “Unfortunately, the consequence is, barn raisings have given way to barn razings.”

“People just aren’t keeping up with old barns,” said Peckler.

Madeline E. Dunn, historian in the Delaware Historic Preservation Office, reels off a list of factors that are contributing to the disappearance of barns in the state.= “These cultural resources tend to disappear due to a variety of reasons, including fire, storms, neglect and deterioration,” she said.

And, even on working farms, the functions of those old, all-purpose barns have been replaced by buildings that meet more specialized farming needs.

“It has gotten to the point that upgrading older barns (for farm use) is no longer feasible,” said Virginia land use planner Aaron Shriber, who wrote his University of Delaware graduate thesis on the evolution of dairy barns in the state.

Sussex County’s Parsons agreed.

“Today farms here are very specialized, but, back then, barns were used for a multitude of functions,” he said. “It was, in essence, a covered workplace and storage facility for all things farming.”

And, the ever dwindling number of farmers in Delaware are switching to more specialized outbuildings to meet their needs.

“As local farms have specialized and mechanized there is not as much need,” for traditional wooden barns, said Parsons. “Instead, we see the proliferation of the much easier to build and maintain pole barn.”

Though many barns have disappeared over the past 50 years, Sussex County still has a number of notable survivors, including structures that were adapted for other uses.

A companion to the torched Lewes barn is still standing and developers hope to convert it into a community center for the Showfield development that will surround it.

“The interior architecture of that barn is amazing,” said Bryce Lingo, one of the developers.

The Hopkins Farm Creamery outside of Lewes uses a portion of an old dairy barn for an ice cream stand. The farm also includes over 1,000 dairy cows, most of them housed in newer metal buildings.

A main barn on the Bennett Farm in Milford has been converted into a museum now that the family longer has dairy cows.

In Harbeson, a 1910 dairy barn now houses Old Wood, a company that makes furniture out of salvaged wood.

In Lewes, the magnificent Townsend barn on Kings Highway – easily visible to passing motorists – awaits restoration – or demolition. Unfortunately, one scenario has the barn demolished to make way for commercial development.

“Sometimes, situations like that break my heart,” said Peckler of the National Barn Alliance.

In Long Neck, a magnificent 100-year-old barn and other outbuildings are still part of a working farm on Route 24.

In Lincoln, several outbuildings and a pair of sturdy, mostly brick barns, one of them originally to house mules, have been evaluated by a consultant for a possible listing on the National Register of Historic Places. The listings might help preserve the Hall family farm by making it eligible for certain historic designation tax credits.

Unfortunately, having a barn – or other farm outbuildings – listed on the historic register is no guarantee that any of it will be preserved.

In the past 30 years, a number of barns, farm houses and potato buildings in Lewes, Laurel, Delmar, Greenwood, Georgetown and Millsboro have been added to the federal list. The reality is, a number of those structures no longer exist, including almost all of a Georgetown farm that was added to the list in 1979.

“Listing of a property in the National Register of Historic Places is not a guarantee that it will be preserved,” said Dunn, who is the director of Delaware’s historic places program.

Di Rafter, director of the Delaware Agricultural Museum in Dover, said the sheer size of most barns makes it difficult to preserve or restore.

“No one wants to see these sentimental historic buildings disappear but, the problem is, it costs a fortune to move or restore them,” she said.

Rebecca Sheppard, interim director of the Center for Historic Architecture and Design at the University of Delaware, agrees.

“It is becoming harder and harder to find an adaptive reuse for these buildings,” she said.

J. Everett Moore Jr., a Georgetown attorney, lives on a farm that is close to the home where he grew up. The main barn on his farm, built in the mid-1800s and featuring hand-hewn structural beams, has been restored.

“I decided to fix it instead of building another building,” said Moore, who has written a book about his childhood in rural Sussex County called Growin’ up Country. “But, you have to have a love of history to do something like I did,” he said.

“Unfortunately, a lot of these barns were mostly built for farm animals and most people don’t have farm animals anymore,” he said.

In Ocean View, the local historical society is spending $10,000 to restore a small, 1900-era barn that is one of the few surviving in the community. “It is very typical of the barns of that era,” said Richard Nippes, head of the local historical society.

Rafter, the museum director, said barns still have sentimental value but the roadblock to preservation is the cost.

“That is the main problem,” she said. “They can cost a fortune to restore.”

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