Magritte print, Warhol sculpture led Roseberys sale

'Poire et Rose,' a Rene Magritte etching with aquatint, sold for 4,182 pounds. Roseberys images


'Poire et Rose,' a Rene Magritte etching with aquatint, sold for 4,182 pounds. Roseberys images

LONDON – A surrealist print by René Magritte emerged as the highlight of Roseberys auction of modern and contemporary prints, multiples and editions on April 25. LiveAuctioneers.com provided Internet live bidding.

Titled Poire et Rose, the print was from an edition of 150 of the 1969 suite of four etchings titled Le Lien de Paille. The picture captures the playfulness that dominates the surrealist style, and makes Magritte’s work so sought after. It sold for 4,182 pounds ($6,324) to a buyer in room.

As one of the most fascinating and mysterious artists from the surrealist movement, Magritte sought to use ordinary objects in an extraordinary way. He challenged the viewers’ perception of reality by forcing them to look at the world from a different perspective, and give new meaning to everyday objects through his complex relationship with surrealism.

“My painting is visible images which conceal nothing … they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question ‘What does that mean’? It does not mean anything, because mystery means nothing either, it is unknowable,” Magritte once said.

An iconic multiple by one of the world’s most famous artists, Andy Warhol came in the form of the late 1970s mixed media sculpture Brillo Box. The Brillo Boxes were his first sculptural works and were exhibited in 1964 at Stable Gallery in New York.The sculptures were intended to raise questions about society’s accepted ideas about, and definitions of, “high art” using deadpan humor and pop culture imagery. They were initially met with confusion and uncertainty by the public, but the use of an everyday object challenged the historical idea of art as an aesthetically pleasing medium.

He appropriated a consumer-minded product (the cardboard boxes with real Brillo pads still inside) and elevated them into the realm of fine art sculpture. Warhol’s Brillo Boxes took the mundane and transformed it into something thought-provoking, encouraging viewers to reassess the aesthetics found in commercialism, as well as re-evaluate their own ideas about the definition of art. The sculpture was the property of a private Italian Warhol collector and it sold to a buyer in the room for 2,952 pounds.




A linocut in color by the Swiss artist Lill Tschudi also performed well, selling to an absentee bidder for 2,829 pounds. Having established an interest in printmaking from a young age Tschudi later developed a lifelong interest in linocut as a preferred medium, producing over 300 during her career. A former student of the Grosvenor School of Modern Art, her work was exhibited in the Museum of Fine Arts, Boston and the Metropolitan Museum of Art, as well as the Osborne Samuel Gallery in London. The linocut titled Im Hafen or, “In the Port” was signed and numbered 5/50 in pencil.

Prices quoted include the buyer’s premium of 23 percent.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.

Signed photos in all-star lineup at MBA/Seattle Auction House, May 16

A photograph of Babe Ruth, autographed by the New York Yankees slugger, is estimated at $4,000-$6,000. MBA/Seattle Auction House images.


A photograph of Babe Ruth, autographed by the New York Yankees slugger, is estimated at $4,000-$6,000. MBA/Seattle Auction House images.

RENTON, Wash – An impressive collection of rare 1900s autographed baseball photos stored for decades in safety deposit box going up for auction on Saturday, May 16, at MBA/Seattle Auction House. The sports, entertainment and historical memorabilia auction is highlighted by Dr. Clarence G. “Doc” Steen’s collection of important signed baseball photos.

LiveAuctioneers.com will provide absentee and Internet live bidding.

In 1910 Steen, a dentist from Scottsbluff, Neb., began collecting photographs of the baseball stars of the era. In 1930 he began writing the players and requesting they autograph the pictures that he mailed to them. These photos consisted mainly of Sporting News M101-2’s and Baseball Magazine M-114 premiums.

Most of the players replied, returning the photographs with nice, bold signatures and since these were handled carefully, the condition of the signatures is outstanding.

Steen continued his hobby until the late 1940s. In a newspaper article published in the Scottsbluff Star-Herald, January 1954,  Steen said that he quit collecting about six years before and had 165 signed baseball photos that he considered the gems of his collection. Included in this collection are signed photos of Babe Ruth, Cy Young, Tris Speaker, Honus Wagner, Walter Johnson, Grover Cleveland, Mordecai Brown, Frank “Home Run” Baker, Zach Wheat, John Evers, Eddie Collins, Ed Walsh just to name a few.

