Ancient Resource Auctions presents age-old marvels Aug. 3

Large Byzantine double-spouted bronze lamp from circa the sixth or seventh century, 9¾in. tall. Estimate: $10,000-$15,000. Ancient Resource Auctions image

MONTROSE, Calif. – Ancient Resource Auctions’ online-only Exceptional Summer Antiquities Auction on Saturday, Aug. 3, is packed with over 380 lots of authentic, well-provenanced ancient Egyptian, Greek, Roman, Near Eastern, Islamic, Byzantine and Pre-Columbian antiquities and ethnographic items, including a selection of natural history and fossils. Bid absentee or live online through LiveAuctioneers.

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‘The Loaded Brush’ focuses on Roy Lichtenstein’s ’80s output

Roy Lichtenstein in his studio with works featured in the exhibition. Paintings from the left: ‘River Scene,’ 1987; and ‘Artemis and Acteon,’ 1987; left sculpture: ‘Brushstroke Head I,’ 1987. Photo by Bob Adelman. © Estate of Roy Lichtenstein / Bildrecht Wien, 2019

SALZBURG, Germany – A leading pioneer of the Pop Art movement, Roy Lichtenstein’s innovative use of the brushstroke, reducing the form of the painted stroke to its simplest expression, led to a new visual language which he elaborated to reach new heights in the 1980s. Engaging with a new subject matter, the brushstroke-form, Lichtenstein refined and reinterpreted the techniques and palette of his iconic Pop style. Continue reading

‘Joan Miro: Beyond Painting’ now on display in France  

‘Joan Miró: Beyond Painting’ exhibition at the Fondation Maeght in Saint-Paul, France. Image courtesy of the Fondation Maeght

SAINT-PAUL, France – Now through November 17, the Fondation Maeght is celebrating Joan Miró, a major player in the foundation’s creation alongside Marguerite and Aimé Maeght and their architect friend JosepLluís Sert, the exhibition “Joan Miró: Beyond Painting.” Curated by Rosa Maria Malet, former director of the Fundació Joan Miró in Barcelona, the exhibition gives visitors the opportunity to discover an essential aspect of the artist: his exceptional graphic work.
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Overstreet Comic Book Price Guide #49 on sale now

The main cover of ‘The Overstreet Comic Book Price Guide’ #49 was provided by DC Comics writer and artist Tony Daniel (Batman, Detective Comics) and features some of Batman’s most notorious villains. Image courtesy of Gemstone Publishing

TIMONIUM, Md. – The Overstreet Comic Book Price Guide #49 from Gemstone Publishing made its debut in comic shops across North America and in specialty shops around the world on July 17. It will reach traditional bookstores and online booksellers in less than two weeks.

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Art world meets plastic surgery in novel by Frank Strausser

‘Plastric,’ a novel by Frank Strausser. Image courtesy of Rare Bird Books

NEW YORK – The debut novel Plastic by playwright/author Frank Stausser, who gained much acclaim during the successful three-month run of his stage comedy Physcho Therapy at the Cherry Lane Theater in New York City, brings together various high-level players in the art world with the high-profile Beverly Hills plastic surgery culture in this edgy tale of psychological suspense that explores the ephemeral and diabolical world inside Hollywood as “the Capital of Good Looks.”

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Edmondson ‘Uplifted Lady’ takes the high road at $240K

‘Miss Amy’ by William Edmondson (American/Tennessee 1874-1951) soared to $240,000, becoming the second-most expensive Edmondson solo female figure sold at auction. Case image

KNOXVILLE, Tenn. – A limestone carving titled Miss Amy, an Uplifted Lady by William Edmondson, ascended to $240,000 at the July 13 Case Antiques Auction – just one of many high points in what proved to be a record-setting day for the Tennessee auction house. (All prices in this report include the buyer’s premium). The day’s highlights also included a six-figure diamond ring, European and American paintings, and Southern pottery and decorative arts. Absentee and Internet live bidding is available through LiveAuctioneers.

