Quinn’s offers Burmese art, Lalanne bronze, fine silver and more, Jan. 14

Oil-on-canvas painting by U San Win (Burmese, 1905-1981), titled ‘View of Shwedagon Pagoda,’ 1975, signed and dated, 15½in x 20½in. Estimate: $7,000-$9,000. Image courtesy of Quinn’s Auction Galleries
Oil-on-canvas painting by U San Win (Burmese, 1905-1981), titled ‘View of Shwedagon Pagoda,’ 1975, signed and dated, 15½in x 20½in. Estimate: $7,000-$9,000. Image courtesy of Quinn’s Auction Galleries
Oil-on-canvas painting by U San Win (Burmese, 1905-1981), titled ‘View of Shwedagon Pagoda,’ 1975, signed and dated, 15½in x 20½in. Estimate: $7,000-$9,000. Image courtesy of Quinn’s Auction Galleries

FALLS CHURCH, Va. – On Saturday, January 14, Northern Virginia’s Quinn’s Auction Galleries will present an online-only Fine and Decorative Arts auction brimming with 400+ lots of beautiful Asian, American, European and Modern artworks. The auction will commence at 10am Eastern time, and absentee and Internet live bidding will be available through LiveAuctioneers.com.

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Frankenthaler and Sandman works presented side by side in Maine

Helen Frankenthaler (American, 1928-2011), ‘Sanguine Mood,’ 1971, Edition 17/75, Pochoir and screenprint on paper, 22 9/16 by 18 1/8in. (57.79 by 46.04cm). Bowdoin College Museum of Art, Brunswick, Maine, gift of the Helen Frankenthaler Foundation, 2019.28.2.9 © 2022 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York / Women's Board Commission, San Francisco Museum of Art (SFMOMA). Photography by Tim Pyle, Blue Light Studio.
Helen Frankenthaler (American, 1928-2011), ‘Sanguine Mood,’ 1971, Edition 17/75, Pochoir and screenprint on paper, 22 9/16 by 18 1/8in. (57.79 by 46.04cm). Bowdoin College Museum of Art, Brunswick, Maine, gift of the Helen Frankenthaler Foundation, 2019.28.2.9 © 2022 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York / Women's Board Commission, San Francisco Museum of Art (SFMOMA). Photography by Tim Pyle, Blue Light Studio.
Helen Frankenthaler (American, 1928-2011), ‘Sanguine Mood,’ 1971, Edition 17/75, Pochoir and screenprint on paper, 22 9/16 by 18 1/8in. (57.79 by 46.04cm). Bowdoin College Museum of Art, Brunswick, Maine, gift of the Helen Frankenthaler Foundation, 2019.28.2.9 © 2022 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York / Women’s Board Commission, San Francisco Museum of Art (SFMOMA). Photography by Tim Pyle, Blue Light Studio.

BRUNSWICK, Maine – Born a mere three years apart, both Helen Frankenthaler (1928–2011) and Jo Sandman (b. 1931-) received their artistic training during the heyday of Abstract Expressionism. The exhibition Helen Frankenthaler and Jo Sandman: Without Limits will be on view at the Bowdoin College Museum of Art through March 15. Co-curated by recent Bowdoin College graduate Elisha Osemobor and Co-Director Anne Collins Goodyear, it explores what can be learned by juxtaposing the work of these two pioneering artists.

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Closing Soon: Denver Art Museum’s Flemish Masterworks show, Jan. 22

Peter Paul Rubens, ‘A Sailor and a Woman Embracing,’ circa 1615-18. Oil paint on panel, 39 3/8 by 31 1/4in. © The Phoebus Foundation, Antwerp.
Peter Paul Rubens, ‘A Sailor and a Woman Embracing,’ circa 1615-18. Oil paint on panel, 39 3/8 by 31 1/4in. © The Phoebus Foundation, Antwerp.
Peter Paul Rubens, ‘A Sailor and a Woman Embracing,’ circa 1615-18. Oil paint on panel, 39 3/8 by 31 1/4in. © The Phoebus Foundation, Antwerp.

DENVER — The Denver Art Museum (DAM) is proud to collaborate with the Phoebus Foundation to present Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks, which continues until January 22. The exhibition introduces U.S. audiences to the Belgium-based Phoebus Foundation’s comprehensive 15th- to 17th- century Flemish art collection, including masterpieces by, among many others, Hans Memling, Jan Gossaert, Jan and Catharina van Hemessen, Peter Paul Rubens, Jacob Jordaens and Anthony van Dyck.

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Activist objects to museum selling toys of Hindu deities

Interior of the Peabody Essex Museum in Salem, Mass., photographed in March 2019. Rajan Zed, a Hindu rights activist, asked the museum to stop selling plush toys depicting Hindu gods through its online shop. Image courtesy of Wikimedia Commons, photo credit Daderot. Shared under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Interior of the Peabody Essex Museum in Salem, Mass., photographed in March 2019. Rajan Zed, a Hindu rights activist, asked the museum to stop selling plush toys depicting Hindu gods through its online shop. Image courtesy of Wikimedia Commons, photo credit Daderot. Shared under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Interior of the Peabody Essex Museum in Salem, Mass., photographed in March 2019. Rajan Zed, a Hindu rights activist, asked the museum to stop selling plush toys depicting Hindu gods through its online shop. Image courtesy of Wikimedia Commons, photo credit Daderot. Shared under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

BOSTON (AP) – A Hindu rights activist is calling on a Massachusetts museum to stop selling children’s plush toys representing three Hindu deities, which he says are “insensitive.”

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Mayfair Antiques & Fine Art Fair returns Jan. 12-14 after pandemic hiatus

 

Circa-1980s amethyst, diamond and gold leopard pendant-brooch with emerald eyes, £6,750 from Plaza Jewellery
Circa-1980s amethyst, diamond and gold leopard pendant-brooch with emerald eyes, £6,750 from Plaza Jewellery

LONDON – The Mayfair Antiques & Fine Art Fair returns to London’s West End and the five-star London Marriott Hotel Grosvenor Square, London W1K 6JP from Thursday 12 to Sunday 15 January 2023. Previously held annually until interrupted by the pandemic, this ninth edition is back to starting the year in style once again. The fair boasts a good mix of disciplines courtesy of members of The British Antique Dealers’ Association and LAPADA The Association of Art & Antiques Dealers, who have signed up to exhibit.  The fair has a magnificent international following including interior designers, collectors and, with its central location, lures overseas visitors to London, as well as people seeking unique pieces for their interiors.

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