Also included in this exciting sale is a photo (Sporting News M101-2) signed by Ty Cobb (below) estimated at $1,500-$2,500.




A warm-up jacket worn by players of the fictional New York Knights in the movie The Natural is expected to hit $500 to $1,000.




A rare 1743 first edition of Thomas Mathison’s The Goff, considered to be the first publication dedicated to the game of golf, is estimated at $80,000-$120,000.






View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Nepal’s historic sites heavily damaged by earthquake

Swayambunath stupa and prayer flags in Kathmandu, Nepal. Image by Nancy Collins. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Swayambunath stupa and prayer flags in Kathmandu, Nepal. Image by Nancy Collins. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

KATHMANDU, Nepal (AP) – Perched on a hilltop, the blue-rimmed eyes of Kathmandu’s gold-spired Swayambhunath stupa have long stared silently across this sprawling city nestled in the Himalayan foothills.

But since Nepal was shattered by a mammoth earthquake a week ago, those eyes have gazed upon a nation in mourning – and on a microcosm of its despair inside the ancient temple itself.

Here, monkeys scurry across the demolished ruins of a pair of precious bullet-shaped edifices built by King Pratap Malla in the 1600s. Saffron-robed monks haul golden relics and carpets out of a ruined monastery. The temple now has its own population of displaced – priests and vendors huddle under tents, after their own homes in the complex crumbled.

Swayambhunath, which dates back to the fifth century, is one of at least 68 cultural heritage sites in Nepal that were damaged by the tremor, according to Nipuna Shrestha of the UNESCO, the U.N. cultural heritage organization, citing preliminary figures from the Department of Archaeology. That’s nearly 80 percent of historic landmarks in seven monument zones that have been declared World Heritage Sites in the Kathmandu Valley alone.

Few would compare the loss of Nepal’s historic treasures to the massive human misery wrought by the magnitude-7.8 quake, which claimed more than 7,000 lives, damaged more than a million homes and displaced nearly 3 million people.

And yet, “it’s hard to describe how painful this is,” Shrestha said. “These are not just monuments, they are part of our daily life. It feels like losing part of your family.”

Shrestha said at least 18 other monuments are known to have been damaged elsewhere, but information has been incomplete because phone networks have been disrupted and roads severed by avalanches. The sites most heavily affected were made of brick and wood.

Terrifying footage posted on YouTube of the moment the quake hit one temple complex in Bhaktapur, just east of the capital, shows chunks falling from the top of a crumbling temple as it is enshrouded in a cloud of brown dust. Tourists can be heard screaming as some struggle to stand and others try to run as buildings disintegrate around them. Speaking earlier this past week, Prime Minister Sushil Koirala said the government’s first priority was relief and rescue for all those affected. But he also vowed to rebuild “all structures of historical, religious and archaeological significance.”

In an impoverished country already struggling to help the living, though, it is unclear when that will happen, or how.

Among the landmarks destroyed in the capital was the iconic, nine-story Dharahara Tower, which was topped by a statue of Shiva – the god of destruction in Hinduism, the predominant religion among Nepal’s 28 million people. The second-biggest religion is Buddhism.

Police say at least 60 bodies were recovered, most of whom were inside the tower’s 213-step spiral staircase at the time. Built in 1832, Dharahara was partially destroyed during a 1934 quake, and like many sites that were toppled across the country, eventually rebuilt.

The tower once offered panoramic views of the city. All that remains now is its base, the rest having smashed into the ground surrounding it.

Amrit Sharma, an Indian national who grew up in Kathmandu and has spent much of his life here, said the tower was like “our Washington Monument, our Empire State building.”

“The damage to these sites is not just a huge loss for Nepal, it’s a huge loss for humanity,” Sharma said. “People come from all over the world to see these. But they’re not just tourist attractions to us. If we lose them, we lose a sense of our past.”

Among the worst hit sites was Kathmandu’s historic center, Basantapur Durbar Square. Built between the 12th and 18th centuries, it is a place where kings have been coronated and religious festivals are held. The Nepal Archaeology Department website calls it “an open museum of Nepalese culture, art and architecture.”