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Collecting goes better with Coca-Cola

This rare 1930s Coca-Cola original painting, which was used in 1927 magazine ads, sold for $41,000+ buyer’s premium in May 2016 at Dan Morphy Auctions. Photo courtesy of Dan Morphy Auctions and LiveAuctioneers

NEW YORK – Soda advertising is big business and has been since Coca-Cola and Pepsi began butting heads in marketing campaigns, leading to the famous “cola wars” that spanned the late 1970s and the early ’80s. Both companies slapped their advertising on many items to market their products but Coke is arguably the victor in the cola wars, at least in terms of soda collectibles.

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Chinese vases, Coca-Cola earn top dollar at Bruneau & Co.

Chinese Qing dynasty vase in robin’s egg blue glaze, 12¾in. tall. Price realized: $50,000. Bruneau & Co. image

CRANSTON, R.I. – A Chinese Qing dynasty robin’s egg blue vase, 12¾ inches tall, soared to $50,000 to take top lot honors at an Antiques, Collectibles & Fine Art Auction held July 13 by Bruneau & Co. Auctioneers. Just over 400 lots came up for bid in the sale that was highlighted by Asian arts and Coca-Cola. Absentee and Internet live bidding was available through LiveAuctioneers.

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Huge postcard collection serves as illustrated historical record

Raphael Tuck & Sons postcard of the Titanic published prior to its sinking April 15, 1912. Image courtesy of RR Auction and LiveAuctioneers

MYERSTOWN, Pa. (AP) – When Myerstown resident Donald Brown looks at a postcard, he sees more than just the pretty picture or the “wish you were here” note on the back.

The 89-year-old retired state librarian sees postcards as documents of history and of everyday American life in the 20th century. But Brown has taken his interest to the next level: In 1993 he started the Institute of American Deltiology, which sits in a historic building on Main Avenue in Myerstown, his hometown.

Inside the green and white building sit hundreds of thousands of postcards of nearly infinite variety. At one point about 800,000 cards, Brown’s collection is thought to be one of the largest in the country.

This isn’t a hobby for Brown. It’s an extension of his career as a librarian. Because many of Brown’s postcards capture scenes that no longer exist – such as opulent buildings from a long-ago world’s fair or World War II-era Fort Indiantown Gap – he has ended up preserving pieces of history with his expansive collection.

A ‘lifelong crusade’ for history

In recent years, Brown made sure his work is not lost to history. He has sent hundreds of thousands of cards to be archived at the University of Maryland, where they will also be used for research.

The very fact that college students would even be using postcards for research is also partly due to Brown’s influence. Doug McElrath, the director of special collections and university archives at the University of Maryland, calls Brown one of the “nation’s leaders” in promoting postcards as documents of history and not just pretty pictures.

For Brown, it’s all a result of his “lifelong crusade.”

“It’s important for me not to have just been a postcard collector, hoarding postcards because I like the format,” he said. “I recognized I had a responsibility to do something more than collect postcards.”

Catching the postcard bug at an early age

Receiving postcards from an aunt who was a missionary in Asia piqued Brown’s interest when he was a child, but there was another pivotal moment for Brown in 1943 on a late summer afternoon shortly after his grandparents died.

He and his cousin were handed a shoebox full of their old postcards, and they spread them on the floor.

“From that moment forward, when I saw the tall buildings in Pittsburgh and Chicago and New York, the bug bit me just like that,” he said. “I have not been able to stop collecting postcards.”

And collect he did. Fueled also by his deep interest in geography and history, Brown used the money he made from his paper route to buy postcards from stores around the country. By the time he was done with high school, he had amassed 6,000. His collection doubled during his college years, then exploded to 25,000 by the time he took his first job at Detroit Public Library.

He has focused his collection on his interests, which aren’t exactly narrow: They include North American, Mexican and Caribbean architecture, history and geography.

How postcards can be seen as data

In collecting postcards, Brown has been able to build a record of history.