Steps that once led to a pair of pagoda-style Hindu temples with multi-tiered roofs now lead nowhere, resembling giant anthills. One of them, Kasthamandap, was built five centuries ago and is believed to have been constructed from the timber of a single tree. Elsewhere, a 17th century statue of Garuda, a bird-like deity in Hinduism ridden by the god Vishnu, lies at the bottom of a tall stone pillar it once adorned. Other temples have been leveled completely.

Although soldiers and police guard the sites, hundreds of residents freely clambered over the top of some ruins, as well as piles of brick and intricately carved wood. Many were helping in a preliminary effort to clean up the site.

Laxmi Rimal, 18, had slept on a wooden pallet under a blue tent in the square since the earthquake. “Our house was completely destroyed, it looks like that,” she said, gesturing toward the crumbling white plaster edifice of Gaddi Durbar, which was built in 1908.

At the Swayambhunath stupa, a Buddhist site also venerated by Hindus and known to tourists as “the monkey temple” for its resident population of primates, police wave visitors away. The 365 stone steps leading up to it, each representing a day of the year, are blocked off with debris.

Inside, shopkeepers and monks were shaking dirt from books, Buddha statues and relics they had dug out of the rubble of a monastery that had partially collapsed onto a shop. Supendra Buddhacharya, who sold tourist curios there, lamented what he predicted would a major drop in tourism nationwide if the sites are not rebuilt swiftly.

“If we don’t have heritage here, what will people come to Kathmandu to see?” he asked.

Legend has it that a sage sowed a lotus seed in a beautiful lake that existed where the stupa now stands. The seed blossomed with thousand petals, and from that flower a dark-blue flame emanated, which came to be known as Swayambhu joti, or “self-originated flame,” which gave the site its name.

On Wednesday, Lama Zoba, a Buddhist monk, stood before the temple’s white dome. The eyes painted on the gold spire above it – symbolizing the omniscient, all-seeing nature of Buddha – peered in four directions across the valley. The view is stunning and peaceful, but it belies the tragic fact that bodies are still being dug out of the rubble below.

“You can’t compare this loss to the loss of human life. But you can’t bring back the dead, they are gone,” Zoba said. The temple, though, “will be rebuilt. And we will use it to pray for their next lives.”

Copyright 2015 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-03-15 0413GMT

Mardi Gras memorabilia missing from Tulane collection


The Zulu Social Aid and Pleasure Club emerged in 1909 as New Orleans' first African-American Carnival parade organization. Desiree Glapion-Rogers wore this glittering costume in the 2000 parade as the queen of group. The costume is not one of the missing Mardi Gras items. Courtesy Louisiana State Museum, New Orleans.
The Zulu Social Aid and Pleasure Club emerged in 1909 as New Orleans' first African-American Carnival parade organization. Desiree Glapion-Rogers wore this glittering costume in the 2000 parade as the queen of group. The costume is not one of the missing Mardi Gras items. Courtesy Louisiana State Museum, New Orleans.

NEW ORLEANS (AP) – Hundreds of vintage Mardi Gras badges, invitations and other memorabilia are missing from a Tulane University collection, says a collector and dealer who has seen a list of items that disappeared.

Rafael Monzon told Nola.com/The Times-Picayune the items, as a group, could be worth $250,000 or more.

Monzon learned about the missing items through his membership in the Mardi Gras Memorabilia Society. Tulane police attended the group’s meeting last Tuesday and asked members to help in an investigation. Officers provided a list, more than 40 pages long, of missing pieces. Monzon said he missed the meeting, but members briefed him about it later.

Tulane spokesman Michael Strecker said the university does not comment on investigations.

Among the missing items is an invitation and admittance card from the Mistick Krewe of Comus’ 1858 ball, its second ever and one of the first in New Orleans.

Also missing are a turn-of-the-century dance card from the now defunct Falstaffians; pins from 19th century Elves of Oberon; programs from the High Priests of Mithras; two dozen medals from Rex.

Monzon said entire folders of material are gone, including the 1887 file from Krewe of Proteus, creator of the city’s second oldest parade.

The invitations and other paper goods were particularly hard hit, he said. Spectacular invitations with intricate folds or die cuts were common. One might fold to reveal alternate imagery, another recombined into sculpture, like a small building, Monzon said.

Monzon said the world of Mardi Gras memorabilia collectors is small, and vintage pieces can sell for hundreds of dollars.

Copyright 2015 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-02-15 1644GMT

Red-letter event: Free Comic Book Day is Saturday

Millions of comic books will be distributed on Free Comic Book Day on May 2. Image submitted
Millions of comic books will be distributed on Free Comic Book Day on May 2. Image submitted

BALTIMORE – Free Comic Book Day will be celebrated at comic book specialty shops across the U.S., Canada, and worldwide on Saturday, May 2. Over 5.6 million comic books will be given away for free to anyone who goes to one of the 2,300 participating comic book shops.

This year’s roster contains 50 free comics that include titles for everyone’s tastes, including Marvel’s Secret Wars, DC Comic’s Divergence, Bob’s Burgers, SpongeBob, Transformers, Pokemon, The Tick, Rabbids, and many more for fans to discover.

During Free Comic Book Day, comic shops will also host community events such as costume contests, drawings by guest artists, creator signings, raffles, door prizes, photos with costumed characters, and other fun activities to take part in.

“Free Comic Book Day is the ultimate comic book experience, giving those who may be new comics, those who enjoy the TV shows and movies based off of comic books, and also devoted comic readers, the opportunity to get great titles for free,” says Free Comic Book Day spokesperson Deborah Moreland.

“Comic shops plan their FCBD activities months in advance to give their community the best Free Comic Book Day experience. Their events help bring together like-minded fans who come to discover new stories, explore all the fun and trendy comic book and pop-culture related items available in comic shops while enjoying the biggest comic book day of the year with family and friends.”

To find a participating FCBD comic shop, view all 50 free titles, and see special FCBD messages from actors and comic book fans Mark Hamill and Robin Lord Taylor, visit www.freecomicbookday.com.

Wright auction to offer Frank Gehry designed home May 19

The Frank Gehry-designed home, which must be moved from its present location, sold for $905,000. Wright image.
The Winton Guest House designed by Frank Gehry won House and Garden’s design of the year award and made Time’s 'Best of 87' list. Wright images

CHICAGO – On May 19 Wright will present Frank Gehry’s Winton Guest House at auction. The seminal work by one of the America’s most important architects must be moved from its present site in Minnesota. Wright hopes to find a new steward for this important structure.

LiveAuctioneers will provide absentee and Internet live bidding.

A seminal work, the Winton Guest House introduces Gehry’s “village concept” where rooms become individual structures, the overall plan foreshadowing his iconic design for the Guggenheim in Bilbao. Composed like a Giorgio Morandi still life, the structure is made up of six geometric-shapes clad in a variety of materials including stone, Finnish plywood and lead-coated copper. Completed in 1987, The Winton Guest House is a breakthrough structure exhibiting the sculptural vision for which Gehry is most well known.

The auction presents a rare opportunity to acquire an architectural masterpiece and preserve this significant work for future generations.

The Winton Guest House is estimated at $1 million to $1.5 million for the sale of the building only; the land is not included, thus Frank Gehry’s iconic structure will need to be relocated.

The sculptural structure will be offered in Wright’s Design Masterworks sale alongside a highly vetted selection of the best and rarest works by architects, designers and artists of the 20th century. Works from the auction will be on view in Wright’s New York gallery and the Winton Guest House will be represented by a model of the house created after the example by Gehry in the collection of the Museum of Modern Art, New York.

Mike and Penny Winton commissioned Gehry to design their guesthouse after reading a feature on the architect in the New York Times in 1982. Their residence, situated on 12 acres on Lake Minnetonka, was designed by Philip Glass. So as not to compete with Glass’s vision, Gehry designed the house as a large outdoor sculpture. In 2002 the Wintons sold their property to Kirt Woodhouse, who subdivided the land and subsequently donated the Winton Guest House to the University of St. Thomas in 2007. The structure was moved 110 miles to the university’s Daniel C. Gainey Conference Center in Owatonna the following year. St. Thomas has since sold the property, and the Winton Guest House now needs to move.

Receptions celebrating Gehry’s Winton Guest House will be held in Minneapolis and New York.