McElrath said Brown was one of the first people in the country to point out that postcards were more than just pictures.

“Postcards have always been popular as collectibles,” McElrath said, “But he kind of upped the game.”

The size of Brown’s collection is also key, McElrath said, because it’s expanse means that inferences drawn from it are more than just theories, they can be proved. McElrath said Brown’s cards make up one of the largest privately held collections in the country.

“When you build a collection that large, you’re able to get beyond it just being these pretty cards and they actually become a statistically valid data set of evidence of the past,” he said.

Rare postcard of the Liberal Arts Building at the 1904 St. Louis World’s Fair. Image courtesy of Morphy Auctions and LiveAuctioneers

The tweets of the 20th century

Brown says postcards have taught him a lot about what people were proud of in the 20th century, and what America’s material culture was like.

Postcards were mostly a communication tool used by the middle class – Brown calls them the tweets of the 20th century – and they show a lot about what common people at the time valued.

Postcards came into use during the 1893 World’s Fair in Chicago, and took off after a similar fair in St. Louis in the early 1900s.

People began keeping postcard books to entertain visitors, Brown said, and using cameras – which were quickly to become more available – to send photo postcards of themselves, their families and their lives to far-away relatives.

The so-called real-photo postcards portray intimate details of ordinary life, Brown said.

“They capture social life and customers and human attitudes even better than a traditional card,” he said.

They also show what people were proud of, he said, beyond the big-city landmarks and monuments. Brown has a series of photo postcards from Campbelltown arranged on a board at his institute. One shows a family smiling for the camera, and another shows a young man standing proudly next to a motor bike. One even shows where carrier pigeons were kept.

“Postcards give you a down-to-earth, almost vernacular sense of what America looked like over time,” McElrath said. “Many of these places that are in these postcards no longer exist. They actually are evidence of a lost world in some cases.”

“They capture social life and customers and human attitudes even better than a traditional card.”

As the 20th century went on, postcards grew to include images of popular advertisements, movie stars or even World War II-era posters.

“There are cards on pretty much every subject you can think of,” Brown said.

Preserving postcards for posterity

Since Brown established his Myerstown institute in 1993, he estimates he’s received thousands of donated postcards, including several complete collections from friends who have passed away.

Managing all the cards has caused a bit of a headache for Brown. He is now the only full-time person at the Institute, although several volunteers help out part time.

About a decade ago, Brown recognized that he needed to downsize and to set up a place for his cards to go. He got in touch with University of Maryland and McElrath, and soon was sending a van loaded with thousands of postcards down to College Park.

He’s sent seven van loads of cards so far, amounting to nearly 400,000 cards, and will likely donate around 700,000 total. Once they get to Maryland, McElrath said they’re sorted by location or topic, and made available to researchers.

They’re also used as teaching tools to introduce students to how to use primary sources for research, McElrath said, and some are being digitized so they can be found online.

Archiving the cards is important for preservation, Lancaster County Postcard Club member Jere Greider said, and might help younger generations appreciate postcards. Greider said he has seen other collections sold to private buyers or broken up.

“He had the forethought to donate his cards,” he said. “Don is finding a home for all his things.”

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By NORA SHELLY, Lebanon Daily News

Information from: Lebanon Daily News, http://www.ldnews.com

Copyright 2019 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-07-20-19 0706GMT

 

 

NASA videotape recordings of Apollo 11 moon landing sell for $1.82M

Three original NASA videotape recordings of the Apollo 11 moon landing sold for $1.82 million. Sotheby’s image

NEW YORK – On Saturday, Sotheby’s, on the 50th anniversary of the Apollo 11 lunar landing, sold three original NASA videotape recordings of that historic event for $1.82 million. Three bidders competed for the videotapes for nearly five minutes on the phone and online during Sotheby’s ongoing auction dedicated to Space Exploration. This result is more than 8,000 times the price paid for the tapes at a government surplus auction in 1976 by then-NASA intern Gary George.

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