For details contact Wright at 312-235-4181.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

600 online bidders push Palm Beach’s Modern’s April 11 total to $900K

Boris Lovet-Lorski (Lithuanian, 1894-1973) Art Deco sculpture, ex Musee Luxembourg, $7,930; and Oswaldo Guayasamin (Ecuadorian, 1919-1999), original painting with COA from the Foundation Guayasamin, $39,040. Palm Beach Modern Auction image


Boris Lovet-Lorski (Lithuanian, 1894-1973) Art Deco sculpture, ex Musee Luxembourg, $7,930; and Oswaldo Guayasamin (Ecuadorian, 1919-1999), original painting with COA from the Foundation Guayasamin, $39,040. Palm Beach Modern Auction image

WEST PALM BEACH, Fla. – Bidders didn’t want the fun – or the bidding opportunities – to end at Palm Beach Modern’s April 11 Mad Men Tribute Auction, the company’s highest-grossing sale of the winter season. In all, the 550-lot selection of premium-quality midcentury furniture, art, decorative accessories and luxury goods realized $900,000 (all prices quoted include 22% buyer’s premium).

“There were more than 600 bidders online through LiveAuctioneers and probably 125 people in the audience who stayed for hours into the auction, even after their lots of interest had sold,” said Rico Baca, auctioneer and co-owner of Palm Beach Modern Auctions (PBMA). “Phone lines were especially busy for the art and Nakashima furniture, and we had a record number of absentee bids.”

An emphasis had been placed on securing midcentury pieces by the most sought-after designers from Italy, France, Denmark and the United States as an homage to the final season of AMC’s smash hit TV show Mad Men. “More than any other media influence of the past 20 years, Mad Men awakened a whole new generation of buyers to the décor and fashion of the late 1950s through 1960s,” Baca observed.

Modern furniture – which has roared at past PBMA auctions – continued its winning streak, with intense competition for “name-brand” pieces. It was also a very good day for modern art, especially works by top-tier 20th-century artists.

“With each sale we conduct, there is increasing interest in original works, editions and sculptures. We are very focused on developing this area of our business,” Baca noted.

The highest-priced lot of the day was a 33½ by 22½-inch original artwork by Oswaldo Guayasamin (Ecuadorian, 1919-1999), a master painter and sculptor whose depictions of human and social inequalities brought him international recognition and many prestigious prizes. Accompanied by a certificate of authenticity from the Foundation Guayasamin, the painting in PBMA’s sale settled within estimate at $39,040.





An Andy Warhol (American, 1928-1987) screenprint titled Flowers is pictured in the 4th edition of Andy Warhol Prints: A Catalogue Raisonne 1962-1987. Formerly in the collection of Dimitri Levas, New York, it was bid to $21,960, the upper end of its estimate range.





Also, a large original Donald Sultan (American, b. 1951-) charcoal work titled Black Lemons and Eggs surpassed its $8,000-$12,000 expectation to close at $15,000.





A lithograph/screenprint titled Eskimo Curfew, from a Frank Stella (American, b. 1936-) signed edition, changed hands at $7,930.





Of several Harry Bertoia (Italian/American, 1915-1978) sculptures entered in the sale, an abstract titled Hedge, which was accompanied by a certificate of authenticity from the artist’s son, Val Bertoia, fared best at $8,540.





Leading the midcentury furniture offerings was a pair of versatile Philip & Kelvin Laverne (American, 1907-1987 and b. 1937, respectively) Etruscan tables that could be used individually or combined to form a dining table. The versatile duo made $32,500.





A handsome George Nakashima (American, 1905-1990) geometric triple cabinet with front sliding doors was a three-dimensional testament to the revered craftsman’s training in architecture (masters degree, MIT). It finished close to its high estimate at $17,080 (shown below), and was followed by a Nakashima burl wood lamp, which sold for $9,760.





Two sophisticated designs by Jacques Duval-Brasseur (French) were auctioned consecutively and with pleasing results. An illuminating center hall table whose freeform tree-shape base “sprouted” upward through the glass top made $10,000 (shown below); while a floor lamp with a shimmering, jagged-edge shade and porcupine-spiked adornment went a bit farther at $10,370.





A chic De Sede DS600 “Nonstop” sofa of 31 separate, detachable sections was an eye-filling design with its voluptuous contours and deep pink grapefruit color. Measuring more than 23ft in length and offering endless opportunities as living room seating, the sofa ended its bidding run at $17,080.

Other furniture highlights included a metal and glass industrial-style table by Joseph D’Urso (Ref. Knoll – A Modernist Universe, Brian Lutz, pg. 202), $8,750; a sleek coffee table in the manner of Romeo Rega, $9,375; and a 7-piece outdoor living suite by Maurizio Tempestini, $5,185.

Several chandeliers were auctioned, including a dazzling Sputnik-style example that rocketed to $13,420 (estimate $4,000-$6,000).

Designer jewelry is a fast-growing category at PBMA. The April 11 sale featured pieces by many of the names preferred by today’s collectors. Highlights included a Chanel rutilated quartz and diamond ring, $7,930 (shown below); a Bulgari 18K gold link necklace and bracelet, $5,490; and a Tiffany & Co. 18K white gold bracelet watch, $5,185.





“It was exciting to see how international our audience was for this sale,” said Baca. “In addition to the more than 500 US bidders, there were active participants from Canada, Puerto Rico, Asia, Australia, the UK and many other European nations. It seems every culture can appreciate how special midcentury design really is.”

Baca added that, because of their increasing number of consignors, PBMA will host two November sales rather than one. The merchandise will be divided into a Modern Art & Sculptures event, with a second auction devoted to Modern Design, Art and Luxury Accessories. Those wishing to consign are encouraged to call 561-586-5500 or email info@modernauctions.com. Web: www.modernauctions.com.

View the fully illustrated catalog for Palm Beach Modern Auctions’ April 11, 2015 sale, complete with prices realized, at www.LiveAuctioneers.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.

Museum-quality items to be sold at Pangaea auction May 16

This Tiffany pre-World War I diamond, platinum and 18K yellow gold pin measures 3 1/2 inches in diameter. Estimate: $35,000-$36,000.  Pangaea Auction images
This Tiffany pre-World War I diamond, platinum and 18K yellow gold pin measures 3 1/2 inches in diameter. Estimate: $35,000-$36,000.  Pangaea Auction images

CARSON CITY, Nev. – Pangaea Auctions will offer antiques of the highest quality at a “Museum Collection” auction on May 16. LiveAuctioneers.com will provide absentee and Internet live bidding.

This collection was formed from multiple private collections, including that of Chief Joe Dan Osceola of the Seminole tribe.

There is a mix of lots from Chinese, Japanese, African, Indian, Inuit, Native American, and South American cultures, ranging in the form of collectibles, artifacts, sculptures, estate jewelry, weapons and paintings.

Among the top lots of Native American jewelry is an old pawn heavy bear claw, silver, turquoise and coral bracelet (below), which is stamped, “Navajo Handmade J.S.” It is estimated at $4,500-$5,500.

A Native American old pawn squash blossom necklace of sterling silver and green turquoise, 29 inches long clasp to clasp, is estimated at $3,000-$4,000.

An Indian or Persian hand-painted ganjifa playing card mounted on a silver amulet with chain (below) dates to the 17th or 18th century. It  has a $1,200-$1,800 estimate.

Estimated at $8,000-$10,000 is a Chinese 18th-century Qing Dynasty ivory carving of a scholar (below) having the Qing Dynasty Emperor Qianlong chop mark carved into the base.

A highlight of the Pre-Columbian artifacts is a gold earring ornament from the Quimbaya Sinu culture dating to the 5th-10th century. Similar ornaments are on display at the New York Metropolitan Museum. Measuring about 2 inches wide and weighing .35 of an ounce, this ancient bauble is estimated at $1,500-$2,000.

A 19th century African Njamji tribal fertility figure is considered rare. The example in the auction came from a collection put together in the early 1900s and now has a $5,000-$6,000 estimate.

For details email pangaea.auctions@gmail.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.

Bidders bullish on Steve Jobs business cards in benefit auction

Business cards listing Steven P. Jobs as president of NeXT Inc., chairman of the board of Apple Computer Inc. and chairman of the board of Pixar. Image courtesy of the Marin School.


Business cards listing Steven P. Jobs as president of NeXT Inc., chairman of the board of Apple Computer Inc. and chairman of the board of Pixar. Image courtesy of the Marin School.

SAN RAFAEL, Calif. – Bidding for three Steve Jobs business cards – one for each of his executive positions at Apple, Pixar and NeXT Inc. – has surpassed $5,000 in a benefit auction being conducted by the Marin School.

The vintage business cards, circa 1984-1990, were reportedly donated by a family who did catering for Jobs.

The Marin School is a private, college-prep high school in San Rafael.

Bidding closes May 7. For details log on to https://www.biddingforgood.com/auction/item/item.action?id=235404383